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Aud 7.7 - A rather clear and exciting recording. Not especially dynamic maybe, but this is one of the few 1970 audience recordings that have qualities that are more enjoyable than not. Worth having! -
Aud 7.0 - Distant and muddy, but Jimi’s guitar thankfully cuts through the murkiness. If you are collecting, than you know good quality 1970 shows are in limited supply, but at least this one sort of features the guitar more or less. -
Volume 3: Audience 7.6 - Bass is pumping at the expense of everything else unless the music pauses now and then which makes guitar front and center for a moment. It’s somewhat muddy, but you do hear everything happening, and the ears do adjust. It’s the worst of the three night stand. Good, at times, and worth having nonetheless. -
Disc 1 Philadelphia 1969 Aud 6.5 Pretty bad one, sound is distant and distorted due to Jimi’s insane volume and lack of taper knowledge of simple dynamics. Disc 2 Philadelphia 1970 aud 7.2 A relief to the ears after playing disc one of this set. -
A mix of pro SDBRD and decent aud. The sdbrd is 9.5, the aud portion is 8.0 and taken from a vinyl source. There are a handful of tracks taken from a film audio source and those are great as well. -
Volume 2: Audience 8.2 - Sounds like taper attended the first two nights and had different seats each time because this one, while pretty strong, shows a rather overloaded bass signal that does not distort the tape as much as it crowds the sound field in the middle. This places guitar secondary in the mix, and vocals third. Drums sound good. The overall mix is what I would call decent for 1969 audience but not as clear as the first night. -
Pro Studio 9.8 -
Aud 7.3 - Most of the 1970 audience tapes are horrible, barely audible sludge fests, this one is not. You actually can hear Jimi! His guitar, singing, and the band rise enough above the noise to actually provide a decent listening experience. Not great, but not the typical hot mess either. -
Aud 8.4 - A very good, clear tape for the time (includes Corn Exchange and Saville Theater 67 both excellent). Only problem is, the taper recorded less than 1 minute on almost every song except for a Red House. Kind of infuriating. (Red House is complete and smokes! It seems this was recorded by someone who interviewed Hendrix, so he probably just wanted small pieces to embellish his interview tape to be broadcast at his college station or something). -
Audience - all shows Berlin Aud 7.2 A reasonably clear tape, Jimi vocals come through and guitar is right up front too. Drums a little buried but you get enough to know what’s going on. Enjoyable! Cologne Aud 7.0 Mono recording without much separation of instruments, guitar being the clearest here. Hamburg Aud 6.6 Very loud and distorted recording. Nuremberg Aud 6.7 Thin, with tape noise present, no dynamics, only Jimi's guitar is heard but it is heard clearly ringing out like he was the only one mic’d up! -
Volume 1: Audience 8.4 - Very clear, especially Jeff, with Rod pushed to the background. Tends toward “shrill” with the cymbals but because it is a “hot” show with decent clarity we overlook some of the minor gripes. -
Audience 8.5 - Certainly has to be considered as one of the clearest of the ’68 aud recordings out there. The other great thing about this one is the performance is very good, Jeff is on point throughout the gig. -
Soundboard 8.9 - Interesting set list here, some material that may be considered “deep cuts” played. -
Soundboard 8.9 - Great recording that is guitar centric with vocals a little behind the action. The June 15th fragment is a funky SDBRD feed with guitar panned hard right and vocals hard left. It’s also a bit harsh or I should say “biting” but it’s still a joy to hear. Jeff sounds incredible! -
Soundboard 9.6 - Crisp and airy, a real sonic delight. -
Aud 7.6 - Exciting brutal live sound with bristling, tangible electricity that will send hairs on your neck to shivering. Not pro, not perfect, but has that manic excitement and energy that makes the gig. -
Audience 8.9 - Terrific! A real sonic treat not to be missed. -
9.8 - Pro studio recordings -
9.8 - pro studio recordings -
Aud 6.8 - Rough tape this one is, but you get a very interesting sort of immediate echo effect especially with snare drum – Red House sounds pretty decent because the arena really shapes the sound, providing a natural cavernous echo which makes the song sound haunting. Not a throw away tape! -
Aud 6.8 - Overloaded tape, and raucous crowd, but with all that Jimi’s guitar cuts right through and surprisingly is a decent sound and not paper thin. Strange tape, should be horrible but there’s just enough here to suck you right into to this show. I tell you what, you really get a sense of the volume of a Hendrix gig! -
Aud 7.6 - Large stadium sound with that telltale reverby sound but really pretty clear with just a touch of tape saturation that doesn’t hurt too much thankfully. You can get into this one. -
Volume 2: All EXCELLENT! Must haves without question. -
Aud 6.8 – 7.0 in spots -
Volume 1: All EXCELLENT! Must haves without question. -
Aud 7.9 - You know how so many of the 68 audience tapes sound horrid? This is not one of them! This actually captures a moment in time where you get a real sense of the venue, and of the time. Vocals and guitar are pretty clear with some cool “hall” vibe, but not echoey just vibey. Nice! -
Aud 7.3 - Gets better, is loud but not too overloaded. Small club atmosphere, a real treasure of a ’68 show. -
SDBRD 9.5 -
BBC Pro 9.3 -
Aud 7.0 - A touch of distortion and noisy but ferociously exciting in every way. You get a vivid sense of the electric atmosphere from the first notes. That alone draws you right into this show. -
Aud 6.9 - Yeah, kinda low rating but super high energy and fantastic playing, early energy. -
Audience 7.7 - 7.9 - All 3 shows sound like they were done by the same crew. All are decent, nothing spectacular, but consistent and enjoyable without displaying a lot of activity in the upper or lower frequencies. Can be enjoyed is what I am saying.