-
Audience 8.5 - This recording has a lot working in its favor by mainly allowing the listener to hear each instrument clearly. The tape does have sonic limitations in that it sounds like the taper wisely dialed down the levels so as not to overload the signal, especially as JP was probably quite loud. This means that you will want to turn the volume up a little even though it may mean that you also bring up some background noise, which is present but not invasive. It’s a very good tape, I believe that this has been re-mastered too, so I consider it an upgrade to other versions that may be out there, although I was unfamiliar with this show until recently. -
Sale!
Soundboard 9.6 (March 19th) - This is, of course, a must have. In my opinion, John Paul Jones emerges as the star of the show. Robert’s voice takes a little bit before it smooths out, he was having some problems around this time. Overall, this is as enjoyable as it gets. -
Sale!
ALL Soundboard 9.7 - Dive right into this amazing collection of sonically superb live offerings and get a totally new appreciation for Eddie Money and his super-tight band. -
Sale!
Audience 8.7 - This is from the Royal Albert Hall, so be prepared for a lot of atmospherics as the sound dances around almost right above your head. The music is very present though, so there’s no harm in having some ‘verb which is probably exactly how you would have received the sound at the venue anyway. -
Audience 8.5 - A recording that leans towards brassy but presents the concert in a way that you get a pretty clear representation of the evening, in a slightly better than average way. The band, at times, seems to be feeling the songs out rather than be fully committed to them but that gives the show an edginess that some might find more interesting. For instance, Stairway to Heaven, the band must have played this a thousand times yet here Jimmy can’t figure out the solo! -
Sale!
Audience 8.8 - This recording was made with obviously good gear, the sound on occasion will lead you to believe it is a pro-job but it really isn’t. What may give it away is the slightly buried guitars, and I mean slightly. The vocals are soaring and direct at the same time – just lovely. Good band, good recording, the magical 1970’s. -
Audience 8.9 - A very bright and lively recording with plenty of electric atmosphere. The band is “tight but loose” and quite frankly I don’t hear the weariness in Steven Tyler at all, in fact the whole band seems very comfortable here. A really really good one! -
Audience 8.1 - A tape new to circulation and it is decent sounding. It has some force behind it, although lacks some definition but with only a very few ’73 era Barnstorm tapes out there, this is a most welcome find. -
Audience 8.8 - Smooth and consistent, a recording that is clear, not overly dynamic (it is metal after all) but you’ll probably enjoy this immensely if you understand that it’s really about the lyrics and the stage banter. Always fun, and it’s two discs so you get a lot of songs! Steel Panther House Of Blues Boston, MA. April 17, 2013 Disc 1 01. In The Future 02. Supersonic Sex Machine 03. Tomorrow Night 04. Band Talking - Intros 05. Fat Girl 06. Asian Hooker 07. Just Like Tiger Woods 08. Band Talk 09. Turn Out The Lights 10. You Really Really Love Me 11. Guitar Solo Disc 2 12. It Wont Suck Itself 13. Weenie Ride 14. Community Property 15. Eyes Of A Panther 16. Death To All But Metal 17. Party All Day (Fuck All Night) 18. 17 Girls In A Row -
CD 1 - Audience 8.8 - Direct into face, a driving and persistent intensity, very clean, very clear. CD 2 - Audience 8.3 - A more open spaced recording where you lose some of the dynamics, and vocals tend to get muffled and placed further back but guitar and drums are prominent and clear…bass is present but not as articulate or deep. A good tape and collectors will be happy to hear it since it is not widely circulated. -
FM Broadcast 9.2 - A professionally recorded and mixed production that does not seem to have much in the way of compression so it has a good spaciousness to it, it is crankable. -
Sale!
Audience 9.5 - When you listen to this, just keep in mind it is taped by someone in the audience…you won’t believe it. Great balance, superb low end, sweet middle band tone, lush and warm with the perfect amount of high end (no sizzle or annoying squeal or cymbal wash). Just terrific, and the band sounds great! -
Sale!
Audience 8.9 - A really good, solid, and clear tape, showcases the considerable talent of Zappa and the always excellent cast of characters he assembles each tour. This show features a lot of solid horn work, and Zappa plays very nicely with a good tone. There were a couple songs I was unfamiliar with and enjoyed quite a bit. I rather like the song Rollo! Fun stuff. -
Sale!
Early and Late Shows - Soundboard 9.1 and Soundboard 8.6 - The late show board tape is slightly problematic in that vocals and to some extent the drums are really prominent in the mix but the rest is pushed back. Acoustic songs come through nicely, they bring up piano and acoustic guitar so you get everything more even. At times it gets a little better, it’s not bad it’s just not as good a mix as the early show. -
Sale!
Audience 8.6 - This recording straddles the fence a little. On the one hand, it’s got very defined highs and good overall acoustics but also a pretty rowdy audience that whoops and hollers (this is Texas after all). I can’t really blame them though, this is actually THE best Presto gig I have ever heard as far as the performance. Not all Rush shows are homogenous by the way. Listen to Alex rip on La Villa Strangiato for example. They are firing on all eight (with the lone exception being a marginal effort on the beginning of Xanadu). -
Sale!
Soundboard 9.7 - A pre FM master was used and it clearly magnitudes better than what you’d get recording off the radio!