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Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Audience 8.7 - Probably have to consider this a must have for fans. It’s a very fine recording for the era, and the band is playing their asses off to win fans with their brand of intense symphonic progressive rock (still a new thing in 1970). -
Audience 8.8 - I rate this highly for the excellent atmosphere of the sound, where the vocals seem to just soar. It is not as thick in the mids where you want them, but that is why the vocals soar because they occupy a lot of the midrange and highs. Sometimes you also get a nice vibration of sound from the drums and all in all it adds tremendous intensity and excitement to the tape. Listen to Toccata and tell me I am wrong! This tape has a unique feel to it that I find very enjoyable. Another cool thing is that a lot of the problems with tape cuts have been fixed with crossfades making for a smoother listen…that includes the large section in Toccata which was unlistenable (unfortunately). -
Pro 8.8 - At times this recording gets even better but there are tape problems, what sounds like tracking issues (if this came from a video source), but overall it is very good and was taped professionally for broadcast. The DVD is pro shot, but suffers from age deterioration, tracking issues, color bleed, etc. but in fairness it is a very old video format and those old ¾” umatic tapes either held up or they failed, that these still played is amazing. -
Audience 8.1 - Kind of occupies the very middle as far as dynamics go with maybe an emphasis on low end which means this recording at least has balls. It’s clear enough that you hear everything, and I think it successfully captured a marvelous evening. -
Audience 8.5 - Strong recording due to the clarity (sounds like VERY low gen). -
Soundboard 9.6 -
Audience 8.8 - Very clear but a touch on the compressed side. One thing is, you can totally CRANK this and it performs flawlessly – no break up, and you’ll get that punch and richness. It needs volume , the louder the better. -
Audience 7.8 - A touch on the thin side and not especially dynamic, however it is nice and clear to the ears meaning you can hear everything they are doing on stage with good separation of instruments. Very decent just not super dynamic. -
Audience 8.9 - Super dynamic range! When the crowd kicks in after a song ends it is magical. Great! -
Audience 8.5 - A pretty clear and somewhat vibrant with the sound almost kind of travelling around over your head. Keys are the stars of this show as they are front and center in the mix and sound really good. The low end is not very present, it is an upper midrange recording of very good quality. -
Audience 7.4 - Would be much better with just a little bit of remastering because there is plenty of low end to work with, and even though the high end is muffled you can add some brightness to this, remove some tape hiss, and this show could be a real keeper. As it is now, for collectors only. -
Audience 7.9 - A very clear recording, it can stand a little fattening up but for 1972 it’s quite decent. -
Audience 8.4 - Pretty darn clean with a good, solid bass sound, and drums sound very real and loud. -
Audience 8.3 -
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable. -
Audience 7.4 - History has shown that most recordings originating from the UK’s Brighton Dome are pretty bad, this one seems to be on the better side of bad. It’s quite listenable if not somewhat muddy and not the clearest ever, but once your ears adjust, and if you add some treble to it, it’s fine. -
Audience 9.1 - Warm, full sound and good stereo too! -
Audience 8.8 - Great stereo sound field, wide, clear, and lots of atmosphere. Good show! -
Audience 7.8 - What I really like about this show is the sound of the bass, a round, brassy sound and of course played with great power and finesse. The sound field gets a touch crowded at times, but this is really a totally exciting tape with that power of the band really palpable! -
