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Audience 8.4 - Another one of those audience recordings that, while being listenable and clear, does not have a great separation of instruments or vocal clarity. That being said, this recording is certainly worth having, because it’s not a pile of muddy crap – it’s very listenable. Features a packed set list too. ZZ Top Broome County Veterans Memorial Arena, Binghamton, NY March 8, 1977 Band line-up Billy Gibbons - guitar, vocals Dusty Hill - bass, vocals Frank Beard - drums, percussion Total Time = 01:28:56 Disc One 01 Thunderbird 02 Chevrolet 03 Precious & Grace 04 Waitin' On The Bus 05 Jesus Just Left Chicago 06 Enjoy & Get It On 07 Pan Am Highway Blues 08 It's Only Love 09 Ten Dollar Man 10 Movin' On Down The Line 11 Heard It On The X 12 Balinese 13 Arrested For Driving While Blind 14 Nasty Dogs & Funky Kings Disc Two 15 She's A Heartbreaker 16 Beer Drinkers & Hell Raisers 17 Blue Jean Blues 18 Rattlesnake Shake 19 La Grange 20 Mexican Blackbird 21 Backdoor Love Affair 22 Tush 23 Goin' Down To Mexico 24 Mellow Down Easy -
Pro FM Broadcast 9.2 - Both sets are great, both in performance and sound quality. Really great musicianship! I also found myself really enjoying the songs, since I was only very familiar with their evergreen hit “Green Grass and High Tides”. I saw these guys in 1980 and they were great but I was so young I just can’t remember the songs. The Outlaws The Record Plant, Sausalito CA. 1975-03-11 Disc 1 1. -Song In the Breeze (5:04.52 ) 2. -Prisoner (8:57.00) 3. -There Goes Another Love Song (3:07.34) 4. -Cry No More (4:23.59) 5. -Knoxville Girl (3:39.00) 6. -Green Grass and High Tides (13:01.54) Billy Jones: vocals, guitar Henry Paul: vocals, guitar Frank O'Keefe: bass Hughie Thomasson: vocals, guitar Monte Yoho: drums Disc 2 The Outlaws The Record Plant, Los Angeles, CA November 22, 1976 01 -Waterhole 02 -Stick Around 03 -Song In The Breeze 04 -Freeborn Man 05 -Cry No More 06 -Knoxville Girl 07 -Green Grass & High Tides 08 -There Goes Another Love Song Band line up Hughie Thomasson – guitar, vocals, pedal steel guitar, banjo (passed away September 9, 2007, aged 55) Billy Jones – lead guitar, keyboards, vocals (passed away February 7, 1995, aged 45) Harvey Dalton Arnold – bass, vocals (tenure 1976–1980) Monte Yoho – drums, percussion (presently still in the band) Henry Paul – guitar, vocals (presently still in the band) -
Soundboard 9.0 - A good, strong board tape, and a typically high quality Santana performance. This tape has been given a little facelift to reveal better dynamics, less hiss, and more depth in the bottom end, and high mids attenuated to make for a smooth, comfortable listening experience. Santana Pioneer Super Session Yokohama Stadium Yokohama, Japan August 2, 1981 Disc 1 1. Narration 1:12 2. Blue Lagoon 12:10 3. Band Intro 2:02 4. ?? 6:48 5. ?? (Rock n Roll) 6:31 6. Primera Invasion 19.02 8. Searching 5:54 9. Tales Of Kilimanjaro 2:59 10. Black Magic Woman 6:12 Disc 2 11. Well Alright 3:45 12. The Sensitive Kind 4:36 13. American Gypsy 6:39 14. She's Not There 7:44 (guest intro Neil Schon) 15. Ready to Fly 11:36 16. Shake Your Money Maker 9:20 17. Europa 8:53 18. Soul Sacrifice 13:13 -
Audience 8.8 - A rare treat! Two sets in a small venue in really good quality by a band that had tremendous potential. This is such a cool find, more like this please! Sopwith Camel 1973-07-14 Berkeley, California New Orleans House Set One 01. -Oriental Fantasy 02. -Sleazy Street 03. -Orange Peel 04. -Coke, Suede, & Waterbeds 05. -Hello, Hello 06. -Fazon 07. -Dancin' Wizard 08. -Astronaut Food 09. -...Brief Synthophonia 10. -Monkeys On The Moon Set Two 11. -Brief Synthophonia 12. ---band introductions-- 13. -Sneaky Smith 14. -Wham Bam, I'm A Smoky Ham 15. -Fazon 16. -Sleazy Street 17. -Hello, Hello 18. -Orange Peel 19. -Astronaut Food Total Time ::: 2:07:00 -
