-
Audience 9.3 - I am hesitant to call this a radio broadcast but this obviously was professionally recorded, but the recording might not necessarily be through the board hence “audience” tape. Great sound! Kiss L'Olympia Theatre Paris, France May 22, 1978 1. -Intro 2. -Duece 3. -Strutter 4. -Flaming Youth 5. -Hotter Than Hell 6. -Firehouse 7. -She 8. -Ace Solo 9. -Nothing To Lose 10. -Shout It Out Loud 11. -Gene Solo 12. -100,000 Years 13. -Peter Solo 14. -Black Diamond 15. -Detroit Rock City 16. -Rock 'N Roll All Nite 17. -Let Me Go, Rock And Roll 18. -Detroit Rock City -
FM Broadcast 9.3 - Great recording here, obviously being that it was broadcast it had to be done professionally but I really like how this was mixed to allow such an impactful guitar sound. PAT TRAVERS 1982-12-09 Civic Center Baltimore, Maryland U.S.A. Opening for BLUE OYSTER CULT w/Special Guest; BUCK DHARMA (B.O.C.) 1. -Introduction - THE FIFTH 2. -WHO'LL TAKE THE FALL 3. -LIFE IN LONDON 4. -I'D RATHER SEE YOU DEAD 5. -I LA LA LA LOVE YOU 6. -STEVIE 7. -AMGWANNA KICK BOOTY 8. -CAN'T STOP THE HEARTACHES 9. -STATESBORO BLUES 10. -SNORTIN' WHISKEY AND DRINKIN' COCAINE 11. -ROCKIN' 12. -BOOM BOOM (Out Go The Lights) 13. -SUNSHINE OF YOUR LOVE (Buck Dharma) Musicians PAT TRAVERS- Guitar/Keyboards/Vocals PAT THRALL- Guitars/Synthesizer/Backing Vocals PETER "Mars" COWLING- Bass SANDY GENNARO or DAVE LEVINE- Drums * BUCK DHARMA (B.O.C.)- Introduction & Guitar -
Audience 9.3 - Fantastic! Wow, I’d never heard this one previously and it’s a real revelation. Open, great stereo pan, and for once I actually heard the keyboards and I could not even believe some of the little quirky bits that it added to the music. Just listen to Crazy Train and you will hear some sounds that are NOT the guitar, almost kind of funny. Great great stuff, this is a must have! Ozzy Osbourne Milwaukee Mecca Auditorium Milwaukee, WI. January 22nd 1982 01 - Over The Mountain 02 - Mr Crowley 03 - Crazy Train 04 - Revelation Mother Earth 05 - Steal Away The Night 06 - Suicide Solution 07 - Guitar Solo - Drum Solo 08 - Goodbye To Romance 09 - I Don't Know 10- I Don't Know 2 11 - No Bone Movies 12 - Believer 13 - Flying High Again 14 - Iron Man 15 - Children Of The Grave 16 - Paranoid -
Studio Quality 9.8 - Almost as good as could be, a tiny amount of hum only noticeable at the beginning and end of songs…this is almost perfect but it is unmastered studio demos that to my ears sound very close to final mix. Ozzy Osbourne Ozzmosis Demos 1. It Feels So Good To Be Bad 2. Denial 3. Too Far Gone 4. Ghost Behind My Eyes 5. Frustrated Yes I'm Hated 6. Dream For Tomorrow 7. Say Yeah Yeah 8. Oh No The Bitch Won't Go 9. My New Rock And Roll 10. Perry Mason 11. Old L.A. Tonight 12. See You On The Other Side -
Audience 9.7 - both of these shows were recorded onto a 4-track machine which is clearly obvious when you hear just how crystal this stuff sounds, as well as the separation of instruments. Some minor stuff does occur with the old tape in a couple spots but that passes without much fuss, it’s hard to knock these recordings but I do have to let you know what I hear. HIGHLY RECOMMENDED! Pat Metheny Trio Boston 1974 Disc 1 Pooh's Pub Boston, MA, USA June 1974 01) Bright Size Life 5:09 02) There Is No Greater Love 8:42 03) Exercise No.6 (Early version of "Unity Village") 4:21 04) Guitar+Bass Duo 6:01 05) Continuum 7:35 06) Guitar Solo 5:07 07) Unquity Road 4:20 08) Wrong Is Right 6:05 09) Ida Lupino 10:47 10) All The Things You Are 11:05 Disc 2 Zircon Boston, MA, USA June 1974 01) Exercise No. 3 (early version of "Missouri Uncompromised") 4:08 02) Waltz (early version of "Sirabhorn") 7:35 03) All Sus 4's 14:54 04) April Joy 4:05 05) Stella By Starlight 11:12 06) Omaha Celebration 8:11 07) Methuselah Blues 8:41 Pat Metheny - Guitar Jaco Pastorius - Bass Bob Moses - Drums -
