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Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Soundboard 9.0 - Both sets are pro radio broadcasts with the S.F. set only suffering from a slight imbalance in the mix where the vocals are way up front but it’s just as well since Billy is the show anyway. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 8.3 Very good! -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 8.6 - A solid job here, with perhaps a touch of boominess in the bass along with hall reverb but surprisingly none on drums or guitar. My guess is that Tim was using a reverb on his bass. Not bad, just loses some clarity and separation with that “wet” bass sound. -
Audience 7.6 - At times the recording is very good, but when they are at full volume it gets a little crowded. There’s some good kinetic energy here, and it seems they do not hate each other yet. Oh well. -
Audience 7.3 - Crowded and noisy with a touch of distortion but with all of that I can hear everything. This has big stadium sound, a touch boomy, now Jeff does shine through here so it is worth it. Vocals are also present. -
Audience 8.9 - One of the best of the tour! -
Audience 8.4 - Pretty Solid sound, if a tiny but on the thin side. -
Audience 7.0 - A noisy tape, hissy and in need of some kind of NR. That being said, if you like a massively loud sounding tape this is your choice. -
Audience 8.5 -
Audience 7.8 - Not bad as far as overall clarity but certainly lacking in depth and could really use a remastering which would help immensely. The sounds are there, there is some slight tape noise, but the music is all there and this show can be enjoyed…just add some boost in the lows and mids perhaps. -
Sale!
Jefferson Airplane Can Disc 1 The Matrix,S.F. Feb.1,1968 1. -Somebody To Love 2. -Young Girl Sunday Blues 3. -She Has Funny Cars 4. -Two Heads 5. -Martha 6. -Kansas City 7. -The Other Side of This Life 8. -Today 9. -Won't You Try - Saturday Afternoon 10. -It's No Secret 11. -Blues From An Airplane 12. -Watch Her Ride 13. -Plastic Fantastic Lover 14. -White Rabbit Disc 2 1. -Three Fifth's of a Mile In 10 Seconds 2. -Share A Little Joke 3. -Ice Cream Phoenix Jam 4. -Fat Angel 5. -The Ballad of You Me & Pooneil 6. -High Flying Bird 7. -Wild Thyme 8. -Go To Her 9. -Rock Me Baby Disc 3 Winterland Arena San Francisco, California, USA October 25th, 1969 01. -Somebody To Love 02. -Young Girl Sunday Blues 03. -Wooden Ships 04. -Volunteers 05. -Won't You Try - Saturday Afternoon 06. -Uncle Sam Blues 07. -Fat Angel 08. -Greasy Heart 09. -Martha Disc 4 01. -The Ballad of You and Me and Pooneil 02. -Tuning 03. -Eskimo Blue Day 04. -Three Fifth's Of A Mile In 10 Seconds 05. -Mau Mau (Amerikon) 05. -Other Side Of This Life Disc 5 Winterland Arena San Francisco, California, USA October 26th, 1969 1. Good Shepherd 2. Wild Thyme 3. Greasy Heart 4. We Can Be Together 5. Come Back Baby 6. Martha 7. Plastic Fantastic Lover 8. Driftin’ Disc 6 1. It’s No Secret 2. Other Side Of This Life 3. Wooden Ships 4. Eskimo Blue Day 5. You Wear Your Dresses Too Short 6. Ballad of You and Me and Pooneil Disc 7 Studio Outtakes & Live 01 - We Can Be Together 02 - We Can Be Together 03 - Wooden Ships 04 - JPP McStep B Blues 05 - Volunteers 06 - Good Shepherd 07 - Wishful Thinking 08 - Wooden Ships 09 - JPP McStep instrumental 10 - Good Shepherd 11 - Fat Angel 12 - Ballad Of You & Me & Pooneil 13 - True Religion 14 - The Farm Disc 8 01 - We Can Be Together 02 - Hey Frederick 03 - Hey Frederick 04 - The Farm 05 - Share A Little Joke 06 - Greasy Heart 07 - Ice Cream Phoenix 08 - Ice Cream Phoenix 09 - Ice Cream Phoenix 10 - Jam With Joey 11 - Good Shepherd 12 - Lather 13 - space 14 - Triad 15 - Star Track 16 - Rock & Roll Island Disc 9 01 - Ice Cream Phoenix 02 - Ice Cream Phoenix 03 - Frozen Noses 04 - Mexico 05 - Mexico 06 - Been So Long - instrumental 07 - Share A little Joke With The World 08 - Greasy Heart 