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Soundboard 9.3/Studio 9.4 - Excellent quality all around, and of course it’s Thin Lizzy so you know the jams are top shelf. Thin Lizzy Golders Green Hippodrome London, UK. July 26, 1973 1. The Rocker 2. Things Ain't Working Out Down At The Farm 3. Slow Blues 4. Gonna Creep Up On You 5. Suicide Track 6-9 - Thunder & Lightning sessions 6. -Bad Habits 7. -Baby Please Don`t Go 8. -Mama Don`t Like It 9. -Chosen One -
Soundboard 9.6 - Another near perfect one from you-know-who and this time guest appearance by Miles Davis. I did hear some minor static interference with Prince’s guitar pedal during some solos, nothing that would probably even be noticed by most people. Prince w/ Miles Davis (track #8 ) 12-31-87 Paisley Park Studios Minneapolis, MN This New Years Eve show was a benefit for the Minnesota Coalition for the Homeless 01: Hot Thing 02: If I Was Your Girlfriend 03: Let's Go Crazy 04: When Doves Cry 05: Purple Rain 06: 1999 07: U Got That Look 08: It's Gonna Be a Beautiful Night > Six > Miles solo > Housequake > Chain of Fools > Cold Sweat > Take the A Train > Housequake > Funky Man > Land of 1000 Dances > Piano jam > Alphabet Sweat > Cold Sweat > Float Like a Butterfly, Sting Like a Bee > Housequake > It's Gonna Be a Beautiful Night -
Soundboard 9.5 - Crisp, intimate, warm, inviting sound. It’s like, I don’t know, being there or something (cliché but true). Al DiMeola El Mocambo Toronto, Ontario, Canada June 17, 1977 1. -Mediterreanean sundance 3:58 (3:49) 2. -flight over Rio 7:28 (7:11) 3. -midnight tango 7:57 (7:39) 4. -percussion and drum solos 6:58 (6:42) 5. -elegant gypsy 12:29 (12:01) 6. -band introductions 2:10 (2:05) 7. -the wizard 11:45 (11:18) 8. -race with the devil on the Spanish highway 10:23 (9:57) Al DiMeola- guitar Stu Goldberg- keyboards Eddie Colon- timbales and percussion Lee Pastora- congas Eric McCann- bass Chuck Burgi- drums -
Soundboard 8.9 - Kinda cool when you get these board tapes that pan a guitar, and then one other lead instrument to the other side, which in this case is keyboards. I think this allows for an examination of the instrument in question, so you might find yourself listening once and concentrating on guitar, then another time you’ll give drums and keys more attention…and that is why this show might have you coming back several times for more. Interesting! THE ALLMAN BROTHERS BAND Manley Fieldhouse Syracuse, New York, April 7, 1972 Disc 1 1. -Statesboro Blues 2. -Done Somebody Wrong 3. -Ain't Working Time No More 4. -One Way Out 5. -Stormy Monday 6. -You Don't Love me 7. -In Memory Of Elizabeth Reed 8. -Midnight Rider Disc 2 1. -Whipping Post 2. -Jam SUNY Stonybrook, New York, July 26, 1970 3. -Mountain Jam -
Audience 8.2 - A loud and raucous tape, with a band of noise in the upper mid frequency that prevents better separation of instruments. Saving grace? Duane is the clearest instrument on this recording – in fact it is his guitar that soars over the sound to the degree that you almost inevitably focus solely on him throughout. As it happens, Gregg’s vocals are next up in the mix. THE ALLMAN BROTHERS BAND Academy Of Music, New York August 15, 1971 Disc 1 1. -Statesboro Blues 2. -Trouble No More 3. -Don’t Keep Me Wonderin’ 4. -Done Somebody Wrong 5. -One Way Out 6. -In Memory of Elizabeth Reed Disc 2 1. -Blue Sky 2. -Midnight Rider 3. -Hot ‘Lanta 4. -You Don’t Love Me - Soul Serenade - You Don’t Love Me 5. -Revival -
Audience 8.5 - What this tape represents is an almost uncanny time warp back in time, the sound that the taper captured is amazing – the mix and separation of instruments is what damages an otherwise exceptional sounding tape. With that being said, it’s got a lot to appreciate regardless of the actual music contained herein. For instance, once the soundman dials the mix in better, the music does sound MUCH better and guitar rises slightly higher up front making for a more enjoyable listening experience. The sound of this tape is good, with a punchy upper midrange but not uncomfortable, and roaring “low end” and I say that because while bass is not well defined, it certainly is present in the lower frequencies here. This tape will grow on you, and I promise once you start, and get past the first song (where the live mix is getting dialed in), you’ll find yourself more and more sucked in to it. Robin Trower Long Island Arena, Commack, NY November 19th 1976 THE BAND Robin Trower guitar James Dewar vocals Bill Lordan drums Rustee Allen bass SETLIST 1 -Intro 2 -Same Rain Falls 3 -Lady Love 4 -Bridge Of Sighs 5 -Caledonia 6 -The Fool And Me 7 -Long Misty Days 8 -Too Rolling Stoned 9 -Daydream 10 -Day Of The Eagle 11 -Little Bit Of Sympathy 12 -Messin' The Blues 13 -Rock Me Baby 14 -Goodnight -
