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Brand New - Twisted Sister live album… Yeah right! … Twisted Sister live in Japan at their peak in 1985, that’s the real deal, that’s what really metter! What a great show! From now on you can’t consider yourself a SMF if you don’t have this show. -
Illinois 2002 - Audience 9.5 - Superb recording considering how hard it is to properly capture live heavy metal. Normally what you get, even if on good gear, is a well captured loud sound without much separation of instruments...but here you can really wrap your ears around it all pretty distinctly. Columbus 1990 - Audience 9.0 - This is a good recording with a little less fullness and bottom end definition compared to the Illinois set. Still, it's really well done and can benefit from your own "seasoning" so to speak. TROUBLE Penny Road Pub South Barrington, Illinois 2002-05-18 DISC 1 1. Introduction - R.I.P. 2. COME TOUCH THE SKY 3. THE SLEEPER 4. AT THE END OF MY DAZE 5. PLASTIC GREEN HEAD 6. GOIN' HOME 7. DOOM BOX 8. THE MISERY SHOWS (ACT II) 9. FEAR 10. MEMORY'S GARDEN 11. PSYCHOTIC REACTION DISC 2 12. THE FALL OF LUCIFER (Aborted) 13. PRAY FOR THE DEAD 14. THE TEMPTER 15. BASTARDS WILL PAY Newport Music Hall Columbus, OH. October 18, 1990 16. R.I.P. 17. Black Shapes Of Doom 18. Bastards Will Pay 19. Pray For The Dead 20. At The End Of My Daze 21. Heaven On My Mind 22. Psychotic Reaction 23. The Tempter ERIC WAGNER- Vocals RICK WARTELL- Guitar BRUCE FRANKLIN- Guitar RON HOLZNER- Bass JEFF OLSON- Drums -
Ranges 7.7 to 8.7 - Not a lot out there on this band. After listening you will gain an appreciation for them and maybe compare them to ELP and you could be forgiven for that. Sound quality is not spectacular but neither is it dog shit. I think this music should be remastered because it is excellent heavy prog! -
Audience 7.8 – 8.5 - Why the variable rating? Because the music was excessively loud and during extreme sections of music, there is distortion right in the middle frequency. What does this mean? Well, before the re-master it meant that you could not hear what was going on except for quieter passages (which incidentally sound great, and there is a lot of it since this was a band that played complex, dynamic music) but thankfully now a lot of that has been mitigated. It is still cluttered a bit when at full volume (really gives you an idea of how loud this show must have been) but MUCH better and easier on the ears now. Is it worth it? I would say probably yes, but I know most prog enthusiasts are also critical of audio fidelity so there’s that. For me, I still got into this one, knowing the improvement made to the tape allowed me to give it a chance and I am glad I did. Triumvirat Palace Theatre Providence, RI 12 October 1974 01 Illusions on a Double Dimple - Flashback - Schooldays - Triangle - Illusions - Dimplicity - Last Dance 02 Mister Ten Percent - Maze - Dawning - Bad Deal - Roundabout - Lucky Girl - Million Dollars Personnel: Jürgen Fritz: piano, synthesizers Helmut Köllen: bass, acoustic guitars, vocals Hans Bathelt: drums and percussion -
Soundboard 8.7 - Raw, unfiltered and killer. Sure, it ain’t perfect, it is a little squishy and compressed but it’s all there, and there’s plenty of headroom if you want to add Equalizer or even some reverb would help. -
Soundboard 9.3 - Mixed well for a live broadcast, so you get a really good sense of what this band was about on the live stage. Now, I always kind of wondered really what these guys were about, and history can now reveal all of that, but my take is that they certainly owed a lot to Rush – that said they took that general presentation to a more FM friendly place. It worked for a while… Triumph Sports Arena Los Angeles, CA March 8, 1985 FM-sourced; lineage unknown- Intro
- Interview
- Show Start
- When The Lights Go Down
- Magic Power
- Never Surrender
- Allied Forces
- Lay It On The Line
- Midsummer’s Daydream
- Time Goes By
- World Of Fantasy
- Drum Solo
- Rock & Roll Machine
- Guitar Solo
- Spellbound
- Encore Intro
- Fight The Good Fight
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Soundboard 9.3 - Of course it’s great but I am not too thrilled with the sound of the drums. -
Soundboard 9.7 - A killer one in every way, including an absolutely devastating performance delivered by the band. This is peak Triumph, and simply a must have. TRIUMPH August 19th, 1979 Chicago, Illinois Aragon Ballroom 01. American Girls 02. Street Fighter 03. Hold On 04. Lay it on the Line 05. Blinding Light Show 06. intro - speech 07. Rock and Roll Machine - Guitar Solo 08. 24 Hours A Day 09. Takes Time Rik Emmett-guitar/vocals Mike Levine-bass/vocals Gil Moore-drums/vocals -
FM Radio Broadcast 8.8 - A tape that has held up decently over the years but does not have the expected clarity associated with a radio broadcast. That being said, it’s still very good, has the depth and dynamics just enough for a progressive rock performance on par with the likes of ELP. Great material here…a band that should have continued on but for disco taking over and what not. Tritonus Nachtmusik WDR Radio,Germany 1977-03-24 01. -Between the Universes 02. -Escape And No Way Out 03. -Mars Detection 04. -The Day Awakes 05. -The Day Works 06. -Far in the Sky Peter Seiler (keyboardist) Rolf D. Schnapka (bass, vocals) Arthur Weiss (drums) -
Pro Studio 9.8 - A better collection there never was. Perfect, and I don’t just mean sound quality, I also mean the work itself. A MUST have! Traveling Wilburys "Family Tree Volume II" 1. -Handle With Care 2. -Every Little Thing 3. -Walk Away 4. -You Got It 5. -This Is Love 6. -California Blue 7. -The Trembler 8. -I Won't Back Down 9. -Devil's Radio 10. -Fish In The Sand 11. -Got My Mind Set On You 12. -I Drove All Night 13. -End Of The Line I 14. -Dirty World 15. -Rattled 16. -Last Night 17. -Congratulations 18. -Heading For The Light 19. -End Of The Line II -
Radio Broadcast 8.3 - A few generations down, some hiss, but you will love it anyway. -
Audience 9.6 - What makes this such an excellent recording imho is that the sound is not only really balanced, but mix-wise it is also superb. I mean, the punch of the bass, the crispness of the drums, the airiness of the keys, guitar right in the pocket…fuck what else do you want? It’s just excellence and your ears be the judge but mine are pretty spot on usually so…yeah, get this one. -
Audience 8.4 - A rather decent tape that delivers a clear representation of the music happening on stage. I found that maybe the levels were a tad hot, but I prefer that over low levels that you end up having to crank up causing terrible hiss. This one is not suffering at all from that problem! -
Audience 7.2 - Sound not good but artwork is spectacular. For collectors only. -
Audience 8.8 - A strong recording, clear and a good mix allowing you to hear all of the on stage happenings. A small amount of hiss is present, but this is inconsequential especially while the music is playing. A real good one and a real good tour. -
Audience 8.8 - The taping duo responsible for this (and many others) one really knew what they were doing. There’s a few from this venue that unfortunately have overloaded levels, but not this one. This is a smooth ride, well worth the price of a ticket! -
Audience 7.7 - Lo-fi but surprisingly clear with a good biting guitar tone, and solid bass. Drums kind of buried. -
Audience 9.6 - Hard to tell if this is Soundboard or Audience, it is that good. My best guess is that it is a Pro Audience, very good gear - probably open reel to reel. -
BBC - Soundboard 9.6 - Paris Theatre, London. Another personal favorite of mine. -
Various sources various quality but mostly very good stuff here and overall very good Audio as well. As far as live compilations go, I can highly recommend this one. Probably should be a must own for fans and a good starter for those first discovering them. One of my personal favorites. -
Audience 7.5 -
Audience 8.7 -
Audience 8.7 - A little rough around the edges but surprisingly good for the vintage. -
Soundboard 9.3 -
Audience 8.4 - Very good job here by an astute taper who knew to capture the opening band as well – also featured here! -
