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FM Broadcast 9.2 - This was a real revelation for me because I had not known much about this band other than “The Devil Went Down To Georgia”. I find them to be similar in a lot of ways to maybe Marshall Tucker Band and Allman Brothers, where perhaps if Allmans were Southern Comfort then CDB would be Jack Daniels. This period of the band features Billy Cox (Hendrix/Band of Gypsys) on bass too, which I never knew about either (I would have lost on Jeopardy). -
Soundboard 9.4 - Yes it is CDB but it’s also a whole lot more. Since 1974 they hosted the Volunteer Jam and invited their friends and fellow “southern” rock bands including this legendary get together (famous for being the first on-stage appearance of Lynyrd Skynyrd after the plane crash). Sound is taken from what sounds like a couple of different sources but it’s all consistently great. January 13, 1979 Volunteer Jam V was held at Municipal Auditorium in Nashville, TN. This Jam marked the return of Lynyrd Skynyrd to the stage for the first time since the '77 plane crash, and the CDB gave the first live performance of a song that would catapult the band to superstardom, "The Devil Went Down to Georgia." Special guests also included Toy Caldwell and George McCorkle from the Marshall Tucker Band, Dobie Gray, The Winters Brothers Band, The Henry Paul Band, Link Wray, John Prine,Papa John Creach, Carl Perkins, and Jim Owen. Total Time = 03:14:26 Disc 1 01 Passing Lane 02 Jitterbug 03 Trudy 04 Intro Reflections 05 Reflections 06 Caballo Diablo 07 Intro Long Haired Country Boy 08 Long Haired Country Boy 09 Funky Junky 10 Uneasy Rider 11 Birmingham Blues 12 Cumberland Mountain No. 9 13 Devil Went Down To Georgia Disc 2 14 Orange Blossom Special 15 end of CDB set Banter 16 Award Presentation 17 Drift Away 18 Grey Ghost 19 It Hurts Me Too 20 Dust My Broom 21 Confusion 22 Spanish Pipedream 23 Paradise 24 Mexican Home 25 Ain't We A Pair Disc 3 26 I Reserve the Right 27 Carl Perkins Intro 28 Blue Suede Shoes 29 Down Home Blues 30 Lovesick Blues 31 Rumble 32 Intro Call Me The Breeze 33 Introductions 34 Call Me The Breeze 35 Freebird 36 Can't You See 37 The South's Gonna Do It Again Track 17 by Dobie Gray Track 18 by Henry Paul Band Tracks 19-21 by Grinderswitch Tracks 22-24 by John Prine Tracks 25 and 26 by Stillwater Tracks 27 and 28 by Carl Perkins Track 29 by Papa John Creach Track 30 by Jim Owen Track 31 by Link Wray Tracks 32-27 by Lynyrd Skynyrd -
Soundboard 9.1 - A smooth sound here, nothing is going to jar you out of your headphones but that is what works well with this music. Very pleasant!
