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Audience 9.5 - Why such a high rating? Because this sounds as if you are standing right in front of the stage, on Brian May’s side, and there’s no distortion. Amazing. You are there, it’s a feast for the ears…it’s ear candy…have some! -
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Soundboard 9.4 - A fantastic stereo board tape! I would have preferred more guitar in the mix, but it’s great nonetheless. -
Studio Quality 9.8 - Fantastic insight into the working progress of a masterpiece album. One thing that stood out for me was listening to the drums, they aren't exactly going to be the biggest takeaway when considering the performance as a whole but when they are dissected and highlighted you really understand the craft that goes into it. Let's put it this way - the drums aren't just being banged upon, they are being played. Queen Multitracks Mixes II Disc 1 01.Brighton Rock (Drums) 02.Brighton Rock (Guitar) 03.Brighton Rock (Vocal) 04.Get Down, Make Love (Bass) 05.Get Down, Make Love (Drums) 06.Get Down, Make Love (Guitar) 07.Get Down, Make Love (Piano) 08.Get Down, Make Love (Vocal) 09.I Want It All (Drums) 10.I Want It All (Guitar, Bass) 11.I Want It All (Keyboards) 12.I Want It All (Vocal) 13.Killer Queen (Drums) 14.Killer Queen (Guitar) 15.Killer Queen (Piano) 16.Killer Queen (Vocal) 17.One Vision (Drums, Bass) 18.One Vision (Guitar) 19.One Vision (Vocal, Synthesizer) 20.Tenement Funster (Drums, Vocal) 21.Tenement Funster (Guitar) 22.Tenement Funster (Piano, Bass) Disc 2 01.Bohemian Rhapsody (Bass) 02.Bohemian Rhapsody (Drums) 03.Bohemian Rhapsody (Piano) 04.Bohemian Rhapsody (Piano, Bass) 05.Bohemian Rhapsody (Piano, Drums) 06.Bohemian Rhapsody (Guitar) 07.Bohemian Rhapsody (Background Vocal Mix) 08.Bohemian Rhapsody (Lead Vocal Mix) 09.Bohemian Rhapsody (Complete Vocal Mix) -
New York 1975 Audience 8.3 - Not particularly clear, but recording does have some force behind it that propels the sound into your ears, making it slightly better than your average, or mediocre 70’s audience tape, and that is really good because this is a rare one – only 4 known to circulate recordings from the US Sheer Heart Attack tour. Hear the band just before they exploded! Santa Monica 1975 Audience 8.8 - A very good recording of the rarely captured US Sheer Heart Attack tour. The band had yet to release Bohemian Rhapsody and were supporting a good record, but the greatness was still yet to come. Queen Conquer America 1975 Disc 1 New York, NY, USA Avery Fisher Hall February 16, 1975 (late show) 1. -Procession 2. -Now I'm Here 3. -Ogre Battle 4. -Father To Son 5. -White Queen 6. -Flick Of The Wrist 7. -In The Lap Of The Gods - Killer Queen - The March Of The Black Queen - Bring Back That Leroy Brown 8. -Son And Daughter 9. -Keep Yourself Alive 10. -Stone Cold Crazy 11. -Liar 12. -In The Lap Of The Gods...Revisited 13. -Big Spender 14. -Modern Times Rock 'n' Roll 15. -Jailhouse Rock 16. -God Save The Queen Previously uncirculated, this is only the fourth show to emerge from the US Sheer Heart Attack tour - a monumental find. This is the second show of a two show day. Disc 2 Santa Monica, CA, USA Santa Monica Civic Auditorium March 29, 1975 - late show, 11:30pm 1. -Flick Of The Wrist 2. -In The Lap Of The Gods 3. -Killer Queen 4. -The March Of The Black Queen 5. -Bring Back That Leroy Brown 6. -Son And Daughter 7. -Keep Yourself Alive 8. -Stone Cold Crazy 9. -Liar 10. -Big Spender 11. -Modern Times Rock 'n' Roll 12. -Jailhouse Rock -
Audience 8.4 - Unfortunately this is not the best recording. It’s a big stadium, but the flaws are not the typical big stadium flaws of too far away and echoey, rather a preponderance of bass. At times it lets up though, I mean, the rest of the band comes through (vocals being most audible) and you can hear what is going on but you have to round down some of that bass. A mastering job was done, and a lot of the boom was mitigated, and that is nice because this is the one tour that seems to be lacking in decent recordings (Jazz Tour). I’m thinking this one is for Queen completists, but with such nice artwork accompanying this title it’s worth grabbing if there is a discount going on. Queen Coliseum Arena Oakland, California 1978.12.16 Disc 1 101 -Intro 102 -We Will Rock You (Fast) 103 -Let Me Entertain You 104 -Somebody To Love 105 -If You Can't Beat Them 106 -Death On Two Legs 107 -Killer Queen 108 -Bicycle Race 109 -I'm In Love With My Car 110 -Get Down, Make Love 111 -You're My Best Friend 112 -Now I'm Here 113 -Spread Your Wings 114 -Dreamer's Ball 115 -Love Of My Life 116 -'39 Disc 2 201 -It's Late 202 -Brighton Rock 203 -Fat Bottomed Girls 204 -Keep Yourself Alive 205 -Bohemian Rhapsody 206 -Tie Your Mother Down 207 -Sheer Heart Attack 208 -We Will Rock You 209 -We Are The Champions 210 -God Save The Queen -
Audience 7.2 - Can hear everything, but it’s lo-fi sounding at best. Add Equalizer and season to taste. -
Audience 7.7–8.1 - Ranges in quality mainly because it gets off to a rough start but gets progressively better. -
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Audience 8.4 - Let’s face it, ever since the movie came out, recordings like these take on new significance. I just find it fascinating to hear, knowing the back story a little more. This is a very decent recording with primary focus on vocals and drums, with guitar and bass a little behind them but present enough to be able to enjoy this. You can turn the volume up, levels are good - the taper was careful! -
Audience 7.6 -
Queen Providence, RI, USA Providence Civic Center November 14, 1978 Disc 1: 1) -We Will Rock You 2) -Let Me Entertain You 3) -Somebody To Love 4) -If You Can't Beat Them 5) -Death On Two Legs 6) -Killer Queen 7) -Bicycle Race 8) -I'm In Love With My Car 9) -Get Down, Make Love 10) -You're My Best Friend 11) -Now I'm Here 12) -Spread Your Wings 13) -Dreamers Ball 14) -Love Of My Life 15) -'39 16) -It's Late Disc 2: 2) -Brighton Rock 3) -Fat Bottomed Girls 4) -Keep Yourself Alive 5) -The March Of The Black Queen (intro) 6) -Bohemian Rhapsody 7) -Tie Your Mother Down 8) -Sheer Heart Attack 9) -We Will Rock You 10) -We Are The Champions 11) -God Save The QueenAudience 8.8 - Spacious and lush, a full spectral sound range to wrap your ears around. This is what I would call a fully immersive live recording and it’s all thanks to a fan with great gear and a passion for preservation. Great stuff! -
Audience 8.4 - A solid tape that sounds like it has been remastered to remove hiss, but artifacts remain. I imagine though that it sounds better than before, because it is clear that there is something to work with here. -