Soundboard 9.3 - mAn excellent document by all accounts! What you get is a lot of superb musical skill wrapped up in a fine sounding, good looking presentation. This is one for the collector and casual fan alike. Emerson, Lake & Palmer Civic Center, Wheeling WV 1977-11-18 Disc 1 1 Peter Gunn Theme 04:05 2 Hoedown 03:59 3 Tarkus 16:47 4 Take a Pebble 12:46 5 C'est la Vie 04:12 6 Lucky Man 03:26 7 Pictures at an Exhibition 17:02 Disc 2 1 Karn Evil 9 05:01 2 Tiger in the Spotlight 04:07 3 Watching Over You 04:13 4 Medley: Tank / The Enemy God 13:45 5 Nut Rocker 04:07 6 Pirates (part 1) 08:59 7 Pirates (part 2) 06:31 8 Fanfare for the Common Man / Show Me the Way to go Home 21:18 Keith Emerson - keyboard and synth player, showman, the likes of which we will never see again Greg Lake - singer and bass player, acoustic & lead guitarist Carl Palmer - drummer and percussionist -
Audience 8.2 - A tape that has only recently surfaced, and had some problems that would have relegated it to the dustbin of history if it were not for some diligent and careful re-mastering. The before and after is a testament to the modern renaissance in the music collecting world. Treasure troves of music is being restored and remastered and a lot of that stuff would have been considered unlistenable once upon a time. This tape suffered from a narrow bandwidth incapable of containing drums, and a lot of the bottom end was a mess. It was excruciating to listen to in that state. This tape has been given a new lease on life, and thankfully so! Emerson, Lake, Palmer Sports Arena, San Diego, CA August 10, 1977 Band line-up Keith Emerson - keyboards Greg Lake - bass, acoustic guitar, vocals Carl Palmer - drums Total Time = 01:56:52 Disc 1 01 Karn Evil 9 (1st Impression Pt.2) 02 Hoedown 03 Tarkus 04 Take A Pebble (w/Piano Solo) 05 C'est La Vie 06 Knife-Edge* 07 Pictures At An Exhibition Disc 2 08 Still...You Turn Me On 09 Lucky Man 10 Tank (w/Drum Solo) 11 Nutrocker 12 Pirates* 13 Fanfare For The Common Man 14 Rondo -
Audience 8.7 - Both tapes sound as if they were recorded by the same person they are very similar although the slight nod goes to London for being just a touch brighter. That being said, both tapes do an admirable job (for 1971 standards) of capturing the epic ferocity of this amazing rock band in their prime, or just before they got universal “commercial” success. It’s hard to imagine what it must have been like being there in person, the volume, the intensity, I would have been drained after the first song! Emerson, Lake & Palmer ABC Cinema Plymouth, UK March 12, 1971 Disc 1 101 The Barbarian 102 Tarkus 103 Knife Edge 104 Pictures At An Exhibition Disc 2 201 Take A Pebble 202 Rondo Disc 3 Royal Theatre, Drury Lane London, England June 20, 1971 01. -Pictures at an Exhibition 02. -Knife Edge Disc 4 01. -Take a Pebble 02. -Tarkus -
Audience 9.1 - This is a very cool old tape, first I have to issue a disclaimer: If you don’t like deep, round, brassy bass you won’t like this recording. Bass is the star of this show, and I don’t mean it’s a low end muddy mess either – it’s a beautiful bass sound that pretty much drowns out most of the keyboards (not entirely) and at least vocals area able to hold their own in the mix. That all being said – this ROCKS! I love it, I love hearing the tone and detail of the solid bass work of Greg Lake. Put this up there with your other favorite ELP boots because this surely will become one. Emerson, Lake & Palmer The Hollywood Bowl Los Angeles, CA, USA July 19, 1971 01. Bill Graham Intro 02. The Barbarian 03. Take A Pebble - My Dog Blue 04. Tarkus - i. Eruption, ii. Stones of Years, iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield, vii. Aquatarkus 05. Knife Edge 06. Rondo 07. Nutrocker Keith Emerson - piano, Hammond organs, Moog synthesizers, theremin Greg Lake - bass, guitars, vocals Carl Palmer - drums, percussion -
