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Audience 8.9 - Both of these nights feature decent sound quality that also allows you to hear all of the instruments in a reasonably clear mix. This is hard to come by! The massive 30 song sets, the very good sound, the fact these are among the bands final shows…what more could you ask for? Soundgarden The Wiltern Los Angeles, CA. February 15, 2013 01 -Searching With My Good Eye Closed 02 -Attrition 03 -Let Me Drown 04 -Jesus Christ Pose 05 -Spoonman 06 -By Crooked Steps 07 -Rhinosaur 08 -Taree 09 -My Wave 10 -Been Away Too Long 11 -Worse Dreams 12 -Pretty Noose 13 -Burden in My Hand 14 -A Thousand Days Before 15 -Black Saturday 16 -Blow Up the Outside World 17 -Fell on Black Days 18 -Chris brings 11 year old kid onstage 19 -Fresh Tendrils 20 -New Damage 21 -Superunknown 22 -Live to Rise 23 -Non-State Actor 24 -Mailman 25 -Like Suicide 26 -encore break 27 -Outshined 28 -Rusty Cage 29 -Dusty 30 -Slaves & Bulldozers- (In My Time of Dying) The Wiltern Los Angeles, CA February 17, 2013 01 -Intro 02 -Incessant Mace 03 -My Wave 04 -Been Away Too Long 05 -Worse Dreams 06 -Jesus Christ Pose 07 -Flower 08 -Taree 09 -Spoonman 10 -By Crooked Steps 11 -Blind Dogs 12 -Rowing 13 -Non-State Actor 14 -Drawing Flies 15 -Hunted Down 16 -Black Saturday 17 -Bones of Birds 18 -Blow Up The Outside World 19 -Fell On Black Days 20 -Burden In My Hand 21 -A Thousand Days Before 22 -Blood On The Valley Floor 23 -Rusty Cage 24 -New Damage 25 -4th Of July 26 -encore break- 27 -Outshined 28 -Black Hole Sun 29 -Ty Cobb 30 -Slaves & Bulldozers-(In My Time of Dying) -
Soundboard 9.0 - This is a newly discovered tape, and it is a solid board that does bear some signs of age. It sounds, hmmm, a little dated, faded, and there is a small amount of tape hiss present. These flaws do NOT affect the music though, because typically when you have these kinds of issues they tend to clear up during the musical performance (with those few exceptions during very quiet parts). But yeah, it’s not a sparkling tape but it gets the job done nicely enough. The bonus material on this set is similar to the Austin tape in every respect sound-wise. Bob Dylan and the Rolling Thunder Revue Municipal Auditorium Austin, TX 1976-05-12 Disc 1 01 -Good Love is Hard to Find (Bob Neuwirth) 02 -Hoola Hoop (T Bone Burnett) 03 -Flint Hill Special (David Mansfield) 04 -Too Good to Be Wasted (Rob Stoner) 05 -Madman (Stephen Soles) 06 -Is There Life on Mars (Mick Ronson) 07 -Rock & Roll Across the USA (Kinky Friedman) 08 -Dear Abbie (Kinky Friedman) 09 -Sold American (Kinky Friedman) 10 -Mr. Tambourine Man (Bob Dylan) 11 -It Ain't Me Babe (Bob Dylan) 12 -Vincent Van Gogh (Bob Dylan) 13 -Maggie's Farm (Bob Dylan) 14 -Turn! Turn! Turn! (To Everything There is a Season) (Roger McGuinn) 15 -Jolly Roger (Roger McGuinn) 16 -Lover of the Bayou (Roger McGuinn) 17 -Chestnut Mare (Roger McGuinn) Disc 2 18 -Do Right Woman, Do Right Man (Joan Baez) 19 -El Preso Número Nueve (Joan Baez) 20 -One Too Many Mornings (Joan Baez) 21 -The Night They Drove Old Dixie Down (Joan Baez) 22 -Sweeter for Me (Joan Baez) 23 -Dancing in the Streets (Joan Baez) 24 -Blowin' in the Wind (Bob Dylan & Joan Baez) 25 -Railroad Boy (Bob Dylan & Joan Baez) 26 -Deportee (Plane Wreck at Los Gatos) (Bob Dylan & Joan Baez) 27 -I Pity the Poor Immigrant (Bob Dylan & Joan Baez) 28 -Shelter From the Storm (Bob Dylan) 29 -Stuck Inside of Mobile with the Memphis Blues Again (Bob Dylan) 30 -I Want You (Bob Dylan) 31 -You're A Big Girl Now (Bob Dylan) 32 -You're Gonna Make Me Lonesome When You Go (Bob Dylan) 33 -Oh Sister (Bob Dylan) 34 -Lay Lady Lay (Bob Dylan) 35 -Silver Mantis (T Bone Burnett) 36 -Going Going Gone (Bob Dylan) 37 -Idiot Wind (Bob Dylan) 38 -Knockin' on Heavens Door (Roger McGuinn & Bob Dylan) Disc 3 Gatesville State School For Boys Gatesville, TX 1976-05-15 39 -Linda Lu (T Bone Burnett) 40 -Look On Yonder Wall [Hand Me Down My Walking Cane] (T Bone Burnett) 41 -Black Crow (Joni Mitchell) 42 -Walls of Red Wing (Joan Baez) 43 -El Preso Número Nueve (Joan Baez) 44 -Sweeter for Me (Joan Baez) -