Audience 9.5 - Hard to really improve upon this one - it's lovely in all regards. Great, clean highs and round lows with a great mid range. It's highlighted by a respectful crowd that rarely intrudes while the band is performing but very enthusiastic between songs. Wish I was there. This recording allows me to be there and hear what I missed. Queen Seattle Center Arena Seattle, WA March 13, 1977 Disc 1 01 Tie Your Mother Down 02 Ogre Battle 03 White Queen (As It Began) 04 Somebody To Love 05 Killer Queen 06 The Millionaire Waltz 07 You're My Best Friend 08 Bring Back That Leroy Brown 09 Brighton Rock 10 '39 11 You Take My Breath Away 12 White Man Disc 2 13 The Prophet's Song 14 Bohemian Rhapsody 15 Stone Cold Crazy 16 Keep Yourself Alive 17 Liar 18 In The Lap Of The Gods...Revisited 19 Now I'm Here 20 Big Spender 21 Jailhouse Rock Medley 22 Saturday Night's Alright For Fighting 23 Stupid Cupid 24 Be-Bog-A-Lula -
Audience 8.4 - The situation with this recording is that although it is really clean, like master quality clean, the clarity gets a little lost when the band is at full volume. And that is because it is incredibly “live” and atmospheric and does not focus the audio directly into the mic. So, it’s very much an experience that immerses you but lacks super tight sonic clarity but a VERY nice recording otherwise. For 1975, it’s a great capture. -
Audience 9.4 - When an audience tape is done correctly you get a very real sense of the environment, of the people and the moment happening in front of you. This tape does all of that for you. -
Audience 8.8 - Thrown into the middle of the action, surrounded by hyper excited Japanese teenagers, you are REALLY going to experience what this evening felt like on many levels – not least of which was the super-electrified performance of a Queen band riding the crest of a popularity wave that would last many more years. Audio quality is good enough to warrant serious investigation of this offering. Queen Budokan, Tokyo, Japan March 22nd, 1976 Disc 1: 01. Opening 02. Introduction 03. Bohemian Rhapsody 04. Ogre Battle 05. MC 06. Sweet Lady 07. MC 08. White Queen 09. MC 10. Flick Of The Wrist 11. MC 12. Bohemian Rhapsody 13. Killer Queen 14. The March Of The Black Queen 15. Bohemian Rhapsody 16. Bring Back That Leroy Brown 17. MC 18. Brighton Rock 19. Guitar Solo 20. Brighton Rock 21. Son And Daughter Disc 2: 01. Band Introduction 02. The Prophet's Song 03. Stone Cold Crazy 04. MC 05. Doing All Right 06. Lazing On A Sunday Afternoon 07. Keep Yourself Alive 08. Drum Solo 09. Keep Yourself Alive 10. Liar 11. In The Lap Of The Gods... Revisited 12. Now I'm Here 13. Big Spender 14. Jailhouse Rock 15. God Save The Queen -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
Sale!
All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
Sale!
All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
Sale!
All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Your purchase includes a print out of the track listing for the complete set. -
Audience 9.1 - A concert recording that defines the term “immersive”. So, you are basically transported back in time and placed into a seat pretty close to the stage, sitting next to a couple of enterprising tapers. The audience is a part of this experience, it’s open, vibrant, clear, and dynamic and you are right in the middle of it all. Dang, you really should dive into this one if you do not have it. -
Audience 8.3 - A tape that one must admire for sheer effort, capturing an entire performance of what had to be an enormous venue filled with screaming people…not the best environment to do field recordings! The music, however, is here, in average fidelity but not obscuring the excellent performance given by the band. Band: Queen Title: Vienna Waltz Date:May 2, 1978 Venue: Stadthalle, Vienna, Austria Disc 1 1.We Will Rock You (slow/fast) 2.Brighton Rock 3.Somebody To Love 4.Death On Two Legs 5.Killer Queen 6.Good Old Fashioned Lover Boy 7.I'm In Love