Audience 8.8 - Perhaps lacking in sonic depth, it makes up for it in clarity and detail, the kind that allows you to hear the nuance because this band had nuance in spades. -
Soundboard 9.5 - A wonderful set, a great board tape. If this is your introduction to Townes music, get ready to be greatly impressed with a singer-songwriter who has all the tools. Great lyrics, great delivery, great guitar playing. He was the total package. Townes Van Zandt Paisley Park Wellington, New Zealand September 13, 1990 Disc 1 01 If I Needed You 02 Mr. Mudd & Mr. Gold 03 Buckskin Stallion Blues 04 Marie 05 Lungs 06 Talking Karate Blues 07 The Shrimp Song 08 Short Haired Woman Blues 09 Ain't Leaving Your Love 10 The Hole 11 Dead Flowers 12 tuning 13 Colorado Girl 14 No Lonesome Tune Disc 2 15 No Deal 16 Banter 17 To Live Is To Fly 18 Waiting Around to Die 19 Don't You Take It Too Bad 20 Our Mother The Mountain 21 Blaze's Blues 22 Snowin' On Raton 23 Greensboro Woman 24 Kathleen 25 Riding the Range 26 Dirty Old Town -
Audience 9.6 - Brilliant! A fantastic tape no matter how it was recorded, it’s simply great and showcases the precision, dynamics, and unstoppable energy that is Tower of Power. Tower Of Power Old Waldorf San Francisco, CA February 12, 1977 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 Down To The Nightclub (Bump City) 04 Can’t You See (You Doin’ Me Wrong) 05 Oakland Stroke 06 You Ought To Be Havin’ Fun 07 What Is Hip? 08 Too Good To Be True 09 Drop It In The Slot 10 Doin’ Alright 11 Knock Yourself Out 12 You’re Still A Young Man 13 (To Say The Least) You’re The Most -
Audience 9.4 - A fantastic, close, precise recording that really drives that funk right through the speakers. A crackling, red hot energy that taper captures admirably, I mean, it sounds like he is sitting right directly in front of the band with microphones up and the band is only too happy to oblige. Tower Of Power Circle Star Theatre San Carlos, CA September 24, 1976 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 So Very Hard To Go 04 Oakland Stroke 05 You Ought To Be Havin’ Fun 06 What Is Hip? 07 Doin’ Alright 08 Down To The Nightclub (Bump City) 09 This Time It’s Real 10 Knock Yourself Out 11 You’re Still A Young Man -
Excellent Soundboard recording of a highly regarded Texas rock group prominent in the mid '70's. They played an original, hybrid progressive, upbeat hard rock along with more Austin, Texas flavored "Tex-Mex" Southern infused rock and roll...like I said a hybrid style. Unfortunately it did not take hold anywhere outside of Austin, so it remained undiscovered but certainly in Texas the name is extremely well respected as it should be. Well worth discovering for yourself! -
Roslyn 1976 FM Broadcast 9.2 - Powerful! If you are not familiar with Tommy Bolin and want to learn more, start here! If you are already on the Tommy train – keep riding! This is unbelievably good! Detroit 1976 Audience 8.8 - This is a very good sounding tape in many regards although it is recorded in a large, cavernous arena and therefore you won’t get some of the detail a more intimate venue would give you. The vocals are somewhat drowned out by a guitar sound that is quite huge, with the bass complementing that hugeness to the degree that this show is a guitar/bass tour de force. Thankfully Tommy is the shining star in this recording…and shine he did. Tommy Bolin Band 1976 Live Disc 1 My Father's Place Roslyn, NY May 22, 1976 01 Teaser 02 People, People 03 The Grind 04 Stein Solo 05 Wild Dogs 06 Band Introductions 07 Delightful 08 I Fell In Love 09 Marching Powder 10 Lotus Band line-up Tommy Bolin - guitar, vocals Mark Stein - keyboards Reggie McBride - bass Norma Jean Bell - saxophone, percussion Narada Michael Walden - drums Disc 2 Ford Auditorium Detroit, MI October 5, 1976 01. Teaser 02. People, People 03. You Told Me You Loved Me 04. Wild Dogs 05. Shake The Devil 06. Post Toastee 07. Homeward Strut Band line-up Tommy Bolin - guitar, lead vocals Mark Stein - keyboards Jimmy Haslip - bass Johnnie Bolin - drums Norma Jean Bell - saxophone, percussion
