• Soundboard  9.5 - Ass-kicking greatness!  
  • Zoom in on the images to see condition. SEALED  If you need more information just reach out to me and I will provide it. Prices reflect the value, I am not inflating worth, it's all based on looking at Ebay, Discogs, and sometimes Popsike. I am open to offers if they are reasonable and you are wanting other items...it's all factored into the equation but your best bet is to take advantage of coupons when they are offered.
  • Barbara Pennington was the singer of the Houston underground rock band TEMPEST (Three albums released since 1975). This single predates their 1st album, and was recorded with the pre-Tempest band BEOWULF, later known as TEMPEST. Zoom in on the images to see condition. Vinyl is EXCELLENT  If you need more information just reach out to me and I will provide it. Prices reflect the value, I am not inflating worth, it's all based on looking at Ebay, Discogs, and sometimes Popsike. I am open to offers if they are reasonable and you are wanting other items...it's all factored into the equation but your best bet is to take advantage of coupons when they are offered.
  • Audience 8.7 - Better than average, the tape has dynamics to it and even if vocals sound somewhat distant, the bass and guitar have a nice attack with the low end having that chest pounding quality which adds a lot to the electrifying atmospherics. Rory is particularly savage, playing what is probably a really wild crowd since it is where he is from. The performance is worth the entrance fee, the sound quality is good enough to warrant extended engagement. Full disclosure: There is some tape hiss present although it only becomes obvious when the band is not playing. RORY GALLAGHER Rory's Stompin' Grounds National Stadium Dublin, Ireland December 28, 1978 Disc 1 1. Shinkicker 2. Do You Read Me 3. Bought And Sold 4. I Wonder Who 5. Cruise On Out 6. Brute Force and Ignorance 7. Calling Card Disc 2 8. Out On The Western Plain 9. Too Much Alcohol 10. Barley & Grape Rag 11. Goin' To My Hometown 12. Shadow Play 13. Tattoo'd Lady 14. Bullfrog Blues 15. Sea Cruise Rory Gallagher - guitar, vocals Gerry McAvoy - bass Ted McKenna - drums
  • Soundboard 9.4 - Great recording that gives you stunning detail and clarity with guitar, but here the bass sounds round and brassy and complements the guitar sound. In this mix, drums are also very tight, and the fact that the keyboards are panned to one side while guitar occupies the other really allows for an amazing separation of instruments, cohesive because it is expertly mixed but enough room between to allow the ears to focus on any one particular instrument (but I bet you'll not be able to block Ritchie out because he's living up to all the hype and then some in this one). Rainbow Orpheum Theatre Boston, MA 1981-05-07 Disc 1 101 Over The Rainbow 102 Spotlight Kid 103 Love's No Friend 104 I Surrender 105 Man On The Silver Mountain 106 Catch The Rainbow Disc 2 201 Can't Happen Here 202 Keyboard Solo 203 Lost In Hollywood 204 Guitar Solo - A Light In The Black 205 Difficult To Cure 206 Drum Solo 207 Long Live Rock 'n' Roll 208 Lazy - Woman From Tokyo - Smoke On The Water
  • Soundboard 10 - This is a rare "10" perfection rating that is not given out unless and until a recording stops you dead in your tracks and commands your undivided attention. You know it when you hear it, and this is about as good as it can get short of you being placed in the optimal spot at the venue and even then you may not be getting something as good as this! Kansas Live at The Uptown Theatre Chicago, Illinois USA 1980-10-28 & 29 01 - Icarus (6:18) 02 - Paradox (4:20) 03 - Cheyenne Anthem (3:49) 04 - Dust In The Wind (5:59) 05 - Miracles Out of Nowhere (6:50) 06 - Loner (3:03) 07 - Anything For You (4:03) 08 - Don't Open Your Eyes (4:08) 09 - Got To Rock On (3:58) 10 - No One Together (6:07) 11 - Hold On (4:14) 12 - Relentless (9:21) 13 - Portrait (5:43) 14 - Carry On Wayward Son (5:43) The Band: Kerry Livgren - guitar, vocals Steve Walsh - keyboards, vocals Phil Ehart - drums Dave Hope - bass, vocals Robbie Steinhardt - violin, viola Rich Williams - guitar, vocals