Sunrise, Fl. 1992 Audience 9.1 - A really nice and bright recording. It’s not as full on the low end but it’s there, everything is pretty clear and it is a pretty spacious, atmospheric tape. Groningen 1992 Audience 9.2 - This tape is bright, good balance, and a realistic live atmosphere. Black Sabbath 1992-07-24 & 09-17 Disc 1 Sunrise Musical Theater Sunrise, Florida 1992-07-24 101 Soundcheck (Vinny Appice) - Intro 102 E5150 103 The Mob Rules 104 Computer God 105 Children Of The Sea 106 Time Machine 107 War Pigs 108 I 109 Die Young 110 Guitar Solo - Sabbath Bloody Sabbath 111 Black Sabbath Disc 2 201 TV Crimes 202 Master Of Insanity 203 After All (The Dead) 204 Drum Solo 205 Iron Man 206 Heaven And Hell 207 Neon Knights 208 Paranoid - Heaven And Hell (Reprise) Disc 3 Evenementenhal Groningen, Netherlands 1992-09-17 301 E5150 302 The Mob Rules 303 Computer God 304 Children Of The Sea 305 Time Machine 306 War Pigs 307 I 308 Die Young Disc 4 401 Guitar Solo - Sabbath Bloody Sabbath 402 Black Sabbath 403 Master Of Insanity 404 After All (The Dead) 405 Drum Solo 406 Iron Man 407 Heaven And Hell 408 Neon Knights 409 Paranoid - Heaven And Hell (Reprise) -
Soundboard 9.4 - A nice, low gen board from what I consider the apex of this band. In fact I would say my favorite live Santana originates from the Lotus era. I will say this mix does highlight percussion in a way that you hear cymbals and other instruments in a different aural space, almost in stereo as they seem to phase across the speakers and sometimes may even give you the feeling you are hearing tape hiss but alas it is actually residual crash cymbal sounds and maracas. Interesting. Santana Metropolitan Sports Arena Minneapolis, MN March 19, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela > Concierto de Aranjuez 14 Mantra - Kyoto 15 Castillos De Arena, Part 2 (Sand Castle) 16 Earth 17 Se A Cabo 18 Savor 19 Toussaint L’Overture -
Audience 9.3 - I found this to be highly immersive and exceptionally enjoyable. First of all the band sounds invigorated, breathing new life into the old catalog of songs but fiery with the newer material. I like how you can tell when the taper has to duck so as not to be discovered because at those moments (thankfully few) you hear the music suddenly seem above you and farther away, kind of cool actually. All in all – great sound, great performance. ROLLING STONES SOFI STADIUM INGLEWOOD, CA. 2021-10-14 Disc 1 01. intro 02. Let's Spend The Night Together 03. 19th Nervous Breakdown 04. Here`s to you Charlie 05. Rocks Off 06. Get Off My Cloud 07. Tumbling Dice 08. Ruby Tuesday 09. You Can't Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Women Disc 2 13. band introductions 14. Connection 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumpin' Jack Flash 21. Gimme Shelter 22. (I Can't Get No) Satisfaction 23. outro -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Three Musikhalle Hamburg, WG 1975-05-13 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -You Burned The Tables On Me 11 -Without A Word 12 -Smiles And Grins 13 -Sunshine Of Your Love -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Two Mozartsaaal im Rosengarten Mannheim, WG 1975-05-05 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -Out Into The Fields 11 -You Burned All My Tables 12 -Without A Word 13 -Smiles And Grins -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce Band Tour Of Europe 1975 Volume One Salle Vallier Marseille, FR 1975-04-29 Disc 1 01 -You Burned The Tables On Me 02 -Morning Story 03 -Pieces of Mind 04 -Keep It Down 05 -One 06 -Spirit Disc 2 07 -Without A Word 08 -Tickets To Waterfalls 09 -Weird Of Hermiston 10 -Post War Band: Jack Bruce - Vocals, Bass, Piano Mick Taylor - Guitar Carla Bley - Organ, Synthesizer, Clavinet, Mellotron, Electric Piano Ronnie Leahy - Piano, Electric Piano, Synthesizer Bruce Gary - Drums Jack Bruce, Carla Bley & Mick Taylor -
Audience 9.3 - It’s hard to get much better than this as far as overall enjoyment…for one thing yes it sounds great but man, the band is in the pocket, razor sharp and ready to fuck things up in Netherlands. Sammy has his shtick so dialed in it is easy to forget the effortless banter of his nemesis David Lee Roth. And…finally there is Satch’s incredible fiery guitar work that is quite breathtaking here. Chickenfoot Poppodium 013 Tilburg, The Netherlands 01-17-2012 Disc 1 01. Lighten Up 02. Alright Alright 03. Big Foot 04. Sexy Little Thing 05. Soap on a Rope 06. Up Next 07. My Kinda Girl 08. Down the Drain Disc 2 09. Three and a Half Letters 10. Something Going Wrong 11. Turnin' Left 12. Future in the Past 13. Crowd cheering & Sammy talks 14. Different Devil 15. Oh Yeah 16. Foxy Lady -
Soundboard 9.8 - Superb is how I would define this recording. If you have any interest in any of the musicians from Jefferson Starship and Jefferson Airplane than I highly recommend this one. This gig eventually led to the members deciding to go tour. HOT TUNA The Fillmore San Francisco, CA 03-04-88 w/Paul Kantner, *w/Papa John Creach, +w/Will Scarlett, #w/Grace Slick Disc 1 1. -I Know You Rider 2. -Hesitation Blues 3. -Walkin' Blues 4. -Other Side Of This Life 5. -The Bag I'm In 6. -I'll Be All Right Someday 7. -99 Year Blues 8. -Mariel 9. -Intro To Grace 10. -Wooden Ships 11. -Intro To Papa John 12. -3rd Week In The Chelsea 13. -Down Home Blues 14. -Keep On Truckin' Disc 2 1. -Intro 2. -Keep Your Lamps Trimmed And Burning 3. -Candyman 4. -I See The Light 5. -Martha 6. -Embryonic Journey 7. -Ice Age 8. -Carlos Vonseca 9. -San Francisco Bay Blues 10. -Genesis 11. -Parchman Farm+ 12. -Good Shepherd 13. -Grace Speaks Disc 3 1. -Papa John Intro 2. -Let Us Get Together Right Down Here 3. -John's Other 4. -Vampire Women*+ 5. -Have You Seen The Stars Tonight? 6. -Mann's Fate 7. -Put It In My Hands 8. -I'm Movin' 9. -Killing Time In The Crystal City 10.-Water Song 11. -America 12. -Volunteers -
Audience 9.1 - Small club vibe permeates this very intimate recording as Al sings his songs with a crack band behind him…often chatting it up with the audience who responds in kind. As I listened, I could not help but think this music really reminds me of Lou Reed, with less bratty New York attitude and more gay San Francisco. Al Stewart Band Wolfgangs San Francisco, Ca. 1983-08-11 01. -Unknown Title 02. -Unknown Title 03. -Time Passages 04. -Cafe Society 05. -Almost Lucy 06. -Rumours of War 07. -Intros - On The Border 08. -Accident On 3rd Street 09. -Valentino Way 10. -Intros - Year Of The Cat 11. -End of the Day 12. -If It Doesn't Come Haturally Leave It 13. -Paint By Number Al Stewart: vocals, guitars Peter White: guitars, keyboards, bass Adam Yurman: bass, guitars Kaz: Alto sax, keyboards Steve Chapman: drums -
