• Audience 9.4 - Thankfully the final show of their last Tour features a superbly captured tape with good tight sound.
  • Audience 9.4 - One of the most exciting tapes, the sound leaps at you in amazing clarity and detail where you just get the sense that you are right there watching the gig. Great job by the taper, wish I could thank them personally.
  • Audience 8.4 - Captures the PA sound in reasonable quality, as if you are midway back on floor, so you do get the special aspect, you get some hall verb for sure but I have heard worse.
  • Audience 9.5 - Spectacular! I mean there are times when you’d swear it was a board. This is a must have!
  • Audience 8.8 - Pretty good sound especially if you want to focus on Geddy’s playing.
  • Audience 8.8 - Not all the 2015 shows were recorded by folks who understand where to sit and how to get levels, these guys did, thank goodness!
  • Audience 8.8 - Warm sound, leveled off somewhere in the upper mid and stays there…with quality.
  • Audience 8.8 - Everything is where it should be in this sound mix except I find Geddy’s vocals just a hair behind but it does not bother me at all. In fact this mix allows me to appreciate more of the bass and guitar playing. Really good stuff here!
  • Audience? Hard to tell if this is an audience or soundboard, it is really good. If it is audience, then it was done very close to the mains but no distortion at all, but I doubt that because there is very precise stereo panning on some of the effects (such as intro to 2112). If it is a soundboard, it is a good one because it allows some bleeding in of the crowd and atmosphere.
  • Audience 8.9 - This recording gives off a sense of massive power with Geddy’s bass sound being huge and round and dead on – with a great open expanse overhead allowing the music to breathe a little. This atmosphere allows the music to sometimes move around in the stereo field a little which is nice. I like this kind of recording when it comes to the larger venues.
  • CD 1 - Soundboard 8.6 - Sounds very low gen but the tape seems somewhat compressed, but very clean, and thankfully can be turned up loud without breaking up. CD 2 - Soundboard 8.6 - A lot like disc one, occasional phasing on one or two tracks, but again it is pretty clean and a mix that reveals how good each player is in this band. CD 3 - Soundboard 8.4 - A step down from the first couple of discs but it has a little more brightness to it, and a little more noise and a strange sort of echo on the guitar which does not bother me, it is just different than the other discs. All in all, collectors will find much to like here.
  • CD 1 - Audience 7.4 - A much better source tape here for this show, sounds a lot better than I remember it being. It’s still somewhat thin, but the bass guitar is very clear note-wise, just do not expect slamming bottom end. The second show on CD 1 is Soundboard 9.4 - Superb! CD 2 - Audience 7.4 - Similar to the Portland show, with more emphasis on drums, less clarity in the total mix- but heavier low end. CD 3 - All Radio Broadcast 8.8
  • Audience 9.3 - Very well placed mic allows the perfect balance of instruments in a setting that seems to breath, there’s space for the music and the audience to provide ideal atmosphere and balance.
  • Audience 8.6 - With the shortage of recordings spanning 2016 to now, anything is welcome including this rather spacious sounding capture. Bigger on atmosphere than super focused instruments, the vocals ring loud and clear but guitar chimes behind most of it all. Still, rather good, and I will take that!
  • Audience 9.1 - Thrilling capture! Gives you excellent mid band punch, and really clear, direct to ears sonics
  • Audience 8.7 - What you get here is a lot of large stadium ambiance, actual recording is pretty realistic from around the middle of the venue – not overpowering and good, clear, loud enough to get a sense of the event and of actually being there. It’s good – it’s not overwhelming – just good. Not a lot of 2016 tapes out there so I like having yet another one since the band played different songs at every venue.
  • All Soundboard and all about 9.2 to 9.4
  • Soundboard 8.8 - A little tape hiss present but a good board with my only issue being a lack of purity in the mix, somewhat muddy for a soundboard but it has a high rating due to the overall enjoyability.
  • 9.5 - Professionally recorded with a mobile truck, open mic direct to reel to reel. Difficult to accurately describe this, you could call it so many things. Uli Trepte was the bassist in Krautrockers Guru Guru, this is what he did after that. I should say “after his brain cells all waved bye bye” because this Spacebox stuff is about as “out there” as “music” can possibly get.
  • Audience 8.1 - Do not be dismayed by this sound rating, in fact this has been re-mastered and is vastly superior to all other versions out there. The lineage of this recording was the cause of some confusion for decades – it was believed to have been from Rotterdam but is in fact Amsterdam. Why this show has been overlooked by collectors is beyond me, it’s a marathon concert and should be in the collection. Maybe it was the marginal sound quality of previous versions? Oh well, now we have this.
  • Pro 9.0 - Everything in this set is very good to excellent, sounds mostly all Soundboard too. What a peculiar band, interesting, intense, angular (see title).
  • Audience 9.2 - The final performance of the 4 night Halloween Marathon at the Palladium in NYC 1978. Also part of the FZ Halloween Canister, also being offered.
  • CD 1 - Audience 8.4 - Surprisingly good, I’d never had this one in my collection until recently and I enjoyed it. CD 2 - Audience 8.7 - A very strong contender to be one of the best ’71 Audience tapes (along with the Copenhagen show). CD 3 - Audience 7.5 - The weaker of the three shows in this set, but it’s not crap, just not super clear or dynamic. A show your ears will adjust to, and you’ll have it in your collection all wrapped up in a nice package. A set that I recommend to get your fix on less common but good early performances.
  • Soundboard and Audience 8.7 – 8.6 – 8.4  - The first two discs are soundboard but show signs of age and lack brightness although both are clear. Disc 1 sounds like it was broadcast over the air, and is slightly better than disc 2. Disc 3 is an audience recording that sometimes peaks in volume causing some high end distortion (mainly present in the cymbal crashes) but is not bad overall.

  • Soundboard 9.1 and Audience 8.5 - Beautifully mixed, with some tiny over-sizzle on crash cymbals at times, which seems to get worked out on the mix, but more problems with vocals getting distorted, mostly is the “ssss’s” which isn’t a deal breaker because the problems are not a large percentage of the music. The second show is an audience recording that sounds a little distant until the guitars begin and then it sounds practically right next to you! Strange.
  • Audience 8.6 - A serviceable recording that I am thankful to have in that it captures an exceptional night where the band is simply on another level, especially Ronnie James Dio.  The dynamics do not impress, and there’s a lot packed into that upper mid band frequency which is barely hanging on but the good news is that it does hang on, and you do get pretty much everything in a reasonably comfortable way. I welcomed this one, and the bonus is that taper recorded the opening act too, which is included here for completeness.
  • Audience 8.7 - Is this the mother of Prince shows?  It very well could be just that. A marathon to begin with, but even better, the band and Prince are in spectacular form as an audience that has waited some 19 years for Prince to return to their city literally explode as one hurricane caliber force. Perfect, intense, brilliant. Audio quality is VERY good too, some nice ambience and just enough of the crowd next to the taper to imagine yourself there at the show. Just a ton of fun listening to this, and missing Prince dearly.
  • Discs 1 & 2 Soundboard 9.3 - Sounds to be professionally recorded possibly for a radio broadcast, but aside from very minor tape noise (I am nitpicking here), this tape is brilliant and has survived the passing of time in grand shape. Disc 3 Soundboard 9.6  - Superb, in almost every way!
    Gong Collection Bonus on Disc 2 (track 6) Amougles Pop And Jazz Festival - Actuel Pop And Jazz Festival- Mont de I'Enclus, Amougies, Belgium-1969 Disc 1 Lyon January 19th, 1973 1. -Gnome intro 2. -Pot Head Pixies 3. -Zero the Hero & the Witch's Spell 4. -I am your Pussy 5. -Why are we Sleeping? 6. -Radio Gnome Invisible 7. -I Feel so Lazy 8. -It's The Time of Your Life 9. -Tropical Fish 10. -Dreaming it Disc two Lyon January 19th, 1973 1. -Flying Teapot - Improvisation 2. -More Teapot 3. -Lawrence The Alien 4. -Blues For Findlay 5. -Teapot Jam 6. -Rational Anthem (Amougies 1969) Disc 3 Sheffield City Hall 10-08-73 1. -Crystal Gnome 2. -Radio Gnome I & II 3. -Mister Pyxie 4. -Deep In The Sky 5. -Flying Tea Pot 6. -Wet Drum Solo 7. -Mange Ton Calepin 8. -You Can't Kill Me 9. -Titicaca
  • Audience 9.6 - What makes this such an excellent recording imho is that the sound is not only really balanced, but mix-wise it is also superb. I mean, the punch of the bass, the crispness of the drums, the airiness of the keys, guitar right in the pocket…fuck what else do you want? It’s just excellence and your ears be the judge but mine are pretty spot on usually so…yeah, get this one.