  • Audience 8.9 - This tape gets the nod for being a well-captured piece of music at a time when music was seeing significant change. One of those change bands, beginning in the 2nd half of the 70's, was Talking Heads and they remained at the forefront for quite a few years. This tape shows why...it's got a very realistic feel to it and the band sounds confident. Talking Heads Paramount Theatre Staten Island, NY August 20, 1982 01 Psycho Killer 02 Love - Building On Fire 03 Cities 04 Big Blue Plymouth 05 Once In A Lifetime 06 Mind 07 My Big Hands (Fall Through The Cracks) 08 Slink 09 Big Business 10 I Zimbra 11 Swamp 12 Houses n Motion 13 What A Day That Was 14 Life During Wartime 15 Take Me To The River
  • Audience 9.4 - A killer tape with clear and direct sound as if you are right in front of the mains but no distortion or overload. Good balance too. Nice to hear this band live because the few other boots I've heard of them were really bad sounding. Helloween Loud Park Festival Saitama Super Arena Saitama, Japan October 27, 2012 01- Opening 02- Are You Metal? 03- Eagle Fly Free 04- Where the Sinners Go 05- Power 06- If I Could Fly 07- Burning Sun 08- Drum Solo 09- I'm Alive 10- Steel Tormentor 11- Future World 12- I Want Out 13- Dr. Stein 14- Burning Sun 15- Steel Tormentor
  • Audience 9.0 - A clean and well made recording that allows for increase of volume without causing headaches! Everything is very well balanced, guitars and bass are in the pocket and drums sound spectacular. Every now and then you get that slight phasing effect that typically happens if someone passes in front of the mic...very briefly, and it does not distract. Impellitteri Umeda Club Quattro Osaka, Japan June 4, 2019 Disc 1 01. Intro 02. Carmina Burana 03. The King Is Rising 04. Warrior 05. Run For Your Life 06. Father Forgive Them 07. Wicked Maiden 08. We Own The Night 09. Lost In The Rain 10. Over The Rainbow 11. Crazy Train Disc 2 01. Stand In Line 02. Jam (Smoke On The Water, Man On The Silver Mountain, Burn) 03. Since You've Been Gone 04. Answer To The Master 05. The Future Is Black 06. Hypocrisy 07. Band Introductions 08. Symptoms Of The Universe
  • Audience 9.0 - A warm, comfortable recording. Plenty of headroom, and a good instrument balance. The music is challenging and expertly performed, stuff like this is why a hardly every play my guitar anymore. What's the point? Chris Impelliterri is a beast! Impellitteri Umeda Club Quattro Osaka, Japan May 29, 2015 Disc 1 01. Carl Orff Carmina Burana 02. The King IS Rising 03. Speed Demon 04. Warrior 05. Time Machine 06. Power Of Love 07. Guitar Solo 08. We Own The Night 09. Guitar Solo 10. Stand In Line 11. Face The Enemy 12. Venom Disc 2 01. Garden Of Eden 02. Wicked Maiden 03. Drum Solo 04. The Future Is Black 05. Lost In The Rain 06. Band Introductions 07. Answer To The Master 08. Jam Session 09. Warrior
  • Audience 8.7 - Many fans of the band, especially those who seek out Lemmy period recordings, look to this one as being easily top 3. It is left here untouched, even though to my ears it could use a volume boost but that can be done on the listener's end so it's not a deal-breaker at all. The recording is notable for being clear, and easy to discern Lemmy's immense power bass lines. I'd never heard it prior, so to me it was a very welcome addition to the collection. Hawkwind Gruga Halle, Essen 8 September 1972 1. Intro 2. Technicians Of Spaceship Earth 3. Born to Go 4. Seven by Seven 5. Brainstorm 6. Electronic no 1 7. The Black Corridor 8. Master Of the Universe 9. Paranoia Dave Brock - guiar, vocals Simon King - drums Nik Turner - sax, flute, vocals Lemmy - bass, vocals Del Detmar - synths
  • Audience 9.7 - Spectacular, crystal clear and lush sound makes you sink deeply into this one. For some, the Grateful Dead are not easily understood, but this show and this recording can easily be understood as beautiful music played with passion and talent galore. Now, to be honest, this set is missing an important segment, the "space/drums" part is conspicuously absent, but there is still plenty of lengthy workouts to keep you engaged with the psychedelic overtones of a Dead concert as well as the more bluegrass and bluesy numbers. All in all this is one for the history books. Grateful Dead Long Beach Arena Long Beach, CA December 13, 1980 Disc 1 01 Feel Like A Stranger 02 Sugaree 03 C.C. Rider 04 To Lay Me Down 05 Minglewood Blues 06 Ramble On Rose 07 Lost Sailor 08 Saint Of Circumstances Disc 2 09 Deal 10 Scarlet Begonias 11 Fire On The Mountain 12 Playing In The Band 13 Not Fade Away 14 Black Peter 15 Sugar Magnolia 16 One More Saturday Night