With My Car 8.Get Down, Make Love 9.The Millionaire Waltz 10.You're My Best Friend 11.Spread Your Wings 12.It's Late 13.Now I'm Here 14.Love Of My Life Disc 2 1.'39 2.My Melancholy Blues 3.White Man 4.The Prophet's Song incl. Guitar Solo 5.Stone Cold Crazy 6.Bohemian Rhapsody 7.Keep Yourself Alive 8.Tie Your Mother Down 9.We Will Rock You 10.We Are The Champions 11.Sheer Heart Attack 12.Jailhouse Rock 13.God Save The Queen -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Soundboard 9.7 - This is the one to get if you want to hear this band at arguably the peak of their powers. Sounding like a flashier, somewhat more progressive version of Iron Maiden to these ears, but whoa nelly there is a whole lot of premium quality musicianship happening and it is happening in fantastic quality. Most recording of busy, progressive metal groups simply have a hard time mixing the different instruments in such a way as to deliver the punch without over-killing it and destroying the integrity of the sound. This recording is brilliant because it doesn’t do that, and I honestly have never heard live early Queensyche in this manner before and it is a thrill, it’s a MUST have if you have even a passing interest. Queensryche Harpos Detroit, MI, USA 8th December 1984 1. Intro 2. Nightrider 3. Prophecy 4. Deliverance 5. NM 156 6. Child Of Fire 7. Before The Storm 8. Guitar Solo 9. Blinded 10. The Lady Wore Black 11. En Force 12. Roads To Madness 13. Warning 14. Queen Of The Reich 15. Take Hold Of The Flame 01 The National Anthem (Verona) 02 Morning Bell (Dublin) 03 I Might Be Wrong (Jersey City #2) 04 Dollars & Cents (Verona) 05 You And Whose Army? (Nijmegen) 06 Optimistic (Dublin) 07 In Limbo (Adenau) 08 Packt Like Sardines (Vaison la Romaine) 09 Knives Out (Hollywood) 10 Pyramid Song (Jersey City #2) 11 Kid A (Berlin) 12 Idioteque (London) 13 Everything In Its Right Place (Atlanta) 14 How To Disappear Completely (Jersey City #1) 15 Motion Picture Soundtrack (Dublin) BONUS TRACKS: 16 The Thief (Warrington) 17 Cinnamon Girl (Paris) SOURCES 2000-07-04 Berlin, DE - Großer Sendesaal des SFB (Pro-Recorded Promo) 2000-09-16 Nijmegen, NL - Goffertpark (Broadcast) 2000-09-24 London, UK - Victoria Park (Soundboard/Audience Matrix) 2000-10-02 Warrington, UK - Victoria Park (Broadcast) 2000-10-07 Dublin, IE - Punchestown Race Course (Pro-Recorded Promo) 2001-04-28 Paris, FR - Studio Canal+ (Broadcast) 2001-05-28 Vaison La Romaine, FR - Theatre Antique d'Vaison (Soundboard/Audience Matrix) 2001-05-30 Verona, IT - Verona Arena (Soundboard/Audience Matrix) 2001-06-01 Adenau, DE - Nürburgring (Broadcast) 2001-07-30 Atlanta, GA - Stone Mountain Park (Soundboard/Audience Matrix) 2001-08-16 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-17 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-20 Hollywood, CA - Hollywood Bowl (Soundboard/Audience Matrix) -
London Audience 8.7 - A decent recording that remains consistent throughout. Everything comes through, albeit not with a lot of detailed anything, just good overall clarity and decent mix. I would commend the taper because I know he had to have battled with the Hammersmith Odeon acoustics, loud audience, louder band, and consumer grade gear and yet still managed a good capture. Brussels Audience 8.9 - This is a strong recording and finds the band performing at a very high level. Good sound balance, and though you get a sense of the sheer volume, it does not stress the tape. Queensryche Europe 1984 Disc 1 Hammersmith Odeon London, England 10/4/84 01. Nightrider 02. Prophecy 03. Deliverance 04. NM 156 05. En Force 06. Before The Storm 07. Guitar Solo 08. Blinded 09. Warning 10. Take Hold Of The Flame 11. Queen Of The Reich Disc 2 Vorst Nationaal, Brussels, Belgium 1984-10-19 01. Nightrider 02. Prophecy 03. Deliverance 04. NM 156 05. En Force 06. Before The Storm 07. Guitar Solo 08. Blinded 09. The Lady Wore Black 10. Warning 11. Take Hold Of The Flame 12. Queen Of The Reich Lineup Geoff Tate - vocals Chris DeGarmo - guitars Michael Wilton - guitars Eddie Jackson - bass Scott Rockenfield - drums -
