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Audience 8.8 - At first my thought was that this was a recording for a broadcast because even though it sounds like an audience recording, that may just mean that the station used room mics to capture the concert. What tipped me off to the fact that this is indeed just a really good audience tape is the clapping near the mic after the songs. AC/DC Palladium, New York, NY August 24th 1977 1. -Live Wire 2. -Shes Got Balls 3. -Problem Child 4. -The Jack 5. -High Voltage 6. -Whole Lotta Rosie 7. -Baby Please Don't Go THE BAND Bon Scott lead vocals Angus Young lead guitar Malcolm Young rhythm guitar backing vocals Cliff Williams bass backing vocals Phil Rudd drums -
Soundboard 8.8 - OK, so yeah this board tape is extremely clear but it suffers from the sterility of most board tapes, and when the band is ACDC, you really need that electric atmosphere a rowdy audience provides. I also found this tape kind of missing some “guts”, but, if you want to hear everything, all guitars and drums, vocals (including backing vocals), then you can’t miss with a clean board tape that allows everything to be present. AC/DC B'ginnings Club Shaumberg IL Broadcast Live on WJKL, Elgin IL 1978-09-14 1. -Intro 2. -Live Wire 3. -Problem Child 4. -Sin City 5. -Gone Shooting 6. -Bad Boy Boogie 7. -Rock and Roll Damnation 8. -The Jack 9. -Dog Eat Dog 10. -Rocker 11. -Let There Be Rock -
Audience 8.3 - Limitations with the microphone is probably what prevents this recording from blossoming as it sometimes seems like it wants to do. You can hear it, for instance, during some of the passages, but I think the overloading of the bass crowds out the guitar a bit too much (although you can hear guitar, just not in a clear and detailed manner). Drums and keyboards dominate with a very insistent, pulsing bass undercurrent throughout. Does that count this out? Not at all, due to the disparity of live BJH recordings, I think this one is worth exploring. The compositions and playing make up for the limitations on the tape. Barclay James Harvest Greens Playhouse Glasgow, Scotland 1972-11-19 01. -Medicine Man 02. -Mockingbird 03. -Summer Soldier 04. -Galadriel 05. -After the Day 06. -Dark Now My Sky -
Soundboard 9.3 - This is, for me, a real revelation. I never knew anything of this band outside of their lone smash hit “My Sharona”, which incidentally happens to hearken me back to a very specific time and place of my youth when this song blasted from every radio every 10 minutes. Listening to this show, I am stunned at how excellent the band is, and how good ALL of the songs are. How they remained pigeonholed and forgotten as another 1 hit wonder it just amazes me because they should have been more than that. I could not stop playing this once I started…I was on board for the whole ride and will do it again! THE KNACK THE FORUM INGLEWOOD, CA 1980-03-30 01. Baby Talks Dirty 02. Your Number Or Your Name 03. Oh Tara 04. The Hard Way 05. I Want Ya 06. Mr. Handleman 07. End Of The Game 08. Hey Little Girl 09. Tell Me You're Mine 10. Good Girls Don't 11. Heartbeat 12. Can't Put A Price On Love 13. Hold On Tight And Don't Let Go 14. Come A Little Bit Closer 15. Frustrated 16. (She's So) Selfish 17. My Sharona 18. (Havin' A) Rave Up 19. Not Fade Away 20. We Love You -
Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39 -
Soundboard 9.0 - The unmistakable emphasis in this mix is the percussion (and to a lesser extent keyboards) but that makes for an interesting take on this one…you are forced to reckon with the powerhouse engine room for once, and with no regrets either. It’s still a good recording, and everyone else is there but you will know who’s taking the stage in the mix here. Santana Circus Krone Munich, Germany April 20th, 1971 Carlos Santana (g/perc/vo) Neal Schon (g) Gregg Rolie (kbd/vo) David Brown (b) Coke Escovedo (perc) Michael Carabello (perc) Jose "Chepito" Areas (perc) Michael Shrieve (ds) 1 -Incident At Neshabur -5:12 2 -Taboo -5:08 3 -Jungle Strut -5:46 4 -Toussaint L'Overture -6:17 5 -Evil Ways -4:41 6 -Samba Pa Ti -3:45 7 -Black Magic Woman - Gypsy Queen -6:01 8 -Oye Como Va -4:13 9 -Savor-3:59 10 -Jingo- 4:45 11 -Soul Sacrifice -13:11 12 -Gumbo -5:18 13 -Se A Cabo -2:06 14 -Treat 9:19 -
