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Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Three Musikhalle Hamburg, WG 1975-05-13 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -You Burned The Tables On Me 11 -Without A Word 12 -Smiles And Grins 13 -Sunshine Of Your Love -
Audience 7.7 - Some muddiness, but historically nothing short of astonishing! -
Volume 1,2,3: BBC 1971-1978 – Pro Studio 9.8 (each Volume is individually housed in its separate gate-fold cover). From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 3: BBC 1971-1978 – Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 2: BBC 1971-1978 – Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 1: BBC 1971-1978 - Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Soundboard 9.7 - This is not just a good board tape – it’s a tape that has loads of atmosphere to go with the upbeat party vibe of the band. It’s simply amazing sounding. J.Geils Band November 3, 1974 Cobo Arena, Detroit, MI 01. Southside Shuffle 02. Gettin' Out 03. Musta Got Lost 04. Chimes 05. Looking For A Love 06. Serves You Right To Suffer 07. Whammer Jammer 08. Ain't Nothin' But A Houseparty 09. Detroit Breakdown 10. Give It To Me > Back To Get Ya 11. First I Look At The Purse -
Audience 7.3 - The sound field just won’t open up no matter how much you hope it will. However, this tape holds some rewards if you hang in there, there’s enough head room to sweeten the sound with Equalizer, so it does need a little boost on the highs – the mids and lows are all there and are not super well defined nor are they too boomy or muddy. There’s some muddiness but it is not a deal breaker. This is a good historic artifact. -
Audience 8.8 - Sounds like a pro recording to me. A little remastering would have this officially releasable. -
CD reissue of Canadian metal band from the 80's. Released on Aqua Net Records. UK import SEALED. -
Italy Prog Fest 1972: Volume 1,2,3 Audience 7.5 - The stuff that dreams are made of! How long I have waited for something like this to materialize. I mean, I have been listening to and collecting these bands for ages and now I get to hear a full on multi-artist concert experience by all of the era’s top artists at the zenith of the prog rock movement. How cool is that? What a set this is too! The quality of presentation equals the unquestionable importance of this as a document of an important time for rock music. Thank you to whoever recorded this, and thank you to whoever packaged the recording like this. -
Italy Prog Fest 1972: Volume 3 -
Italy Prog Fest 1972: Volume 2 -
Ital Prog Fest 1972: Volume 1 -
Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39 -
Audience 8.8 - Every now and then a tape surfaces that really gets you excited as a collector. This one is just such a tape, because for one thing not only is the quality very good, but it’s super nice on the ears. What I mean is, the timbre of the recording is very comfortable, so it’s easy to listen to the entire show there is no fatigue on the ears at all. The icing on the cake is having both opening acts in the same kind of quality, in complete form. So, what more could you ask for? The Allentown Fairgrounds Grandstand Great Allentown Fair Allentown, PA August 18th 1983 Disc 1 CONEY HATCH THE BAND Carl Dixon guitar lead vocals Andy Curran bass vocals Steve Shelski guitar vocals Barry Connors drums 1 -Intro 2 -Stand Up 3 -Don't Say Make Me 4 -Some Like It Hot 5 -First Time For Everything 6 -Shake It 7 -Devil's Deck 8 -No Sleep Tonight FASTWAY THE BAND Dave King vocals harmonica "Fast" Eddie Clarke- guitar Jerry Shirley drums Richard "Charlie" McCracken bass 9 -Intro 10 -We Become One 11 -You Got Me Runnin' 12 -Give It All You Got 13 -All I Need Is Your Love 14 -Give It Some Action 15 -Feel Me, Touch Me 16 -Far Far From Home 17 -Say What You Will 18 -Telephone 19 -Easy Livin' Disc 2 IRON MAIDEN THE BAND Steve Harris bass backing vocals Dave Murray guitar Adrian Smith guitar backing vocals Bruce Dickinson lead vocals Nicko McBrain drums 1 -Intro 2 -Where Eagles Dare 3 -Sanctuary 4 -Wrathchild 5 -The Trooper 6 -Revelations 7 -Flight Of Icarus 8 -Die With Your Boots On 9 -22 Acacia Avenue Disc 3 10 -The Number Of The Beast 11 -To Tame A Land 12 -Guitar Solo 13 -Drum Solo 14 -Hallowed Be Thy Name 15 -Iron Maiden 16 -Run To The Hills 17 -Drifter -
