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Audience 7.2-7.6 - From various locations (taper tries very hard and sometimes moves equipment to a better spot, so quality varies). -
CD issued of post US ASIA recordings from 1986 and 1991. Music here is impeccably played and of epic quality both composition and fidelity. Magnificent music, well worth your consideration! Import from UK, CD is SEALED -
Soundboard 9.8 - Professionally recorded for release, the quality is as defined as you could hope for. Probably had to be somewhat challenging to mix, a band with three back-up singers and a lead singer, violinist, guitar/bass/drums, and keyboards. A lot to manage but an impeccable job for this show.Solstice 2Days Prog + 1 Festival Campo Sportivo Revislate, Novara, Italy September 4th, 2022
1. Shout 2. Guardian 3. Mount Ephraim 4. Light Up 5. Bulbug Tarang 6. Cheyenne 7. A New Day 8. Sacred Run -
Audience 8.8 - A rare treat! Two sets in a small venue in really good quality by a band that had tremendous potential. This is such a cool find, more like this please! Sopwith Camel 1973-07-14 Berkeley, California New Orleans House Set One 01. -Oriental Fantasy 02. -Sleazy Street 03. -Orange Peel 04. -Coke, Suede, & Waterbeds 05. -Hello, Hello 06. -Fazon 07. -Dancin' Wizard 08. -Astronaut Food 09. -...Brief Synthophonia 10. -Monkeys On The Moon Set Two 11. -Brief Synthophonia 12. ---band introductions-- 13. -Sneaky Smith 14. -Wham Bam, I'm A Smoky Ham 15. -Fazon 16. -Sleazy Street 17. -Hello, Hello 18. -Orange Peel 19. -Astronaut Food Total Time ::: 2:07:00 -
Radio Broadcast 8.8 - Some age showing on the tape (hiss) but highly enjoyable. -
Audience 9.0 - This recording has a good solid middle highlighting the musicianship of the band, possibly at the expense of Chris in the overall mix. Don’t let that stop you, by all means this is one to get. -
Audience 9.2 - Here we have a real treat for those who now realize what we had in our youths with the "Seattle Sound" as epitomized by Soundgarden, a sound that fit the times very appropriately. Now for the kicker: This show not only sounds great but has plenty of fun moments with Chris Cornell and the audience (I think he's a bit toasty on the potent German suds). What I liked most is the live sound here is mixed well for the guitars especially, only Chris gets a bit drowned out during the extreme volume heavier parts but overall it's hitting the sweet spot, at least for me.SOUNDGARDEN April 1, 1994 Musikhalle Frankfurt, Germany Disc 1 01. Night Surf (intro) 02. Jesus Christ Pose 03. Spoonman 04. Let Me Drown 05. Mailman 06. The Day I Tried To Live 07. My Wave 08. Room A Thousand Years Wide 09. Black Hole Sun 10. Searching With My Good Eye Closed - It's A Beautiful Day 11. Superunknown Disc 2 15 12. Rusty Cage 13. Half 14. Mind Riot 15. Fell On Black Days 16. Hands All Over 17. Kickstand 18. Like Suicide 19. Face Pollution 20. encore break 21. Somewhere 22. Head Down 23. Limo Wreck -
Studio Quality 9.3 - A nice assortment here, I really like the cover songs they played. I saw them a few times back in the day and I always thought they were one of the best representatives of grunge rock. Soundgarden Fresh Deadly Rarities 01. Toy Box - 5:42 02. Heretic - 3:48 03. Come Together (The Beatles cover) - 5:51 04. Fresh Deadly Roses - 4:53 05. Into The Void (Black Sabbath cover) - 6:37 06. Girl You Want (Devo cover) - 3:29 07. Stray Cat Blues (The Rolling Stones cover) - 4:46 08. She's A Politician (Devo cover) - 1:46 09. Cold Bitch - 5:01 10. Show Me - 2:49 11. Touch Me - 2:51 12. I Don't Care About You (Fear cover) - 1:54 13. Can You See Me (Jimi Hendrix cover) - 2:41 14. I Can't Give You Anything (The Ramones cover) - 2:15 15. Homicidal Suicidal (The Buzzcocks cover) - 4:21 16. She Likes Surprises - 3:17 17. Like Suicide (Acoustic) - 6:11 -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. DVD - Shot on Hi8MM, the picture looks great! The angle is from the balcony, which was not that high or far from the stage so even though you are looking slightly down on top of the band, you see the entire stage and most of the audience on the floor without any interference. Camera occasionally zooms in, pans slightly, and at brief intervals goes slightly too high missing the front of the stage but I suppose that may have been due to the filmer trying to adjust.