Studio 9.0 - The quality does vary but it stays within a general high quality 8.9 to 9.3 range because the material is from a wide variety of sources such as the studio, TV, radio, and live. An interesting introspection of the artist beginning with very early tracks pre-Sugarcubes. Björk Early and Rare Assorted Unreleased Studio and Live Tracks 01 -Icelandic Folksong (Björk as a Child) 02 -Langt Ude i Skoven (Björk as a Child) 03 -I Love To Love (Björk as a Child) 04 -Jolakötturinn 05 -Dancing Queen (Sugarcubes Studio) 06 -Whole Lotta Loving To Do (El Vez & Sugarcubes) 07 -Nu Flyver Anton (Danish Soundtrack) 08 -Short Time Affair (Comic Relief BBC 14.3.1997) 09 -Min Farfar Drikker Södmelk (Danish Grammy 7.2.1998) 10 -Jolasveinar ganga um golf (Merry Christmas from Björk) 11 -Satisfaction (w/ P.J. Harvey) 12 -Pin var ekki ad bioa (w/ Icelandic Band Draumsyn, Studio 1980) 13 -Su - Patrei (Elgar Systers, Studio 1986 from Unreleased Album) 14 -Geri pao sem mer synist (Sugarcubes Skytturnar Demos) 15 -Sweet Jane (Sugarcubes Skytturnar Demos) 16 -Misty (Live @ Hotel Borg, Reykjavik 30.8.1990 w/ Gling Gl¢ Band) -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Aerosmith Permanent Vacation Outtakes 1987 Disc 1 1. Heart's Done Time (early studio rehearsals AKA Right Key, Wrong Key Hole) 2. Magic Touch (early demo version) 3. Magic Touch (final pre-production with different lyrics) 4. Rag Doll (final pre-production with different lyrics and solo) 5. Simoriah (final pre-production) 6. Simoriah early demo version) 7. Dude (looks like a lady) (final pre-production without intro) 8. Dude (looks like a lady) (early demo version with different lyrics) 9. Dude (looks like a lady) (early studio rehearsals) 10. Dude (looks like a lady) (original working demo version) 11. St. John (final pre-production) 12. St. John (early demo version) 13. St. John (early studio rehearsals) Disc 2 1. Hangman Jury (early studio rehearsals) 2. Girl Keeps Coming Apart (final pre-production) 3. Girl keeps coming apart (early studio sessions without vocals) 4. Girl keeps coming apart (early studio rehearsals without vocals) 5. Angel (original working demo version) 6. Permanent vacation (final pre-production) 7. Permanent vacation (early demo version) 8. I'm Down (final pre-production) 9. Got To Find A Way (original working demo version including "The movie") 10. Got To Find A Way (early studio rehearsals) Disc 3 1. Walking On Danger Street (original working demo version) 2. Walking On Danger Street (early studio rehearsals) 3. Feel The Pain (original working demo version AKA Sleeping Sickness and Scream In Pain) 4. Feel The Pain (final complete demo version) 5. Hollywood (early studio rehearsals) 6. Hollywood (original working demo version) 7. Funky Thing (original working demo version) 8. Funky Thing (Joe's Funky early demo version) 9. Once Is Enough (original working demo version) 10. Love Me Like A Bird Dog (original working demo version) 11. Love Me Like A Bird Dog (early studio rehearsals) 12. Take It Easy (early studio rehearsals) 13. Is Anybody Out There? (early studio rehearsals) -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Pandora's Leftover Permanent Vacation Sessions Little Mountain Studios Vancouver, Canada March 1, 1987 1 -Joey Kramer Drum Solo 2 -Toys In The Attic 3 -Train Kept A Rollin' (Instrumental) - Girl Keeps Coming Apart (Rehearsal, Instrumental) -
