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Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 8.3 Very good! -
Houston based melodic metal with very tasty guitar work and excellent song writing. Features the rhythm and lead guitar of former Hooker guitarist Robert Hampton. This unreleased album dates back to 1990, all music has been re-mastered from all surviving master tapes. -
CD reissue on Winter Solstice Records. Jewel Case Sealed. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 9.0 - Nicely done! A good solid punchy middle, with enough headroom to allow the guitars to soar high above the audience landing onto your ear drums in the best of ways. -
Import CD of an album recorded by Jeff Fenholt (Black Sabbath vocalist...briefly) with some other luminaries including Andrew "Duck" McDonald (Blue Cheer) and Joey Belladonna (Anthrax). LTD to 300 copies. UK import. NEW SEALED -
Audience 9.4 - Beautiful and well balanced, this taper was well known to have produced consistently high quality work in the area taping a variety of concerts big and small. Band was opening for Badfinger, and this is the earlier of the two performances that day. This is one of the only extant live recordings of Big Star playing in the ‘70s that has not been officially released. Big Star Performance Center Cambridge, MA March 31, 1974 (early show) 01 In The Street 02 Baby Strange (T. Rex cover) 03 Mod Lang 04 Candy Says (Velvet Underground cover) 05 Till The End Of The Day (Kinks cover) 06 O My Soul 07 Motel Blues (Loudon Wainwright III cover) 08 Thirteen 09 Way Out West 10 September Gurls 11 Come On Now (Kinks Cover) -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Soundboard 9.8 - Do not right Billy Idol off as some curiosity of the 80’s .... I mean, listen to this and tell me this guy is not a bona fide singer-writer-performer in any decade. He’s a pro and he can work an audience. -
Pro 9.4 - A noisy audience that effects the beginnings of every song, but they thankfully subside about 10-15 seconds in – otherwise I would have given this a 9.8 because its that good! -
Soundboard 9.0 - Both sets are pro radio broadcasts with the S.F. set only suffering from a slight imbalance in the mix where the vocals are way up front but it’s just as well since Billy is the show anyway. -
Pro Soundboard 9.7 - A superb document in every sense. Perfect recording, splendid performance, and fine songs. -
Boston 1981 FM Broadcast 9.0 This is not bad, I detected maybe a little trace of signal interference but not enough to destroy this audio. It may be kind of like a background “fuzziness” or something but I find this to be a very good representation especially being a crowd that knows the music and the band very well. I think the band responds and delivers an exceptional performance. San Francisco 1981 FM Broadcast 9.4 Very strong in every category, a recording with depth and a band that delivers the goods. London 1981 Audience 8.8 A decent tape with maybe a little “crunchiness” to it but overall it rates well and can be thoroughly enjoyed. Billy Squier Stroke Me in 1981 Disc 1 Carling Academy Boston, Massachusetts USA 1981 1. -In the Dark 2. -Rich Kid 3. -My Kinda Lover 4. -Whadda Do You Want From Me 5. -Lonely is the Night 6. -Young Girls 7. -I Need You 8. -The Stroke 9. -Too Daze Gone 10. -The Big Beat Disc 2 San Francisco, California USA 1981 1. -Introduction 2. -In the Dark 3. -Rich Kid 4. -My Kinda Lover 5. -Whadda You Want From Me 6. -Guitar Solo 7. -Lonely is the Night 8. -Young Girls 9. -I Need You 10. -The Stroke 11. -You Should Be High Love 12. -The Big Beat 13. -Band Intros 14. -You Know What I Like Disc 3 Hammersmith Odeon London, UK. 05-29-1981 1. -Intro - In The Dark 2. -Rich Kid 3. -My Kinda Lover 4. -Whadda You Want From Me 5. -Lonely Is The Night 6. -The Stroke 7. -You Should Be High Love 8. -Too Daze Gone Billy Squier - Vocals & Guitars Mark Clarke - Bass Alan St. Jon - Keyboards Bobby Chouinard - Drums -
Studio 9.0 - The quality does vary but it stays within a general high quality 8.9 to 9.3 range because the material is from a wide variety of sources such as the studio, TV, radio, and live. An interesting introspection of the artist beginning with very early tracks pre-Sugarcubes. Björk Early and Rare Assorted Unreleased Studio and Live Tracks 01 -Icelandic Folksong (Björk as a Child) 02 -Langt Ude i Skoven (Björk as a Child) 03 -I Love To Love (Björk as a Child) 04 -Jolakötturinn 05 -Dancing Queen (Sugarcubes Studio) 06 -Whole Lotta Loving To Do (El Vez & Sugarcubes) 07 -Nu Flyver Anton (Danish Soundtrack) 08 -Short Time Affair (Comic Relief BBC 14.3.1997) 09 -Min Farfar Drikker Södmelk (Danish Grammy 7.2.1998) 10 -Jolasveinar ganga um golf (Merry Christmas from Björk) 11 -Satisfaction (w/ P.J. Harvey) 12 -Pin var ekki ad bioa (w/ Icelandic Band Draumsyn, Studio 1980) 13 -Su - Patrei (Elgar Systers, Studio 1986 from Unreleased Album) 14 -Geri pao sem mer synist (Sugarcubes Skytturnar Demos) 15 -Sweet Jane (Sugarcubes Skytturnar Demos) 16 -Misty (Live @ Hotel Borg, Reykjavik 30.8.1990 w/ Gling Gl¢ Band) -