Audience 5.0 - Low fi, but so few good recordings from the early days. The lead work is the clearest sound on this, vocals non-existent. Can appreciate the dual guitars on this even though it is low-fi. -
Iron Maiden - Tour of Japan 1982: (complete set) Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording...it’s clear and open sounding. Yes! -
Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording it’s clear and open sounding. Yes! -
Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. -
Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. -
Soundboard 9.6 - Darn is this great! ... the mix let’s you hear the lead work in fine detail. -
St. Austell 1980 Audience 8.4 - In the pantheon of early Maiden live recordings this one is far from the worst, in fact I would say it’s worth a good listen because one thing is a grimy, muddy old tape and another is a relatively good tape that is NOT muddy but maybe does not have a wide dynamic range…and I’ll take the latter every time.
Reading 1980 Soundboard 9.4 - A short but awesome recording that every Iron Maiden fan should have.
Iron Maiden Cornwall Coliseum St. Austell, England 1980-05-31 "Iron Maiden Tour" Disc 1 01. Intro (The Ides Of March) 02. Sanctuary 03. Wrathchild 04. Prowler 05. Remember Tomorrow 06. Killers 07. Running Free 08. Another Life 09. Drum Solo 10. Transylvania 11. Strange World 12. Charlotte The Harlot Disc 2 13. Phantom Of The Opera 14. Iron Maiden 15. Drifter 16. I Got The Fire Reading Festival Reading, England, UK 1980-08-23 17. -Prowler 18. -Remember Tomorrow 19. -Killers 20. -Running Free 21. -Transylvania 22. -Iron Maiden Lineup: Paul Di’Anno - vocals Dave Murray - guitars Dennis Stratton - guitars Steve Harris - bass Clive Burr - drums
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Audience 8.9 - This is what I consider the best audience tape from the Somewhere In Time Tour. It’s got loads of atmosphere but not at the expense of the “directness” of the PA to the mic. It’s a realistic sound, this tape replicates exactly what your ears heard coming out of the PA at this show…without artifacts to detract. Get this!
Iron Maiden City Hall Sheffield, South Yorkshire, England 15 October 1986 Disc 1 01 -Intro - Blade Runner Theme 02 -Caught Somewhere in Time 03 -2 Minutes to Midnight 04 -Sea of Madness 05 -Children of the Damned 06 -Stranger in a Strange Land 07 -Wasted Years 08 -Rime of the Ancient Mariner 09 -Guitar Duel - Walking in the Air 10 -Where Eagles Dare 11 -Heaven Can Wait 12 -Phantom of the Opera Disc 2 13 -Hallowed Be Thy Name 14 -Iron Maiden 15 -The Number of the Beast 16 -Run to the Hills - Band Introduction 17 -Running Free 18 -Sanctuary
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Audience 7.0 - Indispensable for the Iron Maiden collector. Is it perfect? No, far from it. This is one of the earliest recorded gigs that you can possibly HEAR. -
