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Sale!Soundboard 8.8 - This tape does not feature the greatest mix ever, but it’s functional and is a good full show. Question: Was Lou Reed really well known in Australia? A guy from the barrio of New York City, but well known in Australia somehow?!?! I think that is strange, haha!
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Audience 9.3 - A solid recording in a small venue that is very intimate, in fact it sounds like the drums aren’t even going through the mains they sound so natural. I could swear taper is seated right in front of the band…really surprised they aren’t discovered by Lou and arrested on the spot! Lou Reed The Bottom Line New York 5-11-77 Disc 1 1. Sweet Jane 2. I'm Waiting For The Man 3. Rock And Roll Heart 4. Heroin 5. Rock And Roll 6. Walk On The Wild Side 7. Shooting Star 8. You Better Dance, Dance, Dance Disc 2 1. Lisa Says 2. Satellite Of Love 3. Leave Me Alone 4. Coney Island Baby 5. Vicious 6. Berlin 7. Banging On My Drums
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Audience 8.7 - A New York venue hosts a venerable New York artist and the result is a wild evening by all accounts. Recording captures the event admirably although taper is fighting between small club packed with rowdy folk and loud rock and roll band – thankfully band wins! Lou Reed The Bottom Line NYC, NY. June 3, 1979 1. -Sweet Jane 2. -Medley -Waiting For The Man -Work With Me Annie -Sexy Ways -I Wanna Be Black 3. -I'll Be Your Mirror 4. -Perfect Day 5. -Men Of Good Fortune
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Audience 8.6 - A middle of the road tape that is missing a good chunk of the middle of the show…but he captures the last half somehow and we end up with a pretty full disc. Effort was made to re-master this tape which ran too fast, so that is now fixed as well. This sounds much better than how it began I can tell you that! Lou Reed Palasport, Torino, Italy February 12, 1975 01 -Sweet Jane 02 -Coney Island Baby 03 -Pale Blue Eyes 04 -I'm Waiting For The Man 05 -Heroin 06 -Berlin 07 -Lady Day 08 -Kill Your Sons 09 -Vicious 10 -encore cheer 11 -Rock & Roll 12 -crowd walkout Band line-up Lou Reed - Vocals, Guitar Doug Yule - Guitar, Organ Bruce Yaw - Bass Marty Fogel - Saxophones Michael Suchorsky - Drums Larry Packer - Violin
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Sale!Soundboard 9.4 - As can be expected this is professionally done and the source is low gen as it sounds fresh and crisp with minimal tape noise.
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2 Shows: CD 1 - Audience 8.3 - A very good, reasonably clear tape that does not showcase a wide dynamic range but doesn’t really need to, I mean to say, it’s an historic artifact that most fans and collectors of Love/Arthur Lee will be very happy to hear. CD 2 - Audience 8.1 - This tape starts off kind of rough but gradually gets better until it gets to a consistency that you can appreciate for what it is. It does not take much of the show before it gets better which is a relief because it is a good, strong show. Disc 3 is a video CD (MP4 file) of 6 minutes, very Rare, never before seen b/w video footage of Love a few days before the show on disc one.
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CD 1 - London 1975 - Audience 7.2 - Sound is a little muffled but vocals and guitar cut through the murkiness, taper seems to also be moving to find a better spot and sometimes he catches a sweet spot and the sound clears a little. Overall I think fans will appreciate this recording for what it is, a good solid performance. CD 2 - Salisbury 1975 - Audience 8.0 (solid) - Sounds a lot cleaner and brighter than disc 1, so enjoy!
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Pro Studio 9.4 - This supposedly comes from an acetate but it sounds very good, too good to be an acetate but who knows? Short but sweet, and worth the price to get to hear this collaboration. What could have become of it had it been pursued more at the time. I think it is pretty good stuff, let’s face it, Arthur Lee does sound better vocally than Jimi. Jimi Hendrix with Love & Arthur Lee 'The Blue Thumb Acetate' Olympic Sound Studios, London, England Tuesday March 17th, 1970 01 - The Everlasting First (Take 16) 02 - Easy Rider - Take 1 03 - Easy Rider - Take 2 04 - Loon [An Instrumental Jam]
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A superbly put together set! Looks positively spectacular. The recordings are all generally pretty decent. CD 1 Audience 7.7 - CD 2 Audience 8.7 - CD 3 Soundboard 9.0 - CD 4 Audience 8.4 - CD 5 Audience 8.4 (these last two discs you MUST turn the volume up loud because the levels are low but the fidelity is decent. The louder the better, and it does NOT distort because there is a ton of headroom here to play with).
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Audience 9.3 - Excellent, clean, and good concert hall vibe on this one. It’s Japan, and the crowd has a penchant to clap during some songs but the recording mitigates it to the point you barely even notice. My guess is that the mics were raised over the crowd in order to achieve that.
Lynyrd Skynyrd Festival Hall Osaka, JP January 18, 1977 01- Workin' For MCA 02- I Ain't The One 03- Saturday Night Special 04- Whiskey Rock-A-Roller 05- That Smell 06- Travelin' Man 07- Ain't No Good Life 08- Gimme Three Steps 09- Call Me The Breeze 10- T For Texas 11- Sweet Home Alabama 12- Free Bird Lineup: Ronnie Van Zant - Lead Vocals Gary Rossington - Guitar Allen Collins - Guitar Steve Gaines - Guitar Leon Wilkeson - Bass Billy Powell - Piano Artimus Pyle - Drums Cassie Gaines - Backing Vocals Leslie Hawkins - Backing Vocals Jojo Billingsley - Backing Vocals