-
Audience 8.9 - Taper was seated 15 rows back so this recording gets you a good clear image of the event. Being an outdoor venue, there is occasional “wind” effect that does not really bother. A solid capture! -
Audience 8.7 - It’s hard to screw up a recording when you have good equipment and decent seats, unless you fall asleep and drop the recorder on the floor. This crew didn’t, and the results are very good to the ears. -
Soundboard 9.6 - Darn is this great! ... the mix let’s you hear the lead work in fine detail. -
Audience 7.0 - Indispensable for the Iron Maiden collector. Is it perfect? No, far from it. This is one of the earliest recorded gigs that you can possibly HEAR. -
Audiece 7.0 - Loud and noisy, but Maiden fans know all too well the kind of lo-fi muddy sound most of the early recordings suffer from, that’s why this is welcome. It is not nearly as horrid as most, in fact in places this is actually pretty decent. You do get a great feel of the hall, and the energy level, and even though it is a tad crunchy you do get most of the band. -
Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. -
Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. -
Audience 7.0 - Kind of like the Rainbow show, it is clear and one of the other decent early shows from an audience source. Again, not much bottom end here, but you can hear all instruments clearly. -
Audience 6.0 - Poor recording but it’s all we have. For collectors only. -
Audience 5.0 - Low fi, but so few good recordings from the early days. The lead work is the clearest sound on this, vocals non-existent. Can appreciate the dual guitars on this even though it is low-fi. -
Soundboard 9.7 -
Audience 8.2 - A good recording that gives you the whole show in clear, decent quality with maybe the only real flaw being a sort of pushed back guitar but it is there and you can get just about everything in the mix. Enjoyable! -
Soundboard 8.8 - A slightly aged sounding tape that received a much needed EQ and level boost recently that lifted it a full point higher ratings-wise. If you like Chicago you should like this band too. -
Audience 7.0 - Perhaps the only known live recording of this band. Well worth having! -
Audience 7.5 - Not especially great, however if you are collecting you may want to snag this if you don’t have it yet. You do hear the music, it’s not a hot mess, it’s just simply an average sounding audience show. -
Audience 8.4 - Technically speaking, there would be people that would argue with this rating but you have to account for ENERGY and VIBE and this recording bristles with swagger, sweat, and INTENSITY. -
Audience 8.3 -
Pro Audience 9.3 -
Soundboard 9.2 -
Soundboard 9.0 -
Soundboard 8.8 - The band was recording this show, possibly for a live album. Contrary to what you might think of 80’s Heart, there is no wimp out here, they kick major ass! -
Audience 8.4 - There’s some obvious flaws in this tape, what sounds like a rather highly compressed sound, but I have to say if you give it a complete listen you will fall in love with it. Case in point – not to be a spoiler, but while playing Magic Man they riff on some classic Yardbirds and it just makes it for me. Just a little riff is all it took for me. I love this show! An absolutely devastating performance you won’t forget about. -
Audience 7.5 -
Audience 7.4 -
Soundboard 9.2 -
Audience 7.6 - A valiant capture by the intrepid taper, really has a good feel of the venue but the sound itself is kind of in a strange spot in the spectrum. Still it’s good, but you want it to “move” more to the middle, can’t explain it any other way. -
Audience 8.8 -
Audience 6.5 -
Audience 9.4 - Spectacular! Bonus trx Studio Rehearsals 8.7 -
2 Shows: London 1975 - Soundboard 9.2 ~~ Rainbow 1975 - Audience 8.8 -
Soundboard 9.5 - Outstanding pre-FM source material that showcases one of the top shelf “Krautrock” bands of the early 70’s. -
Soundboard 9.4 - Includes an intermission Audience source. Do you know your Krautrock then? If so, than you may not want to pass on this one. A rare show, a strange show, a wild night. Excellent document complete with loads of photos, and excellent sdbrd audio. -
Audience 7.4 - For the first half of the show containing the Edgar Winter and Leon Russell sets, and 8.2 for the duration, which is cool because now you have a complete picture of the entire evening, start to finish, which you rarely find. As the tape progresses, rather than diminish, it brightens and opens up for pretty much the entire Gregg Allman set. Not that it is horrible, just that it occupies a mid range bandwidth without straying into too many dynamics. Tape does not distort, and does not peak, so what you get is a consistent capture that gets progressively better as the evening wears on. This tape has never been heard prior to the release of this set. -
Soundboard 9.4 (all three discs) -
Audience 8.6 - Decent tape! -
Audience 7.7 - You can count on one hand the number of GFR live recordings from the early 70’s, so whenever one pops up, it is worth investigating further. This one is absolutely worthwhile, with sound quality that places it into the top 5. All instruments hear, and clearly with drums being the weakest link. -
Audience 7.8 - Very worthwhile listen, all the energy and excitement is here in spades, and a very decent recording of what had to be insanely loud! One of the better early audience recordings out there for sure. -
Audience 9.0 - This goes from worst to first in a hurry. Skip the first song, go right into the next song because from there on out this is spectacular! -
Audience 7.4 - Supremely loud! Only by turning down the dial on the very crisp highs (as in cymbal crashes) will you get something discernible in this noisy wall of sonic mayhem. However, it is clear enough to enjoy nonetheless. -
Audience 7.1 - Not the greatest fidelity but once you get through the first sound and your ears adjust you will get sucked into this marathon of a show. Only one song clocked in at under 6 minutes. One thing that I was struck by here, was the sheer massiveness of the bass, when he kicks in the fuzz overdrive it is massive and really drives this band’s music. A worthwhile listen considering the miniscule amount of GFR recordings out there, especially from this vintage. -
Audience 8.3 - Pretty clean but somewhat low levels. Solution? Play it loud! -
Audience 8.7 - It’s a small to mid-size venue and a loud all-girl metal band so the idea here is to just have some fun. If you are wanting pristine clarity and dynamics, you have come to the wrong place. If you want polished, precision metal, um, yeah, whatever pal. If you wanna rock with some veteran metal chicks and get sloppy drunk, well, step right up! -
Audience 8.2 -
Audience 8.8 - Very solid! -
Soundboard 9.6 - Just fantastic! I have to believe this was recorded for possible future official release, it’s just that good. -
Audience 7.4 - My oh my what a difference technology makes! I remember in the early days of my collecting music, and I mean on cassette tapes mind you, this show was one that I just would not even listen to out of curiosity. It was “file under abysmal” and that was it. Now, this new transfer from the master, and a prudent digital re-mastering has brought out actual music here! In fact, it’s not even that horrendous and you will actually listen to it. One brief moment really struck me, and it was the last fading seconds of the recording when you hear the enthusiastic shouts from the audience as the intense sounding Hammond organ notes fade out. This reminded me of just how powerful a Genesis show was in 1972, and we do not appreciate that because there are no analog recordings that can accurately reproduce that intense sound. We have to use a little imagination, but sometimes we do catch glimpses of it. -
Audience 9.0 - Tremendous atmosphere gives you a crystal clear impression of what this gig was like, and it is very clean sounding like a master source was used. Fantastic experience with the only minor complaint being that there are two songs missing…it happens. -
Audience 8.6 - Right down in there with the crowd, listening to the audience listening to the band. The band and their music sound terrific, the audio quality is actually pretty darn good, bright, not distorted, maybe not as full on the bottom end but the bass itself is very round but not thumping. Drums are crisp and well defined. This is actually a good recording!