FM Broadcast 8.8 A tape recorded off air sounding its age but surprisingly it’s actually decent enough that fans of this venerable band will rejoice at hearing such an early gig in very good quality. If you compare it to a typical FM broadcast you’ll be less ecstatic, but I tell you this: in the year 1982 there were few bands that could match the intensity and precision of Iron Maiden. This gig highlights that fact, personally I can’t recommend this one highly enough I loved it! IRON MAIDEN The Beast on the Road Tour Pavillon Baltard Nogent-sur-Marne, France March, 24th 1982 01. Wrathchild (03:05) 02. Run to the Hills (04:07) 03. Children of the Damned (04:47) 04. The Number of the Beast (04:43) 05. Phantom of the Opera (06:46) 06. Killers (04:53) 07. Transylvania (06:01) 08. The Prisoner (05:47) 09. 22 Acacia Avenue (06:31) 10. Sanctuary (04:23) 11. Drifter (08:40) 12. Running Free (03:31) 13. Prowler (04:26) -
Audience 7.0 - Kind of like the Rainbow show, it is clear and one of the other decent early shows from an audience source. Again, not much bottom end here, but you can hear all instruments clearly. -
Audience 8.7 - So let me put it this way – the recording is not perfect, but is near perfect for someone who needs to try and understand what makes Iron Maiden special. This captures a night, just another night (in fact this was a stand of shows at the Radio City Music Hall) on a long, never ending tour for the band but they play as if it was their last show. It’s amazing how night after night, town after town, tour after tour, Iron Maiden never gives a bad performance. I love this capture even though it suffers a few bumps and bruises, because it’s in the trenches from the hardcore fans perspective, it’s as if the taper is working as hard to capture the gig as the band is in delivering it. I LOVE it, and once I started playing this, I could not stop. I think you’ll love it too. Iron Maiden World Slavery Tour - The Seven Dates Of Hell Radio City Music Hall NYC, New York January 18, 1985 Disc 1 01. Intro 02. Aces High 03. 2 Minutes To Midnight 04. The Trooper 05. Revelations 06. Wrathchild 07. Flight Of Icarus 08. Rime Of The Ancient Mariner 09. Powerslave Disc 2 10. Guitar Solo 11. The Number Of The Beast 12. Hallowed Be Thy Name 13. Iron Maiden 14. Encore Break #1 15. Run To The Hills 16. Running Free 17. Encore Break #2 18. Sanctuary 19. WNEW FM New York interview with Nico Jan. 22 -
Soundboard 8.9 - Always nice to have these, the rarest of things, a great sounding Iron Maiden show from the early days. Bass is slamming on this one, you hear every note! Iron Maiden April 28, 1981 De Vereeniging Nijmegen, Holland LENGTH: 81:46 TRACKS: 01. The Ides of March 02. Wrathchild 03. Purgatory 04. Sanctuary 05. Remember Tomorrow 06. Another Life 07. Genghis Khan 08. Killers 09. Innocent Exile 10. Murders in the Rue Morgue 11. Twilight Zone 12. Phantom of the Opera 13. Iron Maiden 14. Running Free 15. Transylvania 16. Drifter 17. Prowler -
Brand New - Soundboard - Iron Maiden, a NEVER BEFORE RELEASED soundboard recoding from 1983. You can get any better than this! A must for every serious Iron Maiden collector! -
FM Radio Broadcast 8.9 - This is not a typical radio broadcast, it is very raw and in-your-face loud! That makes it much more enjoyable to me. The kick drum and bass are nicely present in this mix – but are not boomy or obnoxious so this is a great way to hear instrumentation normally not very defined. This helps make this show sound even heavier now that a solid bottom end is going on. Iron Maiden "Maiden America" Summerfest Henry W. Maier Festival park Milwaukee, Wisconsin June 26, 1981 The Killers World Tour 01 -Intro DJ 02 -The Ides Of March 03 -Sanctuary 04 -Purgatory 05 -Wrathchild 06 -Remember Tomorrow 07 -Another Life (Incl. Drum Solo) 08 -Genghis Khan 09 -Killers 10 -Innocent Exile 11 -Twilight Zone 12 -Murders In The Rue Morgue 13 -Phantom Of The Opera 14 -Iron Maiden 15 -Running Free 16 -Transylvania 17 -Guitar Solo 18 -Drifter -
Volume 1 - Audience 8.6 - Oxford (March 9, 1982) (All three shows are some of the best of the early 80’s recordings).