  • Soundboard 9.6 - Superb recording that delights the senses in every way with precision attack. The distortion this band uses does not in any way mask imperfection as so many other bands use it for, in fact the band is unbelievably tight, and the mix highlights each of them in a very harmonious way but especially tantalizing is the bass sound and placement in the mix. You'd expect, and even almost prefer that the vocals be the star of the show but they are not particularly highlighted as good as they are. The guitar solos are breathtaking, and each player is panned to one side in a non-synthetic stereo sound-field giving the listener a sense of space, like natural surround sound. Great great recording! Stryper B.B. Kings Blues Club New York, NY. Sept. 24, 2005 Disc 1 1. Intro 2. For You 3. Open Your Eyes 4. Make You Mine (cut) 5. Loud N Clear 6. Loving You 7. The Rock That Makes Me Roll 8. Reach Out 9. Calling On You 10. Free 11. Lady 12. Honestly 13. Passion Disc 2 14. All For One 15. Band Intros - Drum Solo 16. Live Again 17. Reborn 18. The Way 19. To Hell With The Devil 20. More Than A Man 21. Soldiers Under Command 22. Closing Prayer
  • Audience 9.7 - It takes the soundman a little while to dial it in, I mean, there's a lot going on so give him a break! Once he gets his mix right, it's off to the raises and one heck of a winning ticket. This is one of the best, Alan White has never been as fluid, even with the extended and complex jamming he's on every beat like a beastmaster. Steve Howe is in excellent form, in fact they all are...amazing! Yes Long Beach Arena Long Beach, CA June 23, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium 06 Your Move Disc 2 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 The Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams Jon Anderson - Vocals Chris Squire - Bass Steve Howe - Guitar Alan White - Drums Patrick Moraz - Keyboards
  • Audience 9.3 - The secret to making a lifelike stealth recording is knowing what kind of microphone to use and how to operate peak level control meters. If you master those two aspects, the rest comes down to location inside the venue and physical handling of the gear. In this case, every element is handled appropriately with excellent results. There's a reason why they call the taper (Mike Millard RIP) Mike The Mic. Moody Blues Pacific Amphitheatre Costa Mesa, CA August 30, 1990 Disc 1 01 Lovely To See You 02 Gemini Dream 03 The Voice 04 Rock 'N' Roll Over You 05 Tuesday Afternoon 06 I Know You're Out There Somewhere 07 The Story In Your Eyes 08 Your Wildest Dreams 09 Isn't Life Strange Disc 2 10 The Other Side Of Life 11 I'm Just A Singer (In A Rock And Roll Band) 12 Nights In White Satin 13 Legend Of A Mind 14 Question 15 Ride My See-Saw
  • SDBRD 9.2/Audience 8.8 - Two sources comprise this offering, with the first (and thankfully the bulk of the recording) being very good quality, I would say excellent more precisely. Being a soundboard it does come off a little on the dry side, and by contrast the audience taped portion (the last 1/3 of the show) is very good, and lively, which wakes up certain instruments giving them more accuracy as far as what they actually sounded like coming through the at the show. The guitar in particular has a different attack and dynamic from the audience tape, in a good way. This is almost the perfect example of what kind of differences there are, both positive and negative, between a board and an audience tape source.

    Frank Zappa Hemmerleinhalle Neunkirchen am Brand, West Germany 25-Feb 1978, Disc 1 01 The Purple Lagoon 02 Dancin' Fool 03 Peaches En Regalia 04 The Torture Never Stops 05 Tryin' To Grow A Chin 06 City Of Tiny Lights 07 Baby Snakes 08 Pound For A Brown 09 Is That Guy Kidding Or What 10 I Have Been In You Disc 2 11 Flakes 12 Broken Hearts Are For Assholes 13 King Kong (incl White Person, YCDTOSA 6) 14 Wild Love 15 Yo Mama 16 San Berdino 17 Watermelon In Easter Hay 18 Dinah Moe Humm 19 Black Napkins

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