Audience 8.9 - A super clear recording with a marvelous drum sound. Recording levels are a touch low so crank it up, don’t worry it sounds MUCH better loud! ELECTRIC SUN Hammersmith Odeon London, England May 23, 1983 THE BAND Uli Jon Roth Guitar vocals Ule Ritgen Bass Backing Vocals Clive Bunker Drums Simon Fox Drums percussion David Lennox keyboards Jenni Evans Vocals Dorothy Patterson Vocals Disc 1 1 -Intro 2 -Icebreaker 3 -Firewind 4 -What Is Love 5 -Why? 6 -Enola Gay - Hiroshima Today 7 -Angel of Peace 8 -Return (Chant Of Angel) 9 -Cast Away Your Chains Disc 2 10 -Virgin Killer 11 -Drum & Percussion Solo 12 -Electric Sun 13 -The Night The Master Comes 14 -Polar Nights 15 -Beethoven 16 -Hell Cat 17 -Dark Lady 18 -Midnight Sun -
Soundboard 9.8 - There would be no reason why a professionally recorded Kraftwerk show should sound anything less than near perfect because let’s face it, unless you are a complete moron, it would be hard to screw up their mix. It’s pretty basic, and because of that what you have here is pretty darn good. Kraftwerk l'Olympia Paris, France February 28th, 1976 Personnel: Ralf Hütter: Minimoog Model D, Vako Orchestron, mixer Karl Bartos: Electronic Percussion Wolfgang Flür: Electronic Percussion, photo-electric light-activated drum cage Florian Schneider-Esleben: ARP Odyssey, Votrax VS-6 "talking typewriter", electronic flute-synth device, mixer Disc 1 1. Tuning & Radioactivity 2. Airwaves 3. The Voice of Energy & Die Sonne, Der Mond, Die Sterne 4. Kometenmelodie 5. Tongebirge & Tanzmusik Disc 2 6. Autobahn 7. Mitternacht Notes on the show: Yet another AMAZING find that's now just come to light. This is a master tape from the France Inter archive of the FULL l'Olympia show! We only had 21 mins from the 'Somewhere in Europe' LP and then 38 mins from a rebroadcast in 2015. This is the complete show from a radio programme called "We're Going Out Tonight" with no radio DJ talking over the music or tuning. Very likely recorded before being broadcast on the radio. Of special note is Florian's use of the Votrax VS-6 "Talking Typewriter" as Karl put it in his memoir for "Die Sonne, Der Mond, Die Sterne." -
Audience 7.8 - Recorded on what sounds like a realistic cassette deck, it’s limited in dynamic range and clarity. It is not, however, a pile of muck and murk, you can hear pretty much every instrument, and guitar cuts through during solos but rhythm-wise it’s behind the sound a bit. Vocals are clear, I get drums pretty well, so it’s not a waste of time and it’s a great tour with 25 or 6 to 4 being their latest blockbuster smash hit. I would get this if you appreciated the band during their initial rise to stardom, as the joy in their playing does come through on this tape. CHICAGO The Forum, Los Angeles, CA - April 24, 1971 Disc 1: 1. -Listen 2. -Lowdown 3. -Beginnings 4. -Jam - In the Country 5. -Loneliness Is Just A Word 6. -South California Purples 7. -Does Anybody Really Know What Time It Is 8. -Ballet For A Girl In Buchanon Disc 2: 1. -Introduction 2. -Fancy Colours 3. -It Better End Soon 4. -Mother 5. -Where Do We Go From Here 6. -Elegy 7. -A Song For Richard And His Friends 8. -25 or 6 to 4 Terry Kath - guitar, vocals Peter Cetera - bass, vocals Robert Lamm - keyboards, vocals Lee Loughnane - trumpet James Pankow - trombone Walter Parazaider - woodwinds Danny Seraphine - drums -