Soundboard 9.4 - This is great, not only a very good, strong and clear board tape but also a superb performance by everyone. There is one small caveat here, starting at Bambele and extending through 5 more songs there is the presence of tape hiss (not too bad during the songs but very noticeable when quiet) which was probably the result of the engineer using a tape brand different to whatever he used for the rest of the show which has no tape hiss at all. Santana The Arena St. Louis, MO February 14, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela 14 Promise Of A Fisherman 15 Aranjuez 16 Mantra 17 Castillos De Arena, Part 2 (Sand Castle) 18 Earth 19 Se A Cabo 20 Savor 21 Toussaint L’Overture Carlos Santana (guitar/percussion/vocals) Douglas Rauch (bass/guitar) Michael Shrieve (drums) Jose “Chepito” Areas (percussion) Armando Peraza (percussion/vocals) Tom Coster (keyboard/vocals) Richard Kermode (keyboard) -
Audience 8.6 - A middle of the road tape that is missing a good chunk of the middle of the show…but he captures the last half somehow and we end up with a pretty full disc. Effort was made to re-master this tape which ran too fast, so that is now fixed as well. This sounds much better than how it began I can tell you that! Lou Reed Palasport, Torino, Italy February 12, 1975 01 -Sweet Jane 02 -Coney Island Baby 03 -Pale Blue Eyes 04 -I'm Waiting For The Man 05 -Heroin 06 -Berlin 07 -Lady Day 08 -Kill Your Sons 09 -Vicious 10 -encore cheer 11 -Rock & Roll 12 -crowd walkout Band line-up Lou Reed - Vocals, Guitar Doug Yule - Guitar, Organ Bruce Yaw - Bass Marty Fogel - Saxophones Michael Suchorsky - Drums Larry Packer - Violin -
Audience 8.6 - A tape that has gone through extensive rehabilitation and is now something I can recommend to fans. First off, you no longer have a low volume, crowded tape – this new re-master has the sound panned wider which allowed the muddier channel to be dealt with properly…all the work has paid off because, quite frankly, any 70’s-‘80’s Priest tape needs to be considered as historically valuable, right up to around 1986 IMHO. Judas Priest Long Beach Arena Long Beach, California May 24, 1981 World Wide Blitz Tour 01. -Solar Angels 02. -Heading Out To The Highway 03. -Diamonds And Rust 04. -Hell Bent For Leather 05. -Breakin' The Law 06. -Sinner 07. -Beyond The Realms Of Death 08. -Grinder 09. -Desert Plains 10. -Hot Rockin' 11. -You Don't Have To Be Old To Be Wise 12. -Victim Of Changes 13. -The Green Manalishi (With The Two-Pronged Crown) 14. -Livin' After Midnight 15. -Tyrant - outro -
Audience 9.1 - I love these in your face recordings that are well done. No distortion, max volume, hear every instrument – in fact great separation of the guitars that is so realistic and cool they seem to pan across the speakers! A very well done tape for this time period in that it does not sound like one of those heavily compressed Aiwa tape recordings, it has a lot of liveliness and decent headroom. RIOT City Island Harrisburg, PA. June 21st 1982 1 -Intro 2 -Hard Lovin' Man 3 -Loanshark 4 -Restless Breed 5 -When I Was Young 6 -Swords & Tequila 7 -Outlaw 8 -Loved By You THE BAND Rhett Forrester vocals harmonica Mark Reale guitar Rick Ventura guitar Kip Leming bass Sandy Slavin drums -
