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Audience 7.3 - This is a big upgrade to my ears. It used to be abysmal, now you can hear everything. Explosive and violent show, the band is ripping. Tapers can be heard sometimes but it adds to the weird atmosphere. -
Audience 7.5 - This sounds a lot better than the old cassette I had for decades. Not nearly as distorted as I remember it being. This is actually not that bad. -
Audience 7.0–7.3 - Starts a bit rough, kinda thin and distant but as the show goes on the tape gets better sounding. -
Audience 7.3 - At times this does sound much better than the rating. Lots and lots of atmosphere, the guitar echoes in the hall a little, it sounds cool! -
Audience 8.5 - Great atmosphere on this one, and the capture is solid if just a touch of high end break up that I found did not annoy me or detract at all. You might detect it more the louder you play this, but the levels here are pretty high as it is so it sounds loud even if you don’t have it turned up high. It’s a great show. Get it! -
Audience 7.4 - Legendary show. -
Audience 7.4 and partial (three songs) Soundboard 9.3 -
CD 1: New Paltz: Soundboard 9.2 CD 2: Stockholm Soundboard 8.9 -
Boston 1975 - Soundboard 8.7 & Village Gate, NYC 1975 - Soundboard 9.3 -
Audience 8.8 - Good and clear recording here! -
Audience 7.0 -
Soundboard 9.6 - Superb recording as far as mix and clarity. I would guess it was recorded with releasing it as an LP, but it just did not happen as far as I know. -
Audience 8.8 - Strong and clear with good atmosphere. Be sure to check out BAD COMPANY also at the Providence Civic Center on April 13, 1976 if you want the complete nights performance, as KANSAS opened up for BAD COMPANY .... and what an exciting night it was! -
Soundboard 9.7 - Killer! -
Soundboard 8.8 - Very decent, smoothly mixed no major tape problems. Lacks just a touch of dynamics keeping it from the 9.0’s on my rating. -
Aud 8.3 - Surprisingly clear, at full volume there’s maybe some crowding as drums fight for attention in the mix, but basically what you have here is a great idea of what an early 70’s GG concert would have sounded like. Realistic, and the band is just so good, more rocking and less quirky maybe. -
CD 1 and 2: Madrid - Aud 7.8 - Focus on the guitars here, so less than stellar but good for listening to the amazing guitar interplay which is superb during this show CD 3 and 4: Niagara Falls - Aud 8.4 - A remastered version of a pretty good gig, sound is very bright and lively, and that helps convey the manic energy of the band and audience, who respond overwhelmingly. Both shows offer benefits to the Priest fans. -
Audience 8.7 - Starts off a little rough but gets better and better (audience clapping notwithstanding). -
Audience 7.8 - Excellent! Good dynamics and tons of atmosphere. -
Soundboard 8.8 -
Soundboard 8.9 -
Paris - Audience 9.4 - Superb! Vienna - Audience 7.7 -
Audience 8.5 - A strong audience tape. -
Audience 8.5 - A good and clear tape that stays pretty much in the center channel, without a bunch of dynamics but also no distractions either. It’s a solid capture of a great period for Johnny Winter. -
Audience 8.4 - Surprisingly good, knowing just how few good audience tapers are from this period of the early Johnny Winter And. Now, the tape does show signs of age, mainly with some light hiss present and occasionally the volume decreases but not in a really annoying way at all. This is some fiery playing and a pretty clear, and sometimes dynamic tape. -
Audience 7.4 - Consider this a big upgrade to whatever was previously circulating. From original master cassette tape, the sound is focused on guitar primarily, with everything else being somewhat unclear or just not as distinct in the mix. I would call this average, but I am happy to have an upgrade to what was once very much below average. Besides, it’s classic Johnny Winter And – perhaps many people’s favorite line up. -
Audience 7.4 - 7.7 - Varies because most of the show is pretty decent coming from a master cassette tape, but towards the end it decreases just a little bit and makes me think taper had to relocate or something. I believe this show was recorded a little later than the official live album recordings. -
Soundboard 8.7 - This is a pro recording but what hurts it is the upper end frequencies, they seem a bit shrill to me. Now, the good news is that you can EQ this and since the highs are so present, you won’t lose them with any EQ’ing. So I think this tape is a sound engineer’s dream. -
Audience 8.3 - An aged tape that still contains a very good frequency from low to high – maybe a touch on the thin side but overall this whole thing is very fun to listen to. -
Audience 7.8 - A large hall sound, but cleanly captured. Kind of sounds like you are there – tons of atmosphere without boominess. Pleasant! -
Soundboard/Audience - Excellent throughout. Features on track with Joe Paris, Stephen Stills, Buddy Miles, Janis Joplin; each at various locations. -
Audience 8.2 - Very live with that festival vibe all over it. Clear guitar right in your face. -
Audience 8.0 - This is an explosive sounding document, thrilling actually. Sounds like it’s right in front of PA on Johnny’s side, but does not distort. So cool! -
Soundboard 9.3 -
Audience 8.4 -
Audience 7.8 -
Both Excellent Radio Broadcasts 9.7 - to be clear, this set contains two shows both recorded for broadcast and both as good as could be.First showReunion ArenaDallas, TX. July 10, 19811. Intro-Meadows2. Over And Over3. In The City4. Life Of Illusion5. The Bomber6. Band Introductions7. Dreams8. Theme From Boat Weirdos9. Funk #4910. You Never Know11. Life's Been Good12. Rocky Mountain Way13. All Night LongSecond showReunion ArenaDallas, TX. July 24, 19811. In The City2. Life Of Illusion3. Funk #494. The Bomber5. Theme From Boat Weirdos6. Rocky Mountain Way7. All Night Long8. Get Back -
Audience 8.7 - Is it possible to be too good of a player? I mean, he’s clearly got mastery of the instrument, and the material, but there’s something about a player that gets too close to the edge that excites me, like Rory Gallagher for instance, you know, where it seems at any moment they might just completely take it to the ragged edge – and Joe has a very controlled fire in contrast which is fine, but I need more. Fans will love this performance, he’s clearly at the top here. -
Soundboard 8.8 -
Audience 8.8 -
Audience 8.7 - Comfortable on the ears, with a true stereo mix making this a choice headphone experience. -
Audience 8.6 - Good and clear recording, no distortion, sounds very center, punchy. -
Audience 8.7 - An immersive experience. Great presence, you can place yourself in the seat at the arena practically. No distortion, just clean energy and sound. -
Audience 8.7 - Amazing for such an earlier audience source. It does border on the ragged edge of breakup, but it’s so real, so close, so powerful, I mean you are literally there. Fantastic to my ears (some tape noise but it goes away when the band is cranking it). -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Pro Studio 9.3 - Rare studio, outtakes, 7” B-sides mostly with Jimi, some arguably without but we’ll never know for sure. A good collection nonetheless. -
Pro Studio 9.5