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Audience 9.3 - Sit back, crank it, and enjoy. Wonderful! -
Audience 9.3 - Bright and clear. Tasty stuff, play it loud! (First show) -
Audience 9.2 - Very clean sound and fun show! (Second show) -
Audience 8.9 - Not as crystal clear as the others, but still slammin’ good stuff. (Third show) -
Fillmore East 1969 - Soundboard 8.8 / Atlantic City 1969 - Audience 7.2 -
All Pro Broadcast Quality 8.8-9.2 - Great compilation of classic BBC performances! -
Berlin 1971 - Audience 7.6 and Pro 8.7 - Material originates from an average audience tape but two songs come from a pro TV recording (most likely). Stockholm 1970 - Soundboard 8.9 - Material is most definitely from a TV source (thus explains the short interview). The second disc contains BBC tracks from 1970 and some rare color 16MM pro shot film from Berlin 1971. The disc is formatted as a data disc so you can only play it on a computer, opening the audio files and video file with the player of your choice. Quatermass Berlin 1970-1971 Berlin 1971, Stockholm 1970 and BBC 1970 Bonus Video from Berlin 1971 Disc 1 Berlin 1971 1. Monster In Paradise 2. Up On The Ground 3. Monster In Paradise (reprise) 4. One Blind Mice 5. Make Up Your Mind 6. Laughin' Tackle - Keyboard Solo 7. Unknown Track Stockholm 1970 8. Black Sheep Of The Family 9. Interview 10. One Blind Mice Disc 2 John Peel Session 1970-07-28 1. Black Sheep of the Family 2. Laughing Tackle 3. Make up your Mind Now 4. One Blind Mice Rare 16MM color pro shot film from Berlin 1971 (this disc is not formatted as a playable CD. It is a DATA disc and must be opened on your computer in order to play the files). -
Audience 7.2 - Can hear everything, but it’s lo-fi sounding at best. Add Equalizer and season to taste. -
Audience 7.4 - Very enthusiastic audience, they are loud, music is there somewhere. -
Audience 9.6 - Stunning! The band is on fire, the recording is brilliant. More like this please! -
Liverpool 1973 - Audience 7.3 - Something funky about the mix, and there is tape noise present, but it has an almost small club feel to it, just sort of far back in the club maybe. London, 1973 - Pro Radio 9.7 -
Audience 7.7 - Nice for a large stadium bootleg! Interesting recording, because it sounds like the guitar solo pans to one side, while rhythm guitar is center channel – but it’s an audience bootleg, so my guess is maybe two mics were used to get that to happen. -
Audience 7.4 - Roughly the same quality for each show. Both present complete 1974 shows, certainly must have’s for any dedicated fan, and even though they are only slightly above average, they are both good listens. -
Audience 9.3 - Wow! Simply incredible, an audience tape with more dynamics than most professional recordings, and a fantastic performance and set list! -
Audience 7.7–8.1 - Ranges in quality mainly because it gets off to a rough start but gets progressively better. -
Audience 9.4 - When an audience tape is done correctly you get a very real sense of the environment, of the people and the moment happening in front of you. This tape does all of that for you. -
Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour. -
Audience 8.4 - The situation with this recording is that although it is really clean, like master quality clean, the clarity gets a little lost when the band is at full volume. And that is because it is incredibly “live” and atmospheric and does not focus the audio directly into the mic. So, it’s very much an experience that immerses you but lacks super tight sonic clarity but a VERY nice recording otherwise. For 1975, it’s a great capture. -
Audience 9.1 - A concert recording that defines the term “immersive”. So, you are basically transported back in time and placed into a seat pretty close to the stage, sitting next to a couple of enterprising tapers. The audience is a part of this experience, it’s open, vibrant, clear, and dynamic and you are right in the middle of it all. Dang, you really should dive into this one if you do not have it. -
Audience 9.0 - Vocals come through shining! -
Audience 9.1 - More intimate setting, good stage mix, all clear and powerful. -
Audience 9.6 - Monsterous! Sounds like you are right there, crystal clear and loud. The BEST EVER! -
Audience 7.3 -
Audience 8.2 - Clear recording with some interesting “wide” vocal panning that is probably an effect from the hall, but it’s cool! -
Audience 7.1 - This tape cannot contain the power of the Rainbow! It sounds overloaded, but there’s music here, if you can get past the sort of mid band rumble. -
Soundboard 9.3 - This tour of Japan has gone down in Rainbow history as being the most fiery performances. Everyone playing superbly, and as always Dio is perfect. -
Audience 7.5 -
Soundboard 9.1 - You can hear some bleed through during quiet times and when band is not playing but when they are playing it is loud and punchy, good mix. -
Audience 9.5 - This is what happens when professional equipment is brought in by an audience member who knows what he is doing. Could be released officially, it’s so good. -
Audience 9.0 - Warm, inviting sound quality, with maybe my only gripe (and it’s a minor one) being that the guitar sits just behind the keyboards in this mix, still audible, but I am a guitar guy so… -
Audience 9.1 - Small club with great sound. One of those recordings that completely envelopes you with good, clearly defined sound that occasionally swirls above you giving you additional atmospherics. Killer! -
Audience 8.8 - What a great range on this tape. Solid low end meeting up to a very accurate mid range and the highs are not burnt to a crisp but there when you need them to be. Solid Solid Solid!