• Audience 8.8 - This recording has been attributed to a soundboard radio broadcast but I highly doubt that. For one thing, listen to the vocals, that should be a dead giveaway. That all being said, the recording is very, very good, a little on the bright side but it is still smokin’ hot and not to be missed.
  • Audience 8.7 - Believe it or not, few excellent recordings exist of Motley Crue from these early days. This one is actually very decent, with a lot of festival atmosphere, and even though the recording is “distant” it is clear and you get a good round bass, clear and loud guitar, and vocals very clear. Virtually no muck in this tape, you can turn it up loud too because there’s good headroom. Motley Crue - 1984-08-18 Castle Donington Park, England 01 Intro - Bastard 02 Knock `Em dead 03 Shout At The devil 04 Ten Seconds To love 05 Piece Of Your Action 06 Red Hot 07 Looks That Kill 08 Live Wire 09 Helster Skelter Running Time: 44 mn. 4 s. note: The Crüe makes their first trip to the U.K. and plays the huge Monsters of Rock Festival in Donington at noon in front of about sixty thousand metalheads. After kicking off the show, Mötley is followed on stage by Y&T, Accept, Gary Moore, Ozzy Osbourne, Van Halen and AC/DC. At the end of their set, Nikki throws his bass into the crowd and it lands on a fan named Stu Taylor, smashing his glasses and cutting his head open. A number of people take the guitar to the side of the stage to smash it up and share out the pieces.
  • CD 1 Audience 8.5 - A very good sounding tape here, nothing that annoys the ears, in fact it is clear with a solid impact vocal and smoothly integrated guitar/bass. I did notice some phasing effect but it’s not even a bother at all, in fact in this case it adds some atmospherics. Solid! CD2 Audience 8.7 - Slightly more distant than the previous show but certainly has good clarity, a more even mix as far as the drums being at the same level as guitar, bass, and vocals. It gains points in the overall clarity, sounding like a master was used as there is virtually no tape noise, no mid-band muddiness, really CLEAR! Turn up the volume because it sounds way much better at loud levels. Motley Crue Stadio Baseball Nettuno, Roma, Italy 1984-09-05 (opening for AC/DC) Disc 1 01. -In The Beginning 02. -Bastard 03. -Knock 'em Dead, Kid 04. -Shout at the Devil 05. -Ten Seconds to Love 06. -Piece of Your Action 07. -Red Hot 08. -Looks That Kill 09. -Live Wire 10. -Helter Skelter Disc 2 TEATRE TENDA MILAN , ITALY NOVEMBER 12TH , 1984 1.-N THE BEGINNING - BASTARD 2.-KNOCK 'EM DEAD KID 3.-SHOUT AT THE DEVIL 4.-TEN SECONDS TO LOVE 5.-PIECE OF YOUR ACTION 6.-RED HOT 7.-LOOKS THAT KILL 8.-LIVE WIRE 9.-HELTER SKELTER
  • Audience 8.2/Studio 9.5 - OK, what we have here is both a blessing and a curse. How to begin?  It’s not the best sounding tape, but, it’s perhaps one of the most important and illuminating tapes to have surfaced in a long time. I’d been collecting Motley Crue for some time (because they have a special place in my early teenage years) and had always thought 1982 was the earliest known recordings.  Should this even be in anyone’s collection?  Considering the revelation it was to me, hearing them sound so confident and amazing as early as this, yes I think it belongs in every collection. It sounds pretty rough, but not rough enough to dismiss. A LOT of work went into the re-mastering to deliver something that started off unlistenable and now can be considered a “good” audience tape. Small club, loud AF band, sub-par taping gear. Why were tapers there recording at all?  Who was Motley Crue in 1981?  By the sound of it, they were already hot stuff on the scene. The demos are excellent; these early demos are also indispensible and belong in every Crue collector’s tape deck. MOTLEY CRUE The Whiskey Los Angeles, CA 12 11 1981 1. Take Me to the Top 2. Runnin' Wild in the Night 3. I Will Survive 4. Toast of the Town 5. Starry Eyes 6. Piece of Your Action 7. Come On and Dance 8. Too Fast for Love 9. Merry-Go-Round 10. Live Wire Bonus Tracks Leathur Demos 1981 11. Public Enemy No.1 12. Take Me To The Top 13. Stick To Your Guns 14. Toast Of The Town  
  • Audience 7.8 - Probably as good as you can get for the tour right now unless and until a Soundboard surfaces. The reality is this is a stadium rock band and the sound is exactly that. Large kick drum, vocals in front, indistinct PA loud guitar and bass, but that being said, this is probably exactly as it sounded at this show. It is enjoyable for what it is.
  • Audience 7.5 - Not quite as good as Manchester, some kind of compressed, almost muffled but probably only needs a kick in the highs which you can do on whatever you play it with. There's a little bit of headroom to play with. Not going to blow anyone away but if you've heard any of the other 2015 captures you realize that this and Manchester are the better ones.
