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CD 1: New Paltz: Soundboard 9.2 CD 2: Stockholm Soundboard 8.9 -
Boston 1975 - Soundboard 8.7 & Village Gate, NYC 1975 - Soundboard 9.3 -
Audience 8.8 - Good and clear recording here! -
Audience 7.0 -
Soundboard 9.6 - Superb recording as far as mix and clarity. I would guess it was recorded with releasing it as an LP, but it just did not happen as far as I know. -
Audience 8.8 - Strong and clear with good atmosphere. Be sure to check out BAD COMPANY also at the Providence Civic Center on April 13, 1976 if you want the complete nights performance, as KANSAS opened up for BAD COMPANY .... and what an exciting night it was! -
Soundboard 9.7 - Killer! -
Soundboard 8.8 - Very decent, smoothly mixed no major tape problems. Lacks just a touch of dynamics keeping it from the 9.0’s on my rating. -
Aud 8.3 - Surprisingly clear, at full volume there’s maybe some crowding as drums fight for attention in the mix, but basically what you have here is a great idea of what an early 70’s GG concert would have sounded like. Realistic, and the band is just so good, more rocking and less quirky maybe. -
CD 1 and 2: Madrid - Aud 7.8 - Focus on the guitars here, so less than stellar but good for listening to the amazing guitar interplay which is superb during this show CD 3 and 4: Niagara Falls - Aud 8.4 - A remastered version of a pretty good gig, sound is very bright and lively, and that helps convey the manic energy of the band and audience, who respond overwhelmingly. Both shows offer benefits to the Priest fans. -
Audience 8.7 - Starts off a little rough but gets better and better (audience clapping notwithstanding). -
Audience 7.8 - Excellent! Good dynamics and tons of atmosphere. -
Soundboard 8.8 -
Soundboard 8.9 -
Paris - Audience 9.4 - Superb! Vienna - Audience 7.7 -
Audience 8.5 - A strong audience tape. -
Audience 8.5 - A good and clear tape that stays pretty much in the center channel, without a bunch of dynamics but also no distractions either. It’s a solid capture of a great period for Johnny Winter. -
Audience 8.4 - Surprisingly good, knowing just how few good audience tapers are from this period of the early Johnny Winter And. Now, the tape does show signs of age, mainly with some light hiss present and occasionally the volume decreases but not in a really annoying way at all. This is some fiery playing and a pretty clear, and sometimes dynamic tape. -
Audience 7.4 - Consider this a big upgrade to whatever was previously circulating. From original master cassette tape, the sound is focused on guitar primarily, with everything else being somewhat unclear or just not as distinct in the mix. I would call this average, but I am happy to have an upgrade to what was once very much below average. Besides, it’s classic Johnny Winter And – perhaps many people’s favorite line up. -
Audience 7.4 - 7.7 - Varies because most of the show is pretty decent coming from a master cassette tape, but towards the end it decreases just a little bit and makes me think taper had to relocate or something. I believe this show was recorded a little later than the official live album recordings. -
Soundboard 8.7 - This is a pro recording but what hurts it is the upper end frequencies, they seem a bit shrill to me. Now, the good news is that you can EQ this and since the highs are so present, you won’t lose them with any EQ’ing. So I think this tape is a sound engineer’s dream. -
Audience 8.3 - An aged tape that still contains a very good frequency from low to high – maybe a touch on the thin side but overall this whole thing is very fun to listen to. -
Audience 7.8 - A large hall sound, but cleanly captured. Kind of sounds like you are there – tons of atmosphere without boominess. Pleasant! -
Soundboard/Audience - Excellent throughout. Features on track with Joe Paris, Stephen Stills, Buddy Miles, Janis Joplin; each at various locations. -
Audience 8.2 - Very live with that festival vibe all over it. Clear guitar right in your face. -
Audience 8.0 - This is an explosive sounding document, thrilling actually. Sounds like it’s right in front of PA on Johnny’s side, but does not distort. So cool! -
Soundboard 9.3 -
Audience 8.4 -
Audience 7.8 -
Both Excellent Radio Broadcasts 9.7 - to be clear, this set contains two shows both recorded for broadcast and both as good as could be.First showReunion ArenaDallas, TX. July 10, 19811. Intro-Meadows2. Over And Over3. In The City4. Life Of Illusion5. The Bomber6. Band Introductions7. Dreams8. Theme From Boat Weirdos9. Funk #4910. You Never Know11. Life's Been Good12. Rocky Mountain Way13. All Night LongSecond showReunion ArenaDallas, TX. July 24, 19811. In The City2. Life Of Illusion3. Funk #494. The Bomber5. Theme From Boat Weirdos6. Rocky Mountain Way7. All Night Long8. Get Back -
Audience 8.7 - Is it possible to be too good of a player? I mean, he’s clearly got mastery of the instrument, and the material, but there’s something about a player that gets too close to the edge that excites me, like Rory Gallagher for instance, you know, where it seems at any moment they might just completely take it to the ragged edge – and Joe has a very controlled fire in contrast which is fine, but I need more. Fans will love this performance, he’s clearly at the top here. -
Soundboard 8.8 -
Audience 8.8 -
Audience 8.7 - Comfortable on the ears, with a true stereo mix making this a choice headphone experience. -
Audience 8.6 - Good and clear recording, no distortion, sounds very center, punchy. -
Audience 8.7 - An immersive experience. Great presence, you can place yourself in the seat at the arena practically. No distortion, just clean energy and sound. -
Audience 8.7 - Amazing for such an earlier audience source. It does border on the ragged edge of breakup, but it’s so real, so close, so powerful, I mean you are literally there. Fantastic to my ears (some tape noise but it goes away when the band is cranking it). -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Pro Studio 9.3 - Rare studio, outtakes, 7” B-sides mostly with Jimi, some arguably without but we’ll never know for sure. A good collection nonetheless. -
Pro Studio 9.5 -
Pro Studio 9.5 -
Pro Studio 9.7 -
Pro Studio Quality 9.3 features Stephen Stills and other luminaries of the time. A nice artifact! -
Pro Studio Quality 9.8 The BEST collection you can find for the money. Put together by people who wanted to give you only “the goods” and not just endless noodling or naked mixes. Fantastic and intoxicating! -
Aud 7.4 - Lo-Fi sound to be sure but the upside is that it’s not a sludge wall of sound mess here. Guitar is reasonably clear and louder than everything else by far as it sort of cuts right through this tapes’ audio spectrum. Drums peak through the haze next followed by distinguishable bass notes, and Jimi is remarkably clear as far as hearing every word he sings. Let your ears adjust to the narrow bandwidth and you are going to enjoy this show a lot more. It has many good qualities to offset a lack of sonics. Less loud songs shine through the clouds. -
Aud 8.8 - This recording sounds hella-killa man! Bonus material on the other disc is also very excellent. A fantastic collector item that you do not want to ignore if you do not have this material. -
Aud 7.2-7.5 - A fluctuating rating because I can hear the potential for this tape as it depends on what he is playing where it is average and where it is pretty decent. Tape noise is a factor, and that can be removed (modern technology). Otherwise, Jimi is present, especially his singing.