This collection has been remastered and despite that, there are still one or two tracks that show the ravages of time. One can only assume some of it was not saved, as was the BBC’s policy of not giving a shit, therefore it was up to fans to record from a radio broadcast themselves. Most of this does sound very good, a worthy effort for sure and some of this I’d never heard before. The Who - BBC Sessions 1965-1971 {Remastered & Complete} Disc 1 01. Good Lovin' 02. 'Pete interview #1' 03. Anyway, Anyhow, Anywhere 04. Leaving Here 05. Just You and Me, Darling 06. 'Pete interview #2' Recorded: Aeolian Hall studio 2, Bond Street, London UK; Monday 24 + Tuesday 25 May 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 29 May 1965 Producers: Jimmy Grant/Brian Willey Sources: transcription disc Notes: The Who's second session for the BBC actually appears to have been a double-date. On the 24th, a three-hour session produced: 'Good Lovin'', 'Anyway Anyhow Anywhere', 'I Don't Mind' and 'Daddy Rolling Stone'. The next afternoon they performed: 'Leaving Here', 'Please Please Please' and 'Just You and Me, Darling'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription discs #31 & #34. The song selection here is dominated by soul covers picked by Roger, who was still the undisputed leader of the group. Yet, it was Pete who got to do the interviews and talk about the group's beginnings and prospects. 07. The Good's Gone 08. 'Pete interview' 09. My Generation 10. La La La Lies 11. Baby Don't You Do It Recorded: Aeolian Hall studio 1, Bond Street, London UK; Monday 22 November 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 27 November 1965 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: The third session was again recorded live in studio and produced completed takes of: 'It's Not True', 'The Good's Gone', 'La La La Lies', 'My Generation' and 'Baby Don't You Do It'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #57 and an off-air recording made by a fan. By now, Pete's role as the main provider of song material has been firmly established. 12. Man With Money 13. 'Pete interview' 14. Substitute 15. Dancing In the Street 16. You Rang Recorded: Aeolian Hall studio 1, Bond Street, London UK; Tuesday 15 March 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 19 March 1966 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: For this fourth session, the band recorded: 'Barbara Ann', 'Substitute', 'You Rang', 'Man with Money' and 'Dancing In The Street'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #73 and an off-air recording made by a fan. 17. 'Intro' 18. Disguises 19. 'Pete interview' 20. I'm A Boy 21. So Sad About Us Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 13 September 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 17 September 1966 Producers: Jimmy Grant/Brian Willey Source: transcription disc Note: Fifth session, which produced: 'I'm A Boy', 'Disguises', 'Heatwave', 'So Sad About Us' and a cover of the Lovin' Spoonful's 'On The Road Again'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #99. In an attempt to control the mixing balance, John suddenly turned his bass up in the middle of 'Disguises'. The balance engineer on the session did not bother correcting this and as a result the sound turns into a muddy mess from that point on (with the mixdown compressor working on overload). 'So Sad About Us' was left off the official 'BBC Sessions' release from 2000 for unknown reasons. 22. Run Run Run 23. Boris The Spider 24. 'Pete interview' 25. Happy Jack 26. See My Way Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 17 January 1967 Broadcast: BBC Radio 'Saturday Club': Saturday 21 January 1967 Producers: Jimmy Grant/Bill Bebb Source: transcription disc Note: For this sixth session, the band recorded: 'Happy Jack', 'Run, Run, Run', 'Boris The Spider', 'See My Way', 'Don't Look Away' and 'So Sad About Us'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #117. Disc 2 01. 