09 - The Farm 10 - The Country 11 - Wooden Ships 12 - JPP McStep B. Blues 13 - Good Shepherd 14 - We Can Be Together 15 - Hey Frederick 16 - The Farm 17 - Wooden Ships 18 - JPP McStep B. Blues 19 - Volunteers 20 - Good Shepherd Disc 10 01 - Wishful Thinking 02 - We Can Be Together 03 - instrumental 04 - There's A Place 05 - There's A Place 06 - There's A Place 07 - Ice Cream Phoenix 08 - Ice Cream Phoenix 09 - Ice Cream Phoenix 10 - Trial By Fire 11 - Trial By Fire 12 - Lawman 13 - Rock & Roll Island 14 - Third Week In The Chelsea 15 - European Song 16 - Thunk 17 - War Movie 18 - Feel So Good 19 - Wild Turkey -
Audience 8.6 - Because it is primarily a keyboard dominated group, the audio rings out pretty clear to where you hear everything well. It is somewhat compressed though, with a low ceiling where the slightest bit of audio break-up is occurring (so do not crank this one up). It is a decent recording despite the limitations. -
Audience 8.8 - Sparkling! There’s a really wonderful, intimate atmosphere permeating this recording, and I don’t mean “hall reverb” either. The warmth of the recording captures the warmth of the artist/audience experience. There’s a bit of chatter present but it’s all part of the deal. Get this one! -
Audience 9.0 - Both Shows are 9.0 ... Simply gorgeous, lush, well balanced recordings made by people who obviously knew what they were doing. The only knock is maybe a little squishing in the middle during peak volume moments. I wish I could get my hands on any other tapes these guys made! Get this you won’t regret it. -
Soundboard 9.2 -
Audience 7.6 - I wish this sounded better because it’s one of the few recordings capturing that rare moment when they are joined by the Zeppers. So, yeah, a little rough with the loudness and all, but important in a historical sense. -
CD 1 - Brisbane - Audience 7.8 (a little bit flat maybe but it is clear enough you hear the whole band, still enjoyable nonetheless) CD 2 - Lancaster - Audience 8.6 (a great recording here) -
Audience 8.5 - Nothing much to complain about here. A good and very “live” sounding tape. Gives you the atmosphere which, if done properly, adds much to the tape. -
Audience 7.9 - Foot- stomping and LOUD recording! Bristles with energy, the tape can barely contain it but it does. Fun show! -
Shotgun were a 1970s rock band from Dallas. The band consisted of Guy Houston on drums, Hugh Coleman on bass, John Michael Soria on lead guitar, Russ Skarsten on keyboards, and Billy Metcalf on lead vocals. The band's 1976 album, recorded but never released, Dallasian Rock was remastered and reissued by ShroomAngel Records, in 2014. Reviewing the album for seaoftranquility.org, Pete Pardo awarded the album five stars and said: "This is incredible material that should have been huge back in the day, and the amazing thing is it still sounds fresh and exciting here in 2014. The ShroomAngel team have done a wonderful job on the remastering, so be prepared for a killer listening experience." -
Audience 7.8 - Both shows roughly the same with enough differences to say one has qualities the other doesn’t have and vice versa. So whereas in one show you might get more definition on guitar, the other will have more vocal presence and a slightly better rhythm section. Take your pick, two vintage Atomic Rooster gigs hardly a losing proposition. -
Audience 8.3-8.7 - What starts out sounding kind of boomy, slowly starts to turn into a very good and powerful recording as if the taper started on one side (bass) and moved to the middle…either that or the sound man finally got it right. Either way this will surely please! -
Audience 7.0 -