  • Soundboard 9.0, Soundboard 9.5, Audience 7.6  - In this collection you have two excellent board tapes and one mediocre audience tape that you probably will not listen to as much as the first two discs. That is not to say the tape was not worth inclusion, but more that it was included for the sake of context since you can hear the band progressing through the years with the material. THE BYRDS Lee Jeans Living Rock Concert 1969 Disc 1 1. -Turn Turn Turn 2. -Ballad Of Easy Rider 3. -It Won't Be Wrong 4. -The Water Is Wide 5. -Mr. Tambourine Man 6. -Nashville West 7. -Lover Of The Bayou 8. -Jesus Is Just Alright 9. -Jesus Is Just Alright 10. -This Wheel's On Fire 11. -Jesus Is Just Alright 12. -Eight Miles High 13. -Break Song Tracks 1-8: Lee Jeans Living Rock Concert FM Radio show 1969 Track 9: KSAN FM broadcast, Fillmore West, June 15, 1969 Tracks 10-13: Bridges Auditorium 1969 (uncomfirmed) Roger McGuinn - guitar, Clarence White - guitar, John York - bass, Gene Parsons - drums. Disc 2 LOYOLA COLLEGE, BALTIMORE, APRIL 15, 1970 1. -Lover Of The Bayou (fade in) 2:54 2. -You Ain't Going Nowhere 3:07 3. -Well Come Back Home 7:55 4. -My Back Pages 2:22 5. -B.J. Blues - Baby What You Want Me To Do 5:03 6. -Truck Stop Girl 4:38 7. -Instrumental 1:26 8. -Mr. Tambourine Man 2:43 9. -Take A Whiff 3:33 10. -This Wheel's On Fire 6:10 11. -It's Alright Ma 2:40 12. -Ballad Of Easy Rider 2:26 13. -Jesus Is Just Alright 2:59 14. -Eight Miles High 16:42 15. -So You Want To Be A Rock'n'Roll Star 2:47 16. -Mr. Spaceman 2:54 17. -Outro 1:19 Disc 3 Franklin, Masachusettts November 29. 1972 1. -Lover Of The Bayou 2. -Buglar 3. -Americas Greatest Past-time 4. -Chimes OF Freedom 5. -I Wanna Grow Up to Be a Politician 6. -My Back Pages (Medley) 7. -Black Mountain Rag 8. -Mister Tambourine Man 9. -Take A Whiff 10. -So You Want To Be a Rock N Roll Star 11. -Mister Spaceman 12. -Chestnut Mare 13. -Jesus Is Just Allright 14. -Eight Miles High 15. -Hold It 16. -Roll Over Beethoven
  • Audience 8.4 Audience 9.6 Audience 8.6 - I found the ’68 show to be surprisingly strong for the early vintage, a definite surprise even with some hiss present which could theoretically be mitigated with a re-master but you don’t want to sacrifice any highs as they are just hanging on at the upper end. The ’69 is the famous Texas Pop Festival and of course is the best sounding one, and finally the ’70 show which really surprised me, a tad distant from the stage but clear, and I rather enjoyed the live atmosphere. A great trifecta of early vintage Spirit! Whisky-A-Go-Go, Los Angeles, CA November 1968 ONE 1. It's All The Same 2. Fresh Garbage 3. New Dope In Town 4. Apple Orchad 5. Water Woman 6. Mechanical World TWO Texas Pop Festival Sept. 1, 1969 1. Fresh Garbage 2. Elijah 3. Improvisation 4. Ground Hog 5. Grammaphone Man 6. Dream Within A Dream 7. I Got A Line On You 8. Aren't You Glad THREE Mammoth Gardens, Denver, CO June 5-6, 1970 Setlist: 1. Sweet Stella Baby 2. 1984 3. It's All The Same 4. Fresh Garbage 5. Unknown Instrumental 6. Jealous 7. It Shall Be 8. Poor Richard 9. Groundhog
  • Jimi Hendrix Gypsy Sun & Rainbows NY Soundboard 9.5 - Rehearsals for the Woodstock Festival that took place in New York in 1969, sounds incredible! Disc 1 (46:32) 01 Freedom (29) Jam (8:00) 02 Message to Love (3) (2:35) 03 Message to Love (50) (6:18) 04 Easy Blues (1) (complete) (10:12) 05 Easy Blues (3) (edited) (7:41) 06 Easy Blues (2) (more edited mix) (4:35) 07 Jam Back at the House (13) (2:23) 08 Jam Back at the House (15) (4:19) Disc 2 (78:50) 01 Izabella (1) (0:19), Izabella (2) (1:07) 02 Izabella (3) (4:44) 03 Izabella (4) (0:40), Izabella (5) (1:07) 04 Izabella (6) (3:40) 05 Machine Gun (1) (12:18) 06 Machine Gun (2) (alternate take) (12:39) 07 Izabella (25) (mono mix) (3:40) 08 Izabella (28) (stereo mix) (3:39) 09 Machine Gun (3) (8:11) 10 Machine Gun (38) (11:19) 11 Machine Gun (39) (7:28) 12 Machine Gun (40) (1:19) Disc 3 (70:31) 01 Jungle Jam / Jam Back at the House (3) (5:58) 02 Valleys of Neptune (22) (instrumental) (3:54) 03 Blues for Me and You (2) (10:29) 04 Blues for Me and You (1) (10:00) 05 Lover Man (45) (instrumental, stereo) (3:42) 06 Blues for Me and You (3) (8:55) 07 Lover Man (4) (instrumental, mono) (4:18) 08 Blues for Me and You (4) (edited) (5:43) 09 Stepping Stone (1) (15:22)
