-
Audience 9.5 - Pro recording that will have the hairs on the back of your neck standing. Only one flaw, the vocals are a little buried in this mix until about a quarter of the way into the first song but then they fix the mic problem and its smooth sailing. -
Soundboard 9.0 - Extremely bright, very clear with a highly defined bass although it is not a “low end” bass, just defined. The signal is pushed a little hard, but there’s no distortion present. The cymbal crashes are prominent in the mix to a degree, but get properly subdued during guitar solos. These are nitpicky observations for what is clearly an impressive recording and show. -
CD 1 - Audience 8.8 - Direct into face, a driving and persistent intensity, very clean, very clear. CD 2 - Audience 8.3 - A more open spaced recording where you lose some of the dynamics, and vocals tend to get muffled and placed further back but guitar and drums are prominent and clear…bass is present but not as articulate or deep. A good tape and collectors will be happy to hear it since it is not widely circulated. -
Audience 7.5 - Dirty sounding but actually guitar comes through fine! There’s a little noise in this tape, I am surprised nobody has tried to remaster this fine show. -
Soundboard 9.7 - You won’t miss the 70’s with this raging heavy kick ass Trower show. Is this really from 1985? Could have easily fooled me! -
Audience 8.6 - The number score doesn’t tell the story on this show. The “flaws” here work to the advantage of the listener depending on what you like about live recordings. In this case, it’s too loud, a touch distorted (not distracting at all), and maybe slightly compressed but man, what a show and the recording delivers max energy and excitement. I LOVE this tape! It is absolutely brimming with power and energy. -
This entire set is meant to fill in a collector’s gaps. CD 1 - Audience 8.0 - Thin and distant but you do get to hear everything happening, not muddy, and not echoey, so this has bright spots CD 2 - Audience 7.6 / CD 3 -Soundboard 9.5 / CD 4 - Audience 7.5 / CD 5 - Soundboard 8.8 -
Audience 9.2 - Supremely LIVE and vibrant with maybe the slightest touch of tape noise that effects this absolutely zero because it simply DESTROYS everything, it is so good. -
Audience 7.5 - A warm sound, a tad distant but not too much. Good for a large hall, the sound of the kick drum for instance has a good solid thump that is distinct, and I can hear individual bass notes. Pretty decent! -
Audience 9.3 -
Sale!
Soundboard 8.7 - The interesting thing about this particular board tape is that the bass is the “lead” instrument in the mix and thus allows you to hear the sometimes overlooked intricacies and interplay in that regard. I would say that even though I enjoy and appreciate this aspect of the recording, the average fan may lament the somewhat overshadowed guitar and vocals, but these are not issues that nullify a superb performance and decent recording. -
Soundboard 9.0 - A slightly uneven, but kind of a fun sound mix. You get pretty up front drums, very crisp and focused, and then guitar which is also pretty loud, but vocals are a little behind the music (not completely drowned out) and bass hovers underneath like a viper ready to strike. You won’t distinguish the individual notes but you’ll get a menacing rumble. Interesting, and kinda cool actually. February 9, 1975 Caley Cinema, Edinburgh, Scotland Robin Trower w. James Dewar on bass & vocals and Bill Lordan on drums.- Day of the Eagle
- Bridge of Sighs
- Gonna Be More Suspicious
- Fine Day
- Lady Love
- Spellbound
- Too Rolling Stoned
- I Can't Wait Much Longer
- Alethea includes Lordan drum solo
- Little Bit of Sympathy
-
Soundboard 9.4 - I love the live mix on this one, it’s not a cookie cutter board mix. One of the best I have heard! -
Audience 8.5 - What this tape represents is an almost uncanny time warp back in time, the sound that the taper captured is amazing – the mix and separation of instruments is what damages an otherwise exceptional sounding tape. With that being said, it’s got a lot to appreciate regardless of the actual music contained herein. For instance, once the soundman dials the mix in better, the music does sound MUCH better and guitar rises slightly higher up front making for a more enjoyable listening experience. The sound of this tape is good, with a punchy upper midrange but not uncomfortable, and roaring “low end” and I say that because while bass is not well defined, it certainly is present in the lower frequencies here. This tape will grow on you, and I promise once you start, and get past the first song (where the live mix is getting dialed in), you’ll find yourself more and more sucked in to it. Robin Trower Long Island Arena, Commack, NY November 19th 1976 THE BAND Robin Trower guitar James Dewar vocals Bill Lordan drums Rustee Allen bass SETLIST 1 -Intro 2 -Same Rain Falls 3 -Lady Love 4 -Bridge Of Sighs 5 -Caledonia 6 -The Fool And Me 7 -Long Misty Days 8 -Too Rolling Stoned 9 -Daydream 10 -Day Of The Eagle 11 -Little Bit Of Sympathy 12 -Messin' The Blues 13 -Rock Me Baby 14 -Goodnight -
Audience 7.0 - Shrill sounding, like recorded on a very cheap cassette deck. Lead guitar does sound decent, and there is a bottom end – but I can’t rate this higher. -
Audience 9.2 - Both of these shows are fantastic, clear, and punchy. This is also a great period for Robin, his playing is mature, muscular, solid every note beginning to end. His recent material is on display here and there which is cool but the old stuff really shines…as always. Robin Trower The Country Club Reseda, CA 1-30-1987 Disc 1 1. Too Rolling Stoned 2. Secret Doors 3. Day Of The Eagle 4. Bridge Of Sighs 5. Passion 6. No Time Disc 2 7. Spellbound 8. Bad Time 9. Rock Me Baby 10. Won't Even Think About You 11. Little Bit Of Sympathy New George's San Raphael, CA 1/27/88 Disc 3 1 Too Rolling Stoned 2 Love Attack 3 Day of the Eagle 4 Bridge of Sighs 5 Second Time 6 No Time Disc 4 1 Take What You Need 2 Rock Me Baby 3 Tear It Up 4 Little Bit of Sympathy 5 Lady Love 6 Into the Flame