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Brand New - Radio Broadcasts - USA leg of Savatage tour like the Vol I, here you can listen to 17 tracks recorded on The Palace, Hollywood/Los Angeles and The Venue in Dallas, Texas. The problem here is to decide what’s the best leg of the tour! Both CDs sound amazing and the band delivers a great performance wherever they play. -
Brand New - Live and Studio - During 1979 the band recorded 11 tracks (studio demos), made now available on this CD, wiling to secure a record deal with some American Record Label. Randy Rhoads later left Quiet Riot after accepting an offer to form a new band with ex-Black Sabbath vocalist Ozzy Osbourne. Along with this demo this CD also contains various rare tracks recorded from 1975 to 1979. Songs that remained unreleased. -
Brand New - Soundboard - 5 Weeks before the tragic death of Randy Rhoads, Ozzy did a show at Wings Stadium, Kalamazoo, MI, USA. This is probably the last soundboard recording of Randy’s mastery. A fantastic show and a must for any true Ozzy fan! -
Audience 8.7 - A recording that won't set the night on fire but will provide enough warmth and light to keep you in front of it. I only noticed some issues with how the cymbals sounded, to me it almost sounded like tape hiss - I had to really concentrate to tell what it was at first, but, it does seem to be Keith banging away incessantly as he is known to do. Towards the end of the tape, the cymbal anomaly seems to get worse. It is still a decent old tape. The Who "We Don't Know What To Play" 11th March 1976 Madison Square Garden New York Disc 1 01 - Introduction 02 - I Can't Explain 03 - Substitute 04 - My Wife 05 - Baba O'Riley 06 - Squeeze Box 07 - Behind Blue Eyes 08 - Slip Kid 09 - Dreaming From The Waist 10 - Magic Bus Disc 2 11 - Tommy Medley 12 - Summertime Blues 13 - My Generation 14 - Won't Get Fooled Again 15 - Encore 16 - Road Runner 17 - Let's See Action 18 - Naked Eye -
Boston 1973 - Soundboard 9.7 - Professionally recorded for broadcast, as you can expect with a jazz rock combo the sound has to be extraordinary due to the nature of the musicianship and sound they each produce - in other words it is easier to manage the sound when it isn't over distorted and ear-splittingly loud. This is, as a result, a lovely sounding tape (during the quiet sections there is some minor tape noise in the background but it disappears as soon as the music starts). New York 1974 - Audience 9.0 - I had a hard time figuring out whether this was an aud or a soundboard because of the proximity of the vocals. I determined it had to be a semi-professional audience recording because of the crowd responses being pretty well picked up in the tape after songs...if it was a board tape that would not be as audible (if at all). But it could still easily pass as a board tape if you didn't take that into account - so is it a board tape? It is very good for this venue, Carnegie Hall acoustics did not lend themselves well to loud rock music, if this is indeed an audience tape they did a fantastic job! Return To Forever Jazz Workshop Boston, MA, USA May 15th, 1973 Disc 1 01. Announcer intro 0:28 02. Hymn of the Seventh Galaxy 3:39 03. Chick introduces the band 1:23 04. Spain 13:49 05. CC intro 0:50 06. Sometime Ago 31:08 Chick Corea - Fender Rhodes Stanley Clarke - bass Bill Connors - guitar Steve Gadd - drums Mingo Lewis - congas and percussion Disc 2 Carnegie Hall, New York, NY July 3, 1974 1. Applause - Ambiance 1:40 2. Beyond the Seventh Galaxy 3:18 3. Song Intro by Chick Corea 2:08 4. Song to the Pharoah Kings 15:42 5. Song Intro by Chick Corea 0:51 6. The Shadow of Lo 9:48 7. Song Intro by Stanley Cl… 0:52 8. Where Have I Known You B… 6:09 9. Stanley Clarke bass solo 5:12 10. Song Intro 0:43 11. The Vulcan Empire 10:05 12. Closing Announcements 1:47 Chick Corea - keyboards Stanley Clarke - bass Al DiMeola - guitar Lenny White - drums -
