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Soundboard 9.3 -
Audience 9.4 -
Audience 9.3 -
Audience 9.5 -
Audience 8.0 -
Audience 8.6 - 9.2 - What we have is a mixture of 4 shows, all taken from 1988; Stuttgart, Bremen, Koln, and Mannheim. Great assortment of songs, giving us a wide variety of musical styles. -
Audience 9.3 - Features guest appearance by son Dweezil Zappa towards the end of the show playing with father on "Whipping Post" and also a final jam. Worth gettingfor that alone, if not anything else! -
Audience 8.8 -
Audience/Soundboard 8.5-9.0 - A composite of shows from different locations, all from 1984; NYC, Kansas City, and Seattle (see back cover). -
SDBRD 9.7 - A professional recording and it shows. -
Aud 7.8 - Big hall sound, slight boominess but excellent as far as this kind of recording goes. -
Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing. -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Audience 8.6 -
Disc 1: The Bronx 1971 - Audience 8.3 - A huge upgrade to the old tape we know and love. It has been carefully remastered, speed corrected as well, and now is better than ever. Disc 2: Birmingham 1972 - Audience 7.1 - A rare find, but not the best quality. This too has been remastered and is now listenable and worth the price of admission for the very rare inclusion of the track After Forever. -
Audience 7.8 - The better between the two Paris 1977 shows in my opinion. -
Audience 9.0 - A very “present” recording, meaning the audio captured on this tape sounds remarkably realistic which is ideal for a live recording. Love it! -
Audience 8.7 - Right in your face, loud and clear, which is appropriate for this hard hitting style of rock and roll. -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
Audience 8.4 - This is a recording that is hard to figure out because on the one hand it could also be taped in a television studio which is my hunch. The tapers and those around them can be heard between songs but settle down once the music starts, it kind of adds a lot to the atmosphere. That being said, this is still pretty good, and what a gig, really, I mean amazing! -
Pro Studio 9.7 and SDBRD 9.4 - Only the cleanest and best source material is used in this set. I would recommend this as a good starting point for a 70’s era Jeff Beck collector. -
Radio Broadcast 9.7 - Great job on the recording by the station. -
Audience 8.4 - Tapers sitting kind of close it seems, and the recorder admirably managed to prevent too much over-saturation although there is a touch of it and the instrumentation gets cluttered up in the middle a bit at full volume. Overall this is simply a wonderful document of a band that seems to be very comfortable with the material (obviously) and firing on all cylinders. -
SDBRD 8.8 - A solid one, albeit there’s some tape hiss present, and vocals are a little muddied in the mix but it’s still a really good and anyone can appreciate. -
Audience 9.0 - This rating is representing a lot more than strictly audio fidelity, because truth be told it’s more of an 8.7 for sound, but the show, and the crowd, and the atmosphere…simply incredible! It’s also important to note that this show is the last live recording of Bon Scott. -
Audience 8.9 - Most of the recent tour recordings are excellent and all offer something different for the ears in terms of atmosphere, intensity, and clarity. This one I find has less of an emphasis on separation of instruments and more on depth of bass and overall sound. The guitar comes right at you, and the bass is nicely anchoring the bottom, drums are not as clear but still nicely placed. So, overall I like what this recording delivers. -
Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement. -
Audience 9.1 - A good atmospheric recording with the sound coming at you front and center channel with power. I love the song selection, a lot of focus on the music, not that I mind the vocals but you get more band interplay at this show. -
Audience 8.3 - Always nice to find another decent sounding 1981 show as there’s not an abundance of them compared to other years. The recording is a little bit cluttered in the very middle of the sound spectrum but thankfully does not suffer from the aud killers such as muddiness or distortion. All the instruments fight for the center but are clearly heard notwithstanding. Occasionally you may notice a bit of phasing which helps the recording to my ears because it’s almost like a cool effect that they meant to do! A good one to add to the collection. -
Audience 8.8 - This is considered to be one of those recordings that every Rush collector should have, possibly because it is a great recording of arguably their peak performance year. I really do think 1979 was them at their best, and this recording shows clearly why that remains my opinion. -
Audience 8.4 - A great find here! So few Power Windows tour shows out there, and this one, while not a “great” recording, is pretty clear and has a lot of atmosphere. Does sound maybe midway in the venue, so you get a little of that “wash” or stadium “verb” effect but to my delight the bass notes are distinct and not just a boominess. It’s maybe the guitar that is slightly lost, with Geddy also being a touch behind the sound rather than in front. Overall, it is still a good listen and well worth having. -
Audience 8.5 - There are some shows where the ratings numbers cannot tell the story. This is certainly the best example of that. I overlooked this show in the past, I did not, could not, get past the “wall of sound” factor. Now, thanks to modern mastering techniques, this recording has morphed into a real gem. Is it better? Yes! Is it perfect? No. But, perhaps while some would still find it too much to handle, other will find it to be a ton of fun. The tapers were real close to the mains, but managed to keep levels just low enough to prevent the dreaded distortion, but in so doing got a tape without dynamics, or at least one dynamic which is SUPER loud intense power – which if you are a hard core Rush fan, will REALLY tickle your fancy when you pop this on the stereo. It’s almost like a heavy metal concert! Unbridled fury, simply an intense concert and intense recording, let yourself get into it, and your ears will adjust and you will find that the audio frequency range here is comfortable to the ears even though it’s off the charts in massiveness.