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Audience 8.2 -
Audience 7.2 - A rare show, but sadly no Necromancer. -
Audience 8.8 -
Audience 7.3 - Probably once sounded atrocious but someone did a great remaster here. The sound occupies one thin frequency band but they got a lot out of it. I can hear everything, even though at full volume the sound breaks up a bit. -
Audience 7.2 - Respectable audience capture if a little thin. You can enjoy this, add some bass though. -
Audience 8.7 - Respectable capture, not mindblowing but still very enjoyable. Does not hurt my ears! -
Audience 6.7 - 6.9 - Fluctuates, can hear everything but there's a slight rumbling underneath. Quieter passages 7.5 -
Audience 8.7 - At times the quality is better but even so, it’s not that bad with my only knock being the stage mix itself, where sometimes the guitars blend too much with everything so the separation of instruments is not the best it could be. I think the energy of the show is through the roof, with a good crowd and the band responding in kind. A fun listen. -
Audience 9.1 - Guitar sounds hot, overall excellent live mix -
Audience 7.6 -
Audience 9.1 -
Soundboard 9.1 - When I hear recordings like this, I am hesitant to consider it a pure soundboard because I am aware of the presence of “room” here, especially when it’s guitar and/or vocals by themselves and you really hear it. So, probably run through a board yes, but mic’d up for a recording rather than for PA if that makes any sense. -
Pro Radio Broadcast 8.8 - A fine recording that manages to allow some nice atmosphere into the mix. -
Audience 7.8 - Good live atmosphere, a touch trebly but not in an irritating way, just in the sound spectrum itself. Rory was riding pretty high during most of this tour having played a very historic run of shows in his native land (all released officially btw). -
Soundboard 9.1-9.4 - The mix gets tweaked a couple of times during the show but overall it’s a good one. -
Audience 8.9 - Raging electric blues recorded as if you were right there. Fantastic! -
Audience 7.2 - When it comes to The Stones, you can’t deny that ’69 to ’72 is where you need to focus. That’s how it is with me, and therefore ANY tape that comes along from that time period, I want it. So I wasn’t completely disappointed with this audience tape, even with its obvious limitations. -
Audience 9.0 - I have rated this highly because it transcends the boring sameness of most modern aud recordings and sounds more like a 70’s boot! I can’t explain it really. It’s just, to me, the Stones should always sound like the Cleveland 1978 bootleg LP which really sort of sums up the Stones for me. -
Both Shows - Audience source - 1st source 6.9 2nd source 6.4 - Historical document! Do not confuse this with being a modern, hi-fi experience because it is most assuredly not. One of only a few 1967 shows in existence, we have two different tape sources for this one, both on one disc. That is cool. -
Soundboard 9.0 -
FM Radio Broadcast 9.4 -
Soundboard 8.8 -
Audience 8.7 - The tape starts off with some phasing issues but gets progressively better and by the fourth song is pretty solid. -
Soundboard 9.7 - You won’t miss the 70’s with this raging heavy kick ass Trower show. Is this really from 1985? Could have easily fooled me! -
Audience 8.8 - I like these small club recordings, they give you a terrific sense of being at the event with the atmosphere, the kinetic interaction between performer and audience it makes the listening experience much better. A really good, well positioned capture here! -
Soundboard 9.0 - Extremely bright, very clear with a highly defined bass although it is not a “low end” bass, just defined. The signal is pushed a little hard, but there’s no distortion present. The cymbal crashes are prominent in the mix to a degree, but get properly subdued during guitar solos. These are nitpicky observations for what is clearly an impressive recording and show. -
Soundboard 8.8 -
Audience 7.3 -
Audience 7.5 - A warm sound, a tad distant but not too much. Good for a large hall, the sound of the kick drum for instance has a good solid thump that is distinct, and I can hear individual bass notes. Pretty decent! -
Audience 7.0 - Shrill sounding, like recorded on a very cheap cassette deck. Lead guitar does sound decent, and there is a bottom end – but I can’t rate this higher. -
CD 1 – Aud 8.5 / CD 2- Aud 8.8 / CD 3 – Aud 8.9 / CD 4 – Aud 8.7 / CD 5 – Aud 8.5 -
Audience 7.5 - Dirty sounding but actually guitar comes through fine! There’s a little noise in this tape, I am surprised nobody has tried to remaster this fine show. -
Audience 8.8 - What a great range on this tape. Solid low end meeting up to a very accurate mid range and the highs are not burnt to a crisp but there when you need them to be. Solid Solid Solid! -
Audience 9.0 - Warm, inviting sound quality, with maybe my only gripe (and it’s a minor one) being that the guitar sits just behind the keyboards in this mix, still audible, but I am a guitar guy so… -
Soundboard 8.9 -
Various sources ranging from 9.0 to 9.7 - High quality live and studio. -
Audience 7.5 -
Soundboard 9.2 and Audience 9.0 -
Audience 8.5 - Good levels, not the best separation of instruments but it is very live and active, really kind of sounds accurate to what you may have heard if you were sitting center about 20 rows back. -
Audience 7.3 - While not quite as good as the Messina show, this still presents a powerful representation of the live Il Rovescio Della Medaglia. A little of the distinction and separation of instruments not coming through as well but I found plenty to appreciate on this one as well as the other -
Audience 7.6 - Don't confuse this with anything they committed to vinyl back in the day. Not what I would call restrained Italian progressive music here - more like power prog pre-metal heavy riff bashing Italian flavored rock! Killer killer killer. While it is an aud with limited dynamic range due to tape limitations, certainly the power and glory comes across well enough. What a revelation for me to hear this band live. I certainly have a new appreciation for them! Hells yeah! -
Audience 7.4 - Missing some dynamics but clear and strong. Maybe not from a master source, but it's not as if there are bunches of Rare Birds out there! -
Audience 7.7 and 7.5 - The Gaelic Park show is an outdoor show and the band struggles at times to tune up but it is the better of the two in terms of clarity and sonics, with maybe just a bit of extra treble boost present which puts guitar into the forefront. The Academy of Music gig is not as present and bright but it is perhaps more even, with a broader spectrum of instruments in the mix although guitar is now downplayed. I would say both recordings deliver different characteristics which help the listener get a better sense of the rare live Ramatam experience -
Audience 7.1 - This tape cannot contain the power of the Rainbow! It sounds overloaded, but there’s music here, if you can get past the sort of mid band rumble. -
Audience 7.3 -
Audience 9.0 -
Audience 7.7–8.1 - Ranges in quality mainly because it gets off to a rough start but gets progressively better.