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Audience 8.6 - The recording here leans toward the bright and trebly side but that lends an excellent opportunity to hear specifically what the guitar is doing, and the bass now has articulation so it’s not just a loud, dull rumble like most recordings tend to be with these blasting grunge bands. Chris sounds brilliant, and he’s maybe the clearest instrument on the stage too. Once you get used to the general timbre of the sound, it’s a fun, wild ride. -
Audience 8.9 - Both of these nights feature decent sound quality that also allows you to hear all of the instruments in a reasonably clear mix. This is hard to come by! The massive 30 song sets, the very good sound, the fact these are among the bands final shows…what more could you ask for? Soundgarden The Wiltern Los Angeles, CA. February 15, 2013 01 -Searching With My Good Eye Closed 02 -Attrition 03 -Let Me Drown 04 -Jesus Christ Pose 05 -Spoonman 06 -By Crooked Steps 07 -Rhinosaur 08 -Taree 09 -My Wave 10 -Been Away Too Long 11 -Worse Dreams 12 -Pretty Noose 13 -Burden in My Hand 14 -A Thousand Days Before 15 -Black Saturday 16 -Blow Up the Outside World 17 -Fell on Black Days 18 -Chris brings 11 year old kid onstage 19 -Fresh Tendrils 20 -New Damage 21 -Superunknown 22 -Live to Rise 23 -Non-State Actor 24 -Mailman 25 -Like Suicide 26 -encore break 27 -Outshined 28 -Rusty Cage 29 -Dusty 30 -Slaves & Bulldozers- (In My Time of Dying) The Wiltern Los Angeles, CA February 17, 2013 01 -Intro 02 -Incessant Mace 03 -My Wave 04 -Been Away Too Long 05 -Worse Dreams 06 -Jesus Christ Pose 07 -Flower 08 -Taree 09 -Spoonman 10 -By Crooked Steps 11 -Blind Dogs 12 -Rowing 13 -Non-State Actor 14 -Drawing Flies 15 -Hunted Down 16 -Black Saturday 17 -Bones of Birds 18 -Blow Up The Outside World 19 -Fell On Black Days 20 -Burden In My Hand 21 -A Thousand Days Before 22 -Blood On The Valley Floor 23 -Rusty Cage 24 -New Damage 25 -4th Of July 26 -encore break- 27 -Outshined 28 -Black Hole Sun 29 -Ty Cobb 30 -Slaves & Bulldozers-(In My Time of Dying) -
Audience 8.7 - Lacks maybe some good mid punch, lows are good, Chris sounds good, but honestly listening now it kind of haunts you. RIP Chris Cornell. -
Audience 8.6 - Sourced from a 1st gen analog tape, this sounds surprisingly good for a pre-fame grunge band with questionable live mix sound. They really never had a good live sound until they got famous, but this qualifies as one of the “must have’s” of their early career -
Audience 8.8 - This is a good capture that definitely helps you decipher what both guitars are doing, and that’s most welcome. Bass is sort of undefined but is holding down a good enough bottom end to help move this sound through your speakers. Soundgarden Rogers Arena Vancouver, BC July 29, 2011 Disc 1 01 -Crowd - Intro 02 -Searching With My Good Eye Closed 03 -Spoonman 04 -Gun 05 -Jesus Christ Pose 06 -Blow Up The Outside World 07 -The Day I Tried To Live 08 -My Wave 09 -Burden In My Hand 10 -Ugly Truth 11 -Fell On Black Days Disc 2 12 -Loud Love 13 -Drawing Flies 14 -Black Hole Sun 15 -Outshined 16 -Rusty Cage 17 -Superunknown 18 -4th Of July 19 -Band Intros 20 -Beyond The Wheel 21 -Mailman 22 -Slaves & Bulldozers Chris Cornell – lead vocals & rhythm guitar Kim Thayil – lead guitar Ben Shepherd – bass & backing vocals Matt Cameron – drums & backing vocals -
Unsure of year this was originally released but it came out in 2016 on Bad Omen Records. Import from UK, CD is SEALED -
Audience 7.9 - Good for the time period. Sounds like taper had decent gear. A tad distant sounding but the frequencies are actually strong. This is not that bad. -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
Audience 8.6 - A resurrected gem of a show, not killer sound as one might expect but it’s definitely not garbage. I started playing it and could not stop. It’s just one of those things that if you understand you are listening to something that should not exist in the first place, that sounds reasonably good given the time and circumstances, and delivers in every way for performance and historical accuracy (live performance being about the most realistic snapshot of a particular performer at that time) well then you will appreciate what this is. I know I do. SPIRIT Baltimore Civic Center, Maryland October 3, 1969 1. All The Same 2. Fresh Garbage 3. I'm Jealous 4. I’m Truckin’ 5. Mechanical World 6. I Got A Line On You Randy California - guitar, vocals Ed Cassidy - drums John Locke - keyboards Mark Andes - bass Jay Ferguson - vocals -