'Intro' 02. I Can See For Miles 03. Pictures Of Lily 04. Summertime Blues 05. I Can't Reach You 06. Our Love Was 07. A Quick One (While He's Away) 08. Relax 09. My Generation - Boris The Spider - Happy Jack - My Generation 10. Pictures of Lily [Alternate Mono Mix] Recording & Broadcast Production: De Lane Lea Studio, Kingsway, London UK; Tuesday 10 October 1967 Broadcast: BBC Radio 'Top Gear'; Sunday 15 October 1967 Producers: Bernie Andrews/Bev Philips Sources: 01-02,07,09-10: tape 03-06: transcription disc w/ patches from tape sources 08: off-air recording Note: This seventh session marked the first time the BBC allowed any musical act to record for them outside their own studios. Recorded on this day were five jingles, 'My Way' (not broadcast) and alternate versions of 'Pictures Of Lily' & 'A Quick One While He's Away'. Also readied for the broadcast were early mixes of 'I Can See For Miles'*, 'Relax', 'Our Love Was', 'I Can't Reach You', 'Summertime Blues' & 'Someone's Coming'. These songs were already recorded on an earlier date and would eventually appear on official Who product with a slightly different mix (although it took more than 30 years for 'Summertime Blues'). This is the first Who BBC session that has at least partially survived on tape on the BBC archives, as the jingles and 'A Quick One' do not appear on copies of "Top of the Tops" transcription disc #157 & #160, yet appear in crystal clear quality on the official release. Strangely enough, the two TOTP discs seem to have been the source for the other tracks on the official CD, all of which are marred by a voiceover. The versions here are uninterrupted from start to finish (with the exception of the ending of 'Our Love Was'), for the first time ever. As a bonus, I have added a clean mono mix of 'Lily' with better fidelity than the BBC source which has not circulated before. * The 45RPM & BBC versions both contain a heavy bass dub that was imposed on the mono album master. The dubs differ, to ensure the BBC got a unique master recording. 11. 'Pete interview' 12. Pinball Wizard Broadcast: BBC TV 'Top of the Pops'; Tuesday 27 March 1969 Source: transcription disc Note: Roger/Pete(?) sing along with studio version. Part of the interview has appeared on a bonus disc that came with a limited edition of the official 2000 release. Tracks are sourced from "Top of the Tops" transcription discs #232 & #233. 13. 'David Wigg interviews Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #289 (released 20-5-1970). 14. The Seeker Recorded: IBC Studios, London UK; 19 February 1970 & BBC Television Centre, London UK, Thursday 19 March 1970 Broadcast: BBC TV 'Top of the Pops'; Thursday 19 March 1970 Source: transcription disc Note: Roger sings live over the studio version of 'The Seeker' for "Top Of The Pops", with the rest of the band miming along. John forced a re-shoot after the director did not include a shot of him in the first take. Sourced from "Top of the Tops" transcription disc #283. 15. I'm Free 16. The Seeker 17. Heaven And Hell 18. Shakin' All Over - Spoonful (Medley) 19. Substitute 20. Pinball Wizard Recorded: IBC Studios, London UK; Monday 13 April 1970 Broadcast: BBC Radio 'Dave Lee Travis'; Sunday 19 April 1970 Producer: Paul Williams Source: 01-04: transcription disc w/ patches from tape sources 05-06: tape Note: The last formal band session for the Beeb and again recorded outside an official BBC studio. 'Heaven and Hell' was later released in a slightly reworked version as a B-side to 'Summertime Blues'. Like the October 1967 session, this one is believed to have survived on tape on the BBC archives. But even so, the official album used the "Top of the Tops" transcription disc #286 as its source for Tr. 01-04, with voiceover over the intro's and outro's. The versions presented here are uninterrupted from start to finish (with the exception of 'Seeker') for the first time. 21. 'Keith Altham talks to Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #304 (released 2-9-1970). 22. I Don't Even Know Myself Recorded: Olympic Studio, Barnes, London UK; 1971 Source: tape Note: This one is a bit of a mystery. No details about it are given on the official BBC session CD. It is the same take that was released in 1971 as the B-side to 'Won't Get Fooled Again' but here we get a clean mono mix that differs in a few places from the released version. Believed to have been recorded in 1971 during the Who's Next sessions.  