Audience 8.7 - This slightly above average tape sounds like it has been re-mastered and life restored to it, but the mix favors percussion and keys. The rest of the band is a little behind them but thankfully Carlos’ solos rise up above much more in the mix. I did find it an interesting tape with an atmosphere that lets you kind of soak up the Italian vibe – between the chatter and the feel of the venue itself it is kind of strangely…renaissance. Let’s just say the recording captures a little more than just the rock band that evening and it adds a lot to the experience. That is why I can still recommend this to fans, and the fact that it is 1971 which is that interesting period with Neil Schon. Santana Palaido Milano, Italy April 27, 1971 1. -Waiting 2. -Incident At Neshabur 3. -Toussaint L'Overture 4. -Taboo 5. -Batuka 6. -Evil Ways 7. -Soul Sacrifice 8. -Samba Pa Ti 9. -Black Magic Woman - Gypsy Queen 10. -Oye Como Va 11. -Savor 12. -Jingo -
Audience 9.5 - Outstanding! Yes, it’s just another killer quality audience tape that seems to be the hallmark for the Zappa legacy. Probably because you have devoted fans keen on preserving the experience and doing it with care, and an artist who diligently worked hard to provide a high quality audio experience. ZAPPA PLAYS ZAPPA Sentrum Scene Oslo, Norway November 24, 2013 Disc 1 01. Intro 02. The gumbo variations 03. Dweezil's intro to "Roxy and elswhere" 04. Penguin in bondage 05. Pygmy twylyte 06. Dummy up 07. Village of the sun 08. Echidna's arf (of you) 09. Don't you ever wash that thing 10. Cheepnis 11. Son of orange county 12. More trouble every day Disc 2 13. Be bop tango 14. Florentine pogen 15. Teenage wind 16. Teenage prostitute 17. The black page # 1 (drum solo) 18. The black page # 2 19. Dweezil talks 20. I come from nowhere 21. Dweezil talks 22. The duke of prunes Disc 3 23. Peaches en regalia - Intro to... 24. The torture never stops - Audience ovations 25. Encore intro 26. Watermelon in easter hay 27. Dweezil talks 28. Zombie woof 29. Muffin man Dweezil Zappa: guitar, vocals Scheila Gonzalez: saxophone, flute, keyboards & vocals Ben Thomas: vocals, trumpet, trombone, percussion Chris Norton: keyboards, vocals Kurt Morgan: bass Ryan Brown: drums -
Upper Darby 1975 Audience 8.7 - This is not an easy one to pull off – you have to give a lot of credit to this taper as he’s trying to capture an excessively loud and aggressive rock band in a smallish club. That means you’d better be in a good spot with a tape machine that can prevent distortion due to high volume. Taper got those two essentials right. What is the flaw then? I would say unless you are super picky, you really will understand the value of this tape. Good sound quality, you hear everything (both guitars clear!), drums, bass even! So it isn’t board tape perfect, but I think this rare 1975 audience tape belongs in every fan’s collection. It is that good. Central Park 1975 Soundboard 9.8 - What a thrill this is! Man, if you can’t get excited listening to this you are dead. This recording wakes the dead! Get ready for max rock madness in crystal clear excellence. Ted Nugent Live '75 Disc 1 Tower Theater Upper Darby Township, Pennsylvania May 3, 1975 01. Intro 02. Hibernation 03. Stranglehold 04. Lady Luck 05. Pony Express 06. Tuning Up 07. Queen Of The Forest 08. Living In The Woods 09. Where Have You Been All My Life 10. Feedback Frenzy 11. Papa's Will Disc 2 Schaeffer Music Festival Central Park New York, NY August 29, 1975 01. -Hibernation 02. -Stormtroopin' 03. -Just What the Doctor Ordered 04. -Stranglehold 05. -Motor City Madhouse Ted Nugent - lead guitar, vocals Derek St Holmes - vocals & rhythm guitar Rob Grange - bass Cliff Davies - drums -