Charlie Daniels Band Suffolk Forum Commack, NY 04/28/1978
Disc 1 1. -Introduction 2. -Tune up & Intro Music 3. -Black Bayou 4. -Jitterbug 5. -Trudy 6. -Maria Teresa 7. -Saddle Tramp 8. -Drums - Bass 9. -Saddle Tramp 10. -Long Haired Country Boy 11. -Stormy Monday Blues Disc 2 12. -Uneasy Rider 13. -Franklin Limestone 14. -Birmingham Blues 15. -Close Encounters Theme - Cumberland Mountain Number Nine Encores: 16. -Redneck Fiddlin' Man 17. -Texas 18. -Dixie - The South's Gonna Do It Again 19. -crowd 20. -Orange Blossom Special -
Soundboard 9.6 - Both of these concerts are stellar board tapes with lots of life in them. Sounds like they come from pre-FM broadcast masters. Charlie Daniels Band Met Center Bloomington, MN 5-15-79 Disc 1 1. -Jitterbug 2. -Trudy 3. -FM Simulcast Station Roster 4. -Reflections 5. -Caballo Diablo 6. -Let The Blind Man Play 7. -Funky Junky 8. -Behind Your Eyes 9. -Johnny B. Goode 10. -Long Haired Country Boy Disc 2 11. -Uneasy Rider 12. -No Potion For The Pain 13. -Birmingham Blues 14. -Cumberland Mountain #9 15. -Devil Went Down To Georgia 16. -Texas 17. -The South's Gonna Do It Again 18. -Orange Blossom Special Disc 3 Met Center Bloomington, Mn. May 19, 1979 1. -Fanfare - Intro 2. -Passing Lane 3. -Jitterbug 4. -Trudy 5. -FM Simulcast Station Roster 6. -Reflections 7. -Caballo Diablo 8. -Let The Blind Man Play 9. -Funky Junky 10. -Behind Your Eyes 11. -Johnny B. Goode 12. -Long Haired Country Boy Disc 4 13. -Uneasy Rider 14. -No Potion For The Pain 15. -Birmingham Blues 16. -Cumberland Mountain #9 17. -Stage Banter 18. -Devil Went Down To Georgia 19. -Texas 20. -The South's Gonna Do It Again 21. -Orange Blossom Special -
Audience 8.7 - This is a marvel! I mean, who would of thought to bother recording the completely underground opening acts for Genesis! Come to think of it, maybe even Genesis were still considered to be "underground" around this time! The point being that because someone went to the trouble to bring gear and set up to record you don't immediately expect that person to get ready in time to record each act in its entirety.They had to have planned it, to make sure they had enough blank tape, got situated in a good spot, got it rolling and balanced and then made sure to get the whole performance...MUCH respect to taper! The sound quality is very good, it is clear the machine used is good gear but I am inclined to think either the house mix was not ideal or his position was not ideal but the recording itself you can tell is solid. The flaw? I would call it mid-band crunch, or too much information crowding the middle band but not to the extent of distortion or overload, more that it ended up not having the clarity you want. The low end is round and tight, it's a comfortable sound but the overall mix is average. The Charisma Promo Concert 1973 Disc 1 Capability Brown Heidelberg, Stadthalle January 15th 1973 01 -Introduction 02 -Beautiful Scarlet 03 -No Range 04 -Liar 05 -Redman 06 -I will Be There 07 -The Garden 08 -Keep Death Off The Road (Drive On The Pavement) Disc 2 Lindisfarne Heidelberg, Stadthalle January 15th 1973 01 -Introduction 02 -No Time To Lose 03 -Together Forever 04 -All Fall Down 05 -Unknown Title 06 -Turn A Deaf Ear 07 -Lady Eleanore 08 -Scotch Mist 09 -The Clear White Light 10 -Meet Me On The Corner 11 -Oh No, Not Again 12 -We Can Swing Together Disc 3 Genesis Heidelberg, Stadthalle January 15th 1973 01 -Introduction 02 -Watcher Of The Skies 03 -Twilight Alehouse 04 -Get 'em Out By Friday 05 -The Musical Box 06 -The Return Of The Giant Hogweed -
Complex prog rock inspired by Genesis primarily but you will hear a lot of different things that might remind you of any of a dozen other bands. These guys were just playing music they loved and did not mind if it crossed genre too much. They began in Houston in 1970, the CD contains liner notes so you get more of their history. Very cool stuff! -
