Pro Studio 9.5 - This collection would be for the person who does not wish to sift through exhaustive comps of early B-sides and studio sessions. Rather, it showcases a cross section of his early sessions designed to reveal only the highlights. It’s certainly easier to tackle especially if you plan on bringing the disc for a road trip.
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A limited edition offering from Houston based ShroomAngel Records. This band was one of the "inner loop" bands that began pushing boundaries in the local scene with their hybrid style, born out of two worlds - the growing "grunge" sound pioneered by Janes Addiction (which you can hear in their sound especially vocals) and Mudhoney among others, but also in old guard punk and hard rock, which you also get reminiscences of in their sound. The music even crosses into some psychedelic territory, it's pretty much an amalgamation of several styles that sometimes adds a sort of exotic feel, but with an anxious, almost paranoid underpinning. -
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Audio - Excellent! - Mozartsaal, Mannheim, Germany (May 25, 1988) This is the fourth of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Rudi-Diem-Halle, Munchen, Germany (May 9, 1988) This is the third of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Carl-Diem Halle, Wurzburg, Germany (April 22, 1988) This is the second of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Sporthalle, Cologne, Germany (April 14, 1988) This is the first of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Audience 8.6 - This is a very fine recording that has recently surfaced, a tour that had the band displaying their absolute mastery of the ultra complex progressive rock extravaganzas that sometimes took up nearly the entire side of an LP. Audiences back then were fully engaged with such performances, unlike today.
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Soundboard 9.1 - The source used for this CD is a DAT tape made from a direct transfer of Joey Molland’s tapes of the show. Whether that means it is the same as what else is out there, I do not know, but it is possible that the radio station did their own recording for broadcast and other releases use the FM broadcast. This is not that! The sound quality is uneven at times while the levels are adjusted but after that it’s smooth sailing. -
2 Shows: CD 1 - Audience 8.3 - A very good, reasonably clear tape that does not showcase a wide dynamic range but doesn’t really need to, I mean to say, it’s an historic artifact that most fans and collectors of Love/Arthur Lee will be very happy to hear. CD 2 - Audience 8.1 - This tape starts off kind of rough but gradually gets better until it gets to a consistency that you can appreciate for what it is. It does not take much of the show before it gets better which is a relief because it is a good, strong show. Disc 3 is a video CD (MP4 file) of 6 minutes, very Rare, never before seen b/w video footage of Love a few days before the show on disc one. -
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Audience 8.5 - A significant evening for the band as they headline their first show, just after being booted from ZZ Top tour. Sounds fine, taper does maneuver at times and the movement is picked up on the sensitive mic, but overall this is very listenable if not overly dynamic. Good to have it, a very important show in Black Crowes history. -
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Audience 9,6 and Audience 8.4 - The UK 78 material is fantastic! Vibrant and dynamic, should be released officially. -
NEW SOURCE Audience 8.7 This is a major upgrade to the previous version (see old review below for comparison) and as such we felt that it had to be offered here as a replacement. If you purchased the previous version (the artwork is untouched, only the music has been replaced in this set) than you are entitled to receive replacement discs without charge (pay postage cost only). Just reach out to us and we will take it from there. If you have never bought this title, than consider this one worthy of the collection. I will offer this caveat though - it is a recording that still shows its share of shortcomings, such as maybe a touch of overload during more bombastic passages (not nearly as bad as previous!), and the last track is incomplete (better an incomplete but listenable track than a totally un-listenable mess). OLD SOURCE Audience 7.2 This one is rather mediocre, although it is not “unlistenable” at all, but compared to other 1977 recordings it is what I would classify as “for completists only”. That being said, I can point out a few moments of this concert that I found interesting in a lot of ways. Like, during Pigs On The Wing Pt.1 you hear large explosions from the audience (possibly fireworks or maybe PA problem?) and you immediately think of Roger and how he’s probably disgusted with the whole thing by this time. Pink Floyd Spectrum Theater Philadelphia, PA, USA 29 June 1977 Disc 1 01 Sheep 02 Pigs On The Wing, Part 1 03 Dogs 04 Pigs On The Wing, Part 2 05 Pigs (Three Different Ones) 06 Shine On You Crazy Diamond (Parts I-V) Disc 2 07 Welcome To The Machine 08 Have A Cigar 09 Wish You Were Here 10 Shine On You Crazy Diamond (Parts VI-IX) 11 Money 12 Us And Them -
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Audience 7.3 - A tape new to the collectors, it is not without its limitations but it is audible. Without the re-mastering I would not recommend it on any level but for its rarity, however, it is now listenable (as if a layer of grime was wiped away). -
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Audience 7.5 - Technology has done wonders for the collecting world, this tape is a classic example of going from unlistenable muck to actually hearing what the band was doing. You will still place this one in the “fair to average” category but in the pantheon of Sabbath shows this is one hell of a barnburner. I wish we had something a little better, but this tape is MUCH better sounding now than it was 10 years ago. -
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Audience 9.1 - Truly an immersive listening experience, literally you are in the crowd close to the stage but the sound is probably better than what your ears were hearing at the show simply because massive volume tends to ruin your ability to decipher anything remotely close to “music”. This tape allows you to hear the actual music, and mayhem too! Sounds like it was a real blast to have been there. -
Audience 8.6 - A gem of a show, and a recording that thankfully is pretty decent although it does highlight Halford at the expense of the rest of the band. That actually works well here because Rob is just killing it, hitting every high note and wowing the audience. The musicianship is as always a cut above the rest, hence the reason this band lives on to this day. A keeper! -
Audience 8.4 - Not super dynamic but pretty clear, a decent ’74 tape where you can hear and enjoy everything (including the crowd) quite clearly but without a wide palate of audio spectrum. Not saying it is thin, not saying it is one-dimensional either, just that from highs to lows you aren’t going to have much depth although you can EQ and probably adjust to your specific needs. A good tape. -
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Audience 9.3 - This recording effectively conveys the power and volume of the gig, with pretty much a direct blunt force to your brain. There’s not a helluva a lot of headroom in the recording meaning the levels are at peak (no clipping or distortion) so if you plan to crank it loud, just be prepared for a lot of neighborhood complaints. -
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Soundboard 9.4 - As can be expected this is professionally done and the source is low gen as it sounds fresh and crisp with minimal tape noise. -
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Audience 8.9 - Taper sitting very close, and manages to get a great recording without distorting or invasive shouting and screaming into the mic during the songs (well, maybe at the beginning of some songs). A good one, an old fashioned in your face bootleg recording of the Stones! -
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Soundboard 9.7 - I love the way they recorded the vocals, it has a very cool quality to it, such that it lends that sort of electric spark to the proceedings. This is very energetic set by the band. -
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Audience 7.7 - A distant recording, and some hiss present, but the music can be discerned. Not going to have a lot of dynamics, but for collectors out there, you can enjoy this one for what it is…and it continues to fill in the missing pieces of the Keith Moon years.