Audience 8.4 - This is a classic example of the modern benefits of collecting music in the 21st Century: A tape that a decade ago would have been considered for completists only is now, after careful re-mastering. a worthwhile listen. In comparing the original version, I find this one raises the rating a full half point at least. Behold, there is music here! ELP Palazzo Dello Sport Genova, Italy June 15, 1972 Disc 1 1. Tarkus 2. The Endless Enigma 3. Take A Pebble 4. Lucky Man Disc 2 5. Piano Improvisations - Take A Pebble 6. Pictures At An Exhibition 7. Rondo - America -
Detroit 1973 Audience 8.4 - A somewhat average but clear enough tape that has some sort of wobbling effect during at least the beginning portion but evens out thereafter. I think this may not be complete when compared to any other performance during the tour – including the one that is paired in this set. San Bernadino 1974 - Audience 8.6 Keith Emerson and vocals clearly stand out in this recording, while drums and bass seem to not be as distinct. There is a small amount of tape hiss indicating the age of this tape, but I won’t slag this one off because it isn’t that bad at all. I think some top notch remastering work would really help this one out because the sounds are there – in fact they are pretty well and truly “in your face” as it Emerson, Lake & Palmer Live 1973/74 Disc 1 Cobo Hall Detroit, MI. 1973-12-04 01. Hoedown 02. Jerusalem 03. Toccata 04. Tarkus 05. Karn Evil 9 1st Impression Disc 2 Swing Auditorium San Bernadino, Ca. U.S.A. February 9, 1974 1. -Hoedown 2. -Jerusalem 3. -Toccatta 4. -Tarkus (incl. Epitaph) 5. -Benny The Bouncer 6. -Take A Pebble 7. -Still, You Turn Me On 8. -Lucky Man Disc 3 9. -Take A Pebble - Piano Improvisation 10. -Take A Pebble (reprise) 11. -Karn Evil #9 1st Impression 12. -Karn Evil #9 2nd Impression 13. -Pictures At An Exhibition Keith Emerson: piano and many keyboards and synthesizers (including Moog) Greg Lake: lead vocals, bass and acoustic guitar Carl Palmer: drums, tympani, percussion were. -
Audience 8.8 - This is a real surprise, for this early vintage you do not expect anything really good especially out of the Music Hall but I have news for you – this is a good, good tape. Of course it is going to have that almost cavernous kind of quality but regardless it’s a really clear sound and one that shows off each member of the band and offers at the same time a feeling of time and place. EMERSON LAKE & PALMER Boston Music Hall, Boston, Ma. November 12, 1971 Disc One 1. -Hoedown 2. -Tarkus 3. -Take A Pebble Disc Two 1. -Knife Edge 2. -Rondo 3. -drums 4. -Rondo -
FM Broadcast 9.3 - Powerful, exciting, this is the way in which to listen to ELP! In a funny way it is sad, because I can clearly hear what I missed out on. EMERSON LAKE and PALMER Anaheim Convention Center Anaheim, CA February 2nd 1974 WBCN Broadcast Aired March 7th 1976 THE BAND Keith Emerson keyboards Greg Lake bass guitar acoustic and electric guitar harmonica vocals Carl Palmer drums percussion SETLIST 1 -K.B.F.H. Intro 2 -Hoedown 3 -Still You Turn Me On 4 -Lucky Man 5 -Piano Improvisations 6 -Karn Evil #9 First Impression 7 -Drum Solo 8 -Karn Evil # 9 First Impression (reprise) 9 -Karn Evil # 9 Second Impression 10 -Karn Evil # 9 Third Impression -
Soundboard 9.8 - Sonically this sounds like it was recorded yesterday. Musically it sounds like it was recorded in 1971…which is a very good thing. The guitar tone is infectiously boogie blasted if that makes any sense. The whole thing is like an overamplified revival meeting…in a cool way. Elvin Bishop Group Fillmore West Closing Week July 1, 1971 Disc 1 1. -Stomp 2. -So Fine 3. -Get It 4. -Old Time Feeling 5. -Easy To Find 6. -Higher And Higher Disc 2 1. -The Sky Is Crying 2. -Crazy 'Bout You Baby 3. -Part 'Til The Cows Come Home 4. -Part 'Til The Cows Come Home (reprise) 5. -KSAN DJ's 6. -I'm Going Fishin' 7. -Let It Flow 8. -KSAN DJ -
Soundboard 9.6 - Very very clean and quiet, a pure board feed and not a lot of atmosphere but I don’t think anyone is going to mind. It’s a good time period for Elton, with major focus on ballads but still plenty of rock and roll to keep you satisfied. -
Sale!