  • Soundboard 9.5 - More of the pre-Woodstock rehearsals this time taking place in upstate New York at the infamous “Shokan House” and sounding primo. Disc 1: 1. Back On The Desert (aka. Dance On The Desert) > Acoustic Medley 2. Izabella > The Rumble 3. Izabella / Machine Gun Jam 4. Univibe Jam 5. Message To Love 6. Mannish Boy 7. Mannish Boy > Izabella > You Make Me Feel 8. Ain't Got Nobody 9. The Dance 10. Sundance 11. Freeform Jam Disc 2: 1. Izabella 2. Izabella 3. Izabella 4. Message To Love 5. Jam Back At The House (aka. Beginning) 6. Jam in E 7. Jam Back At The House (aka. Beginning) 8. Machine Gun / If Six Was Nine 9. Flute Instrumental 10. Flute Instrumental 11. Why I Sing The Blues Alternate mixes: 12. Izabella [alternate mix with lower percussion] 13. Sundance [alternate mix with echo] Disc 3: 1. Lover Man 2. Lover Man > Drums 3. Hear My Train A-Comin' 4. Spanish Castle Magic 5. Instrumental Jam 6. Jams with Mitch incl. Villanova Junction Alternate mixes: 7. Flute Jam (from "leakage channel") 8. Instrumental Jam (Flute Jam mixed out) 9. Jams > Villanova Junction (Flute Jam mixed out)
  • Soundboard 9.5 and Audience 7.8 - Well, there you have it. You go from first to worst, thankfully most of the show is the board tape which is stellar.  For the sake of completeness, the not so great audience source fills in the missing bits and I for one don’t mind that at all. I’d rather have the whole show. Led Zeppelin 1971-09-28 Festival Hall Osaka, Japan Disc 1: 01 Intro 02 Immigrant Song 03 Heartbreaker 04 Since I've Been Loving You 05 Black Dog 06 Dazed And Confused Disc 2: 01 Stairway To Heaven 02 Please Please Me 03 From Me To You 04 Celebration Day 05 Bron-Y-Aur Stomp 06 That's The Way 07 Going To California 08 We Shall Overcome 09 Tangerine 10 Down By The Riverside 11 What Is and What Should Never Be 12 Moby Dick Disc 3: 01 Whole Lotta Love 02 C'mon Everybody 03 High Heeled Sneakers 04 Communication Breakdown
  • Audience 9.2 - Some tapes from the audience, that are done well, give you a sense of where you may have been in the room listening, it’s a “visual” recording and I like those kind. Prince Arena @ Mohegan Sun Casino Uncasville, CT December 27, 29, 2013 First of three performances in Uncasville Esperanza Spalding opened Disc 1 01. -Intro 02. -Days of Wild 03. -1999 04. -Mutiny 05. -The Sweeter She Is 06. -Something in the Water (Does Not Compute) 07. -Let's Go Crazy 08. -She's Always in My Hair 09. -Musicology 10. -Extraloveable Reloaded 11. -Nothing Compares 2 U 12. -We're A Winner 13. -I Never Loved A Man Disc 2 14. -Satisfied 15. -I Don't Want Nobody To Give Me Nothing 16. -Housequake 17. -The Jam 18. -The Bird 19. -Jungle Love 20. -The Glamorous Life 21. -When Doves Cry 22. -Nasty Girl- Sign of the Times 23. -The Most Beautiful Girl In The World - Hot Thing 24. -I Would Die 4 U 25. -Let's Work 26. -U Got the Look 27. -Purple Rain 28. -Intro by Doug E. Fresh - Big City 29. -Superconductor 30. -1999 31. -Mutiny 32. -Nothing Compares 2 U Disc 3 33. -Musicology 34. -Let's Work 35. -U Got the Look 36. -The Sweeter She Is 10. -Something in the Water (Does Not Compute) 37. -Let's Go Crazy 38. -When Doves Cry 39. -Nasty Girl - Sign “O” the Times 40. -Forever In My Life - Pop Life 41. -Housequake Encore 1: 42. -Purple Rain Encore 2: 43. -Take Me With U 44. -Raspberry Beret 45. -Cool with Doug E. Don't Stop 'Til You Get Enough - The Roof Is On Fire chants Encore 3: 46. -Plectrum Electrum The Band: Prince - vocal, guitar, bass, sampler-keyboard 3rd Eye Girl feat. ~ Hannah Ford - drums Donna Grantis - guitar Ida Nielsen - bass New Power Generation feat. ~ Andrew Gouché - bass Cassandra O'Neal , keyboards Shelby J. - vocal Liv Warfield - vocal Elisa Dease - vocal BK Jackson - saxophone Marcus Anderson - saxophone Adrian Crutchfield - saxophone Lynn Grissett - trumpet Steve Reid - trumpet Phil Lassiter - trumpet Sylvester Onyejiaka - saxophone Keith Anderson - saxophone Nick Marchione - trumpet Roy Agee - trombone Joey Rayfield - trombone)
  • Audience 9.3 - Yes, it is that good – and there is, I believe, a soundboard which is the source for the pro shot video but the audience tape is used here because, quite frankly, it is better. You need the atmosphere, you need the sense of space, distance, and vibe that a well-done audience tape can produce. The dynamics are good, the sound is round and warm, lush if you will.  My only complaint would be the lack of the crisp highs, but there are highs present just a little rounded off maybe. I am nitpicking!
