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Audience 8.3 -
Audience 7.9 - A delightful tape, rather warm and intimate although not super bright and clear. It still works, it has that vibe and emotional thing happening. -
CD 1 - Audience 8.8 / CD 2 - Audience 7.7 / CD 3 - Audience 7.2 / CD 4 - Audience 8.3 Some tape problems persist but they are not severe and do not affect the tape or show for that matter, but for a minor faint pop type sound. -
FM Radio Broadcast 8.8 -
Audience 9.0 -
Audience 6.9–7.2 - Tries to get better, sometimes it does. It’s a genuine 1969 audience tape for sure, but at least I can actually hear the band, and like I said at times this rises up to maybe a 7.2. -
Soundboard 8.5 - It’s really hard to tell but I think it’s a board because of the way the sound is mixed. Vocals are way up front, and then they get pushed a little back, and there’s a lack of surrounding noise. There is some tape noise present. The audience noise you do hear sounds like it is picked up from one of the stage mics. -
Audience 8.6 -
Audience 7.6 - Guitar cuts through quite well on this one. DVD is pro shot from French TV 1970 and features the original band members. DVD is a real treat. -
Audience 7.7 - Bright, clear, some tape over-saturation is present but not from any low end, or even high end which is clear and intact, it’s from maybe a touch of overload due to volume and average microphone. A good tape though, even with the limitations. -
Audience 7.9 - Good for the time period. Sounds like taper had decent gear. A tad distant sounding but the frequencies are actually strong. This is not that bad. -
Audience 8.6 - Sourced from a 1st gen analog tape, this sounds surprisingly good for a pre-fame grunge band with questionable live mix sound. They really never had a good live sound until they got famous, but this qualifies as one of the “must have’s” of their early career -
Audience 9.0 - This recording has a good solid middle highlighting the musicianship of the band, possibly at the expense of Chris in the overall mix. Don’t let that stop you, by all means this is one to get. -
Audience 8.7 - Lacks maybe some good mid punch, lows are good, Chris sounds good, but honestly listening now it kind of haunts you. RIP Chris Cornell. -
Radio Broadcast 8.8 - Some age showing on the tape (hiss) but highly enjoyable. -
Soundboard 9.8 - Wow! Superb! -
Audience 7.2–8.2 - What you get here is a very raucous sounding tape because when the band is at full volume the recorder can’t deal with it so there’s some clutter and slight high end break up, but when the band is more low key, such as a straight blues number, it’s wonderful. The music? Off the hook jamming! -
Soundboard 8.8 -
Audience 8.4 - Not too bad, but not the perfect live mix. Still, seems like a somewhat professional recording or attempt was made here, as if the tapers set up a reel to reel with decent mics and perhaps their placement just wasn’t the best. -
Audience 8.2 - Good clear sound if a little distant and thin. Small complaint though, because it is not bad at all. -
Audience 8.4 - Punchy in the middle, how I like it! -
Audience 7.7 -
Soundboard 8.6 - A good tape if a touch flat at times. -
Soundboard 9.0 - A little bit of hiss in the background but otherwise a solid, and enjoyable one! -
Audience 8.8 - Taper had good gear for this one, you can tell there is some sense of space, and the music has a chance to float above you. A rather sweet recording. -
Soundboard 8.8 -
Soundboard 9.0 -
Audience 9.2 -
Audience 8.8 - A little bit one dimensional but at least that dimension is very good! Vocals a bit behind here, but only a little. Drums, guitar – aw yeah! -
Audience 8.8 - Not all the 2015 shows were recorded by folks who understand where to sit and how to get levels, these guys did, thank goodness! -
Audience 8.8 - Pretty good sound especially if you want to focus on Geddy’s playing. -
Audience 8.8 -
Audience 8.7 - Respectable capture, not mindblowing but still very enjoyable. Does not hurt my ears! -
Audience 9.1 - Guitar sounds hot, overall excellent live mix -
Audience 7.6 -
Audience 9.1 -
Soundboard 9.1 - When I hear recordings like this, I am hesitant to consider it a pure soundboard because I am aware of the presence of “room” here, especially when it’s guitar and/or vocals by themselves and you really hear it. So, probably run through a board yes, but mic’d up for a recording rather than for PA if that makes any sense. -
Pro Radio Broadcast 8.8 - A fine recording that manages to allow some nice atmosphere into the mix. -
Audience 7.8 - Good live atmosphere, a touch trebly but not in an irritating way, just in the sound spectrum itself. Rory was riding pretty high during most of this tour having played a very historic run of shows in his native land (all released officially btw). -
Soundboard 9.1-9.4 - The mix gets tweaked a couple of times during the show but overall it’s a good one. -
Audience 8.9 - Raging electric blues recorded as if you were right there. Fantastic! -
Audience 7.2 - When it comes to The Stones, you can’t deny that ’69 to ’72 is where you need to focus. That’s how it is with me, and therefore ANY tape that comes along from that time period, I want it. So I wasn’t completely disappointed with this audience tape, even with its obvious limitations. -
Audience 9.0 - I have rated this highly because it transcends the boring sameness of most modern aud recordings and sounds more like a 70’s boot! I can’t explain it really. It’s just, to me, the Stones should always sound like the Cleveland 1978 bootleg LP which really sort of sums up the Stones for me. -
Both Shows - Audience source - 1st source 6.9 2nd source 6.4 - Historical document! Do not confuse this with being a modern, hi-fi experience because it is most assuredly not. One of only a few 1967 shows in existence, we have two different tape sources for this one, both on one disc. That is cool. -
Soundboard 9.0 -
FM Radio Broadcast 9.4