Audience 8.6 - Surprisingly decent, it’s got some “rattle and bones” but overall it is highly listenable with a good timbre to it. Anything from this period is welcome, and this old tape has not only survived the decades intact but delivers on the enjoyment meter considerably. The bonus tracks vary but are generally pretty good quality with the tell-tale sound of vinyl ever present throughout. No attempt was made to clean it up, this is due to the sensitive nature of the high end on these recordings, it would seem any real noise reduction or cleaning would compromise that. SPIRIT STADTTHEATER BASEL, SWITZERLAND MARCH 1ST 1970 1. -SWEET STELLA BABY 2. -1984 3. -IT'S ALL THE SAME 4. -FRESH GARBAGE 5. -JEALOUS 6. -IT SHALL BE 7. -POOR RICHARD 8. -GROUND HOG 9. -POLICEMAN'S BALL 10. -AREN'T YOU GLAD 11. -STOMP (DRUMS - BANTER) 12. -DARK EYED WOMAN 13. -UNCLE JACK 14. -MECHANICAL WORLD 15. -I GOT A LINE ON YOU ******* BONUS ******** From Spirit bootlegs LP & EP 01 -Taurus 02 -If I Had A Woman 03 -Darling 04 -Hey Joe 05 -Nobody Else 06 -(A bit of) Elijah "Spirit from the past" LP bootleg Rough demos for the first LP "Spirit" 1966 07 -Sweet Stella 08 -Aren't You Glad 09 -Fresh Garbage 10 -Jealous "Wholly Spirit" EP bootleg Part One Could be from the Lyceum,London 1970 -
Audience 8.6 - Clean, and solid dynamics make for a great listen. -
Audience 7.7 - Bright, clear, some tape over-saturation is present but not from any low end, or even high end which is clear and intact, it’s from maybe a touch of overload due to volume and average microphone. A good tape though, even with the limitations. -
Audience 9.0 - Before I first heard this I assumed it would be a tough listen based on other recordings from this venue. Well, I am very happy to report that my assumption was dead wrong! This is just a great, great recording for the time period. It does seem to be about midway back but this is not a liability in this situation because it seems to give an aura, a sense of time and place, with the ambience and natural echo (just a touch). I really love everything about this tape! Spirit Mammoth Gardens, Denver, Co June 5th, 1970 01. Decisions (by Gypsy) 02. Sweet Stella Baby 03. 1984 04. It's All The Same 05. Fresh Garbage 06. Unknown Instrumental 07. Jealous 08. It Shall Be > Poor Richard 09. Groundhog (incomplete) -
Soundboard 9.6 - A professionally recorded and mixed affair that was actually broadcast on the radio and it’s obvious as nobody would take the time and care to produce such a convincing live tape unless they had a good reason. The performance is marvelous, and the recording shimmers. A must have for Spirit fans! -
Pro Soundboard 9.3 -
Audience 7.9 - A delightful tape, rather warm and intimate although not super bright and clear. It still works, it has that vibe and emotional thing happening. -
Audience 8.6 -
Audience 9.0 -
Audience 9.0 - Very present and clear guitar! The whole band sounds great – this is a great tape! -
Audience 8.3 -
Various sources, all generally very good to excellent. Well worth picking this up. -
Audience 8.4 Audience 9.6 Audience 8.6 - I found the ’68 show to be surprisingly strong for the early vintage, a definite surprise even with some hiss present which could theoretically be mitigated with a re-master but you don’t want to sacrifice any highs as they are just hanging on at the upper end. The ’69 is the famous Texas Pop Festival and of course is the best sounding one, and finally the ’70 show which really surprised me, a tad distant from the stage but clear, and I rather enjoyed the live atmosphere. A great trifecta of early vintage Spirit! Whisky-A-Go-Go, Los Angeles, CA November 1968 ONE 1. It's All The Same 2. Fresh Garbage 3. New Dope In Town 4. Apple Orchad 5. Water Woman 6. Mechanical World TWO Texas Pop Festival Sept. 1, 1969 1. Fresh Garbage 2. Elijah 3. Improvisation 4. Ground Hog 5. Grammaphone Man 6. Dream Within A Dream 7. I Got A Line On You 8. Aren't You Glad THREE Mammoth Gardens, Denver, CO June 5-6, 1970 Setlist: 1. Sweet Stella Baby 2. 1984 3. It's All The Same 4. Fresh Garbage 5. Unknown Instrumental 6. Jealous 7. It Shall Be 8. Poor Richard 9. Groundhog