Audience 8.9 - Excellent quality, I did find it worthwhile in almost every regard but keep in mind it is a large venue so it is not a close, tight, and super dynamic recording. It is, however, clear and well done, and overall the sound is picked up well from the main P.A. system, it has force, it has clarity, it has a good "live" quality to it with all the atmosphere of being there. QUEENSRYCHE Stadthalle Offenbach, Germany October 24, 1984 01. Nightrider 02. Prophecy 03. Deliverance 04. NM 156 05. Child Of Fire 06. Before The Storm - Solo Guitar 07. Blinded 08. The Lady Wore Black 09. Warning 10. Take Hold Of The Flame Michael Wilton - guitars Eddie Jackson - bass Scott Rockenfield - drums, percussion Geoff Tate - lead vocals Chris DeGarmo - guitars -
Audience 9.0 - Vocals come through shining! -
Audience 9.1 - More intimate setting, good stage mix, all clear and powerful. -
Soundboard 9.3 - Listen to the beginnings of something happening, you can feel it about to take off. It’s a bunch of free-thinking kids who’ve smoked a little something, maybe popped a few little somethings…and then whaddya know the blues and folk and country and all kinds of music you grew up with sounds a whole lot better if you amp it up and throw some wild licks here and there…maybe let the sound feedback some…the birth of the San Francisco sound of the 60’s. Some minor bumps and bruises with the old tape but it also sounds like it’s right in your living room so the minor hiccups don’t even phase you. Quicksilver Messsenger Service Matrix Coffeehouse San Francisco, California 1966-08 01. -Little Dandelion 02. -All Night Worker 03. -Hoochie Coochie Man 04. -Duncan & Brady 05. -Pride Of Man 06. -You Don't Love Me 07. -Dino's Song 08. -Hair Like Sunshine 09. -Babe I'm Gonna Leave You 10. -Mona 11. -Got My Mojo Working 12. -Remember Me 13. -I Hear You Knocking 14. -Runaway 15. -Smokestack Lightning 16. -Suzie-Q 17. -You Don't Love Me 18. -Dino's Song 19. -Hair Like Sunshine -
Soundboard 9.6 - All excellent soundboard recordings and sourced from first generation cassette masters. Explore this wonderful and important originator of West Coast psychedelic rock. Quicksilver Messenger Service West Coast Live 1967-1970 Disc 1 Winterland, San Francisco, CA 1967-12-31 (Sunday) 1. -Instrumental 2. -Pride of Man 3. -Who Do You Love 4. -If You Live 5. -Too Long 6. -Smokestack Lightning 7. -Babe, I'm Gonna Leave You 8. -Gold & Silver 9. -Dino's Song 10. -Back Door Man 11. -Mona Disc 2 01. -The Final Jam (Winterland 1967 cont'd) Fillmore East, New York, NY June 7,1968 02 -Smokestack Lightning 03 -Codine 04 -Light Your Windows 05 -Who Do You Love 06 -The Fool Disc 3 Fillmore East, New York, NY June 8,1968 01 -Pride Of Man 02 -If You Live 03 -Dino's Song 04 -Backdoor Man 05 -Acapulco Gold And Silver 06 -Mona Fillmore West, San Francisco, CA 18 June 1970 07 -Edward, The Mad Shirt Grinder 08 -It's Yours (Take It) 09 -10 After 2 Jam John Cipollina - guitar, vocals David Freiberg - bass Nicky Hopkins - piano Greg Elmore - drums