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Audience 8.5 - A steady, reliable recording that delivers a very live, natural sound but lacking just a little separation of instruments. Still a VERY good one! -
Audience 9.3 - Hard to dispute the excellence of this recording. The only downside is that not only does it capture the happenings on stage extremely well, it also captures the audience close to the mic…but, that seems to add excitement so we let it slide. -
Audience 9.5 - Technically speaking, you could argue with my rating, but a rating must not only represent sonic clarity but also overall enjoyability of a show/recording. This one rates as high as I can allow for both excellence and all the other aspects of what makes a tape really great. -
Audience 9.0 - Fantastic recording really, in fact I can only try and be real nitpicky to try to find anything outright bad about it. It’s close up, warm, atmospheric (I don’t mean echo or reverb either), and pretty good separation of instruments. Kick drum is even present, so it is also detailed. Good One! -
Audience 9.2 - Hard to imagine someone not absolutely loving this, but there are still a few people who think just because a microphone placed somewhere in the audience was used to capture the sound, it can’t be good. Play them this. Wowsers! -
Audience 9.2 - Excellent! Strong if just a tad subdued as far as guitar loudness. -
Soundboard 9.8 - Put down whatever you are doing immediately. This SMOKES! This is the one you do not want to pass up! -
Audience 8.7 - Very good! Much wider stereo sound field with some hall dynamics present, and just a little less definition with Pete in the mix but it's actually got a great live feel to it. Highly enjoyable. -
Audience 8.4 - Not bad but has a lack of meat to it, and though Pete's guitar sounds more evil here, it's the lack of punch in the bass and drums that detract overall. -
Audience 8.8 - Once the taper settles in this show sounds fantastic! Clear, decent mix and great atmosphere. A real treat! -
Audience 7.1 - A kind of muddy mix with Roger coming through OK, and the lead guitar is fine. Not the worst 1971 show, which we take whatever we can get as Who fans. -
Audience 8.9 - Clean and bright, especially nice drum sounds! -
Audience 9.3 - Another excellent, clear, bright 75 show with all the dynamics you could want, good punchy drums and bass, clear vocals, crunchy guitars. Lovely! -
Audience 7.7 - Pretty decent recording, rather quiet audience this time. The sound rings out clear. My hunch is this may be a vinyl source but it’s been handled properly. Really good for the time. -
Soundboard 9.4 - Superb in every way possible. You HAVE to have this if you do not have it in your collection yet. This is the new Remaster, and it SMOKES like everything else from this period. -
Audience 6.8 to 7.0 - You get mainly Roger and Keith crashing cymbals and his kick drum, then Pete shows up in the mix. Interesting atmosphere though, because the audience must be large but you can’t hear them much on this tape, possibly mic was elevated above the crowd. The sound changes a little as it goes and gets better to my ears. Hence the kick up to 7.0. -
Audience 8.2 - A tape with some good qualities despite being technically average. For instance, I like the vocals on this tape, and Pete’s guitar is in a better spot than on most average audience recordings, it comes through ok, with great atmosphere! Roger sounds great, and the bass is a nice fat, round sound that gets a little pushy but also gives the show its darker vibe. Interesting moment in the show, during the pause in Young Man Blues (the one right before the jam) where Keith traditionally tosses the sticks and catches them, the audience really reacts so it must have been a spectacular one by Keith. Pete shines on guitar throughout this gig. -
Audience 7.4 - A one dimensional recording that actually is clear enough to catch everything happening but the sound resides somewhere in the upper mids to highs, not screechy, just one dimensional. -
Audience 7.1 - Another upper mid band to high range tape in a one dimensional spectrum, guitars kind of low, Roger is up front followed by The Ox, and Keith brings up the back. Not horrible, not great. If you turn up the volume and add some mid boost it would help a lot, because the instruments are all there, as is Roger. It is not a goopy mess. -
Audience 7.2 - I love this, for many reasons beyond sound rating. This is one of those shows to me that rises above all other shows of better quality. It is not bad, it is actually a good, fun listen with nothing that annoys or distracts. It is not overly dynamic with crystal highs and deep lows, but the space it occupies does not offend. A good one, while he’s away! -
Audience 7.1 - Stuck in the narrow mid band, while Roger soars above the din. Not a lot of clarity with the rhythm section, but thankfully enough I can get 80% of the guitar notes. Does not suck, but does not blow you away either. Simply average. -
Audience 8.0 - Loud, very up front and loud but it’s just great. Not technically great, if you want to cross hairs, but a very solid tape and one worthy of consumption. -
Audience 8.7 - This tape barely contains the driving, relentless energy of the Who. It does, in fact, manage to remain somewhat stable even if Roger gets a little lost in the mix. Sheer power, loudness that probably caused some major hearing loss for a few folks. -
Audience 8.0 -
Audience 7.1 - Somewhat distant and an underlying cacophony but there is a reason why Who collectors go for the 1972 European tour tapes – quality be damned – because the band was really peaking at this time. So, good show, average recording. -
Audience 8.8 - This is one for the history books! Includes the first two songs from the infamous halted show where Keith is carried out of the venue. The make up show, as you can imagine, is full of vim and vigor. Good sound, great show…get it! -
Audience 7.5 - Overloaded tape, but surprisingly isn’t distorting, it just can’t contain the power of The Who in 1970. That being said, I bet even the casual fan will find something redeeming here – a loud concert whereby at least you can hear everything – loudly! I kind of got into it, by the time Young Man Blues kicks in, you are in this for the duration. -
Audience 8.4 - Amazing discovery here, a complete 1971 show that sounds rather decent (if loud). This tape puts you right into the middle of the audience, it’s quite exciting! -
Audience 7.2 - A low rating but at least .5 points higher than the original version. Someone did a Remaster which it desperately needed because it was flawed. Mainly, it’s surface noise from the vinyl source (original tape source never located). It wasn’t great to begin with either. If you needed to upgrade this for your collection – get this one .... Bonus is the great artwork and packaging. -
Audience 8.3 - This is as good as I have ever heard this show sound. Possibly from a very low generation tape source or master because there is no hiss, and it is pretty clear although not super dynamic. The band was in top form during this European series of concerts. -
Audience 8.8 - This is a significant recording mainly from a historical sense, but for all the wrong reasons too. Yes it is the infamous gig where 11 people died outside the venue waiting to get in. The band were not informed until after the show, so they play their set oblivious, and it is a fine set. It’s eerie now to hear this knowing what transpired earlier, thankfully it is actually a very fine recording. This is one of those things I have to encourage everyone to check out for all the RIGHT reasons though…but yeah there’s that. -
Audience 8.9 - A fine recording that seems to originate from John’s side of the stage because guitar, while there, is kind of behind the action which allows you to pay attention to the bass work, and really will surprise you just how much of a second guitar that bass was at times. I also like the slight change of "Can’t Explain" they do here – this is a great show. This is also a very good recording so get it!