Audience 8.6 - I don’t quite know what to make of this tape – it is very clear but with some kind of slight crispness in the middle to high band that suggests the microphone being used was not up to the task. That being said, it’s still a pretty good recording, and with a class mic it would have been a 9.0 or better. Well worth getting, that is my final assessment. Band: Jeff Beck with Jan Hammer Group Date: Dec 8, 1976 Venue: Where House, New Orleans Disc #1 01) Darkness / Earth In Search Of A Sun 9:00 02) You Know What I Mean 4:38 03) Freeway Jam 7:54 04) Goodbye Pork Pie Hat 5:09 05) Earth(Still Our Only Home) 5:59 06) Drums, Keyboard Solo - Earth(Reprised) 7:43 07) Scatterbrain 7:40 Disc #2 01) Bass Solo 4:41 02) Come Dancing 8:23 03) She's A Woman 5:31 04) Diamond Dust 7:20 05) Full Moon Boogie 7:42 06) Blue Wind / Train Kept A Rollin' 4:49 Total time 01:26:38 Jeff Beck (with Jan Hammer) Tour Jeff Beck(guitar) Jan Hammer(keyboards) Fernando Saunders(bass) Steve Kindler(violin,synthesizers and guitars) Tony Smith(drums) -
Audience 9.2 - Great dynamics and amazing atmosphere! This is certainly one for every kind of collector, even casually Genesis fans would love this. A special gig. Genesis The Roxy West Hollywood, CA May 25, 1980 Disc 1 01 Deep In The Motherlode 02 Dancing With The Moonlit Knight (Intro) 03 Carpet Crawlers 04 Squonk 05 One For The Vines 06 Story Of Albert 07 Behind The Lines 08 Duchess 09 Guide Vocal 10 Turn It On Again 11 Duke’s Travels 12 Say It’s Alright Joe Disc 2 13 The Lady Lies 14 Ripples 15 Misunderstanding 16 In The Cage 17 Colony Of Slipperman 18 Afterglow 19 Follow You, Follow Me 20 Dance On A Volcano 21 Drums Duet > Los Endos 22 I Know What I Like 23 The Knife -
Soundboard 9.5 - Superb clarity and attenuation, especially where the high end is concerned. Very lifelike, no sign of radio compression which suggests this tape to be pre-FM broadcast. Genesis Hammersmith Odeon London, UK June 10, 1976 Band: Tony Banks: keyboards (pianos, synths, organ, Mellotron,) 12-string guitar, backing vocals Phil Collins: lead and backing vocals, drums, percussion Steve Hackett: lead guitars Mike Rutherford: basses, guitars, vocals Bill Bruford: drums, percussion Setlist: Disc 1 01 Dance On A Volcano 6:45 02 The Lamb Lies Down On Broadway 4:44 03 Fly On A Windshield 2:38 04 The Carpet Crawlers 6:43 05 The Cinema Show 12:30 06 Robbery, Assault And Battery 6:28 07 White Mountain 7:26 08 Firth Of Fifth 9:48 09 Entangled 6:43 10 Squonk 6:54 Runtime: 70:43 Disc 2 11 Supper's Ready Intro 1:25 12 Supper's Ready 24:37 13 I Know What I Like 7:05 14 Los Endos 6:51 15 It - Watcher Of The Skies 6:40 Runtime: 46:41 Total Runtime: 1:57:25 -
Audience 8.7 - Electric and palpable, from the band on down to the audience members, a solid gig and a pretty enjoyable recording with a terrific bass response especially. In the pantheon of Yes shows, I’d have to rate this performance as transcendent, and a great reminder of what Patrick Moraz contributed in his brief tenure. YES June 19, 1976 (Colt Park - Hartford, Connecticut) Disc 1 1.1. -Announcer Introduction 1:48 1.2. -Apocalypse 1:58 1.3. -Siberian Khatru 9:19 1.4. -Sound Chaser 10:11 1.5. -I've Seen All Good People 7:25 1.6. -Gates Of Delirium 23:01 Total Time 53:42 Disc 2 2.1. -Long Distance Runaround 1:39 2.2. -Moraz Solo 3:44 2.3. -Clap 3:49 2.4. -Harp Solo 3:59 2.5. -Heart Of The Sunrise 11:31 2.6. -Ritual 26:15 Total Time 50:57 YES Jon Anderson – Lead Vocals, Acoustic Guitar, Harp & Percussion Chris Squire – Bass Guitars, Backing Vocals and Percussion Steve Howe – Lead Guitars, Backing Vocals and Percussion Alan White – Drums & Percussion Patrick Moraz– Keyboards -