  • FM Broadcast 9.1 (Seattle)  and Audience 8.3 (Fresno) - Two very cool shows with the first one taking the cake for fidelity but the second one is a stomper. It is pretty clear with guitar being very good and loud (screaming in fact!) but not at the expense of everything else. It’s lacking maybe some lower end definition and separation of instruments during their jamming parts (might lose some of the drums in there, and keyboards are absent sometimes) but these are not going to bother you when you start listening to this gig because it’s a thriller. STYX Paramount Theater Seattle, WA March 26, 1976 Reel to Reel Master @ 3 AND 3/4 ips KZOK Too High Concert Aired March 19th 1979 THE BAND Chuck Panozzo bass backing vocals James Young guitar backing and lead vocals Tommy Shaw guitar lead and backing vocals Dennis DeYoung lead and backing vocals keyboards John Panozzo drums Disc 1 1 -Intro 2 -Born For Adventure 3 -Lorelei 4 -You Need Love 5 -Suite Madame Blue 6 -Midnight Ride 7 -Rock and Roll Feeling with Guitar and Drum Solos 8 -KZOK sTATION ID Disc 2 Selland Arena, Fresno, CA. August 14th 1977 1. -Intro (2:51) 2. -Put Me On (6:08) 3. -Lorelei (6:35) 4. -Mademoiselle (5:21) 5. -Fooling Yourself (The Angry Young Man) (5:38) 6. -Suite Madame Blue (10:21) 7. -Crystal Ball (6:23) Disc 3 1. -Light Up (4:55) (Sourced from Miami 1977) 2. -Come Sail Away (8:42) 3. -Lady (4:27) 4. -Midnight Ride (10:26) 5. -Miss America (6:54) 6. -Born For Adventure (6:20)
  • Soundboard 9.4 - Both shows exceptional quality, and performances are pretty exemplary. In fact, during the introduction to the Buffalo show a point is made regarding the last performance there at the venue that it was not their best due to an illness with a band member and that this show would be no such thing. I guess they wanted to make a clear statement. Mahavishnu Orchestra 1973-01-27 Century Theater, Buffalo, NY Disc 1 001. Greetings>Moments of Silence 002. Birds of Fire 003. Open Country Joy 004. Dawn Disc 2 005. Dance of Maya 006. Sanctuary 007. One Word 008. Hope 009. Celestial Terrestrial Commuters Mahavishnu Orchestra 1973-05-09 Morris A Mechanic Theater Baltimore MD Disc 3 010. Birds Of Fire 011. Open Country Joy 012. Noonward Race 013. You Know, You Know 014. The Dance of Maya 015. Vital Transformation Billy Cobham - drums Jerry Goodman - violin Jan Hammer - keyboards Rick Laird - bass John McLaughlin - guitar
  • Soundboard 9.4 - Yes it is CDB but it’s also a whole lot more. Since 1974 they hosted the Volunteer Jam and invited their friends and fellow “southern” rock bands including this legendary get together (famous for being the first on-stage appearance of Lynyrd Skynyrd after the plane crash). Sound is taken from what sounds like a couple of different sources but it’s all consistently great. January 13, 1979 Volunteer Jam V was held at Municipal Auditorium in Nashville, TN. This Jam marked the return of Lynyrd Skynyrd to the stage for the first time since the '77 plane crash, and the CDB gave the first live performance of a song that would catapult the band to superstardom, "The Devil Went Down to Georgia." Special guests also included Toy Caldwell and George McCorkle from the Marshall Tucker Band, Dobie Gray, The Winters Brothers Band, The Henry Paul Band, Link Wray, John Prine,Papa John Creach, Carl Perkins, and Jim Owen. Total Time = 03:14:26 Disc 1 01 Passing Lane 02 Jitterbug 03 Trudy 04 Intro Reflections 05 Reflections 06 Caballo Diablo 07 Intro Long Haired Country Boy 08 Long Haired Country Boy 09 Funky Junky 10 Uneasy Rider 11 Birmingham Blues 12 Cumberland Mountain No. 9 13 Devil Went Down To Georgia Disc 2 14 Orange Blossom Special 15 end of CDB set Banter 16 Award Presentation 17 Drift Away 18 Grey Ghost 19 It Hurts Me Too 20 Dust My Broom 21 Confusion 22 Spanish Pipedream 23 Paradise 24 Mexican Home 25 Ain't We A Pair Disc 3 26 I Reserve the Right 27 Carl Perkins Intro 28 Blue Suede Shoes 29 Down Home Blues 30 Lovesick Blues 31 Rumble 32 Intro Call Me The Breeze 33 Introductions 34 Call Me The Breeze 35 Freebird 36 Can't You See 37 The South's Gonna Do It Again Track 17 by Dobie Gray Track 18 by Henry Paul Band Tracks 19-21 by Grinderswitch Tracks 22-24 by John Prine Tracks 25 and 26 by Stillwater Tracks 27 and 28 by Carl Perkins Track 29 by Papa John Creach Track 30 by Jim Owen Track 31 by Link Wray Tracks 32-27 by Lynyrd Skynyrd
  • Soundboard 9.3 - Three discs containing three shows performed during a stretch of the ’74 tour when Bill Bruford was brought in to complete the tour dates scheduled. All three are soundboard, great clarity and dynamics, a real sonic treat and of course Bruford brings a wide array of chops and panache to add to an already talented ensemble. Gong Ibsenhuset, Skien, Norway December 11, 1974 Disc 1 1. -Master Builder (6:08) 2. -Perfect Mystery (2:26) 3. -Tropical Fish (5:12) 4. -I Never Glid Before (7:22) 5. -Solar Musick Suite (7:48) 6. -Oily Way (2:11) 7. -Outer Temple (2:52) 8. -Inner Temple (1:30) 9. -A Sprinkling Of Clouds (5:36) 10. -You Can't Kill Me (3:33) 11. -The Isle Of Everywhere (2:17) Total time 46:55 Notes: First Scandinavian gig. Several tracks cut in or out. Some tape problems during the first 3 minutes. Disc 2 Oslo (Norway), Chateau-Neuf – December 15, 1974 1. -Master Builder (13:34) 2. -Perfect Mystery (2:38) 3. -Tropical Fish - Selene (7:13) 4. -I Never Glid Before (7:38) 5. -Transition (1:10) 6. -Solar Musick Suite (9:01) 7. -Didier Improv (10:21) - 8. -Oily Way (2:32) 9. -Inner Temple (3:33) - 10. -Outer Temple (1:37) 11. -Gliss Improv (3:41) 12. -A Sprinkling Of Clouds (2:21) Disc 3 Rotterdam (Netherlands), Eksit - December 7, 1974 1. -A Sprinkling Of Clouds (7:24) 2. -You Can't Kill Me (8:58) 3. -Isle Of Everywhere (10:21) 4. -You Never Blow Yr Trip Forever (12:37) 5. -Applause (5:57) 6. -Flying Teapot (8:04) Lineup: Daevid Allen - vocals & guitar Didier Malherbe - saxes, flute & vocals Steve Hillage - guitar & vocals Miquette Giraudy - vocals & percussion Tim Blake - synthesizers & vocals Mike Howlett - bass Bill Bruford - drums
  • Audience 8.4 - A fine document albeit not without limitations. Sound is generally clear, the mix is heavily in favor of Keith’s rhythm guitar, although Mick Taylor is not absent. Mick Jagger is audible, not clearly, but he is audible. Bass sounds pretty good, Charlie is there too but not distinctly. It’s not muddy, really, it’s not close, it’s not far – this is a very good “average” tape if that makes any sense. The Seattle portion (included in this set) is maybe in the 8.7 range, this source being a bit better than the other version we offer here. BTW I think the Midnight Rambler version here is one of the best of the tour. The Rolling Stones Pacific Coliseum, Vancouver, Canada 1972-06-03 Center Coliseum, Seattle, WA 1972-06-04 (2nd show)   CD1 __Vancouver__ 01 Brown Sugar 02 Rocks Off 03 Gimme Shelter 04 Bitch 05 Tumbling Dice 06 Happy 07 Honky Tonk Women 08 Loving Cup 09 Torn And Frayed 10 Sweet Virginia 11 You Can't Always Get What You Want 12 Ventilator Blues CD2 13 Midnight Rambler 14 All Down The Line 15 Bye Bye Johnny 16 Rip This Joint 17 Jumping Jack Flash 18 Street Fighting Man __Seattle__ 19 intro 20 Brown Sugar 21 Bitch 22 Rocks Off 23 Gimme Shelter 24 The Loveliest Night Of The Year 25 Happy 26 Tumbling Dice CD3 27 Love In Vain 28 Sweet Virginia 29 Loving Cup 30 Band intro 31 You Can't Always Get What You Want 32 All Down The Line 33 Midnight Rambler 34 Midnight Rambler 35 Bye Bye Johnny 36 Rip This Joint 37 Jumping Jack Flash 38 Street Fighting Man Total Time: 2h:57m:28s.
  • Audience 8.4 and Audience 8.2 - Both performances showcase a confident Jeff Beck, but in terms of sound quality the London show is clearer and bass has less boom so you can really dial in to the playing. The Manchester show is not that bad but it is a bit murkier, slightly more dynamic in the vocal dept. and I think the London show edges it out in performance quality as well. Doesn’t mean you will ignore it, just that you will favor the London gig, in fact the London show is a real contender to be in all Jeff Beck fans’ collections. Beck, Bogert, & Appice .... February 3, 1973 Imperial College of Printing; London, England Jeff Beck - guitar, vocals Tim Bogert - bass, vocals Carmine Appice - drums, vocals   Set List: Disc One 01 - Superstition 02 - Livin' Alone 03 - I'm So Proud 04 - Lady 05 - Morning Dew - Drum Solo 06 - Sweet Sweet Surrender 07 - Lose Myself With You - Bass Solo 08 - Black Cat Moan - Jeff's Boogie - Blues De Luxe - Black Cat Moan Disc Two 01 - Why Should I Care 02 - Plynth - Shotgun - Plynth 03 - People Get Ready 04 - Oleo - Boogie Beck, Bogert, & Appice .... February 11, 1973 Hard Rock, Manchester, England 05 - tuning stuff 06 - Superstition 07 - Livin' Alone> 08 - I'm So Proud 09 - Lady 10 - Morning Dew - Drum Solo Disc Three 01 - Sweet Sweet Surrender 02 - You Don't Care - Bass Solo - You Don't Care 03 - Jeff's Boogie - Blues Jam - Beverly Hillbillies Jam 04 - Jeff's Boogie (cont'd; with mid-cut) 05 - Why Should I Care? 06 - Plynth - Shotgun - Bass Solo - Plynth 07 - People Get Ready - Lady - Oleo - Jam
  • Audience - 9.5, 8.5, 8.8  We start with a real cracker of a tape, recorded close up with excellent gear…hard to put this down it is extremely captivating. Then we have a first – the first gig in Europe by the band, and it is a very good tape but we are going to feel the difference between this and the first disc. It’s not got the dynamics of the ’77, but it is considered a very good tape nonetheless. The final disc contains a very good recording with plenty of atmosphere and some dynamics, maybe a touch of clutter in a very specific mid band frequency but it is minor to my ears. It’s a real enjoyable tape! Kansas "The Live Collection 1977-1979" Long Beach Arena Long Beach, CA December 31, 1977 Disc 1 01 Magnum Opus Intro > Hopelessly Human 02 Point Of Know Return 03 Paradox 04 Icarus (Borne On Wings Of Steel) 05 Child Of Innocence 06 Closest Chronicles 07 Dust In The Wind > 08 Acoustic Guitar Solo 09 Piano Solo > 10 Lonely Wind 11 Cheyenne Anthem 12 Miracles Out Of Nowhere 13 Drum Solo > 14 The Spider Disc 2 Long Beach 77 cont'd 01 Portrait (He Knew) 02 Sparks Of The Tempest 03 Carry On Wayward Son 04 Down The Road 05 Violin Solo 06 Magnum Opus Congresgebouw Den Haag, Netherlands 3-7-78 07 Carry on Wayward Son 08 Down the Road 09 Point of Know Return 10 Paradox 11 Closet Chronicles 12 Mysteries & Mayhem 13 Lamplight Symphony 14 The Wall 15 Dust in the Wind 16 Cheyenne Anthem Disc 3 Convention Center Tucson, Az 12-7-79 01 On the Other Side 02 People of the South Wind 03 Point of Know Return 04 Closet Chronicles 05 The Wall 06 Dust in the Wind 07 Sparks of the Tempest 08 Child of Innocence 09 Down the Road 10 Stay Out of Trouble 11 Portrait (He Knew) 12 Band Introductions 13 A Glimpse of Home 14 How My Soul Cries Out For You 15 Carry on Wayward Son
  • Audience 8.3 - Both shows recorded by same taper so sound quality consistent throughout. This is another one of those “right in the middle of the action” tapes, where literally you sense the surroundings, and settle yourself in to what will be a wild night of rock and roll music. Quality is decent, without too much in the way of dynamics, but also this is not a muddy, crappy recording, it’s just not showcasing a wide range of tones. What you do get is a total immersion, and a very real sense of the electricity in the air (and in the excitable crowd). FOGHAT Music Hall Boston MA. May 3rd 1973 THE BAND Dave Peverett rhythm guitar vocals Rod Price lead guitar slide guitar Tony Stevens bass Roger Earl drums Disc 1 1 -Intro 2 -Road Fever 3 -What A Shame 4 -Shes Gone 5 -Leaving Again (Again) 6 -I Just Want To Make Love To You 7 -Who Do You Love 8 -Lousiana Blues JOHNNY WINTER Music Hall Boston MA. May 3rd 1973 THE BAND Johnny Winter guitar vocals Randy Jo Hobbs bass Richard Hughes drums Disc 2 1 -Tune Up - Intro 2 -Rock Me Baby 3 -Can't You Feel It 4 -Rock And Roll Hoochie Coo 5 -Great Balls Of Fire 6 -Long Tall Sally 7 -Black Cat Bone Disc 3 8 -Jumpin` Jack Flash 9 -Let It Bleed 10 -Everyday I Have The Blues 11 -Back Door Friend
  • Audience 9.0 - Nice and clear, with a sharply defined and articulate high end of the spectrum. During full band loud jam sections I find the guitar too low in the mix, but just fine in most of the sections where the overall band intensity is not as high (like during Zoot Allures, for instance). Overall it’s quite a tour de force this show – and brilliant on point guitar pyrotechnics abound. ZAPPA plays ZAPPA Date: 2007-12-04 Venue: Enmore Theatre, Sydney, Australia CD1: Stink Foot (FZ on video screen) Cheepnis Lonely Little Girl Eat That Question Son Of Suzy Creamcheese Brown Shoes Don't Make It Zoot Allures Pygmy Twylite CD2: Audience Participation Time Dupree's Paradise (with aussie icons Irwin Thomas [aka Jack Jones] and Johnny Diesel [aka Mark Lizotte]) Uncle Remus Willie The Pimp Andy I'm The Slime Echidna's Arf Dumb All Over (FZ on video screen) What's New In Baltimore? Advance Romance Filthy Habits City of Tiny Lights CD3: Cosmic Debris (FZ on video screen) G-Spot Tornado Muffin Man The band: Dweezil Zappa: guitar Ray White: vocals, guitar Joe Travers: drums Billy Hulting: percussion Scheila Gonzalez: keyboards, saxophone, vocals Aaron Arntz: keyboards, trumpet Pete Griffin: bass Jamie Kime: rhythm guitar With special guests: Steve Vai: guitar (from Andy onwards) Irwin Thomas [aka Jack Jones]: guitar (Dupree's Paradise) Johnny Diesel [aka Mark Lizotte] : guitar (Dupree's Paradise)
  • FM Broadcast 9.0 - This material was broadcast in 1974, and so you can tell the performances were somewhat pro or at least held up pretty well.  There is a slightly amateurish nature to the old tapes but therein lies the charm, since Joni herself pours charm out of her like maple syrup. A great collection of early vintage classic American folk. Joni Mitchell The Second Fret, Philadelphia, PA October 11, 1967 Disc 1 01 -Marcie 02 -London Bridges 03 -Ballerina Valerie 04 -Michael From The Mountains 05 -Go Tell the Drummer Man 06 -I Don't Know Where I Stand 07 -Brandy Eyes 08 -Winter Lady 09 -Mister Blue 10 -Both Sides Now 11 -Urge For Going 12 -The Circle Game 13 -Morning Morgantown 14 -Born To Take The Highway 15 -Eastern Rain 16 -Song To A Seagull 17 -Night In The City Disc 2 January 29th, 1974 WMMR-FM retrospective Philadelphia, Pennsylvania 01 WMMR intro [1:43] -- Second Fret, 17 November 1966 (w/ Chuck) -- 02 interview [3:18] 03 Circle Game [5:31] -- "Folklore," WHAT-FM studios, 28 May 1967 -- 04 Sugar Mountain [4:14] -- Second Fret, 17 March 1967 (second visit) -- 05 backstage interview [5:08] -- "Folklore," WHAT-FM studios, 12 March 1967 (w/ Leonda Newberry) -- 06 Both Sides Now [4:12] 07 interview [6:38] -- Second Fret, 12 March 1967 -- 08 Mr. Blue [4:31] 09 Carnival in Kenora [4:59] Disc 3 01 WMMR intro [0:46] -- "Folklore," WHAT-FM studios, 19 March 1967 (w/ Gordon Lightfoot & Chuck Klein) -- 02 Just Like Me [4:55] 03 Eastern Rain [5:50] 04 Blue on Blue [3:04] -- Second Fret, 17 March 1967 (third visit) -- 05 Born to Take the Highway [4:10] 06 Winter Lady [2:48] 07 London Bridge [8:16] -- "Folklore," WDAS-FM studios, 3 November 1968 (w/ Dave Van Ronk & Chris Smither) -- 08 interview [7:17] 09 Sisotowbell Lane [4:00] 10 interview [12:18] 11 The Gallery [4:20] -- Second Fret, October 1967 -- 12 Conversation [5:43] Solo line-up: Joni Mitchell - acoustic guitar, vocals except "Circle Game" with Chuck Mitchell - acoustic guitar, vocals Notes: Here's WMMR's Ed Sciaky and Gene Shay hosting a special program featuring performances and interviews from Joni's early Philadelphia appearances on the "Folklore" program and live music recorded at The 2nd Fret, between 1966 and 1968. This is as it was broadcast the day before her appearance at the Academy of Music in Philadelphia in 1974. "Just Like Me" has a mid-cut, and there are speed fluctuations throughout the 17 March 1967 tracks and elsewhere, but mainly in "London Bridge."  
  • Studio Quality 9.7 - Expect only the best from this guy, I mean, when you can spend thousands of hours every year in a state-of-the-art recording studio and not worry about the costs….you get stuff like this. Enjoy! Prince Studio Outtakes 1983-1996 Disc 1 1. Dream Factory 2. The Sex Of It 3. Crystal Ball 4. All My Dreams 5. Computer Blue 6. Miss Understood 7. Get On Up 8. U Gotta Shake Something 9. Alphabet St. Remix 10. Seven Corners Movie Mix 11. Sexy MF Remix 12. The Continental Remix 13. Work That Fat Disc 2 1. Power From Above 2. Carmen On Top 3. Go Carmen Go 4. Powerline 5. All That 6. The Juice 7. Fun Part II 8. Fantasia Erotica 9. Rootie Kazootie 10. Space 11. Guitar Segue 12. Asswoop 13. Ethereal Segue 14. Parlor Games 15. Michael Segue 16. (Got 2) Give It Up 17. Sonny & Miles Segue Disc 3 1. Poem 2. Interactive 3. Strays Of The World 4. (Lemme See That Body Get) Loose! 5. 18 & Over 6. Days Of Wild 7. Acknowledge Me 8. Slave 2 The System 9. Acknowledge Me 10. Superhero 11. Slave 2 The System 12. 20/20 13. Feel Good 14. Journey 2 The Center Of Your Heart 15. Eye Am The DJ 16. (Excuse Me Is This) Goodbye 17. Emancipation

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