The set features outstanding quality audience recordings made between 1972 and 1975 at the Seattle Coliseum. The quality encompasses not just the audio fidelity but the completeness and smoothness. All in all this is surely one of the best collections of live Elton John I've ever heard. The price has risen slightly to accommodate the upgrades that have been applied to not only this but the entire line of canisters. I think you will totally be blown away when you see the difference, and the previous ones were pretty impressive so this is going to really be something special. Elton John "The Seattle Tapes" Disc 1 Seattle Center Coliseum Seattle, WA 1972-10-20 01. Tiny Dancer 02. Daniel 03. Band Introduction 04. Susie (Dramas) 05. Your Song 06. Rocket Man (I Think It's Going To Be A Long, Long Time) 07. I Think I'm Going To Kill Myself 08. Can I Put You On 09. Mona Lisas And The Mad Hatters 10. Honky Cat Disc 2 11. Singing In The Rain 12. Have Mercy On The Criminal 13. Crocodile Rock 14. Madman Across The Water 15. Take Me To The Pilot 16. Whole Lotta Shakin' Goin' On 17. Hercules Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Disc 3 Seattle Center Coliseum 1973-08-31 01. Intro 02. Elderberry Wine 03. Your Song 04. High Flying Bird 05. Honky Cat 06. Goodbye Yellow Brick Road 07. Hercules 08. Rocket Man (I Think It's Going To Be A Long, Long Time) 09. Madman Across The Water Disc 4 10. Teacher I Need You 11. Have Mercy On The Criminal 12. All The Young Girls Love Alice 13. Daniel 14. Funeral For A Friend (Love Lies Bleeding) 15. Band Introduction 16. Crocodile Rock 17. Saturday Night's Alright For Fighting 18. Honkey Tonk Women Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Clive Franks - organ (Crocodile Rock) Disc 5 Seattle Center Coliseum 1975-10-16 (First Set) 01. Set I Intro 02. Your Song 03. I Need You To Turn To 04. Border Song 05. Take Me To The Pilot 06. Dan Dare (Pilot Of The Future) 07. Country Comfort 08. Levon 09. Rocket Man (I Think It's Going To Be A Long, Long Time) 10. Hercules 11. Empty Sky Disc 6 (Second Set) 12. Set II Intro 13. Funeral For A Friend (Love Lies Bleeding) 14. Goodbye Yellow Brick Road 15. Bennie And The Jets 16. Harmony 17. Dixie Lily 18. Captain Fantastic And The Brown Dirt Cowboy 19. Bitter Fingers 20. Someone Saved My Life Tonight Disc 7 21. The Bitch Is Back 22. Don't Let The Sun Go Down On Me 23. (Gotta Get A) Meal Ticket 24. Lucy In The Sky With Diamonds 25. I saw Her Standing There 26. Island Girl 27. Philadelphia Freedom 28. We All Fall In Love Sometimes Band Members: Elton John - vocals, piano Davey Johnstone - guitar Caleb Quaye - guitar James Newton-Howard - keyboards Kenny Passerelli - bass Roger Pope - drums Ray Cooper - percussion Cindy Bullens - backing vocals Jon Joyce - backing vocals Jim Haas - backing vocals Disc 8 Seattle Center Coliseum 10-17-1975 (First Set) 01. Your Song 02. I Need You To Turn To 03. Border Song 04. Take Me To The Pilot 05. Dan Dare (Pilot Of The Future) 06. Country Comfort 07. Levon 08. Rocket Man (I Think It's Going To Be A Long, Long Time) 09. Hercules 10. Empty Sky Disc 9 (Second Set) 11. Set II Intro 12. Funeral For A Friend (Love Lies Bleeding) 13. Goodbye Yellow Brick Road 14. Bennie And The Jets 15. Harmony 16. Dixie Lily 17. Captain Fantastic And The Brown Dirt Cowboy 18. Bitter Fingers 19. Someone Saved My Life Tonight 20. The Bitch Is Back Disc 10 21. Don't Let The Sun Go Down On Me 22. (Gotta Get A) Meal Ticket 23. Lucy In The Sky With Diamonds 24. I Saw Her Standing There 25. Island Girl 26. Philadelphia Freedom 27. We All Fall In Love Sometimes 28. Saturday Night's Alright For Fighting -
Audience 9.2 - Amazing atmosphere that the band completely catches and performs up to. The crowd is very responsive but does not intrude on the recording – even during clap-alongs which I normally hate but here is actually enhances the song! Fantastic all the way around, and there’s plenty of headroom left in the recording so if you increase frequency (if you have an EQ) or volume you won’t destroy the integrity of the sound. So blast away! Elton John Seattle Center Coliseum Seattle, WA October 12, 1974 Disc 1 01 Funeral For A Friend - Love Lies Bleeding 02 Candle In The Wind 03 Grimsby 04 Rocket Man 05 Take Me To The Pilot 06 Bennie And The Jets 07 Daniel 08 Grey Seal 09 Goodbye Yellow Brick Road 10 Burn Down The Mission Disc 2 11 You're So Static 12 Lucy In The Sky With Diamonds 13 Don't Let The Sun Go Down On Me 14 Honky Cat 15 All The Girls Love Alice 16 Saturday Night's All Right For Fighting 17 Crocodile Rock 18 The Bitch Is Back 19 Your Song Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Muscle Schoals Horns: Harvey Thompson - saxophone Ronnie Eades - baritone saxophone Harrison Calloway - trumpet Charlie Rose - trombone