LA 1977 Soundboard 9.4 - THIS is what PUNK should sound like live…loud, brash, and totally in your face – that is exactly what this board tape delivers and I LOVE IT! Get it and you’ll see why. CBGB’s 1977 Audience 9.2 - A pretty clean recording, which is surprising to me as this is a punk band in a small club at full volume (presumably). So, either taper is affiliated with the club and set up somewhere with some good equipment or it’s a fan who just knew what he was doing and nailed it. I am going with the former. Ramones LIVE 1977 Disc 1 Whisky a Go Go Los Angeles, California October 21, 1977 01 -intro 02 -Loudmouth 03 -Beat On The Brat 04 -Blitzkrieg Bop 05 -I Remember You 06 -Glad To See You Go 07 -Gimme Gimme Shock Treatment 08 -You're Gonna Kill That Girl 09 -I Don't Care 10 -Sheena Is A Punk Rocker 11 -Rockaway Beach 12 -Commando 13 -Here Today, Gone Tomorrow 14 -Surfin' Bird 15 -Cretin Hop 16 -Listen To My Heart 17 -California Sun 18 -I Don't Wanna Walk Around With You 19 -Pinhead 20 -break before encore 21 -Suzy Is A Headbanger 22 -Chain Saw 23 -Today Your Love, Tomorrow The World 24 -break before second encore 25 -Now I Want To Be A Good Boy 26 -Let's Dance Disc 2 CBGB's New York, NY 10-27-77 1. -Loudmouth 2. -Beat on the brat 3. -Blitzkrieg Bop 4. -I Remember You 5. -Glad To See You Go 6. -Teenage Lobotomy 7. -You're Gonna Kill That Girl 8. -53rd And 3rd 9. -Sheena Is A Punk Rocker 10. -Rockaway Beach 11. -Commando 12. -Here Today, Gone Tomorrow 13. -Surfin' Bird 14. -Cretin Hop 15. -Listen To My Heart 16. -California Sun 17. -I Don't Wanna Walk Around With You 18. -Pinhead 19. -Let's Dance 20. -Today Your Love, Tomorrow The World -
Audience 9.4 - Outstanding tape that has a full, rich bottom end that comes close to overshadowing the rest of the band but does not…but the fact that it is so insistent in the mix gives you that feeling like you are standing close to the mains and literally feel the bass and drums going right through you. That is what gives this recording an amazing live feel, because it literally places you right there and when you crank this you relive this event. This date is NOT the same show as the other Cologne '79 (Rockpalast) listed here. This is November 4th, 1979 so if you bought the other Cologne '79 this is not that and this is equal if not better in some ways than the Rockpalast gig. Dire Straits Europe 1979 Disc 1 Carre Theater Amsterdam, Netherlands 11-04-1979 01. intro03:23 02. Down To The Waterline 02:56 03. Six Blade Knife 05:26 04. Once Upon A Time In The West 05:38 05. Lady Writer 03:35 06. Single Handed Sailor 05:37 07. News 03:47 08. What's The Matter Baby 03:29 09. Portobello Belle 04:17 10. Wild West End 05:44 Disc 2 11. Lions 05:41 12. Angel Of Mercy 03:31 13. Solid Rock 04:01 14. Sultans Of Swing 07:02 15. Where Do You Think You're Going? 05:08 16. Southbound Again 04:29 17. Setting Me Up 03:13 18. Twisting By The Pool 06:06 Disc 3 Messehalle Cologne, Germany 11-09-1979 01. intro 02:44 02. Down To The Waterline 02:57 03. Six Blade Knife 05:37 04. Once Upon A Time In The West 05:26 05. Lady Writer 03:31 06. Single Handed Sailor 05:52 07. Lions 05:46 08. Sultans Of Swing 06:37 09. Wild West End 05:36 10. Portobello Belle 04:09 11. News 03:50 Disc 4 12. In The Gallery 06:55 13. Follow Me Home 05:47 14. Angel Of Mercy 03:47 15. Solid Rock 04:11 16. What's The Matter Baby 03:12 17. Where Do You Think You're Going? 04:28 18. Water Of Love 05:20 19. Southbound Again 04:55 20. Setting Me Up 03:32 21. Twisting By The Pool 05:26 -
Soundboard 9.3 - There are quite a few board tapes from this period, so which ones do you get? After listening to this one, I really think it’s one of the ones to get. Great sound, but a really strong performance (when did they not?) too.