Soundboard 9.7 - Pro recording in a live in-studio setting so it better be as good as it gets, and this is. Aside from minor tape hiss (only noticeable during the lulls), this is near perfection. Return To Forever Electric Lady Studios New York City, NY, USA 1975-06-xx 1. Chick Introduces the Band 1:18 2. Day Ride 3:34 3. Beyond the Seventh Galaxy 3:38 4. The Shadow of Lo 9:22 5. No Mystery 6:28 6. Vulcan Worlds > Stanley Speaks 16:00 7. Celebration Suite 15:35 Lenny White: Drums Stanley Clarke: Bass Al DiMeola: Guitar Chick Corea: Keyboards -
Audience 9.0 - This recording has a real vintage feel to it, like a fine antique it is a little brassy but nice and clear with enough dynamic to get a feel for the mood and the times. This is well worth the listen, and fine playing as always by the band. Jethro Tull The Forum Inglewood, CA July 21, 1973 Disc 1 Act 1: Ronnie Pilgrim's Funeral — A Winter's Morning In The Cemetery 01 Lifebeats - Prelude 02 The Silver Cord 03 Re-Assuring Tune Act 2: The Memory Bank — A Small But Comfortable Theatre With A Cinema-Screen (The Next Morning) 04 Memory Bank 05 Best Friends 06 Critique Oblique 07 A Forest Dance #1 Interlude: The Story Of The Hare Who Lost His Spectacles 08 The Story of the Hare Who Lost His Spectacles Act 3: The Business Office of G. Oddie & Son (Two Days Later) 09 A Forest Dance #2 10 The Foot of Our Stairs 11 Overseer Overture Act 4: Magus Perdé's Drawing Room At Midnight 12 Flight From Lucifer 13 10:08 To Paddington 14 Magus Perdé 15 Epilogue 16 Thick As A Brick (The Middle Bit) Disc 2 17 Cross-Eyed Mary 18 No Rehearsal 19 Thick As A Brick (Reprise) - Drum Solo 20 Aqualung 21 Wind-Up 22 Instrumental 23 Guitar Solo 24 Locomotive Breath - Hard-Headed English General 25 Wind-Up (Reprise) -
Audience 8.6 - A middle of the road tape that starts off rough as taper situates himself (and a rather rude bump occurs in the middle of Welcome To The Jungle) but do smooth out a few minutes in and gradually sounds somewhat better. A large venue sound complete with that telltale "verb" and slightly boomy, but one thing you get plenty of, and this is key, Slash. At the expense of Axl, you get a heaping dose of Slash and that is fine. Quieter numbers and interludes sound way much better than full tilt volume. I suggest exploring this one if you already collect the band's live shows and do not have this one yet - it's good, it's not great, but to the band's credit I have yet to hear them do a subpar performance and this show is pretty darn good. GUNS N ROSES Target Center Minneapolis, MN January 21st, 1992 Disc 1 1- Welcome To The Jungle 2- Mr. Brownstone 3- Bad Obsession 4- Live And Let Die 5- Attitude 6- It's So Easy 7- Double Talkin' Jive 8- Guitar Solo 9- Civil War 10- Wild Horses 11- Patience 12- You Could Be Mine 13- Piano Solo Disc 2 14- Band Introductions 15- Drum Solo 16- Guitar Solo 17- Godfather Theme 18- Nightrain 19- Don't Cry 20- Move To The City 21- Sail Away Sweet Sister - Bad Time - Sweet Child O' Mine 22- Only Women Bleed 23- Knockin' On Heaven's Door 24- Encore 25- Estranged 26- Mother 27- Paradise City 28- Outro -
Soundboard 9.0 -A somewhat confusing mix, almost as if a ghost is present in the board! Well what it actually is might not be that spooky at all, just the effects loop they use for what seems to be the kick drum, or drums in general. It's their signature, a background "noise" the resembles phasing, and gives the band a unique sound. Does it work for a soundboard tape is the question - and I think it can be slightly distracting but it's not used continuously. Other than that I think this is quite OK. Ghost Maximus Fest Tecnopolis Buenos Aires, Argentina 2017.05.06 01. Masked Ball (Intro) 02. Square Hammer 03. From the Pinnacle to the Pit 04. Ritual 05. Cirice 06. Year Zero 07. Absolution 08. Mummy Dust Daniel P. Carter's BBC Rock Show Maida Vale Studios London, England November 8th, 2013 09. Prime Mover 10. Jigolo Har Megiddo 11. Year Zero 12. If You Have Ghosts -
Audience 8.7 - No other recordings strikes me the same way this one does. The best way to describe it is...it makes you feel like these sounds have travelled through a worm hole to reach us, having been hurtling through the past, space, time, to get to your ears again now. You hear the atmosphere of ancient Rome, the Pantheon, the theatre, the crowds, the GUITAR...echoing, then landing like a punch in the face. But, there's problems sometimes when travelling through time and space, you don't always come out completely intact as this old tape clearly shows. Does that mean it's bad? Quite contrary! I was mesmerized and listened to the whole thing. It's not great, it's not bad, it's not going to win any contests but it is UNIQUE and a blast to hear. I'm in Rome in 1972 at a Who concert and my seats are on Pete's side of the stage and I am getting my wish to be smothered by the delicious sounds of a Gibson SG in the hands of a maniac genius at full volume. How can you not want to know about this? It is well worth having. The Who Roma Palaeur Rome,Italy September 14th, 1972 Disc One 1) I Can't Explain 2) Summertime Blues 3) My Wife 4) Baba O'Riley (Cut, Incomplete Song) 5) Behind Blue Eyes 6) Bargain (Cut, Incomplete Song) 7) Won't Get Fooled Again (Fades Out) Disc Two 1) Magic Bus (Fades In) 2) Relay 3) Pinball Wizard (Cut, Incomplete Song) 4) See Me, Feel Me (Cut, Incomplete Song) 5) My Generation 6) Naked Eye (Cut, Incomplete Song, Fades Out) -
Soundboard 9.3 - This is not the complete show, but what we do have is required listening. Some minor technical flaws present on a couple of occasions, these aren't deal-breakers though. The quality is here, in both performance and sound. Pat Metheny Group McCalister Auditorium Tulane University New Orleans, LA, USA March 25, 1981 01. Turnaround (Ornette Coleman) 8:21 02. Goin' Ahead (Metheny) > As Falls Wichita, So Falls Wichita Falls (Metheny/Mays) 18:17 03. Jaco (Metheny) 7:18 04. Untitled > Au Lait (Metheny/Mays) > Untitled (reprise) > Pat's remarks/Band introductions 18:09 05. San Lorenzo (Metheny/Mays) 12:26 06. (Cross The) Heartland (Metheny/Mays) 6:27 07. American Garage (Metheny/Mays) 4:13 Pat Metheny - guitars, guitar synth Lyle Mays - piano, synthesizers, organ, autoharp Steve Rodby - acoustic bass, electric bass Danny Gottlieb - drums Nana Vasconcelos - vocals, percussion, berimbau -
Studio Quality 9.8 - Crystal clear, thumping goodness! Prince Purple Rehearsal Jams Vol 3 Purple rehearsals and soundchecks Disc 1 01 Crystal Ball (1987) 02 Empty Room (2014) 03 Hallucination Rain (1994) 04 Midnight Blues (2013) 05 I Got Some Help I Don't Need (1985) 06 Extraloveable (2013) 07 Rebirth of The Flesh (1988) Disc 2 08 U Got The Look (1987) 09 Endorphinmachine (1994) 10 Days of Wild (1995) 11 The Max (2013) 12 Temptation #2 (1984) 13 The Question of U (1988) 14 Adore -
Soundboard 9.6 - There's not much better than having these early Ghost board tapes. This is just one of those bands that you need the tone to go with the whole presentation - classy songwriting, unique vocals, superior musicianship. all said this is a band that has great tone. GHOST A Pale Tour Named Death Tour Ovens Auditorium Charlotte, NC (USA) 2018-12-02 Disc 1 01 Ashes 02 Rats 03 Absolution 04 Idolatrine 05 Ritual 06 Con Clavi Con Dio 07 Per Aspera ad Inferni 08 Devil Church 09 Cirice 10 Miasma (Papa Nahil Sax solo) 11 Jiggilo Har Megiddo 12 Pro Memoria 13 Witch Image 14 Life Eternal 15 Intermission 16 Spirit 17 From the Pinnacle to the Pit Disc 2 18 Majesty 19 Satan Prayer 20 Faith 21 Year Zero 22 He Is 23 Ghost Talks 24 Mummy Dust 25 If You Have Ghosts- Band Intros- If You Have Ghosts Part2 26 Dance Macabre 27 Square Hammer ENCORE 28 Ghost Encore Talk 29 Monstrance Clocks -
Audience 8.9 - One of the early efforts by Dan Lampinski to capture live music with good equipment. It's a decent job, you can tell clearly that the guy had a knack for it. The atmosphere he managed to get on tape was always very realistic and managed to remain unobtrusive even if it got loud. Orleans Alumni Hall Providence College Providence, RI 18 September 1976 01 Let There Be Music 02 Reach 03 Spring Fever 04 Trenchtown Rock 05 Please Be There 06 Siam Sam 07 If I Don't Have You 08 Dance With Me 09 Lane's Tune 10 One Sided Love 11 Waking And Dreaming 12 The Bum 13 You're Still The One 14 What I Need 15 E: Tongue Tied Larry Hoppen - guitar/keyboards/vocals Lance Hoppen - bass/vocals John Hall -guitar/keyboards/drums/vocals Wells Kelly - drums/percussion/vocals Jerry Marotta - percussion/drums -
Audience 9.5 - Astounding for a 1970 era audience tape, it's got amazing atmosphere and plenty of headroom. The balance here is really good with vocals where they should be, which is very up front, but drums sound fantastic here and the piano sounds perfectly mixed between the two. I can't find too much to complain about with this one. Fantastic! Elton John Swing Auditorium San Bernardino, CA, USA December 5, 1970 01 Your Song 4:29 02 Bad Side of the Moon 4:17 03 Border Song 3:16 04 Can I Put You On 8:02 05 Country Comfort 5:05 06 Sixty Years On 7:03 07 Honky Tonk Women 4:20 08 Burn Down The Mission > My Baby Left Me > Get Back > I Wanna Take You Higher 21:29 Elton John - Piano, Vocals Dee Murray - Bass, Vocals Nigel Olsson - Drums, Vocals -
Soundboard 9.4 - After the sound mix gets sorted out, and the vocals are brought up in the mix, this recording really takes off and blossoms beautifully. Deep rich bass, and a nice overall blend of the drums while highlighting the guitar. A lovely live document. Stevie Ray Vaughan & Double Trouble Paradiso Amsterdam, Netherlands 1983-09-09 Disc 1 101 Testify 3:31 102 So Excited 4:47 103 Voodoo Child (Slight Return) 8:19 104 Tell Me 3:17 105 Mary Had A Little Lamb 4:09 106 Texas Flood 11:55 107 Love Struck Baby 3:06 108 You'll Be Mine 4:47 Disc 2 201 Pride And Joy 4:13 202 Little Wing 7:36 203 3rd Stone From the Sun 9:21 204 Lenny 8:05 205 Rude Mood 4:00 206 Testify 5:07