Audience 8.4 - A lo-fi but pretty decent and clear recording. I would not expect there to be many high-end live tapes floating around due to the fact that most people probably did not know who this guy was. Collectors will appreciate having this, a very uncommon thing and worthy of investigation. Wizzard - Sant Monica 1974 Venue - Civic Centre Place - Sant Monica State - California Country - USA Date - 6th October 1974 DISC ONE 01 - Ball Park Incident 02 - Brand New 88 03 - Angel Fingers 04 - Forever 05 - Gang Bang 06 - This Is The Story Of My Love 07 - California Man 08 - Goin' Down The Road DISC TWO 01 - She'll Be Gone 02 - You can dance The rock 'n' Roll 03 - See My Baby Jive 04 - Locomotive 05 - Buffalo Station 06 - Get On Down To Memphis -
Audience 9.0 - A sweet, warm, and spacious (mostly) recording that came out of nowhere. First of all, it’s already a rarity to find a tape of Rush from the UK, second, it’s a great vintage. The show? Awesome! This is, quite simply, a must have. Rush - Freewill And A Broken String Time: 68:00, 49:09 Date: November 2, 1981 Location: Brighton Conference Center, Brighton, England DISC 1: 01 - 2112 6:44 02 - Freewill 5:56 03 - Limelight 4:50 04 - Hemispheres: Prelude 4:24 05 - Beneath, Between, Behind 2:38 06 - Subdivisions 4:56 07 - The Camera Eye 10:58 08 - YYZ / Drum Solo 8:39 09 - Broon's Bane 1:37 10 - The Trees 4:37 11 - Xanadu 12:42 DISC 2: 01 - The Spirit of Radio 5:54 02 - Red Barchetta 6:44 03 - Closer To The Heart 3:42 04 - Tom Sawyer 4:59 05 - Vital Signs 5:09 06 - Working Man 1:30 07 - Hemispheres Armageddon 0:53 08 - Bytor And The Snowdog 4:06 09 - In The End 1:44 10 - In The Mood 1:36 11 - 2112 Finale 2:45 12 - La Villa Strangiato 10:07 -
Audience 8.7 - A very good tape, with brightness and decent clarity, although maybe slightly crunchy at the very top of the high end (cymbals) but not too much. It does lack just a bit of mid band warmth and punch, but once you get about 10 minutes in, you will adjust and realize it’s pretty good, especially for those with EQ’s in their system because then you can round it off a little. Rush - On European Holiday Time: 66:30, 47:49 Date: October 31, 1981 Location: Deeside Leisure Centre, Deeside, Wales DISC 1: 01 - 2112 6:44 02 - Freewill 5:53 03 - Limelight 4:44 04 - Hemispheres Prelude 4:17 05 - Beneath, Between, Behind 2:34 06 - Subdivisions 4:51 07 - The Camera Eye 10:28 08 - YYZ - Drum Solo 8:10 09 - Broon's Bane 1:37 10 - The Trees 4:37 11 - Xanadu 12:12 DISC 2: 01 - The Spirit of Radio 5:24 02 - Red Barchetta 6:46 03 - Closer To The Heart 3:42 04 - Tom Sawyer 4:49 05 - Vital Signs 5:02 06 - Working Man Reggae 1:30 07 - Hemispheres Armageddon 0:51 08 - By-tor And The Snowdog 4:02 09 - In The End 1:42 10 - In The Mood 1:34 11 - 2112 Finale 2:37 12 - La Villa Strangiato 9:42 -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-08 Tokyo, Japan Artist: Yes Date: 1973-03-08 Venue: Koseinenkin Kaikan Location: Tokyo, Japan Disc 1 1.01 Firebird Suite (2.23) 1.02 Siberian Khatru (9.20) 1.03 I've Seen All Good People (7.39) 1.04 Heart Of The Sunrise (11.03) 1.05 Mood For A Day (3.23) 1.06 The Clap (5.00) 1.07 And You And I (10.41) 1.08 Close To The Edge (18.23) Disc 2 2.01 Rick Wakeman Solo (8.33) 2.02 Roundabout (10.52) 2.03 Yours Is No Disgrace (13.05) 2.04 Starship Trooper (10.55) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-09 Tokyo, Japan- Close To The East (LIGHTHOUSE) part2 Artist: Yes Date: 1973-03-09 Venue: Shibuya Kokaido Location: Tokyo, Japan Disc 1 3.01 Firebird Suite (1.21) 3.02 Siberian Khatru (9.59) 3.03 I've Seen All Good People (7.34) 3.04 Heart Of The Sunrise (11.40) 3.05 Mood For A Day (3.21) 3.06 The Clap (3.43) 