-
Soundboard 9.1 - More of the amazing and magical sounds of Grateful Dead circa 1972 as they blew through Texas like tumbleweeds on psilocybin! Grateful Dead San Antonio Civic Auditorium San Antonio, TX November 26, 1972 Disc 1 01 - Deal 02 - Mexicali Blues 03 - Sugaree 04 - Black Throated Wind 05 - Bird Song 06 - Beat It On Down The Line 07 - China Cat Sunflower 08 - I Know You Rider 09 - Box Of Rain Disc 2 10 - El Paso 11 - Big Railroad Blues 12 - Around And Around 13 - Casey Jones 14 - Tuning 15 - Playing In The Band 16 - Brown Eyed Women 17 - Jack Straw 18 - Don't Ease Me In Disc 3 19 - Big River 20 - Dark Star 21 - Me And Bobby McGee 22 - Brokedown Palace 23 - Sugar Magnolia 24 - Goin' Down The Road Feeling Bad 25 - One More Saturday Night -
Audience 8.8 - Truly a marvel, you get three blockbuster acts performing outdoors at a large German Rock Festival in 1974 and you are sitting there listening to something that was probably forgotten within days by everyone as they smoke, drank, and partied until the cows came home in preparation for the next festival that came to town. What I am really saying is that while the band members and audiences probably cannot recall what they did on September 27th, 1974, we can now relive that very day in the lives of all of those people because taper managed to capture everything while sitting in a decent spot and running decent gear. Why he/she did this I do not know but I certainly appreciate their efforts not taking it for granted one bit. The music here sounds good to my ears, very comfortable even if not very distinct in the mid band (where guitars reside) but more than made up for with a beautiful round bass sound and good vocals and highs. Very nice! The Great Music Circus Heidelberg-Eppelheim Rhein-Neckar-Halle September 27th, 1974 Disc 1 Black Oak Arkansas 1. -Announcements 2. -Fever In My Mind 3. -Lord Have Mercy On My Soul 4. -Hey Y'all 5. -Dixie 6. -Full Moon Ride 7. -Mutants Of The Monster 8. -Hot N' Nasty 9. -Hot Rod 10. -Up - Drum Solo 11. -Jim Dandy To The Rescue 12. -Movin' Electric Light Orchestra 01. -Daybreaker 02. -Showdown 03. -Daytripper 04. -Violin Solo 05. -Ma-Ma-Ma Belle 06. -In the Hall of the Mountain King 07. -Great Balls of Fire 08. -Roll Over Beethoven Humble Pie 01. -Intro 02. -Thunderbox 03. -Sweet Peace and Time 04. -The Fixer 05. -30 Days in the Hole 06. -Let Me Be Your Lovemaker 07. -C'mon Everybody 08. -I Don't Need No Doctor -
Audience 8.8 - Very bright recording, the bottom end is there and it has good detail but could be a little deeper. That being said, if you want to hear the combination of solid, hard rock guitar paired with Greg Lake’s proggy and sometimes jazzy keyboards well, this is about as good as that combination can ever sound. It works actually, quite well. The good thing about this recording being on the bright side is that the guitars and keys are especially clear. GREG LAKE Capital Theater Passaic, NJ December 3rd, 1981 THE BAND Greg Lake lead vocals guitar bass Gary Moore lead guitar vocals Tommy Eyre keyboards vocals Ted McKenna drums Tristram Margetts bass SETLIST 1 -Fanfare For The Common Man 2 -Karn Evil 3 -Nuclear Attack 4 -The Lie 5 -Retribution Drive 6 -Lucky Man 7 -C'est La Vie 8 -You Really Got A Hold On Me 9 -Love You Too Much 10 -21st Century Schizoid Man 11 -In The Court Of The Crimson King -
Audience 7.4 - For the first half of the show containing the Edgar Winter and Leon Russell sets, and 8.2 for the duration, which is cool because now you have a complete picture of the entire evening, start to finish, which you rarely find. As the tape progresses, rather than diminish, it brightens and opens up for pretty much the entire Gregg Allman set. Not that it is horrible, just that it occupies a mid range bandwidth without straying into too many dynamics. Tape does not distort, and does not peak, so what you get is a consistent capture that gets progressively better as the evening wears on. This tape has never been heard prior to the release of this set. -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
Osaka 2019 SDBRD 9.4 - This is how you do it if you want to become rock stars. I don’t mean the performance, I mean record yourself and let the tape out so you get bootlegged. Anyway, it’s Led Zeppelin 2.0 for the uninitiated. -
Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer. -
Soundboard 9.4 - Professionally mixed, and it shows. -
Brand New - Sealed -
Soundboard 9.4 - Includes an intermission Audience source. Do you know your Krautrock then? If so, than you may not want to pass on this one. A rare show, a strange show, a wild night. Excellent document complete with loads of photos, and excellent sdbrd audio. -
Soundboard 9.5 - Two tapes have surfaced and both are very strong. The tapes are so good they should be officially released. A good one, rare and certainly worth the time and effort. THE GROUNDHOGS - Quinn Abbey, UK 1971 Disc 1 1. -Mistreated 2. -Split part 1 3. -Cherry Red 4. -Split part 2 5. -Groundhog Blues 6. -Still A Fool 7. -Garden 8. -Eccentric Man Disc 2 WMC Studios, CA, June 8, 1972 1. -Eccentric Man 2. -Music Is The Food Of Thought 3. -Still A Fool 4. -Split part 1 5. -Groundhog Blues 6. -Cherry Red - Split part 2 Tony McPhee - guitar, vocals Pete Cruickshank - bass Ken Pustelnik - drums -
Audience 9.4 - This is a band that has attained the kind of status that warrants a serious examination of their live "bootleg" catalog. In particular, I think the years 1987 to 1992 are the important years, and any tapes that are listenable are considered collectible but the ones that are excellent, as this one is, should be sought out. Why? Because Guns 'N Roses was more than the sum of their parts, and the music that happened on stage more often than not seemed to hold that most elusive quality - Magic. Guns N' Roses Memorial Coliseum Los Angeles, CA October 22, 1989 01 It's So Easy 02 Mr. Brownstone 03 Out Ta Get Me 04 Welcome To The Jungle 05 Move to the City 06 Patience 07 My Michelle 08 Slash Guitar Solo 09 Rocket Queen 10 Only Women Bleed Intro 11 Knockin' on Heaven's Door 12 Paradise City Axl Rose - vocals Izzy Stradlin - rhythm guitar Slash - lead guitar Duff McKagan - bass Steven Adler - drums -
Audience 8.6 - A middle of the road tape that starts off rough as taper situates himself (and a rather rude bump occurs in the middle of Welcome To The Jungle) but do smooth out a few minutes in and gradually sounds somewhat better. A large venue sound complete with that telltale "verb" and slightly boomy, but one thing you get plenty of, and this is key, Slash. At the expense of Axl, you get a heaping dose of Slash and that is fine. Quieter numbers and interludes sound way much better than full tilt volume. I suggest exploring this one if you already collect the band's live shows and do not have this one yet - it's good, it's not great, but to the band's credit I have yet to hear them do a subpar performance and this show is pretty darn good. GUNS N ROSES Target Center Minneapolis, MN January 21st, 1992 Disc 1 1- Welcome To The Jungle 2- Mr. Brownstone 3- Bad Obsession 4- Live And Let Die 5- Attitude 6- It's So Easy 7- Double Talkin' Jive 8- Guitar Solo 9- Civil War 10- Wild Horses 11- Patience 12- You Could Be Mine 13- Piano Solo Disc 2 14- Band Introductions 15- Drum Solo 16- Guitar Solo 17- Godfather Theme 18- Nightrain 19- Don't Cry 20- Move To The City 21- Sail Away Sweet Sister - Bad Time - Sweet Child O' Mine 22- Only Women Bleed 23- Knockin' On Heaven's Door 24- Encore 25- Estranged 26- Mother 27- Paradise City 28- Outro -
Audience 8.7 - A little squashed with guitar kind of low, vocals not bad, drums and bass OK although there’s no great separation of instruments. The good news is the louder you get the better this sounds, strange I know. The show itself? Good rock and roll, what else can you say about these guys? -
Pro 9.3 - Sonically superior but the truth is it all depends on what you want out of the live mix. I think its fine myself but some may have opted for more up front vocals. Overall it is quite good.