Soundboard 9.4 - A superb mix and live recording with exceptionally vibrant percussion, clear concise guitars, well balanced vocals, and good atmosphere. Chambers Brothers February 12, 1971 Fillmore East New York City, NY 01. -New Generation (13:36) 02. -Funky (5:25) 03. -Let's Do It (2:50) 04. -Pollution (3:45) 05. -When The Evening Comes (8:01) 06. -I Can't turn You Loose (6:27) 07. -Love, Peace & Happiness - Jam (12:34) -
Truly somewhat of an oddball release, this album stems from a long lost rehearsal session by a bunch of stoned South African teenagers in the late 60's. Not much was even known about them, not even at the time as the band never gigged or recorded a legitimate album. Still, the music reverberates with manic acid rock intensity. You've been warned! -
Studio Demos 8.3-8.7 - Quality ranges from just listenable to pretty decent. However what you get here is quite illuminating – I had no idea this band began as a sort of gothic blend of Black Flag, Misfits, and Motorhead. I hear punk influence all through these demos. I think they got onto a cool, raw, guttural vibe and thought “let’s run with this” and it took them down the metal path. Celtic Frost Demos 1980's Apocalyptic Raids Demo 01 Ready For The Slaughter 02 ApocalyptIc Raids Death Fiend Demos 03 -Angel Of Destruction 04 -Cruel Witch 05 -Procreaton Of The Wicked 06 -Visons Of Mortality 07 -Ready For a Slaughter 08 -Execution 09 -Maze Of Torment 10 -untitled 11 -Take Her (First Take) 12 -Take Her (Second Take) 13 -Maze Of Torment 14 -untitled 15 -Cries Of The Dead 16 -Massacra 17 -The Reaper 18 -Death Fiend 19 -untitled 20 -untitled 21 -untitled 22 -untitled -
Audience 8.9 - A recording that seems to be, if I had to guess, somewhere mid crowd but manages to bring you closer to the action. Great separation of instruments and a clear capture with zero tape noise so you can almost hear the pot smoke swirling above your head ha ha! But, this is quite good, and mesmerizing, so have a great trip as you put your time machine headphones on and set it to Seattle in ’76. Cat Stevens Seattle Center Coliseum Seattle, WA 1976-03-06 Disc 1 01. The Wind 02. Moonshadow 03. Where Do The Children Play 04. Another Saturday Night 05. Hard Headed Woman 06. King Of Trees 07. Whistlestar 08. Sitting 09. Sun - C79 10. Lady D'Arbanville 11. Banapple Gas 12. Instrumental 13. Majik of Majiks 14. Tuesday's Dead 15. I Love My Dog Disc 2 16. How Can I Tell You 17. The Hurt 18. Sad Lisa 19. Two Fine People 20. Oh Very Young 21. Blue Monday 22. Father And Sun 23. Ruins 24. Peace Train 25. Wild World 26. Jzero 27. Bitterblue Band Members: Cat Stevens - guitars, piano, lead vocals Alun Davies - guitars, vocals Mark Warner - guitars, bazouki Bruce Lynch - bass Jean Roussel - hammond organ, clavinet, electric piano, synthesizer, piano Gerry Conway - drums percussion Chico Batera - percussion Larry Steele - percussion, flute, acoustic guitar, bass Kimberley Carlson - backing vocals Angela Howell - backing vocals Sue Lynch - backing vocals -
We got this tape years ago when it was submitted by a customer of ours who thought we would be interested in it. He was from Ohio, and told me he was friendly with the guys in this band. He managed to get their demo recording and sent it on behalf of the band. That was around 1986, and the recordings dated around 1983. That was the last I heard about it. Decades later, I rediscovered the tape and decided it was time. Heavy and complex, the first track of their demo tape was 45 minutes long! As you can imagine, there were no labels that took them on...except me of course! -
