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Audience 9.4 - Absolutely fantastic tape! This gives you everything and more, including some intangible aspects that people ought not to disregard, and that is atmosphere. What was it like at the show? I want that immersive experience, and I want a clear sounding tape, and I am willing to forgive the lack of some dynamics in exchange for that - but here you don't have to make that sacrifice because this recording is VERY dynamic! I love the meaty drums, and vocals are soaring above and very clear. Guitar is MONSTEROUS too, and mixed properly. This is almost a must have, actually it is good enough to be a top 5 at least for the Tony Martin era. Black Sabbath 1989-06-14 Agora Ballroom Cleveland, Ohio 01 The Gates Of Hell 02 Headless Cross 03 Neon Knights 04 Children Of The Sea 05 The Mob Rules 06 When Death Calls 07 War Pigs 08 Guitar Solo 09 Die Young 10 Black Sabbath 11 Devil And Daughter 12 Iron Man 13 Children Of The Grave 14 Heaven And Hell 15 Paranoid
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Brand New - Soundboard - Here we have a totally unheard, uncirculated soundboard recording of Van Halen during their "Diver Down "tour ("Hide Your Sheep tour") on October 24th, 1982. This is the last of three consecutive nights Van Halen played at The Worcester Centrum in 1982. It appears that not even an audience recording of these Worcester shows have circulated previously.
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Soundboard 8.8 - This is the one the fans have all been waiting for. There are a lot of recordings out there from this period but NONE sound like this! Ferocious! The drums are frightening, vocals up front and scary AF. Midrange is a little busy, but it all sounds so much better than what I am used to listening to, and you know the reality is that unless you are listening to a board tape, this band is damn hard to listen to just because of the cacophony they generate on stage. So, the consensus here is that this has to be considered as a MUST have. SLAYER Blue Moon Oberhausen, Germany 20th June 1985 1. Introduction 2. Hell Awaits 3. Aggressive Perfector 4. Captor of Sin 5. The Final Command 6. Kill Again 7. Crypts of Eternity 8. Fight Till Death 9. Haunting the Chapel 10. Hardening of the Arteries 11. Black Magic 12. Die by the Sword 13. The Antichrist 14. At Dawn They Sleep 15. Show No Mercy 16. Chemical Warfare Tom Araya - bass, vocals Kerry King - guitar Jeff Hanneman - guitar Dave Lombardo - drums
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Brand New - Soundboard/Studio Quality -For a band with such a vast output, there is very little material out there of Rush's music in its embryonic stage. In fact, the only glimpse we've been given of their songs as works in progress have been the few times they've debuted compositions live prior to their being recorded. But to hear actual studio demos, well, that's another thing entirely. Here they are the power Windows Album fully “Demoed” along with a unreleased studio track!
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FM Broadcast 8.9 - Good because it's a broadcast, but there is some compression so you do not get the crisp, soaring highs and separation of instruments is not perfect. It's a somewhat "rough" professional recording and I am not talking about just age or generation of tape either - some of this is probably in the actual recording and/or live sound mix. That being said - it's a really good tape nonetheless and worthy of your collection. Blue Oyster Cult Centrum Worcester, MA. September 24, 1982 01. Pre-show interview 02. This Ain't The Summer Of Love 03. Hot Rails To Hell 04. Joan Crawford 05. Cities On Flame 06. Veteran of the Psychic Wars 07. Don't Fear The Reaper 08. Godzilla intro 09. Godzilla 10. Drums 11. Godzilla (reprise) 12. Bass solo 13. Born To Be Wild 14. DJ and stage banter 15. Burnin' For You Albert Bouchard - drums, percussion, vocals Allen Lanier - keyboards, guitars, vocals Donald "Buck Dharma" Roeser - lead guitar, vocals Eric Bloom - lead vocals, rhythm guitar Joe Bouchard - bass guitar, vocals
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Audience 8.8 - A rather good tape, it's kind of rare to find something like this just because of the extreme volume and what not that metal presents to taping gear - but this one shines. Sometimes the rhythm guitar seems to drop out a little in the mix, every now and then but that might be a PA or mix thing. Metallica - The Ecstasy of Aragon Aragon Ballroom Chicago, Il, USA February 9, 1985 1. The Ecstacy of Gold 2. Fight Fire With Fire 3. Ride The Lightning 4. Phantom Lord 5. The Four Horsemen 6. Anesthesia - Pulling Teeth 7. For Whom The Bell Tolls 8. No Remorse 9. Fade To Black 10. Seek And Destroy 11. Whiplash 12. Creeping Death 13. Am I Evil? 14. Motorbreath
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Soundboard 9.4 - A lovely bright and clear sound, only noise I hear is between songs. I also love the fact that this dates from a period where there's not an abundance of Kansas recordings. I have to consider this a must have for Kansas collectors. Kansas Sjiwa Summer Rock Festival Horse Racing Course Baarlo, The Netherlands August 22, 1981 Audio Visions Tour 01 - Song For America 02 - Got To Rock On 03 - Paradox 04 - Point Of Know Return 05 - Dust In the wind 06 - Miracles Out Of Nowhere 07 - Loner 08 - Down The Road 09 - Portrait (He Knew) 10 - Carry On Wayward Son
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Audience 8.7 - Loud and brassy, with some distortion on the cymbals at the high end. Taper must have been in the front row on the PA side of the stage. That being said, this is what makes this recording frightening to the ears, a terrifying journey into the unrelenting power and charisma of ELP in their mid 70's prime. There is nothing sedate about this live concert experience, and because it was recorded on very good equipment, even despite the overwhelming loudness of it, it's a rather true representation. Side Note: Jerusalem is a song with more mellow passages and here this recording absolutely shines, jumping quickly to a 9.2 rating and actually remaining better even during the loud segments as it starts to even out - this could be due to taper either moving further back, or making some other minor adjustment. Something certainly is changing with the recording as tape noise increases but the distortion lessens, this could mean he lowered the gain, so the volume had to be boosted during the transfer as his recording levels were much lower. Either way, it had a net positive effect. Unfortunately not the complete show. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA February 3, 1974 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus
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Soundboard 8.8 - Not the best mix, you won't get everything in a vibrant, democratically mixed way but even so it's going to deliver in other ways for you. The vocals are living room clear, organ and drums occupy the next level of bandwidth, and then comes bass...leaving guitars in the background until they are brought forward during solos or during some of the songs where guitar is a key component. It's spotty there, but seems to come and go in the mix (when it comes it is fine, but then it oddly disappears). Lou Reed Century Theatre Buffalo NY 1973.12.08 01 Intro 02 Vicious 03 How Do You Think It Feels 04 Caroline Says I 05 I'm Waiting For My Man 06 Lady Day 07 Heroin 08 Sweet Jane 09 Satellite Of Love 10 Rock & Roll 11 Sister Ray 12 Sister Ray Again Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums