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Audience 8.7 - So it’s kind of in the middle of the venue and so you sacrifice a little clarity in the low mid but man, somebody did know what they were doing here. It’s very clear in the upper end, there’s no real boominess or echo either. It’s the best middle of the floor aud tape I think I have ever heard, and the best part is the band is really cooking. I think you will be happy with this.
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Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing.
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Audience 8.9 - This recording gives off a sense of massive power with Geddy’s bass sound being huge and round and dead on – with a great open expanse overhead allowing the music to breathe a little. This atmosphere allows the music to sometimes move around in the stereo field a little which is nice. I like this kind of recording when it comes to the larger venues.
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Audience 7.7 - While the ratings may show this to be an average sounding tape, let me reveal my own bias for a moment. This is Rush’s best tour. You may argue with that, I mean, the previous two tours were pretty amazing too. I find the set list and performances of the Permanent Waves tour to be exceptional, and this show, while maybe not the best of the lot, does reveal yet more of the Rush mystique. A recording that requires 10 minutes to adjust to but eventually begins to sound pretty decent apart from a guitar that sits behind the action a little (except during solos). A little boomy but not a deal breaker. A good, not great, tape.