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Audience 8.9 - Good clear recording where the highs have a pleasant chimy sound, not shrill or thin. The bass notes are very clear too. -
Soundboard 9.5 - Obviously this was recorded and mixed for a reason because it is really marvelous. (The Cellar) -
Audience 8.8 - I like this in your face recording, sounds like taper is right in front of the mains but he’s got the levels dialed in just right. This is ripping, gripping, and tripping power prog metal of the highest caliber. -
AUDience 9.4 - First thing you notice is that you hear every instrument CLEARLY, which is actually pretty damn unusual for a band that has so much going on and has to be a nightmare to mix clearly. Well, separation of instruments without loss of power is, to me, a great recording. -
Audience 7.7 - Clear! -
Audience 8.0 - Very good bit of history right here and it sounds pretty darn good too. Definite Must! -
Audience 7.2 - Distant and a little muddy but all instruments and especially Jim are there. Worth it! -
Audience 7.0 - Do not expect much here, it is not a hi-fi experience at all – but it is a fascinating document and good enough to pull you in to a pretty explosive Doors show. I live for this kind of thing – a tormented sounding Jim Morrison in 1968 basically at the vanguard of the Great American Cultural Renaissance. -
Soundboard 8.9 - Quality of recording is excellent, although they have to tweak the mix during the show especially the beginning of show 1, but that aside, it is a fantastic document! -
Audience 6.8 - Jim is clearly audible despite the lo-fi. -
Soundboard 8.7 - To my ears it’s a soundboard, a little hissy, and somewhat noisy mix but definitely one you can get into. -
Audience 9.0 - Immerse yourself into a great show, great set list, great sound! -
Pro Radio Broadcast 9.1 ~ Ultrasonic Studios -
FM Radio Broadcast 8.9 -
Soundboard 9.2 -
Audience 7.5 - There is some tape hiss present, and a little bit flat maybe but a great early period show that does not have the typical sound flaws (no boominess, not too distant, not distorted). It’s great for the vintage, all instruments heard, and a good jam. -
Soundboard 9.2 -
Soundboard 9.0 - A very energetic show and a great tape that allows an appropriate amount of atmosphere to permeate. -
Soundboard 9.1 -
Audience 8.5 -
Audience 8.5 -
Soundboard - All shows ranging from 8.7 to 9.3 in sound quality. All shows have been Remastered! -
Soundboard 9.2 -
Audience 8.9 - A solid but very loud recording with the tiniest bit of overloaded signal that seems to make this recording jump out of the speakers with supreme force. Pretty intense stuff, highly recommended! -
Audience 8.8 - A tape with a ton of atmosphere and electricity. The audio does not have a super well balanced mix but rather a strong focus on Dio’s vocals (fine by me) and really solid drums followed by a good mid range punch of guitar and bass. This is enjoyable stuff here! -
Soundboard 9.2 -
Soundboard 9.2 - Don't assume that there is any particular period of Dio's career that is "better" or somehow more desirable. Dio was a total pro, and he always put together exceptional bands. Vivian Campbell just shreds on this. The performance, the quality, Dio up to his usual high standards of excellence - this is a must have! -
Soundboard 9.7 -
CD 1: Oakland, CA - Audience 9.2 - Sounds like a pro recording. CD 2-4: Cotati, CA - Audience 9.4 - The band must have had this recorded themselves, it’s too good! Highly skilled musicians jamming the night away. -
Radio Broadcast 8.7 -
Audience 8.6 - Complete show that even includes the opening act “Dove” which sounds suspicious to me but there it is. This is a very good recording which is a bit spacious sounding for being in a club, and really conveys the feeling and the immediate crowd response which is very enthusiastic. -
Soundboard 8.8 - From a vinyl source, of course it’s great, but be prepared for tell-tale vinyl crackles and surface noise (minor), which all lends an air of authenticity to it. -
Audience 8.7 - A real small club atmosphere that puts you kind of up front where you get a real snappy drum sound and then guitars and vocals seem panned in wide stereo field because I can only assume the recorder was standing in front of the stage and was picking up the drums first then the P.A.’s which give this a very real vibe. -
Soundboard 9.2 - A good atmosphere for a board. It’s cool to hear this early performance. -
Soundboard 9.2 -
Audience 8.8 - This is a strange recording because at first it may seem as though it is a board tape because there’s virtually no audience noise at all. Closer examination reveals that it is more likely an open mic placed right up on the stage or close to the mains. It is a little hot, meaning the levels are near max, but thankfully it only comes to the bleeding edge and does not fall off the cliff. A pretty darn exciting tape! -
Audience 8.5 - Maybe a little low end muddiness with a real strong bass presence but I don’t think it kills this recording at all. If the guitars and vocals did not come through I would have said otherwise. The playing is exceptional; this recording should be enjoyed by all. -
Audience 8.6 - Open mic recordings of a studio rehearsal session that sound fairly decent if not a bit raucous and rough around the edges. -
Pro Studio Sound -
Soundboard 9.3 - Guitars literally leap out of the speakers in this mix. Not 100% if it is actually a board tape because there’s some atmosphere, at least with vocals and drums. -
All Pro Soundboard 9.6 - Stunning quality! -
Audience 8.4 - At some parts there is an annoying noise in the bandwidth, but it clears up. Nevertheless this is one to get. -
Audience 6.8 - From what I understand this was once one of the rarest D & the D’s tapes. Unfortunately it is pretty rough, that being said guitar is the clearest thing on here. A fiery show too! -
Audience 7.8 - Tape is a little over saturated but all the music comes through and well separated so that you get every piano key, every guitar note, every bass note, etc. and it’s great. -
Soundboard 8.6 - Levels a bit low so turn it up. -
Studio quality 9.3 -
Soundboard 9.5