3.07 Colours Of The Rainbow (1.12) 3.08 And You And I (9.37) Disc 2 4.01 MC (1.16) 4.02 Close To The Edge (19.06) 4.03 Rick Wakeman Solo (9.27) 4.04 Roundabout (7.58) 4.05 Yours Is No Disgrace (13.42) 4.06 Starship Trooper (11.09) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-10 Tokyo, Japan Artist: Yes Date: 1973-03-10 Venue: Kanda Kyoritsu Kodo Location: Tokyo, Japan Disc 5 5.01 Firebird Suite (1.57) 5.02 Siberian Khatru (9.51) 5.03 I've Seen All Good People (7.19) 5.04 Sakura Sakura (1.23) 5.05 Mood For A Day (3.25) 5.06 MC (0.26) 5.07 The Clap (4.13) 5.08 Heart Of The Sunrise (12.30) 5.09 And You And I (9.51) Disc 6 6.01 Close To The Edge (20.12) 6.02 Rick Wakeman Solo (8.59) 6.03 Roundabout (11.23) 6.04 Yours Is No Disgrace (17.21) 6.05 Starship Trooper (8.58) -
Audience 8.7 - A very well recorded show by all accounts. The sound is round, and has nice timbre. I hear everything clearly, bass sounds warm, guitars are raw and jangly…basically this sounds like the Stones in a club and it’s anything but a club! That is saying a lot, to get a stadium recording to sound closer to you. Well done taper! The Rolling Stones October 24, 1981 Citrus Bowl Orlando, FL CD 1: ----- 1. Under My Thumb [03:51] 2. When The Whip Comes Down [05:36] 3. Let's Spend the Night Together [04:30] 4. Shattered [04:20] 5. Neighbours [04:35] 6. Black Limousine [03:46] 7. Just My Imagination (Running Away with Me) [08:38] 8. Twenty Flight Rock [02:29] 9. Let Me Go [04:12] 10. Time Is on My Side [03:36] 11. Beast of Burden [06:58] 12. Waiting On A Friend [04:47] 13. Happy Birthday [01:00] 14. Let It Bleed [06:55] 15. You Can't Always Get What You Want [07:24] CD 2: ------ 1. intro [00:32] 2. Little T&A [04:07] 3. Tumbling Dice [05:07] 4. She's So Cold [04:34] 5. All Down The Line [03:58] 6. Band intro [00:56] 7. Hang Fire [03:16] 8. Star Star [04:23] 9. Miss You [05:43] 10. Start Me Up [04:52] 11. Honky Tonk Women [03:42] 12. Brown Sugar [03:46] 13. Jumping Jack Flash [08:26] 14. (I Can't Get No) Satisfaction [06:35] -
Audience 8.7 - This show features the return to the Spectrum, a venue they had recently played and for some reason decided that they needed to schedule another show there (perhaps they felt the last show there was below par?). Anyway, by all accounts it’s a better gig, and the audio quality is also better with clearer sound and better separation of instruments. The recording levels are a touch low, so you will have to turn up the volume (trust me it won’t distort or break up, it will get even better). Aerosmith The Spectrum Philadelphia PA December 19, 1977 -Back In The Saddle -S.O.S. (Too Bad) -Big Ten Inch Record -I Wanna Know Why -Lord Of The Thighs -Lick And A Promise -Get It Up -Walk This Way -Sweet Emotion -Dream On -Walkin' The Dog -Mama Kin -Draw The Line -Same Old Song And Dance -Train Kept A Rollin' -Milk Cow Blues -Toys In the Attic Back at the Spectrum about 10 weeks after the previous gig. Sounds like someone handed Joe Perry the wrong guitar heading onto stage because he is way out of tune! He tries to tune on the fly, but sounds like he is given another guitar and things improve. A weird start to a show! The band cranks through its classics at this point, an entertaining show to these ears. Good quality for a 1977 gig, straight from the taper. Enjoy! -
Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Soundboard 9.4 - A very cool, immediate and high impact sound and vibe…and the band, My God! Not all of their shows had that insane intensity and sharpness…sometimes they wandered and lost focus but not here…no way. This…is…amazing! Play this for your kids’ friends when they try to impress you with some new flavor of the month band they are into. Ha! Mahavishnu Orchestra Adelbert Gymnasium Case Western University Cleveland, OH February 17, 1973 Disc 1 Birds Of Fire > Open Country Joy Hope > Awakening Miles Beyond Disc 2 One Word Sanctuary > The Dance Of Maya Vital Transformation John McLaughlin - Electric Doubleneck Guitar Rick Laird - Electric Bass Jerry Goodman - Electric Violin Jan Hammer - Keyboards Billy Cobham - Drums -
Soundboard 9.7 - Crisp and elegant, this describes both the music and the audio fidelity here. The band is in really fine form, actually a good time period. Pat Metheny Group 1981-03-27 University Of Houston, Cullen Auditorium, Ezekiel W. Cullen Building, Houston, Texas, USA, 1981-03-27 Disc 1 01 Phase Dance (Pat Metheny, Lyle Mays) 02 Better Days Ahead (Pat Metheny) 03 The Windup (Keith Jarrett) 04 James (Pat Metheny, Lyle Mays) 05 Offramp (Pat Metheny, Lyle Mays) 06 'It's For You' (Pat Metheny, Lyle Mays) 07 The Bat Part II (Pat Metheny, Lyle Mays) 08 Ozark (Pat Metheny, Lyle Mays) 09 Turnaround (Ornette Coleman) Disc 2 10 Goin' Ahead (Pat Metheny)/As Falls Wichita, So Falls Wichita Falls (Pat Metheny, Lyle Mays) 11 Jaco (Pat Metheny) 12 Untitled / Au Lait (Pat Metheny, Lyle Mays) 13 San Lorenzo (Pat Metheny, Lyle Mays) 14 (Cross The) Heartland (Pat Metheny, Lyle Mays) 15 American Garage (Pat Metheny, Lyle Mays) Line-Up: Pat Metheny, guitars, guitar synthesizer Lyle Mays, piano, synthesizers, organ, autoharp Steve Rodby, acoustic bass, electric bass Dan Gottlieb, drums, autoharp Naná Vasconcelos, vocals, percussion, berimbau -
Soundboard 9.4 - Minor hiss present in quiet passages but does not impact any music. This is a great show, impressive in every regard especially the incendiary guitar work by unheralded master Daryl Stuermer. Many people were first introduced to Ponty through this album, Imaginary Voyage, and it’s on full display here in a live setting. EXCELLENT!! Artist: Jean-Luc Ponty Date: 23rd October 1976 - Early Show Venue: La Paloma Theatre, Encinitas, CA 01 - Imaginary Voyage 25:56 02 - Passenger Of The Dark 9:07 03 - Renaissance 9:11 04 - Question With No Answer 6:19 05 - Lost Forest 9:35 06 - Wandering On The Milky Way 4:02 07 - Aurora 13:46 Encore: 08 - New Country 4:11 09 - Tarantula 3:12 Total time 1:25:19 Jean-Luc Ponty - Electric Violin Daryl Stuermer - Guitar Alan Zavod - Keyboards Tom Fowler - Bass Mark Craney - Drums -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49) -
Audience 8.3 - Not recorded from the best vantage point on the best gear, but taper made the best of it, and it gets incrementally better from the time where he moves to a better spot (closer). Tape has all the hallmarks of a large stadium, loud rock concert, the regular deal…not going to blow anyone away. Now that I’ve said that, there’s some good news! Yup – Pete is playing great and he is the clearest sounding, followed by Roger, and the bass has a good, deep, rumbling growl that comes through (NOT boomy!). If this tape had been boomy, I would have rated it in the upper 7’s. The Who Sports Arena, San Diego, CA October 7, 1976 Band line-up Roger Daltrey - lead vocals, harmonica Pete Townshend - guitar, vocals John Entwistle - bass, vocals Keith Moon - drums, vocals Total Time = 01:39:56 Disc 1 01 I Can't Explain 02 Substitute 03 My Wife 04 Baba O'Riley 05 Squeeze Box 06 Behind Blue Eyes 07 Dreaming From the Waist 08 Magic Bus 09 Amazing Journey 10 Sparks Disc 2 11 The Acid Queen 12 Fiddle About 13 Pinball Wizard 14 I'm Free 15 Tommy's Holiday Camp 16 We're Not Gonna Take It 17 See Me, Feel Me 18 Summertime Blues 19 My Generation 20 Join Together 21 My