Audience 8.4 – 8.7 - A tape that has its share of strengths and flaws. The strengths are that at times it is pretty good, maybe comparable to the Raleigh 70 tape, but other times (such as during Dazed and Confused) the tape shows it has flaws due to age and although these aren’t egregious, they are clear and present and do effect the flow of the concert. For example the audio during Dazed has a speed fluctuation problem that is annoying. The problem stays through the next track but clears up after that and the sound improves dramatically. It is here that the tape shows it has considerable value! Yes, a great find after all. Two versions of the show are represented with both being similar, the different being in how each was re-mastered so it is up to the listener really. I liked the first re-master (CD1) personally. Led Zeppelin Hollywood Sportatorium, Hollywood, FL September 1, 1971 Disc 1: Remaster #1 Disc 2: Remaster #2 Disc 1, 2 01. Introduction 02. Immigrant Song 03. Heartbreaker 04. Since I've Been Loving You 05. Black Dog 06. Dazed And Confused 07. Stairway To Heaven 08. That's The Way 09. What Is And What Should Never Be 10. Moby Dick 11. Whole Lotta Love 12. Organ Solo 13. Thank You -
Soundboard 9.4 - A great PRE-FM source here that manages to deliver just about all of the necessary ingredients to ensure a positive listening experience. Atmosphere: check. Sound Quality: check. Performance by band: check. It's all here. Black Sabbath Orpheum Theatre Boston, MA. 1992-08-09 Disc 1 01 E5150 02 The Mob Rules 03 Computer God 04 Children Of The Sea 05 Time Machine 06 War Pigs 07 I 08 Die Young 09 Guitar Solo 10 Black Sabbath Disc 2 01 Master Of Insanity 02 After All (The Dead) 03 Drums Solo 04 Iron Man 05 Heaven And Hell 06 Neon Knights 07 Paranoid - Heaven And Hell (Reprise) 08 Laguna Sunrise (Outro) -
Soundboard 9.4 - A love the sound on this, just full of energy and sounds fresh as if it happened last week. Great performance the band had to have been just having a blast. Bob Dylan The Warehouse New Orleans,LA. May 3, 1976 - Evening Show Disc 1 01 Mr.Tambourine Man 02 Love Minus Zero / No Limit 03 Vincent Van Gogh 04 Maggie's Farm 05 Mozambique 06 Isis 07 Railroad Boy 08 I Pity The Poor Immigrant 09 Shelter From The Storm Disc 2 01 Stuck Inside Of Mobile With The Memphis Blues Again 02 You're A Big Girl Now 03 Rita May 04 Lay Lady Lay 05 Idiot Wind 06 Knockin' On Heaven's Door 07 Gotta Travel On -
Audience 8.7 - Do not be put off by the rating! This is a very strong 8.7 verging closer to 8.8. Why do I stress that? Because it has a lot going for it, the only black mark I hold against it is due to the lack of distinction between guitars and Paul being pushed back in the sound mix. That being said, it’s more the “mix” of the guitars that leads me to say that, not that you can’t pick each one up. I think I am just being picky though. Kiss Jai-Alai Fronton Miami, FL. 3-21-1976 01 Intro 02 Deuce 03 Strutter 04 C´mon And Love Me 05 Hotter Than Hell 06 Firehouse 07 She 08 Ace Solo 09 Parasite 10 Nothin´ To Lose 11 Shout It Out Loud 12 Gene Solo 13 100.000 Years 14 Peter Solo - 100.000 Years 15 Black Diamond 16 Cold Gin 17 Rock And Roll All Nite 18 Let Me Go, Rock And Roll -
Audience 9.3 - I found this to be highly immersive and exceptionally enjoyable. First of all the band sounds invigorated, breathing new life into the old catalog of songs but fiery with the newer material. I like how you can tell when the taper has to duck so as not to be discovered because at those moments (thankfully few) you hear the music suddenly seem above you and farther away, kind of cool actually. All in all – great sound, great performance. ROLLING STONES SOFI STADIUM INGLEWOOD, CA. 2021-10-14 Disc 1 01. intro 02. Let's Spend The Night Together 03. 19th Nervous Breakdown 04. Here`s to you Charlie 05. Rocks Off 06. Get Off My Cloud 07. Tumbling Dice 08. Ruby Tuesday 09. You Can't Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Women Disc 2 13. band introductions 14. Connection 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumpin' Jack Flash 21. Gimme Shelter 22. (I Can't Get No) Satisfaction 23. outro -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Three Musikhalle Hamburg, WG 1975-05-13 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -You Burned The Tables On Me 11 -Without A Word 12 -Smiles And Grins 13 -Sunshine Of Your Love -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Two Mozartsaaal im Rosengarten Mannheim, WG 1975-05-05 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -Out Into The Fields 11 -You Burned All My Tables 12 -Without A Word 13 -Smiles And Grins -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce Band Tour Of Europe 1975 Volume One Salle Vallier Marseille, FR 1975-04-29 Disc 1 01 -You Burned The Tables On Me 02 -Morning Story 03 -Pieces of Mind 04 -Keep It Down 05 -One 06 -Spirit Disc 2 07 -Without A Word 08 -Tickets To Waterfalls 09 -Weird Of Hermiston 10 -Post War Band: Jack Bruce - Vocals, Bass, Piano Mick Taylor - Guitar Carla Bley - Organ, Synthesizer, Clavinet, Mellotron, Electric Piano Ronnie Leahy - Piano, Electric Piano, Synthesizer Bruce Gary - Drums Jack Bruce, Carla Bley & Mick Taylor -
Audience 9.3 - It’s hard to get much better than this as far as overall enjoyment…for one thing yes it sounds great but man, the band is in the pocket, razor sharp and ready to fuck things up in Netherlands. Sammy has his shtick so dialed in it is easy to forget the effortless banter of his nemesis David Lee Roth. And…finally there is Satch’s incredible fiery guitar work that is quite breathtaking here. Chickenfoot Poppodium 013 Tilburg, The Netherlands 01-17-2012 Disc 1 01. Lighten Up 02. Alright Alright 03. Big Foot 04. Sexy Little Thing 05. Soap on a Rope 06. Up Next 07. My Kinda Girl 08. Down the Drain Disc 2 09. Three and a Half Letters 10. Something Going Wrong 11. Turnin' Left 12. Future in the Past 13. Crowd cheering & Sammy talks 14. Different Devil 15. Oh Yeah 16. Foxy Lady -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Aerosmith Permanent Vacation Outtakes 1987 Disc 1 1. Heart's Done Time (early studio rehearsals AKA Right Key, Wrong Key Hole) 2. Magic Touch (early demo version) 3. Magic Touch (final pre-production with different lyrics) 4. Rag Doll (final pre-production with different lyrics and solo) 5. Simoriah (final pre-production) 6. Simoriah early demo version) 7. Dude (looks like a lady) (final pre-production without intro) 8. Dude (looks like a lady) (early demo version with different lyrics) 9. Dude (looks like a lady) (early studio rehearsals) 10. Dude (looks like a lady) (original working demo version) 11. St. John (final pre-production) 12. St. John (early demo version) 13. St. John (early studio rehearsals) Disc 2 1. Hangman Jury (early studio rehearsals) 2. Girl Keeps Coming Apart (final pre-production) 3. Girl keeps coming apart (early studio sessions without vocals) 4. Girl keeps coming apart (early studio rehearsals without vocals) 5. Angel (original working demo version) 6. Permanent vacation (final pre-production) 7. Permanent vacation (early demo version) 8. I'm Down (final pre-production) 9. Got To Find A Way (original working demo version including "The movie") 10. Got To Find A Way (early studio rehearsals) Disc 3 1. Walking On Danger Street (original working demo version) 2. Walking On Danger Street (early studio rehearsals) 3. Feel The Pain (original working demo version AKA Sleeping Sickness and Scream In Pain) 4. Feel The Pain (final complete demo version) 5. Hollywood (early studio rehearsals) 6. Hollywood (original working demo version) 7. Funky Thing (original working demo version) 8. Funky Thing (Joe's Funky early demo version) 9. Once Is Enough (original working demo version) 10. Love Me Like A Bird Dog (original working demo version) 11. Love Me Like A Bird Dog (early studio rehearsals) 12. Take It Easy (early studio rehearsals) 13. Is Anybody Out There? (early studio rehearsals)