Audience 8.8 - Well here it is folks, the BEST early vintage ZZ Top recording to ever surface. We already gave up a long time ago that the band would dig into their archives for us, but now it’s been completely left up to the fans to provide the early documents…and for better or worse they have (mostly worse). After all this time a tape has surfaced that presents a powerful early testament to the rocking blues power of ZZ Top before they “made it” to the FM bigtime. The hits were already in the repertoire, but only hinting at the massive success to come. This is the REAL DEAL – a clear, loud, balsy tape from very early in the bands career. ZZ Top Hec Edmundson Pavilion Seattle, WA December 5, 1973 01 Thunderbird 02 (Somebody Else Been) Shaking Your Tree 03 Chevrolet 04 Waitin' For The Bus 06 Jesus Just Left Chicago 06 Gonna Ride Away (?) 07 Beer Drinkers and Hell Raisers 08 I Just Got Back From Baby's 09 Rattlesnake Shake 10 La Grange 11 Let's Go Get Stoned + Mellow Down Easy -
Pro TV Studio 8.7 - A good live recording with atmosphere, it sounds slightly dated but has the ability to transport you to the time and place…I think that when a recording can do that, it overcomes some of the limitations that may be present. This recording does lack a little bit of middle band clarity. Yes Amsterdam Concert Hall Netherlands 1972 (Last track - Hollywood Bowl 1975) 1. I've Seen All Good People 2. Heart Of The Sunrise 3. Rick Wakeman Solo 4. Long Distance Runaround 5. Yours Is No Disgrace 6. The Gates Of Delirium -
Audience 8.2 - Not one of the better ones, it lacks clarity (drums are actually pretty clear though, and the vocals do rise above somewhat) and to these ears, I gotta say, this is the closest I have ever heard Boston sounding like a heavy metal concert. The lack of sonic clarity does not mean you can’t tell they were f’ing loud! Boston Wings Stadium, Kalamazoo, MI December 12, 1976 01 Intro 02 Rock-n-Roll Band 03 Shattered Images 04 More Than A Feeling 05 Peace of Mind 06 Something About You 07 Man I'll Never Be 08 Smokin' - Foreplay Band line-up Brad Delp - lead vocals, guitar (died March 9, 2007, aged 56) Sib Hashian - drums, backing vocals (died March 22, 2017, aged 67) Tom Scholz - guitars, organ Barry Goudreau - guitars Fran Sheehan - bass, backing vocals -
Soundboard 9.0 - A large, open air festival “board” tape which probably uses some open stage micing. I would venture to guess this must have been a difficult show to control, and a recording made with an eye for a broadcast that they fought with every step of the way. That said, it’s pretty good stuff under all the circumstances. COLOSSEUM Ruisrock Festival Turku, Finland August 22nd 1970 01 - Rope Ladder To The Moon (10:28) 02 - The Machine Demands A Sacrifice > Drum Solo (cuts) (10:54) 03 - Downhill And Shadows (12:11) 04 - Lost Angeles (11:29) 05 - Walking in the Park (6:12) Lineup: Dick Heckstall Smith: sax John Hiseman: drums Dave " Clem" Clempson: guitar Dave Greenslade. keyboards, vibes Tony Reeves : bass Chris Farlowe : vocals -
Soundboard 9.4 - A superb mix and live recording with exceptionally vibrant percussion, clear concise guitars, well balanced vocals, and good atmosphere. Chambers Brothers February 12, 1971 Fillmore East New York City, NY 01. -New Generation (13:36) 02. -Funky (5:25) 03. -Let's Do It (2:50) 04. -Pollution (3:45) 05. -When The Evening Comes (8:01) 06. -I Can't turn You Loose (6:27) 07. -Love, Peace & Happiness - Jam (12:34) -