The Police "Live In Melbourne '81" Disc 1 01 Voices Inside My Head 02 Don't Stand So Close To Me 03 Walking On The Moon 04 Death Wish 05 Fallout 06 Man In A Suitcase 07 Bring On The Night 08 De Do Do Do, De Da Da Da 09 Truth Hits Everybody 10 Shadows In The Rain Disc 2 01 When The World Is Running Down 02 The Bed's Too Big Without You 03 Driven To Tears 04 Message In A Bottle 05 Roxanne 06 Can't Stand Losing You 07 So Lonely -
Audience 9.3 - A beautiful wide, spacious, and clear recording of a band absolutely demolishing it. How much friggin’ better do you want it? I’ve heard major label released live albums that didn’t sound as good as this.
Black Sabbath Stadthalle Offenbach, Germany 1980-06-02 Disc 1 101 Supertzar 102 War Pigs 103 Noen Knights 104 N.I.B. 105 Lonely Is The Word 106 Sweet Leaf 107 Drum Solo 108 Sweet Leaf (Reprise) 109 Children Of The Sea Disc 2 201 Black Sabbath 202 Heaven And Hell 203 Iron Man 204 Guitar Solo 205 Die Young 206 Paranoid 207 Children Of The Grave -
Soundboard 9.3 - This is a rough and tumble sort of board tape. Obviously never meant to be used in any official release, but it does certainly get the job done regardless. Very definitive instrument separation so you can concentrate on any instrument you want and you will get maximum information out of it – until you choose another one and then you will get stuck on that one. THE ALLMAN BROTHERS BAND - Fillmore West, San Francisco January 29, 1971 1. Statesboro Blues 2. Trouble No More 3. Don't Keep Me Wonderin' 4. In Memory of Elizabeth Reed 5. Midnight Rider 6. Dreams 7. You Don't Love Me 8. Whipping Post Greg Allman - organ, vocals; Duane Allman - guitar; Dicky Betts - guitar; Berry Oakley - bass; Butch Trucks - drums; Jai Johanny Johanson - percussion -
Stereo Soundboard 9.0 - While this show is also featured on another set here, we found an alternate version that seems to have a wider stereo separation, it does make it sound a tad brighter, but there are some trade-offs too, like a touch more hiss but it doesn’t bother so TURN IT UP! Black Sabbath Espace Balard Paris, France 30th September 1983 1. Children Of The Grave 2. Hot Line 3. War Pigs 4. Supernaut 5. Drum Solo 6. Rock ‘N’ Roll Doctor 7. Disturbing The Priest 8. Iron Man 9. Guitar Solo 10. Digital Bitch 11. Smoke On The Water 12. Paranoid/Heaven And Hell(reprise) Bonus Tracks Sporthalle, Boblingen, Germany 28th September 1983 13. Black Sabbath 14. Smoke On The Water 15. Paranoid/Heaven And Hell(reprise) Ian Gillan – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bev Bevan – Drums Geoff Nicholls – Keyboards -
Pro Audience 9.2 - This rating may seem confusing and that is because I just don’t believe this to be a board feed recording, nor do I believe it to be a straight audience tape. I believe this may have been recorded for broadcast locally and the station probably hung mics or placed them somewhere in the hall because there’s too much ambience for a straight board tape. It’s very good, it’s got a critical element missing in every board tape and that’s some sense of the room, the audience, etc.
Black Sabbath Civic Center Hartford, CT 1980-08-10 Disc 1 101 Supertzar 102 War Pigs 103 Neon Knights 104 N.I.B. 105 Children Of The Sea 106 Sweet Leaf 107 Drum Solo 108 Sweet Leaf (Reprise) 109 Black Sabbath Disc 2 201 MC 202 Heaven And Hell 203 Iron Man 204 Guitar Solo 205 Die Young 206 Paranoid 207 children Of The Grave Bonus track Hammersmith Odeon London, UK 1980-05-08 208 Children Of The Sea -
Soundboard 8.8 - Not your typical board tape here, in fact I hesitate to even call it one because to me it sounds like a stage recording. Either way, it is decent but not great. What is great, however, is this period of the band and this performance is indicative of that peak they attained. Marvelous playing throughout – and like I said the sound quality is decent and enjoyable but I expected more from a professional recording.