Generation Blues 22 Won't Get Fooled Again Show comments: The Who/Mother's Finest For this Who show, the realistic recorder was used. First song, first row behind the stage looking at Keiths Moon’s back. Track two starts and I’m looking for a better recording position. The stage has typical left and right arrays but there was also an extra array on the right side facing the stage. Strangely not one to the left side. I parked myself in front of it which was basically just above me. On minor movement towards the center of the arena on the right side to avoid two chicks with whistles and the remaining show was recorded in that position. -
Audience 8.9 - A very well balanced recording with lovely high end and a smoothness that is nice on your ears. The band is relaxed and having a great show. Band name: Rush Date: February 24, 1994 Venue: The Omni Location: Atlanta, Georgia, USA Tour name: Counterparts Disc 1 (63:09) Intro/Dreamline The Spirit Of Radio The Analog Kid Cold Fire Time Stands Still Nobody's Hero Roll The Bones Animate Stick It Out Double Agent Limelight Disc 2 (62:12) Mystic Rhythms Closer To The Heart Show Don't Tell Leave That Thing Alone The Rhythm Method The Trees Xanadu Hemispheres: Prelude Tom Sawyer Force Ten YYZ -
Audience 8.6 - A recording that is very clear but dangerously close to being too crisp on the highs…but thankfully it doesn’t sizzle and ruin anything. It’s still very good – might could use more thickness, but you will probably be able to enjoy this show and certainly are welcome to boost the low end which will help. RUSH Date: April 18, 1994 Location: Buffalo Memorial Auditorium Buffalo, New York, USA DISC 1 Intro 1:10 Dreamline 4:58 The Spirit of Radio 4:56 The Analog Kid 5:47 Cold Fire 4:57 Time Stand Still 5:51 Nobody's Hero 5:21 Roll The Bones 6:09 Animate 7:54 Stick It Out 5:13 Double Agent 4:55 DISC 2 Limelight 4:33 Mystic Rhythms 5:57 Closer to the Heart 5:35 Show Don't Tell 5:25 Leave That Thing Alone 5:54 The Rhythm Method 7:12 The Trees 5:21 Xanadu 6:32 Hemispheres: Prelude 4:16 Tom Sawyer 5:29 Force Ten 4:41 YYZ 3:23 -
Soundboard 9.2 - A warm sounding tape, very punchy where it needs to be, maybe if I can complain about anything it would be in the relative sterility of it but that’s a soundboard’s Achilles heel isn’t it ? I’d recommend this to anyone, it is what we like to call “a keeper” for sure! Disc 1 1-1 Subdivisions 1-2 The Body Electric 1-3 The Enemy Within 1-4 The Weapon 1-5 Witch Hunt 1-6 New World Man 1-7 Between The Wheels 1-8 Red Barchetta Disc 2 2-1 Distant Early Warning 2-2 Red Sector A 2-3 Closer To The Heart 2-4 YYZ 2-5 Drum Solo 2-6 YYZ (Cont.) 2-7 Temples Of Syrinx 2-8 Tom Sawyer 2-9 Red Lenses Notes: Live at Neil Blaisdell Center, Honolulu, Hawaii, USA 25th November 1984 [STEREO SOUNBOARD] (noiseless!) The last show of Grace Under Pressure Tour -
Soundboard 9.1 - This mix favors Mick Jagger, but I like the very lifelike feel of it overall. It’s not super well separated but everything can be heard well enough and that includes the piano (although horns are pushed back), and Mick Taylor is especially present when he solos (an added bonus!). There is no doubt that this recording must be present in every Rolling Stones fan’s collection. The Rolling Stones Philadelphia Specialties Plus Spectrum Sports Arena Philadelphia,Pennsilvania 20th & 21st July 1972 CD ONE 01 Brown Sugar July 21st early show 02 Bitch July 21st early show 03 Rocks Off July 21st early show 04 Gimme Shelter July 21st early show 05 Happy July 21st early show 06 Tumbling Dice July 21st early show 07 Love In Vain July 21st early show 08 Sweet Virginia July 20th only show 09 