Soundboard 9.6 - A high point of this show is the song "We're Barefootin'", the only known performance of the song. There's the "Crosses Sermon", from none other than Rev. Willie G. and one helluva La Grange Medley too! Great vibe and the crowd is insane. Ahhhh, the good 'ol days! ZZ Top April 15th, 1980 (Deguello Tour) Pine Knob, Claskston, MI 01. -I Thank You 02. -Waitin' For the Bus 03. -Jesus Just Left Chicago 04. -Precious And Grace 05. -Francine 06. -I'm Bad, I'm Nationwide 07. -Manic Mechanic 08. -Heard It On The X 09. -Fool For Your Stockings 10. -Nasty Dogs & Funky Kings 11. -We're Barefootin' 12. -Cheap Sunglasses 13. -Beer Drinkers & Hell Raisers 14. -La Grange - Sloppy Drunk - BBQ Medley 15. -She Loves My Automobile (Lone Wolf Horn Section) 16. -Hi-Fi Mama (Lone Wolf Horn Section) 17. -Tush -
Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad? Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums -
KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace! The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce. -
Soundboard 9.1 - Recorded and broadcast this is as expected a very good recording. The music is also… let’s face it these guys were top shelf and had a classy approach to heavy metal. Armored Saint 11/9/84 Harpo's Detroit, MI WLLZ - FM broadcast - A 1. March of the Saint 2. Mutiny on the World 3. Stricken by Fate 4.Seducer 5. Take a Turn 6. Envy 7. Glory Hunter 8. False Alarm 9. Can U Deliver 10. Lesson Well Learned 11.Madhouse 12.outro and interview -
SDBRD 9.5 - Excellent comp of extended guitar jamming, from 1978-1980 period. FRANK ZAPPA "Monsters" 01 Persona Non Grata (1978-10-15 Stony Brook) 02 Outside Now (1980-10-31 New York City) 03 City Of Tiny Lites (1980-11-18 St. Paul) 04 Easy Meat (1980-06-24 Geneva) 05 Inca Roads (1979-03-19 Brest) 06 Chunga's Revenge (1980-07-02 Frankfurt) 07 Black Napkins (1978-10-13 Passaic) -
Audience 8.9 - A good, clear, and very strong recording. The percussion is crisp and detailed, all of the music is well balanced, Prince vocals are mixed above all which is great. This gig celebrated Prince’s receiving the Minnesota Music Awards honors. Prince 1986-05-20 Bloomington - Carlton Celebrity Room 6th Annual Minnesota Music Awards 01. Intro 02. Raspberry Beret 03. Girls And Boys 04. Life Can Be So Nice 05. Controversy (Incl. All Day All Night) 06. Mutiny (Incl. Holly Rock - Dream Factory) 07. Kiss 08. Love Or $ 09. Awards Speech -
Soundboard 9.6 - Fantastic sound and even better performance here. Look, I know Skynyrd had a lock on all things Southern Rock for most of the 70’s, but can we agree that Molly Hatchet carried the torch admirably into the 80’s? They did. Here is proof. MOLLY HATCHET NASSAU COLISEUM UNIONDALE, NY FEBRUARY 18, 1979 WLIR FM BROADCAST THE BAND Danny Joe Brown vocal Dave Hlubek guitars Duane Roland guitars Steve Holland guitars Banner Thomas bass Bruce Crump drums 1 -Bounty Hunter 2 -Gator Country 3 -Big Apple 4 -Dreams 5 -One Man's Pleasure 6 -Trust Your Old Friend 7 -The Harp Jam - Long Tall Sally 8 -Boogie No More -
Studio Quality 8.9 - The quality is great but you have to get past the first song and a half as there is some static present. Once you move past those tracks you get some very interesting studio rehearsals and outtakes. I love the rawness here, it’s very visceral and powerful. ALICE COOPER Studio Outtakes Killer and Muscle Of Love album 01. Desperado 02. Be My Lover 03. Killer 04. Halo Of Flies 05. You Drive Me Nervous 06. You Drive Me Nervous Part 2 07. Man With The Golden Gun 08. Teenage Lament 09. Woman Machine 10. Never Been Sold Before 11. Muscle Of Love 12. Muscle Of Love Part 2 13. Workin Up A Sweat 14. Babe Please Don't Stop 15. Hard Hearted Alice -
Soundboard 9.6 - A radio broadcast that has excellent clarity and punch. Paradise Theater Boston, Mass. USA October 29, 1978 1. -Life Beyond L.A. 6:19 2. -If Heaven Could Find Me 4:46 4. -Not As You Were 4:15 5. -How Much I Feel 5:47 6. -And... Somewhere I've Never Traveled > 5:12 7. -Nice, Nice, Very Nice 6:07 8. -The Brunt 5:39 9. -Band Intros - Holding On To Yesterday 5:55 10. -can't Let A Woman (Get Into My Head) 6:23 11. -I Wanna Know 7:17 Ambrosia David Pack: vocals, guitar Chris North: keyboards David Cutler Lewis: keyboards Joe Puerta: lead vocals, bass Burleigh Drummond: drums, percussion, background vocals -
Audience 8.7 - A good recording with what seems to be a little middle band compression but not too much. So, it’s smooth low end and louder upper middle and highs but softer middle band, that is not necessarily bad, it’s just lacking in that punch factor. It is though, as stated, a pretty decent recording. Oh, and the last song of the evening is “Don’t Fear The Reaper” so VERY cool to hear another live version of that. You know why BOC fans love the live recordings? Because with 5 guitar players at any given time, you just want to hear what they do with these amazing songs on stage. Folkets Park Malmo, Sweden 1978-05-25 01 R.U. Ready 2 Rock 02 ETI 03 Harvester of Eyes 04 Cities on Flame 05 Golden Age of Leather 06 Then Came the Last Days of May 07 ME 262 08 Hot Rails to Hell 09 Godzilla 10 This Ain't the Summer of Love -> 5 Guitars 11 Born to be Wild 12 Don't Fear The Reaper