Audience 8.8 - A great tape here! I heard pretty much everything happening on stage, and the mix is not bad. I was one of those who completely overlooked this band, and should have made more of an effort…but here we are now and I am digging it! The Tubes Pantages Theatre Los Angeles, CA February 22, 1978 Disc 1 01 Overture- Up from the Deep - Young and Rich - Madam I'm Adam - Mondo Bondage 02 Got Yourself A Deal 03 Show Me A Reason 04 God - Bird - Change 05 What Do You Want From Life 06 Special Ballet 07 Don't Touch Me There 08 Mondo Bondage 09 Smoke (La Vie en Fumer) 10 It's Not Unusual 11 Intermission Disc 2 12 Haloes 13 Be Mine Tonight 14 Crime Medley 15 Getoverture 16 Telecide 17 I Was A Punk Before You Were A Punk 18 I Saw Her Standing There 19 Drum Solo 20 Boy Crazy 21 Stand Up And Shout 22 White Punks On Dope

Soundboard 8.8 - A dated sounding board tape, yes it is good but I can see how there are limitations with board tapes just as there are with audience tapes. If I was a fan I would still love this show, I mean, it’s clear and clean and it’s finely performed so there’s no real downside here. The Smiths Versailles, Paris 12-01-1984 01 - Intro 02 - William, It Was Really Nothing 03 - What She Said 04 - Nowhere Fast 05 - Reel Around The Fountain 06 - Heaven Knows Im Miserable Now 07 - How Soon Is Now? 08 - Still Ill 09 - Rusholme Ruffians 10 - This Charming Man 11 - Barbarism Begins At Home 12 - I Want The One I Can't Have 13 - Hand In Glove 14 - What Difference Does It Make? 15 - Handsome Devil 16 - Miserable Lie  

Soundboard 9.1 - I rate this as a soundboard because even though I am not 100% sure, the giveaway is the drums. There’s no way this is from the audience as the drums are in stereo, obviously professionally mixed and panned in a stereo sound field. The Smiths Queen Margaret Hall Glasgow, Scotland March 2, 1984 1. -Hand In Glove 2. -Heaven Knows 3. -Girl Afraid 4. -This Charming Man 5. -Pretty Girls Make Graves 6. -Still Ill 7. -This Night Has Opened My Eyes 8. -Barbarism Begins At Home 9. -Back To The Old House 10. -What Difference Does It Make 11. -Reel Around The Fountain 12. -You've Got Everything Now 13. -Handsome Devil  

Audience 8.4 - A loud and raucous tape (and show) that is a rollicking good time despite some minor hiss and lack of precise clarity. It’s not bad though, I mean, it’s a true capture and delivers the vibe and excitement of the evening. The Runaways 'Live In Norway' Chateau Neuf, Oslo, Norway Thursday June 22nd, 1978 Track List: 01: School Days 02: California Paradise 03: I Wanna Be Where The Boys Are 04: Gotta Get Out 05: Waiting For The Night 06: Little Sister 07: Come On 08: Drive Me Wild 09: Wait For Me 10: Alright You Guys 11: I Love Playing With Fire 12: American Night 13: Queens Of Noise 14: Wasted 15: Rock And Roll 16: Wild Thing Line-up: Joan Jett - Lita Ford - Sandy West - Vicki Blue.

LA 1977 Soundboard 9.4 - THIS is what PUNK should sound like live…loud, brash, and totally in your face – that is exactly what this board tape delivers and I LOVE IT!  Get it and you’ll see why. CBGB’s 1977 Audience 9.2 - A pretty clean recording, which is surprising to me as this is a punk band in a small club at full volume (presumably). So, either taper is affiliated with the club and set up somewhere with some good equipment or it’s a fan who just knew what he was doing and nailed it. I am going with the former. Ramones LIVE 1977 Disc 1 Whisky a Go Go Los Angeles, California October 21, 1977 01 -intro 02 -Loudmouth 03 -Beat On The Brat 04 -Blitzkrieg Bop 05 -I Remember You 06 -Glad To See You Go 07 -Gimme Gimme Shock Treatment 08 -You're Gonna Kill That Girl 09 -I Don't Care 10 -Sheena Is A Punk Rocker 11 -Rockaway Beach 12 -Commando 13 -Here Today, Gone Tomorrow 14 -Surfin' Bird 15 -Cretin Hop 16 -Listen To My Heart 17 -California Sun 18 -I Don't Wanna Walk Around With You 19 -Pinhead 20 -break before encore 21 -Suzy Is A Headbanger 22 -Chain Saw 23 -Today Your Love, Tomorrow The World 24 -break before second encore 25 -Now I Want To Be A Good Boy 26 -Let's Dance Disc 2 CBGB's New York, NY 10-27-77 1. -Loudmouth 2. -Beat on the brat 3. -Blitzkrieg Bop 4. -I Remember You 5. -Glad To See You Go 6. -Teenage Lobotomy 7. -You're Gonna Kill That Girl 8. -53rd And 3rd 9. -Sheena Is A Punk Rocker 10. -Rockaway Beach 11. -Commando 12. -Here Today, Gone Tomorrow 13. -Surfin' Bird 14. -Cretin Hop 15. -Listen To My Heart 16. -California Sun 17. -I Don't Wanna Walk Around With You 18. -Pinhead 19. -Let's Dance 20. -Today Your Love, Tomorrow The World  

Soundboard 9.3 - There are quite a few board tapes from this period, so which ones do you get?  After listening to this one, I really think it’s one of the ones to get. Great sound, but a really strong performance (when did they not?) too.

The Police "Live In Melbourne '81" Disc 1 01 Voices Inside My Head 02 Don't Stand So Close To Me 03 Walking On The Moon 04 Death Wish 05 Fallout 06 Man In A Suitcase 07 Bring On The Night 08 De Do Do Do, De Da Da Da 09 Truth Hits Everybody 10 Shadows In The Rain Disc 2 01 When The World Is Running Down 02 The Bed's Too Big Without You 03 Driven To Tears 04 Message In A Bottle 05 Roxanne 06 Can't Stand Losing You 07 So Lonely  

Pro FM Broadcast 9.2 - Both sets are great, both in performance and sound quality.  Really great musicianship! I also found myself really enjoying the songs, since I was only very familiar with their evergreen hit “Green Grass and High Tides”.  I saw these guys in 1980 and they were great but I was so young I just can’t remember the songs. The Outlaws The Record Plant, Sausalito CA. 1975-03-11 Disc 1 1. -Song In the Breeze (5:04.52 ) 2. -Prisoner (8:57.00) 3. -There Goes Another Love Song (3:07.34) 4. -Cry No More (4:23.59) 5. -Knoxville Girl (3:39.00) 6. -Green Grass and High Tides (13:01.54) Billy Jones: vocals, guitar Henry Paul: vocals, guitar Frank O'Keefe: bass Hughie Thomasson: vocals, guitar Monte Yoho: drums Disc 2 The Outlaws The Record Plant, Los Angeles, CA November 22, 1976 01 -Waterhole 02 -Stick Around 03 -Song In The Breeze 04 -Freeborn Man 05 -Cry No More 06 -Knoxville Girl 07 -Green Grass & High Tides 08 -There Goes Another Love Song Band line up Hughie Thomasson – guitar, vocals, pedal steel guitar, banjo (passed away September 9, 2007, aged 55) Billy Jones – lead guitar, keyboards, vocals (passed away February 7, 1995, aged 45) Harvey Dalton Arnold – bass, vocals (tenure 1976–1980) Monte Yoho – drums, percussion (presently still in the band) Henry Paul – guitar, vocals (presently still in the band)