You Can't Always Get What You Want July 21st early show 10 All Down The Line July 21st early show CD TWO 01 Midnight Rambler July 21st late show 02 Band introduction 03 Bye Bye Johnny July 21st late show 04 Rip This Joint July 21st late show 05 Jumping Jack Flash July 21st late show 06 Street Fighting Man July 21st late show 07 Uptight - Satisfaction July 20th only show 08 Dead Flowers 09 Don`t Lie To Me 10 Honky Tonk Woman 11 Loving Cup 12 Torn And Frayed 13 Ventilator Blues 14 Sweet Black Angel CD TWO: Tracks 8 (First show), 9 (Second show), 14 (First show - audience recording) Tarrant County Convention Centar, Fort Worth, Texas 24th June 1972 Tracks 10, 11, 12, 13 Pacific Coliseum, Vancouver, Canada 3rd June 1972 (Audience recording) -
Audience 8.6 - Small club vibe and really good sound with an emphasis on percussion clarity and presence. Recording leans to the mid and upper end but it’s not too brittle there, so it’s very comfortable but can use some added low end anyway. Aside from that, this is quite good. Psychedelic Furs Punto a Capo, Budria, Italy June 8, 1984 Band line-up Richard Butler – vocals John Ashton – guitar Tim Butler – bass guitar Keith Forsey – drums, percussion Total Time = 83:22 Disc 1 01 Love My Way 02 Pretty In Pink 03 Here Come Cowboys 04 My Time 05 President Gas 06 Sleep Comes Down 07 The Ghost In You 08 Heaven -- tape flip -- 09 Angels Disc 2 10 Sister Europe 11 Alice's House 12 Heartbeat 13 Forever Now 14 Imitation Of Christ 15 Into You Like A Train 16 India The Psychedelic Furs are an English rock band founded in 1977. Led by singer Richard Butler and his brother Tim Butler on bass. The Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their debut album was in 1980. But in 1982, the band were reduced to a four-piece. The Furs did find success in the US with their next release, 1981's Talk Talk Talk, which included the original version of "Pretty in Pink", which was later re-recorded for the 1986 movie soundtrack "Pretty in Pink". This movie would help launch Molly Ringwald's acting career. -
Audience 8.5 - A thin-ish recording, but it is pretty clear and thus can be appreciated. It’s a really fine performance too. Genesis Ambassador Theatre St. Louis, MO April 23, 1976 01 Dance On A Volcano 02 Lamb Lies Down On Broadway 03 Fly On A Windshield 04 Carpet Crawlers 05 Cinema Show 06 Robbery, Assault And Battery 07 White Mountain 08 Firth Of Fifth 09 Entangled 10 Squonk 11 Supper’s Ready 12 I Know What I Like 13 Los Endos 14 It > Watcher Of The Skies -
Audience 8.3 - What is happening with this tape is that the bass frequencies are too much for the microphone, and it causes some peaking (not pure distortion, just level peak). On the plus side, it’s relatively open in all the other frequencies, meaning you can actually listen to this show and once your ears sort of adjust to the limitations, it’s not that bad. I would still call this one for hardcore collectors only though, even when there is a shortage of 1979 tapes. On a personal note, I listened to the entire show and liked it, I think it has a place in the collection. Van Halen Northlands Coliseum Edmonton, AB, Canada September 18, 1979 Disc 1 1. Light Up The Sky 6:39 2. Somebody Get Me A Doctor / Drum Solo 4:20 3. Runnin' With The Devil 4:29 4. Dance The Night Away 3:25 5. Beautiful Girls 3:31 6. DLR Talking 5:03 7. On Fire 6:13 8. You're No Good 3:56 9. Jamie's Cryin' 3:21 10. More DLR Talking 3:38 (includes "Eyes of the Night" tease) Disc 2 11. Feel Your Love Tonight 5:14 12. Outta Love Again 6:28 13. Ice Cream Man 7:10 14. Ain't Talkin' 'Bout Love 10:05 15. Eddie's Guitar Solo 8:41 16. You Really Got Me 9:11