This is the first release on the Shroom Productions record label begun in 1995. It consisted of tracks mostly from Hands 1977 January Sound recording sessions in Dallas, TX. The CD was put together from that plus an assortment of other tracks because, at the time, it was not known if there would be another Hands CD, we just did not know what the demand would be. Well, some 3000 copies later, and there is STILL demand for this great music. Numerous reviews and consistently high ratings give praise to this band and this CD in particular. Discover them if you have not heard any of their music, I mean, if you love bands like Gentle Giant, King Crimson, Kansas, Yes, Camel, Happy The Man, Gryphon, Greenslade, UK, or PFM. -
Soundboard 9.7 -
Pro recordings 9.4 - Totally excellent. -
Audience 8.6 - A little bit thin as far as this recording goes in that it could use a little more bottom end but that is not a deal breaker because it is not a “shrill” thin, just could use more lows. That being said, there’s a lot to chew on with this show. Great performance, good quality, so just be aware the singer requires some getting used to! Have fun. -
Audience 8.3 - This recording captures a medium to large hall atmosphere from maybe middle rows and is quite good under those circumstances. It actually lends a cool vibe to the show, despite that naturally huge reverb going on. Oh, if you are unfamiliar with them, here’s the deal: GREAT hard and heavy jazz rock leaning towards rock with a very quirky singer. Once you get used to him, you are LOVING this band. -
Audience 8.7 - A strong and intense recording with a percussive tilt to it, so you get a very present and crisp drums and percussion. Everything else is also pretty clear but I would have liked guitars more up front but they are fine. This period of the band is exciting and intense, so if you love your progressive jazz hard rock played with fire and intensity that sometimes is off the charts this band is for you. -
Audience 8.8 - A very direct and punchy recording that delivers the music straight into your ears without passing through any air. As if you are sitting in front of the speaker as they play, nobody in front of you. It makes for a cool experience to hear this super intense band so intimately. -
Audience 8.3 - Some tinny highs but a good defined bass, so a complete sound spectrum present although I might roll off the highs and boost my mids for better listening. -
Soundboard 9.4 - What I find most appealing about this show is the mix, and how they do not bury the guitar which is what you might normally assume given the type of “top 40” music Annie wrote at the time. You will be pleasantly surprised to hear the guitar front and center, and actually pretty grungy sounding. -
Soundboard 9.3 - Some tape hiss during quieter passages, but overall an excellent show. -
Audience 7.1 - A rough tape that improved a lot with some mastering. Now, you actually can really tell what they are doing! Worth it for the improved sound. -
Audience 7.3 - This tape is a welcome find mainly due to the scarcity of live Amon Duul tapes in existence. Sound is not hi-fi, there is some tape noise, there is general noise, and there is music which thankfully can be heard through the din. Actually the mid to highs are intact, some bottom end is missing, it’s still not a completely annoying tape at all, can be enjoyed for what it is. -
Audience 7.8 -
Audience 7.5 - Serviceable tape that at times shows its age with some telltale squeaking at the beginning. Gives you a pretty good representation of the show without offending , but the mix has vocals kind of low, and overall is a touch on the dark side but Duane’s playing is the focus, where it is front and center in the mix. -
Soundboard 9.3 - Pro radio broadcast. -
Audience 7.0 - Somewhat distorted due to proximity to the stage and volume. The tape is clearly overloaded and struggling here. Now the good news – this is a Duane Allman showcase, and he is clear on this tape! It’s a keeper, but not winning any prizes. -
Soundboard 8.9 - It’s a very clean, good board but it features a heavy reverb sound, but it’s probably natural reverb. Still an interesting kind of atmospheric recording.