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Audience 7.2 - I would have preferred the guitar higher in the mix, so what happens is before the band starts playing, the audio sounds perfect, then when they start, the levels change and sound, for whatever reason, sounds weak, or it is the mix. It’s weird, because the drums sound fine, the bass is present, and then vocals but where is the keyboard and guitar? They are there, you can hear them, but they are too far back.
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Berlin 1971 - Audience 7.6 and Pro 8.7 - Material originates from an average audience tape but two songs come from a pro TV recording (most likely). Stockholm 1970 - Soundboard 8.9 - Material is most definitely from a TV source (thus explains the short interview). The second disc contains BBC tracks from 1970 and some rare color 16MM pro shot film from Berlin 1971. The disc is formatted as a data disc so you can only play it on a computer, opening the audio files and video file with the player of your choice. Quatermass Berlin 1970-1971 Berlin 1971, Stockholm 1970 and BBC 1970 Bonus Video from Berlin 1971 Disc 1 Berlin 1971 1. Monster In Paradise 2. Up On The Ground 3. Monster In Paradise (reprise) 4. One Blind Mice 5. Make Up Your Mind 6. Laughin' Tackle - Keyboard Solo 7. Unknown Track Stockholm 1970 8. Black Sheep Of The Family 9. Interview 10. One Blind Mice Disc 2 John Peel Session 1970-07-28 1. Black Sheep of the Family 2. Laughing Tackle 3. Make up your Mind Now 4. One Blind Mice Rare 16MM color pro shot film from Berlin 1971 (this disc is not formatted as a playable CD. It is a DATA disc and must be opened on your computer in order to play the files).
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SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing.