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Audience 8.0 - A subdued recording that occupies a pleasant bandwidth for the ears but does not venture into dynamics high or low. It’s very interesting hearing these formative versions of Animals tracks, this recording does deliver enough clarity and separation of instruments to be able to appreciate the happenings on stage – and because Pink Floyd is not a “bombastic” band, you do get periods of music that rate in the mid 8’s so a good, not great, tape. -
Audience variable 7.4 – 7.0 - Tape is clearer during the band’s spacier segments but at full volume it gets somewhat cluttered and muddy. Collectors will want this for the unusual set list. -
Audience 7.9 - A little more cluttered than the Copenhagen show, still this remaster reveals much more to the ear than anything that surfaced in the past. Another absolutely crucial tape recording that cements the bona fide legend that was Syd Barrett. -
Audience 8.2 - As good as one could hope for, this recording being about as important and critical to the legend that is Pink Floyd as anything they did after Syd. Actually, everything is pretty clear here, and surprisingly you have Syd Barrett actually performing rather well at this gig. A MUST have. -
Sale!
Audience 8.7 - This is a good and reasonably clear (some tape hiss) recording which reminds me a lot of the Hamburg 1971 recording. I would not be surprised if this was done by the same guys. As a bonus, there is a third disc containing the film footage of Atom Heart Mother from this show. It should be playable on most players, this disc is formatted as a video disc (compact disc containing an MP4 file), if you have any problems please let us know. It should play fine on your computer, and most DVD machines will know what to do with it. -
Audience 7.4 - This tape is a prime candidate for a remastering. The sound is clear but a little distant, and the levels are low. There isn’t anything necessarily wrong with the tape that can’t be fixed. -
Audience 8.5 - Some tape noise present, and some issues with the tape containing the sheer volume of the PA’s when the band is in full swing, but really this is a pretty “live” tape that gives you a great sense of the moment. Atmosphere is pretty cool, the sound is clear for the most part excepting the somewhat cluttered bandwidth at high volume. Worth getting. -
Audience 8.7 - This is a surprisingly clear tape with a superbly detailed bottom end and would rate MUCH higher if the sound mix brought the guitar and keys up a bit more. These complaints are not the fault of the taper or his gear, but rather the actual PA sound mix at the show, which by the way is VERY good so do not be put off at all, it’s that my preference would be for more guitars. -
Audience 7.3 - Thin sounding but clear enough to enjoy, occasional moments of 7.8 – 8.0 when the band is playing their more atmospheric parts. -
Audience 8.5 - Levels need boosting but it’s clear, and a solid recording, very enjoyable! The bonus material (Pittsburgh 1975) is very good and clear, around 8.6 very, very enjoyable. Show is incomplete. -
Audience 7.7 -
Audience 8.8 - Great one for all to enjoy. -
Audience 7.6 -
Audience 8.3 - Has that huge outdoor stadium type sound but it helps in a strange way this time. -
Audience 8.8 and Audience 8.9 (old source and new source featured on disc 2) -
Audience 7.8 - The recording shines during the quieter passages and gets slightly crowded during intense sections but without any distortion at all. It’s really quite good, I think even the most discerning collector can benefit by having this performance. -
Audience 7.2 -
Audience 7.5 -
Audience 7.6 - Gets better the louder you play it. -
Audience 8.0 - A very “live” sort of sound, what you might expect to sound like if you were there, albeit with poor seats. Loud, slight echo, a little boominess, but overall I found it to be what I call a decent audience recording. You do adjust to the acoustics, and actually can enjoy this show. -
Audience 7.1 - A very subdued tape, and lots of hiss that at some points is cleaner so no real stress. It is reasonably clear in that you can hear everything, just sounds like it needs a kick in the mid range or some good multi-band compression. Interesting to hear these sort of stripped down Dark Side shows. -
Audience 7.5 -
Audience 7.4 - MUCH MUCH better than the previously circulated version! Still not perfect, but this is well worth getting if you want to upgrade your old copy, otherwise if you are a collector and do not have it, you should get it because rock concerts at Carnegie Hall were few and far between. -
Audience 7.7 - Big stadium sound without a lot of boom, just maybe kind of far back and not clearly defined. You have to turn it up though, there’s TONS of headroom in this tape – somebody needs to remaster it. -
Audience 7.4 - Sounds pretty low generation, but it’s typical of the era being kind of AM radio sounding but on the positive side, the instruments are good and clear if maybe the guitar is a bit in the back. -
Audience 7.6 - Frequency range is not bad, the soundfield is a little narrow and at times the tape source struggles but as it plays it seems to improve and ultimately sounds pretty decent. -
Audience 8.9 - "Atom Heart Mother" Tour. -
Audience 7.3 to 7.6 in quieter parts (upgrade). -
Audience 8.1 upgrade. -
Audiece 7.9 – 8.4 - During mellower passages the elegance of the sound comes through really nicely and you just sort of float along, but when the band gets cooking the old analog tape struggles and there’s some overcrowding of the bandwidth. That doesn’t mean it kills this show! This is a great experience and you will simply love this as you get totally sucked into the performance which is stellar. -
Audience 9.3 - This is rated so high because it is simply “mind expanding” stuff. A must own if you are into the trippier, more experimental Floyd. Wow is all I can say! -
Audience 7.2 to 7.7 - At times tape sounds muffled, there is some tape hiss, but at times the tape gets better, clearer. I would love to remaster this one! Even so, it’s not terrible.