Soundboard 9.6 - A great sounding board because it incorporates the crowd, meaning that the engineer set up an ambient mic and those kinds of recordings are overall better than straight into the board line recordings.Björk The Warehouse Toronto, Canada 7/8/95 1. -Army Of Me 2. -The Modern Things 3. -Human Behaviour 4. -Isobel 5. -Venus As A Boy 6. -Possibly Maybe 7. -I Go Humble 8. -Hyperballad 9. -Enjoy 10. -I Miss You 11. -Crying 12. -It's Oh So Quiet 13. -Big Time Sensuality 14. -Aeroplane * 15. -I Miss You ** * "Later Show", London, 1995 ** "The White Room", London, 1995
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Audience 9.6 - Superb, right in the pocket with ferocity. -
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Audience 8.8 - A solid and punchy recording that delivers bass and vocals in super detail. Drums come through real nice too, guitars and keys, while not as up front in this mix are still present in a stereo pan where they sit nicely because it gives the recording a balance. It’s easy on the ears and maybe more accurately replicates what you would have been hearing had you been sitting in the tapers seats. -
Audience 9.1 - Lively and bright, and super clear with nice headroom that allows the sound to breath. Highly enjoyable! -
Audience 8.5 - Somewhat subdued but it is clear enough to get all the music coming at you, just less dynamic than I would prefer. The guitar is the prominent instrument in this recording. Still, pretty good. -
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Audience 8.5 - A significant evening for the band as they headline their first show, just after being booted from ZZ Top tour. Sounds fine, taper does maneuver at times and the movement is picked up on the sensitive mic, but overall this is very listenable if not overly dynamic. Good to have it, a very important show in Black Crowes history. -
FM Radio Broadcast 9.5 - One of the best, if not the best, Black Crowes gigs I have ever heard from start to finish. It’s even listed in the top three of all time (at #1) by the Black Crowes fanbase. A must have!
The Black Crowes Sam Houston Coliseum Houston, TX FM Broadcast - February 6, 1993
Chris Robinson – vocals Rich Robinson – guitar Marc Ford – guitar Eddie Harsch – keyboards Johnny Colt – bass guitar Steve Gorman – drums Disc 1: 1. -No Speak No Slave 2. -Sting Me 3. -Hard To Handle 4. -My Morning Song 5. -Jam 6. -Thorn In My Pride 7. -Bad Luck Blue Eyes Goodbye 8. -Twice As Hard Disc 2: 1. -Black Moon Creeping 2. -Thick N' Thin 3. -Hotel Illness 4. -Stare It Cold 5. -Three Little Birds 6. -Sometimes Salvation 7. -Jealous Again 8. -Remedy
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Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
FM Broadcast 9.7- Brilliant sound, and so nice to have this because you get the full on experience with a great band and the great back up vocals of Ruby Starr (I honestly would not have minded at all for her to be the singer and Jim the washboard player and back up singer!). This is great stuff, really is. Black Oak Arkansas Reading Festival England Aug 29, 1976 1 -Intro 2 -Hot Rod 3 -Rock 'N' Roll 4 -Great Balls Of Fire 5 -Hot N' Nasty 6 -Fist Full 7 -Maybe I'm Amazed 8 -Love On Ice 9 -When The Band Was Singing "Shakin' All Over" 10 -Lord Have Mercy On My Soul 11 -Rambling Gambling Man 12 -Keep The Faith THE BAND Jim "Dandy" Mangrum lead vocals washboard Tommy Aldridge drums Ricky "Ricochet" Reynolds guitar Pat Daugherty bass vocals "Little" Jimmy Henderson guitar vocals Stanley "Goober" Knight guitar vocals keyboards Ruby Starr vocals -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Audience 8.6 - A serviceable recording that I am thankful to have in that it captures an exceptional night where the band is simply on another level, especially Ronnie James Dio. The dynamics do not impress, and there’s a lot packed into that upper mid band frequency which is barely hanging on but the good news is that it does hang on, and you do get pretty much everything in a reasonably comfortable way. I welcomed this one, and the bonus is that taper recorded the opening act too, which is included here for completeness.