Audience 8.8 - A very good recording here, and the atmospherics are plentiful. There’s a natural reverb going on that adds another dimension to this, and I mean that in a good way. Lovely! Van Morrison featuring the Caledonia Soul Orchestra Sports Arena San Diego, CA December 1, 1973 01 Instrumental 02 Instrumental 03 Moondance prelude (instrumental) - Van Intro 04 Come Running 05 Ain’t Nothin’ You Can Do 06 Warm Love 07 Into The Mystic 08 I’ve Been Working 09 I Just Want To Make Love To You 10 Here Comes The Night 11 Hard Times 12 I Believe To My Soul 13 Help Me 14 Boogie Chillen’ 15 Domino 16 Caravan 17 Gloria 18 Brown Eyed Girl Sid Page - violin Jack Schroer - saxophone Bill Atwood - trumpet Bill Bridges - guitar David Hayes - bass David Shaw - drums James Trumbo - piano, organ -
Radio Broadcast 9.3 - Some tape hiss but otherwise a beautiful full sounding set here. This music is glorious, it’s maybe not everyone’s cup of tea but it’s very heartfelt and genuine, delicate, contemplative, uplifting. Highly recommended! INCREDIBLE STRING BAND WPLJ Radio Broadcast Live in A&R studios of WPLJ Radio, New York, May 1971 Fillmore East, May 18, 1971 1. Dream The World Alive 2. You've Been A Friend To Me 3. Spirit Beautiful 4. Evolution Rag 5. Turquoise Blue 6. Bright Morning Stars 7. Cosmic Boy 8. Jigs 9. Darling Belle 10. May The Long Time Sun Shine -
Soundboard 9.3 - A decent but kind of middle rangey sound, but in this case I like it because it gives the Kinks a more punkish sound. This material is also kind of punkish so the delivery and the sound of the recording itself convinces you that this band wanted to impart the punk attitude. Some of the songs are definitely not punkish but we know it’s not all encompassing, just generally I think The Kinks liked the punk ethos. I mean, they play a song called “Prince Of The Punks” so what does that tell you? The Kinks Providence Civic Center, Providence, RI September 23, 1979 01 Lola 02 Low Budget 03 Superman 04 Attitude 05 Catch Me Now I’m Falling 06 You Really Got Me 07 Pressure 08 Misfits 09 Prince of the Punks 10 Stop Your Sobbing Band line-up Ray Davies – guitar, harmonica, keyboards, vocals Dave Davies – lead guitar, backing vocals Ian Gibbons – keyboards, backing vocals Mick Avory – drums Jim Rodford – bass, backing vocals (died Jan. 20, 2018) (aged 76) Nick Newall - additional keyboards -
Audience 8.2 - Well, it isn’t a recording that will win any grammies but damn if it isn’t RAW just like the band and their music. This recording actually suits this band – it’s a little rough, but it’s brutal and in your face. The vocals fight for bandwidth against angry and loud guitars, driving bass, and furious non-stop drums. It’s actually kind of a fun listen despite its limitations. Oh, and some good news – it is not a muddy mess at all, it’s just a loud band in a small club sounding for all the world like the debut of punk rock. Iggy and the Stooges Max's Kansas City New York, NY, USA Monday August 6th, 1973 01 - Raw Power 02 - Head On 03 - Gimmie Danger 04 - Cock In My Pocket 05 - Search and Destroy 06 - I Need Somebody 07 - New Orleans 08 - Johanna Line-up: Iggy Pop - Vocals James Williamson - Guitar Ron Asheton - Bass Scott Asheton - Drums -
Pro Broadcast 9.3 - A long improvisational track which really is, in my opinion, way ahead of everyone else in terms of trying new things and being completely off the cuff with sounds and textures. It’s not like traditional space rock, in fact it is not even rock, although the band are players and can make noise when they want to make noise. The fidelity is solid, I can hear everything very clearly and ambience is abundant. Amm unknown venue, London, UK 03.02.1970 1. free improvisation (40:35) line-up Lou Gare: sax, violin Keith Rowe: g,eletr,radio Cornelius Cardew: p,cello Eddie Prevost: perc Christopher Hobbs: perc