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Liverpool 1973 - Audience 7.3 - Something funky about the mix, and there is tape noise present, but it has an almost small club feel to it, just sort of far back in the club maybe. London, 1973 - Pro Radio 9.7 -
SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing. -
Audience 9.6 - Very atmospheric and warm, presents a very realistic impression of the sound you would have heard had you been there. -
Audience 7.7 - Nice for a large stadium bootleg! Interesting recording, because it sounds like the guitar solo pans to one side, while rhythm guitar is center channel – but it’s an audience bootleg, so my guess is maybe two mics were used to get that to happen. -
Audience 7.4 - Roughly the same quality for each show. Both present complete 1974 shows, certainly must have’s for any dedicated fan, and even though they are only slightly above average, they are both good listens. -
Audience 7.6 -
Audience 9.3 - Wow! Simply incredible, an audience tape with more dynamics than most professional recordings, and a fantastic performance and set list! -
Audience 9.5 - Why such a high rating? Because this sounds as if you are standing right in front of the stage, on Brian May’s side, and there’s no distortion. Amazing. You are there, it’s a feast for the ears…it’s ear candy…have some! -
Audience 7.7–8.1 - Ranges in quality mainly because it gets off to a rough start but gets progressively better. -
Audience 9.4 - When an audience tape is done correctly you get a very real sense of the environment, of the people and the moment happening in front of you. This tape does all of that for you. -
Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour. -
Audience 8.4 - The situation with this recording is that although it is really clean, like master quality clean, the clarity gets a little lost when the band is at full volume. And that is because it is incredibly “live” and atmospheric and does not focus the audio directly into the mic. So, it’s very much an experience that immerses you but lacks super tight sonic clarity but a VERY nice recording otherwise. For 1975, it’s a great capture. -
Audience 9.1 - A concert recording that defines the term “immersive”. So, you are basically transported back in time and placed into a seat pretty close to the stage, sitting next to a couple of enterprising tapers. The audience is a part of this experience, it’s open, vibrant, clear, and dynamic and you are right in the middle of it all. Dang, you really should dive into this one if you do not have it. -
Audience 9.0 - Vocals come through shining! -
Audience 9.1 - More intimate setting, good stage mix, all clear and powerful. -
Audience 9.0