The Coliseum St Austell, UK 28th April 1982 Disc 1 01 -Blackout 02 -Dont Make No Promises 03 -Loving You Sunday Morning 04 -Make It Real 05 -We'll Burn The Sky 06 -Coast To Coast 07 -Lovedrive 08 -Always Somewhere 09 -Holiday Disc 2 01 -Cant Live Without You 02 -He's A Woman She's A Man 03 -Another Piece Of Meat 04 -Dynamite 05 -The Zoo 06 -Steamrock Fever 07 -Cant Get Enough -
Soundboard 9.2 - What I like most about this board tape is that it emphasizes Bill Wyman, and I mean where you can hear individual notes that he is playing, while also laying down a strong, sonically speaking, low end (so it’s not just bass notes being plucked out). This is a new, and good way to listen to another ’81 Tour board tape without being bored…’cause we all know the set list didn’t change at all.
Rolling Stones Rosemont Horizon Des Plaines, IL. 11-23-1981 Disc 1 1. -Take The A Train - Under My Thumb 2. -When The Whip Comes Down 3. -Let's Spend The Night Together 4. -Shattered 5. -Neighbours 6. -Black Limousine 7. -Just My Imagination 8. -Twenty Flight Rock 9. -Going To A Go Go 10. -Let Me Go 11. -Time Is On My Side 12. -Beast Of Burden 13. -Waiting On A Friend 14. -Let It Bleed Disc 2 1. -You Can't Always Get What You Want 2. -Band Intros 3. -Little T&A 4. -Tumbling Dice 5. -She's So Cold 6. -Hang Fire 7. -Miss You 8. -Honky Tonk Women 9. -Brown Sugar 10. -Start Me Up 11. -Jumping Jack Flash 12. -Satisfaction 13. -Star Spangled Banner - School Day -
Soundboard 9.0 - Nothing particularly wrong with this one, but a did feel as though the mix was a little bit overcrowded at time (especially when the band was cooking), but at the same time I loved how the organ sounded and the sheer power of this band came across very convincingly.
Patti Smith Group The Place Eugene, Oregon, USA May 4, 1978 Disc One 01 -Land 02 -Rock And Roll Nigger 03 -Privilege 04 -Free Money 05 -Pissing In A River 06 -Pumping 07 -You Really Got Me 08 -Time Is on My Side 09 -Ghost Dance 10 -Because the Night Disc Two 01 -Easter 02 -Radio Ethiopia 03 -Gloria 04 -Jailhouse Rock 05 -My Generation Civic Center Santa Monica, California May 12, 1978 06 -Land 07 -Rock And Roll Nigger 08 -Privilege 09 -Kimberly 10 -Till Victory 11 -Redondo Beach
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Radio Broadcast 9.4 - Slightly dated sounding it’s still very strong, clear (sounds like someone did some work on it) and pretty much everything you want. Patti Smith Group "Joan Of Arc At The Burning River" Rock Around The World broadcast Agora Ballroom, Cleveland, OH April 18, 1978 01 -Interview - Redondo Beach 02 -Interview - Ain't It Strange 03 -Interview - Privilege (Set Me Free) 04 -Interview - Easter 05 -Radio Ethiopia 06 -Gloria 07 -Interview -
Audience 9.0 -A fine recording that does not have that digital signature to it, although many digital recordings are fine it’s just that an analog capture more faithfully replicates the vibe of the event being captured. Peter Gabriel Memorial Coliseum Los Angeles, CA September 21, 1988 01 Of These, Hope 02 Games Without Frontiers 03 Shock The Monkey 04 No Self Control 05 Don't Give Up (with Tracy Chapman) 06 Sledgehammer 07 In Your Eyes 08 Biko