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Audience 8.6 - The recording here leans toward the bright and trebly side but that lends an excellent opportunity to hear specifically what the guitar is doing, and the bass now has articulation so it’s not just a loud, dull rumble like most recordings tend to be with these blasting grunge bands. Chris sounds brilliant, and he’s maybe the clearest instrument on the stage too. Once you get used to the general timbre of the sound, it’s a fun, wild ride. -
Audience 8.8 - Quite an amazing find! A very rare and previously uncirculated show that sounds very clean and close, and it’s the original line-up! I have to categorize this as a must have. -
Audience 8.9 - A little bit of tape noise comes through on quieter passages but this is a very strong recording for the vintage. I’d like to know what the taper used for this. -
FM Broadcast 9.2 - This was a real revelation for me because I had not known much about this band other than “The Devil Went Down To Georgia”. I find them to be similar in a lot of ways to maybe Marshall Tucker Band and Allman Brothers, where perhaps if Allmans were Southern Comfort then CDB would be Jack Daniels. This period of the band features Billy Cox (Hendrix/Band of Gypsys) on bass too, which I never knew about either (I would have lost on Jeopardy). -
Soundboard 9.1 - The source used for this CD is a DAT tape made from a direct transfer of Joey Molland’s tapes of the show. Whether that means it is the same as what else is out there, I do not know, but it is possible that the radio station did their own recording for broadcast and other releases use the FM broadcast. This is not that! The sound quality is uneven at times while the levels are adjusted but after that it’s smooth sailing. -
FM Broadcast 9.5 - Both shows are professional radio broadcast recordings and are excellent. -
Audience 8.1 - I’m always amazed that tapes keep turning up just when you think you’ve discovered them all. Here’s one that is new for me, and it’s not bad. Now, you aren’t gonna crank this on the hi-fi and use it to impress your buddy or anyone for that matter – but for those of us who understand what we are dealing with, I think you will appreciate this tape and find probably more good points than bad. For one thing, it is not a muddy mess, and your ears will adjust to it and you’ll get sucked into it like I did and find it to be a decent one. -
Soundboard 9.2 - Another fun show with the boys. Come on, really if you can’t get into this you just need to drink a couple of beers and relax, maybe smoke a doob or something. -
Soundboard 8.8 - A solid early 80’s show, tape does show some slight signs of age in that it does not have a crystal clear sharpness as many have come to expect from Prince soundboards. Do not let that stop you though, like the rating indicates it is still a great board tape. -
Soundboard 9.4 - This is what Prince collectors come to expect, a crystal clear board of an amazing performance. Funny thing when listening to live Prince, he’s never put on a bad show…ever. -
Radio Broadcast 8.3-9.0 - Very old, and quite rare source material means a little analog degradation in the earlier broadcast but gets much better for the rest of the material. -
Aud 7.6 - decent all around without a lot of dynamics but strong -
FM Broadcast 9.0 -
Audience 9.3 -
Audience 9.5 - This is what a professional audience recording sounds like. Why oh why would anyone bypass a recording of this fidelity simply because it isn’t a board? Ridiculous! This is killer. -
Audience 9.1 - Excellent fidelity, good and punchy with tight bass and airy vocals.