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Soundboard 8.8 (4-13-79) -
Soundboard 8.9 (4-3-79) -
Audience 7.7 - Noisy but good, exciting atmosphere. The music seems to move through the audience, the audience responds, it’s kind of cool to hear. -
Audience 8.8 -
Audience 8.4 -
FM Radio Broadcast 9.3 -
Audience/Pro? 8.7 - It sounds like this is recorded from the audience, but to my ears it sounds like it may be a television audience or in some kind of studio. It sounds like microphones were placed strategically, and there’s no ancillary noises that you would expect from a stealth audience recording. -
Audience 8.7 - Clear and bright recording. Point of Special Interest: The official double release of "Strangers in the Night" is composed of 3 different shows and not all of the Chicago, Amphitheater show, like many might think, so you will find some of the same titles on this one that are different recordings. This is the rare 1978 Chicago show in its entirety with nothing left out, hence the title "The Real Strangers in the Night". -
Ranges 7.7 to 8.7 - Not a lot out there on this band. After listening you will gain an appreciation for them and maybe compare them to ELP and you could be forgiven for that. Sound quality is not spectacular but neither is it dog shit. I think this music should be remastered because it is excellent heavy prog! -
Soundboard 8.7 - Raw, unfiltered and killer. Sure, it ain’t perfect, it is a little squishy and compressed but it’s all there, and there’s plenty of headroom if you want to add Equalizer or even some reverb would help. -
Soundboard 9.3 - Of course it’s great but I am not too thrilled with the sound of the drums. -
Audience 8.4 - Very good job here by an astute taper who knew to capture the opening band as well – also featured here! -
Audience 7.2 - Sound not good but artwork is spectacular. For collectors only. -
Audience 7.7 - Lo-fi but surprisingly clear with a good biting guitar tone, and solid bass. Drums kind of buried. -
Audience 9.6 - Hard to tell if this is Soundboard or Audience, it is that good. My best guess is that it is a Pro Audience, very good gear - probably open reel to reel. -
Audience 7.5 -
Audience 8.7 -
Various sources various quality but mostly very good stuff here and overall very good Audio as well. As far as live compilations go, I can highly recommend this one. Probably should be a must own for fans and a good starter for those first discovering them. One of my personal favorites. -
FM Radio Broadcast 8.8 - Typical radio compression present, and some minor breakup during intense segments due to over-saturation but these issues are only minor ones....this is a good recording! -
Soundboard 8.8 - A little tape hiss present but a good board with my only issue being a lack of purity in the mix, somewhat muddy for a soundboard but it has a high rating due to the overall enjoyability. -
Soundboard 9.7 -
Audience 8.5 - A rather intimate sounding capture, maybe a touch thin, but clear and lively. -
Audience 8.8 - Someone snuck in some good gear for this capture. You can just tell the mics are quality, there’s a great stereo pan, a good atmospheric capture. -
Audience 8.6 - A very “live” sounding tape! Excitement, yes indeed (despite modest hiss). -
Pro Radio Broadcast 9.8 -
Soundboard 9.8 -
Audience 7.2 - Kind of flat but surprisingly clear (Portchester auds tend to be notoriously distorted). -
Audience 6.9 - Well, here's the rub: Great band, great time (1971), great place (Bern, Switzerland), but not great recording. I mean, what you really need anyway is the guitar here, and at least you get some of that! The problem is mainly a lo-fi experience but to be fair to this capture you do hear it all on stage. I am too harsh really, I think if you just give it a chance it gets better to your ears. I mean, it's TOAD man! How many live recordings are there? Two? Whatever it is this is still essential. -
Soundboard 8.4 -
Soundboard 9.0 and Audience 8.6 -
Audience 7.3 - A rough document that reminds me a little bit of the Boston 1969 tape. There’s a lot of inherent noise within the bandwidth of the poor old analog tape trying to capture the sheer power of the Who in 1969, but you know it does manage to get enough that you can adjust and start to get into it. It’s raucous, yup, but so was the band! -
Audience 8.9 - A fine recording that seems to originate from John’s side of the stage because guitar, while there, is kind of behind the action which allows you to pay attention to the bass work, and really will surprise you just how much of a second guitar that bass was at times. I also like the slight change of "Can’t Explain" they do here – this is a great show. This is also a very good recording so get it!