• Audience 8.9 - By ’73 audiences had realized King Crimson was not a typical “rock” band and this recording captures the experience of a group of people seeing and hearing something entirely unlike your basic rock concert. The taper was well positioned and used very good gear, and this source sounds very much like either 1st gen or master it is quiet (although just the faintest bit of tape noise) and has captured the ambience and mood of the gig which is nice. Both shows are represented, what a fine document this is! King Crimson Majestic Theater Dallas TX 1973-06-09 1st and 2nd shows Disc 1 1. -Larks' Tongues In Aspic, Part One 2. -Greeting 3. -Easy Money 4. -Improvisation 5. -Exiles 6. -The Talking Drum 7. -Larks' Tongues In Aspic, Part Two 8. -21st Century Schizoid Man 9. -Crowd 2nd show 1. -Dr. D 2. -Larks' Tongues In Aspic, Part One 3. -Greeting 4. -Easy Money 5. -Improvisation 6. -Exiles 7. -The Talking Drum 8. -Larks' Tongues In Aspic, Part Two 9. -Applause 10. -21st Century Schizoid Man
  • Audience 8.4 - This is a recording that is hard to figure out because on the one hand it could also be taped in a television studio which is my hunch. The tapers and those around them can be heard between songs but settle down once the music starts, it kind of adds a lot to the atmosphere. That being said, this is still pretty good, and what a gig, really, I mean amazing!
  • Audience 8.6 – 8.8  - All of the recordings here are good to very good audience recordings made on obviously portable tape recorders with limited capacity to hold the bandwidth needed for a loud, intense rock group. That being said, the tapes have gone through processing that allows more music information to come through, less tape hiss and background gunk, so you get to actually hear and decipher well what can only be described as groundbreaking experimental rock/jazz/prog by the band that wrote the book on it. Amazing power and finesse on display, and to reiterate my point on sound quality – this collection of live KC is still fundamentally indispensable to any self-proclaimed prog rock aficionado. King Crimson UK 1971 Disc 1 Civic Hall Wolverhampton, UK. 1971 Sept. 10 1. Good Evening - Mellotron Tuning 2. Pictures Of a City 3. Cirkus 4. Formentera Lady - The Sailor's Tale 5. The Letters 6. Cadence And Cascade 7. Ladies of the Road 8. Groon Disc 2 Civic Hall Wolverhampton, UK. 1971 Sept. 10 3. 21st Century Schizoid Man 4. Mars Weeley Festival Clacton, UK. 1971 AUG. 28 5. Pictures Of A City 6. The Letters 7. The Devil's Triangle Preston Public Hall 1971 Oct. 9 8. Pictures Of A City Disc 3 Preston Public Hall 1971 Oct. 9 1. Cirkus 2. Formentera Lady - The Sailor's Tale 3. The Letters 4. Cadence And Cascade 5. Ladies of the Road 6. Groon 7. 21st Century Schizoid Man 8. The Devil's Triangle Disc 4 Town Hall Watford, UK. 15 July 1971 01 -RF Announcement 02 -Pictures of a City 03 -Formentera Lady 04 -The Sailor's Tale 05 -Tune Up & Announcement 06 -Cirkus 07 -The Letters 08 -Cadence and Cascade Disc 5 09 -Improv A Peacemaking Stint Unrolls 10 -RF Announcement 11 -Lady of the Dancing Water 12 -RF Announcement 13 -Ladies of the Road 14 -RF Announcement 15 -21st Century Schizoid Man 16 -The Devil's Triangle BONUS 17. -LARKS TONGUE IN ASPIC II Robert Fripp - Guitar Boz Burrell - Bass, Vocals Ian Wallace - Drums, Backing Vocals Mel Collins - Saxes, Flute Peter Sinfield - Word, Illumintaions
  • Audience 8.2 - What does this tape offer?  Unequaled tension, suspense, musicianship, mood, and satisfaction. Is it the best quality?  No, but you can clearly hear every instrument, and I will take an 8.2 Crimson over 98% of anyone else in a heartbeat. This music is just brilliant and intense.
  • Audience 8.9 - The great thing about this band is that most times a relatively normal tape machine can capture them cleanly and a really good machine captures them gloriously. This is a very good tape, almost approaching a dirty glory. King Crimson Arts Centre Milwaukee, Wisconsin USA September 28, 1973 Disc 1 01. Larks' Tongues in Aspic, Part One 02. Bob’s MC 03. Book Of Saturday 04. Lament 05. Improvisation 06. Exiles 07. Larks' Tongues in Aspic, Part Two 08. 21st Century Schizoid Man Disc 2 01. Larks' Tongues in Aspic, Part One 02. Bob’s MC 03. Book Of Saturday 04. Lament 05. Improvisation 06. Exiles 07. Larks' Tongues in Aspic, Part Two 08. 21st Century Schizoid Man Bill Bruford-Drums, Percussion David Cross-Violin, Viola, Mellotron, Electric Piano Robert Fripp-Guitar, Mellotron John Wetton-Bass Guitar & Lead Vocal  
  • Audience 9.3 - Super tight, clean recording from real close. Obviously a taper who knew what to do, and did it. Excellent! King Gizzard and the Lizard Wizard Coachella Valley Music and Arts Festival - Weekend 1 Outdoor Theatre Indio, CA 2022-04-15 01. -Intro 02. -Rattlesnake 03. -Honey 04. -Self Immolate 05. -Venusian 2 06. -Mars For The Rich 07. -Gaia 08. -Gamma Knife  
  • Audience 7.0 - Decent Audience, a little thin maybe but I rate it 7.0 as it is clear and not distorted and there's some headroom for EQ and boost. It sounds un-mastered to me, but low generation or master tape sourced.
  • Audience 8.8 - A solid recording, with just a hint of bass-rattle in the lower extremities but it is not problematic. King's X Irvine Meadows Amphitheatre, Irvine, CA March 12, 1994 Band lineup Doug Pinnick - bass, co-lead vocals Ty Tabor - lead guitar, co-lead vocals Jerry Gaskill - drums Total Time = 42:18 Set list 01 Complain (fades in) 02 Black Flag 03 We Were Born To Be Loved 04 Pretend 05 Over My Head 06 Cigarettes 07 Dogman 08 It's Love
  • KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace!  The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce.
  • Soundboard 8.9 - Hard to find anything to complain about when it comes to listening to vintage Kiss board tapes, that is, if you are like me and grew up with Kiss.  Believe it or not, Kiss displayed very competent musicianship back in these days.
  • Soundboard 8.6 - Very clear, with occasional wow and flutter but the atmosphere is intact and the history is undeniable. A certain must for any Kiss fan!
  • Audience 8.7 to 9.0 (range) - All pretty darn good. Classic early Kiss, and very interesting at times especially when they do the groove rock numbers. Wish they did that more.
  • Studio 9.5 - A really detailed, complete set which contains just about everything you ever wanted to hear regarding the pre-Kiss band Wicked Lester. Is it necessary?  I mean, there’s a lot of repetition here, but I have to say it is kind of necessary when you call something complete, you should provide that to the collector and this set does. Quality is great.

    Kiss - Complete Wicked Lester Sessions 1971/1972 Disc 1 Electric Lady Studios 18th November 1971 01. Too Many Mondays    [0:03:40.20] 02. Love Her All I Can    [0:02:35.44] 03. Sweet Ophelia    [0:03:06.03] 04. Molly    [0:02:32.12] 05. Keep Me Waiting    [0:03:22.04] 06. She    [0:03:06.41] 07. What Happened In The Darkness    [0:03:10.26] 08. We Want To Shout It Out Loud    [0:02:46.01] 09. When The Bell Rings    [0:03:24.04] 10. Simple Type    [0:02:40.24] 11. She (Take 2)    [0:03:05.20] 12. Molly (Take 2)    [0:02:33.30] 13. We Want To Shout It Out Loud (Take 2)    [0:02:43.42] 14. Too Many Mondays (Take 2)    [0:03:41.08] Electric Lady Studios August 1972 Sessions 1 15. Keep Me Waiting    [0:03:28.12] 16. Love Her All I Can    [0:02:40.72] 17. Molly    [0:02:28.52] 18. She    [0:03:07.43] 19. Simple Type    [0:02:37.73] 20. Sweet Ophelia    [0:03:09.74] 21. Too Many Mondays    [0:04:04.34] 22. When The Bell Rings    [0:03:10.62] 23. Molly (Take 2)    [0:02:25.12] 24. Too Many Mondays (Take 2)    [0:03:59.13] Disc 2 Electric Lady Studios August 1972 Sessions 2 01. We Want To Shout It Out Loud    [0:02:43.14] 02. Keep Me Waiting    [0:03:10.30] 03. Love Her All I Can    [0:02:35.30] 04. Molly    [0:02:29.52] 05. She    [0:03:03.47] 06. Simple Type    [0:02:42.23] 07. Sweet Ophelia    [0:03:01.64] 08. Too Many Mondays    [0:03:38.14] 09. What Happens In The Darkness    [0:03:07.52] Final Album Reel 1972 10. When The Bell Rings    [0:03:17.70] 11. Keep Me Waiting    [0:03:23.47] 12. Molly    [0:02:33.26] 13. Sweet Ophelia    [0:03:06.24] 14. Simple Type    [0:02:43.25] 15. Too Many Mondays    [0:03:44.10] 16. Love Her All I Can    [0:02:35.54] 17. When The Bell Rings    [0:03:25.10] 18. She    [0:03:07.56] 19. What Happens In The Darkness    [0:03:10.60] 20. We Want To Shout It Out Loud    [0:02:49.33] 21. Long, Long Road    [0:04:18.67] Disc 3 Electric Lady Studios Spring 1972 Sessions 01. Keep Me Waiting    [0:03:25.42] 02. Long, Long Road    [0:04:20.25] 03. Love Her All I Can    [0:02:54.69] 04. She    [0:03:09.45] 05. Simple Type    [0:02:48.22] 06. Sweet Ophelia    [0:03:16.64] 07. We Want To Shout It Out Loud    [0:03:10.00] 08. What Happened In The Darkness    [0:03:14.67] 09. When The Bell Rings    [0:03:11.09] 10. Simple Type (Take 2)    [0:02:49.44]

  • PRO STUDIO 9.3 - One of the best I have come across, a great selection of tracks and some I’d never heard before. Excellent!
  • Soundboard 8.6 - Very loud and right in your face board tape.

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