The twins Mark and Clark Seymour (and a third brother on Moog and assorted keys) have a very long history in music. They may be little known to the general public, but once upon a time they were "the next big thing"...until loads of cocaine, unscrupulous industry execs, and bad decisions got the better of them. The story is a long one so no way to repeat it here, suffice it to say this was a band that could have given Queen a run for their money. Carnegie were at their prime during the years 1977 and 1978, with demo recordings, record contracts, shows, and even occasional TV appearances -- this 2CD set gives you a rare glimpse into what could have, what should have been. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Soundboard 9.2 - Very nice to hear this great quality board because it’s a good period for not only Caravan but progressive rock, and by extension, Canterbury style prog/jazz. CARAVAN Rose d'Or Festival Pavillon, Casino de Montreux Montreux, SWI April 29th 1972 1. -RIFFERAMA - NOTHING AT ALL - IT'S COMING SOON 2. -NOTHING AT ALL 3. -THE LOVE IN YOUR EYES - TO CATCH ME A BROTHER - SUBSTULUS - DEBOUCHEMENT - TILBURY KECKS 4. -WATERLOO LILY 5. -SONGS AND SIGNS Pye Hastings - guitar & vocals Steve Miller - organ Richard Sinclair - bass & vocals Richard Coughlan - drums -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Fillmore East 1969 Audience 8.4 - A bit of hiss is present, the music is not crystal clear until the guitar kicks in and then it comes alive. I’ll tell you what listening to this did for me: I started to understand why hippies tripped balls to Canned Heat, there is a very weird acid vibe going on, things get distorted and intense, and extremely psychedelic in a blues based presentation that is really kind of crazy. Maybe it was due to the band blowing up amplifiers, I don’t know but it’s intoxicating and you can’t stop listening to it, maybe it’s just this show, this weird recording that seems to do weird things…on purpose? You decide. Atlanta Pop Festival 1969 Audience 8.8 - A very interesting sounding old tape, with lead guitar and vocals quite present as if taper was real close but no distortion (although some tape hiss). The performance is bristling with acid blues rock electricity. It’s just palpable, I get these guys I really understand what the magic was. Canned Heat Fillmore East New York, New York, U.S.A. 02-07-1969 Disc 1 01 - Ain't That Lovin' You Baby 02 - Bullfrog Blues 03 - Sugar Mama - Bass solo 04 - Killin' Floor 05 - On The Road Again 06 - Bear Talking 07 - The Boogie Disc 2 1st Annual Atlanta Pop Festival Atlanta International Raceway Fulton County, GA July 4, 1969 01 -Going Up the Country 02 -Bring It on Home 03 -Number Nine Train 04 -When You're Twenty-Six 05 -Fried Hockey Boogie Line-up: Bob The Bear Hite - vocals, harp Alan Wilson - guitar, harp, vocals Henry Vestine - guitar Larry Taylor - bass Adolfo Fito de la Parra - drums -
Audience 9.0 - An interesting recording, it’s not a board as far as I can tell, but the vocals are panned over to one side (and they sound like they are right next to you, literally!) but the rest of the music is not hard panned. This is an exciting recording, and a great gig! CANNED HEAT Boston Tea Party, Boston, MA June 29, 1970 CD 1:- Intro
- I Found Love
- Catfish Blues
- Bullfrog Blues
- Gonna Find a New Woman
- Killing Floor - with Kaleidoscope
- Bring It On Home
- Kaleideheat Boogie Jam - with Kaleidoscope
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Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Soundboard 9.2 - The Paris is a little better, but the Edinburgh is also a good board tape showing perhaps a few more signs of its age. I find this period of the band perhaps their best musically, with a lot more confidence and drive. CAN Live 1973 Disk 1 Olympia, Paris 1973-05-12 01. Queueing Down 02. One More Night Disk 2 03. Spoon - Stars and Lines 04. Vitamin C Disc 3 Empire Theatre, Edinburgh 25th August 1973 01. Soup 02. Stone Strike 03. Hakucho No Uta (Swan No Song) 04. Hot Day in Koeln 05. I'm Your Doll Damo Suzuki - vocals Holger Czukay - bass Michael Karoli - guitar Jaki Liebezeit - drums Irmin Schmidt - keyboards -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 9.3 - A fantastic effort was made to capture this gig, really nice, smooth and pleasant with enough dynamics to bring you into it realistically. Camel Marquee Club London, UK 20 June, 1974 1. Earthrise 2. The White Rider 3. Six Ate 4. Supertwister 5. Mystic Queen 6. Liggin' at Louie's 7. Homage to the God of Light 8. Lady Fantasy -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 8.9 - A little bit of tape noise comes through on quieter passages but this is a very strong recording for the vintage. I’d like to know what the taper used for this. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Ultrasonic Studios 1969 Pro Studio 9.4 - Excellent stuff, I’d never heard this one before and I was pleasantly surprised to finally hear such pristine unofficial tracks by this great band. Tucson 1972 Audience 8.7 - A rambly, jambly sounding tape that allows you to hear every instrument with emphasis on drums, vocals and keyboards believe it or not…in such a way that sucks you right into it almost as if it were at a revival meeting. Yes, there’s a tiny amount of overload here (understandable) but I gotta tell you, this is a very, very exciting recording. Memphis 1972 Soundboard 9.7 - Scintillating stuff! Razor sharp guitar, pounding drums, and beautiful bass all interwoven and mixed for maximum clarity and separation of instruments. They were smart to allow some bleed from the audience to give this tape plenty of electric live atmosphere. SUPERB! CACTUS "Bringing The Boogie 1969-1972" Disc 1 Ultrasonic Studios, Hempstead, Long Island, New York, USA Tuesday, 23 December 1969 Tuesday, 10 February 1970 01 Peace on Earth [0:33] 02 Feel So Good [4:41] 03 You Can't Judge a Book by the Cover [8:27] 04 vamp [0:41] 05 Bro. Bill [5:35] 06 Help Me [6:25] 07 Oleo jam [4:17] 08 You Can't Judge a Book by the Cover riff [0:50] 09 Let Me Swim #1 [2:26] 10 Rumblin' Man (instrumental; intercut w/ Wipeout) [5:32] 11 Let Me Swim #2 [3:11] 12 Let Me Swim #3 [6:24] 13 Parchman Farm [2:36] Band line-up: Rusty Day - vocals, harmonica Jim McCarty - guitar Tim Bogert - bass Carmine Appice - drums Disc 2 Tucson, Arizona March 13th 1972 01. -Parchman Farm 02. -Long Tall Sally 03. -The Last Clean Shirt {Bro. Bill} 04. -Seven Nights {Includes bass solo, guitar solo, and drum solo} 05. -Bringing Me Down 06. -Oleo {Includes bass solo} 07. -Let Me Swim {Includes Boogie On} 08. -Rock & Roll Fever 09. -Whiskey & Wine Line-up: Peter French - vocals Werner Fritzchings - guitar Duane Hitchings - keyboards Tim Bogert - bass, vocals Carmine Appice - drums, vocals Disc 3 Ellis Auditorium Memphis, TN, USA December 19, 1971 01. Long Tall Sally 12:16 02. Bag Drag 03:10 03. Evil 16:11 04. Parchman's Farm 06:21 05. Alaska 03:56 06. Oleo 11:19 Disc 4 Memphis cont'd 07. No Need to Worry 20:18 08. Let Me Swim' 04:58 09. Big Mama Boogie 15:30 10. Heebie Jeebies > Money > Hound Dog > What I'd Say 17:03 Rusty Day - vocals, harmonica Jim McCarty - guitar Tim Bogert - bass, vocals Carmine Appice - drums, vocals -
Soundboard 9.3 - For my first exposure to a live Buzzcocks show, this was a splendid one! The recording captures the energy and the excellent, gritty, and I would even say cocky guitar tone. Can a guitar tone be “cocky”? Yes, I think it can because this guy’s tone is just that! Buzzcocks The Palladium New York 1979 01. I Don't MInd 02. Autonomy 03. Ever Fallen In Love (With Someone You Shouldn't've) 04. Mad, Mad Judy 05. Sixteen Again 06. Moving Away From Pulsebeat 07. Noise Annoys 08. What Do I Get ? - Harmony In My Head 09. Everybody's Happy Nowadays 10. You Say You Don't Love Me 11. I Don't Know What To Do With My Life 12. I Believe 13. Fast Cars 14. Breakdown 15. Boredom -
From the ashes of the Moving Sidewalks, former members Tom Moore and Dan Mitchell decided to carry on playing the blues once Billy Gibbons formed ZZ Top and was doing straight up Texas style blues rock. Featuring Hammond B3 organ, the band had a different approach to blues rock but executed with the same kind of unique Texas panache. A single 7" was released but the band recorded quite a bit of material which never saw the light of day. This CD gathers most of those recordings along with a disc full of rare live tracks, of which include Ottis Coleman (Honest John, 1900 Storm, Texas Blend) replacing Tom Moore and Dusty Wakeman (bass) who also happened to be in The Barons and engineered the Honest John album in 1975. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Radio Broadcast & Audience 8.8/8.5 - The radio material sounds its age but is a fine document in good enough shape to give you a deeper appreciation for this hugely influential band. The audience material is from a small club, and therefore does not suffer stadium sound problems meaning you can hear everyone pretty solid especially the guitar which is great. I am happy to be able to hear these recordings knowing a little background on the band and how they forged their own path in the music industry. A bit of ancient historical importance on the 1974 show, Judas Priest opened and come on at the end to jam with Budgie making it the first recorded appearance of Judas Priest on tape! Budgie 1972-10-10 Paris Theater London UK Burke Shelley - bass, vocals Ray Phillips - drums Tony Bourge - guitar Disc 1 1. -Talk 2. -Rape of the Locks 3. -Talk (includes station announce) 4. -Rocking Man 5. -Talk 6. -Hot As a Docker's Armpit 1974-02-11 Marquee London line-up: Burke Shelley Tony Bourge Pete Boot 7. Intro 8. Breadfan 9. Hammer And Tongs (early version) 10. You're The Biggest Thing Since Powdered Milk 11. Parents Disc 2 1. Zoom Club 2. Running From My Soul 4. The Stumble (instrumental version) 5. Running From My Soul (reprise, jam with Judas Priest) -
Audience 8.3 - Loud and a very live recording. This is the good stuff right here. -
Studio Quality 9.8 - As clean and clear as if it was recorded yesterday…so, yeah this is a no-brainer. Buckingham/Nicks "The Beginning" 01 Crying In The Night 02 Stephanie 03 Without A Leg To Stand On 04 Crystal 05 Long Distance Winner 06 Don't Let Me Down Again 07 Django 08 Races Are Run 09 Lola My Love 10 Frozen Love 11 Without You (Demo) 12 Candlebright (Demo) 13 That's Alright (Demo) 14 Garbo (Demo) 15 Sorcerer (Demo) 16 Cathouse Blues (Demo) 17 The Goldfish And The Ladybug (Demo) 18 Lola My Love (Live) 19 Races Are Run (Live) 20 Rhiannon (Live) 21 Crying In The Night (Single Mix) -
Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad? Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums -
Audience 8.5 - Tons of atmosphere, and a respectful audience. Nice! -
CD issue of an album originally released in 1986. The band hailed from Utah. Imported from UK CD is new, never played. -
Formed in Dallas, Brat were originally known as Cottonmouth (beginning in 1972). They went through a line-up change and a name change in 1975 and became a staple in the local Dallas rock scene. Known as a hard rocking covers band, they interspersed their own songs into their set list and eventually did some demos but nothing became of it. The fact is, they were a gritty, powerhouse live band! They breathed fire and fury into their very eclectic cover songs, and inspired hard rocking originals. This CD comprises their only known studio demos and live tracks. -
Audience 9.2 A really nice sound on this tape, really captures the size and feel of the venue and all of the music sits nicely within a warm sound spectrum. Brand X The Roxy West Hollywood, CA September 21, 1979 Early Show 01 Disco Suicide 02 Algon 03 Don't Make Waves 04 Dance Of The Illegal Aliens 05 Malaga Virgen 06 And So To F 07 Nuclear Burn John Goodsall - guitar Percy Jones - bass Robin Lumley - keyboards Phil Collins - drums Peter Robinson - keyboards -
Radio Broadcast 9.1 - A fine document, if a touch dated, but either way it sounds warm and full. There’s a lot going on here, I can’t imagine trying to keep up with this pace on stage! Brand X 1977-09-28 Glass Onion Rochester, NY Disc 1: Early Show 1. Radio Intro/Disco Suicide 2. Why Should I Lend You Mine 3. Deadly Nightshade 4. Nightmare Patrol 5. Nuclear Burn Disc 2: Late Show 1. Disco Suicide 2. Earth Dance 3. Malaga Virgen 4. Access To Data 5. Why Should I lend You Mine 6. Deadly Nightshade John Goodsall - Guitar Percy Jones - Bass Robin Lumley - keyboards Morris Pert - Percussion Kenwood Dennard - Drums -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine.