-
Audience 8.8 - A very atmospheric recording that gives you an amazing sense of space and proximity to the action. The music has room to move around, so it’s a natural sounding recording and the listening experience benefits greatly. Sometimes at full volume when the band is really cooking, the music gets a little bunched up but the tapers were good with levels so it does not offend and I appreciate that. This is a real gem!
-
Sale!Audience 7.8
-
Audience 7.4 - History has shown that most recordings originating from the UK’s Brighton Dome are pretty bad, this one seems to be on the better side of bad. It’s quite listenable if not somewhat muddy and not the clearest ever, but once your ears adjust, and if you add some treble to it, it’s fine.
-
Pro 8.8 - At times this recording gets even better but there are tape problems, what sounds like tracking issues (if this came from a video source), but overall it is very good and was taped professionally for broadcast. The DVD is pro shot, but suffers from age deterioration, tracking issues, color bleed, etc. but in fairness it is a very old video format and those old ¾” umatic tapes either held up or they failed, that these still played is amazing.
-
Audience 8.2 - A good sounding recording if you want to just know what is happening on stage and don’t mind a perfectly balanced mix, or crispness in the highs. Some breaking up at volume, where the intensity of this band is just too much for the tapers equipment. Still, I have to tell you, there is reward in this tape if you stick it out. Not saying it gets that much better, but I am saying this is one GREAT rock band! Just overwhelming intensity, and interesting compositions, it keeps you interested to hear what happens next.
-
Audience 8.0 - Very forceful and loud capture, some taper conversations present, but a very immediate live feeling as if this could have been taped a couple of years ago. Some high frequencies have a squelchiness to them, but when the band is all playing together the audio retains a more comfortable timbre. Overall this is pretty good stuff, and very heady music. I’ve heard people compare them to Pink Floyd, and to be honest I do hear that in some of their compositions, but that is not entirely accurate in describing them. Maybe if you said they were stylistically similar to PF but with a Deep Purplish ensemble approach to the sound, you would be closer.
-
Audience 8.4 - Very decent, with good clarity on guitars, some tape noise present but not intruding on the sounds of the music. Sometimes this gets a little over saturated but not to distortion, just more in a little cluttering but this is still way too good of a gig, and a very decent capture, so I can’t slag on it just because there are some minor flaws.
-
Aud/FM? 7.7 - Hard to say really what the source is for this one. To my ears, it sounds like it was recorded for local broadcast, and being the year 1974 was probably sponsored by a local AM radio station It sounds like the engineers did spare the expense of the recording, so, yeah, it’s less than what you might expect of a broadcast.
-
Audience 7.3 - Don’t let the poor rating diminish what is a very rare artifact. No other recordings of this period exist, which is hard to believe. Coming from a master cassette, the sound is cavernous and not well defined, but it is also very clear which may sound impossible but it’s true. It’s clean, and not a complete waste at all. In fact, I listened to it, gave it a chance, and decided that it is acceptable for hard core fans who want to know what White Trash sounded like live, in Detroit, in 1977. And they were stunning, to be honest.