  • Audience 8.8 - Hell yeah, live and loud, very clear.
  • Audience 8.7 - So this is one that fell below the radar but absolutely must be considered by any Crue fan to be one of the best of the best…and technically speaking it should not be. It’s not a board tape, it’s not even the best audience tape out there – but it is one of the best from this tour AND it just friggin’ smokes as far as performance goes. It’s one of the best played shows I have ever heard by them. The atmosphere is electric, the band is feeding off it, and they just deliver one hell of a performance. The tape captures the evening quite well, and you really feel as if you are there. I love that, I want the tape to be clear and I like some dynamics but I also really like a good atmosphere – this just delivers man. Motley Crue Theater of Pain Tour Live in Pittsburgh, at the Civic Arena August 7, 1985 Disc 1 In The Beginning Looks That Kill Use It Or Lose It Shout At The Devil Fight For Your Rights Ten Seconds To Love Piece Of Your Action Home Sweet Home Red Hot Mick Mars Guitar Solo Keep Your Eye on The Money Disc 2 Intro Louder Than Hell Tommy Lee Drum Solo Too Young To Fall In Love Knock ‘em Dead Live Wire Smokin’ In The Boys Room City Boy Blues Helter Skelter Jailhouse Rock
  • Audience 8.3/8.4/8.8 - When listening to the first two discs, it would be easy to dismiss them right away as being inferior, but I encourage the listener to stick with them for a while. The first disc is not bad, the sound is loud and narrow but guitars and vocals are clear and extremely direct! That means you get to actually hear it, and it’s an early period gig in a small venue and these are few and far between. The second disc is a little further from the stage, but I get the music pretty well if somewhat noisily. Here the audio is reasonably balanced too, so drums very much there, as is guitar and vocals. I actually got into it once I adjusted. The third disc is the best of the three, with clarity and balance, and even some dynamic range. You can increase the volume and not damage your ear drums. All three discs are above average performances too, with the third disc being among the very best ever. A worthwhile collection here. MÖTLEY CRÜE Red Hot 1983-1985 Disc 1 1983-12-05 City Coliseum Austin, TX 01 -Shout At The Devil 02 -Bastard 03 -Take Me To The Top 04 -Ten Seconds To Love 05 -Merry-Go-Round 06 -Knock 'Em Dead, Kid 07 -Piece Of Your Action 08 -Too Young To Fall In Love 09 -God Bless The Children Of The Beast - Red Hot - Guitar Solo 10 -Looks That Kill 11 -Live Wire 12 -Helter Skelter 13 -Jailhouse Rock Disc 2 1984-02-05 Riverfront Coliseum Cincinnati, OH 01 -Intro - Shout At The Devil 02 -Take Me To The Top 03 -Knock 'Em Dead, Kid 04 -Too Young To Fall In Love 05 -Red Hot 06 -Piece Of Your Action 07 -Looks That Kill 08 -Live Wire 09 -Helter Skelter Disc 3 1984-01-30 Madison Square Garden New York, NY 01. -Shout At The Devil 02. -Take Me To The Top 03. -Knock 'Em Dead, Kid 04. -Too Young To Fall In Love 05. -Red Hot 06. -Guitar Solo 07. -Piece Of Your Action 08. -Looks That Kill 09. -Live Wire 10. -Helter Skelter Show Notes: After their gold album presentation the previous night, MÖTLEY CRÜE are awarded platinum albums onstage during their first ever show at the famous Madison Square Gardens in New York City. This is the band's first platinum award, as they have now sold over a million copies of Shout At The Devil. When Tommy walks into his condo with his gold and platinum awards for the first time after the tour, his girlfriend Candice throws a plate at him smashing the glass frame of his gold award, after she becomes jealous over a photo she found of Tommy with some girl. Nikki takes his awards with him to the island of Nantucket, MA where he plans on meeting some girls, one of them actress Demi Moore who is working on the movie set of One Crazy Summer. Demi also shared a similar childhood to Nikki in many ways, with her father leaving before she was born, then being around drinking, arguing and beatings, and moving home a ridiculous amount of times. She greets Nikki as the prop plane lands, who in a wasted state, falls down the plane's steps onto the tarmac, smashing a bottle of Jack Daniels from his hand while his awards hit him in the head. Having been through Alcoholics Anonymous herself, Demi suggests the program to Nikki, who learns of it for the first time.
  • Audience 8.2 and 8.4 - Both recordings, while limited in their own respective ways, are both MUST HAVES for the early Motley Crue collectors because they are pretty listenable, with the nod going to the later show even though it is narrower in its bandwidth (it is, however, much clearer). The ‘81 show is a little cluttered in the center, but has broader range and sounds “hot” so to speak. MOTLEY CRUE 1981-10-02 Country Club Reseda,CA(USA) 1 -Take Me To The Top 2 -Two-Timer 3 -Come On And Dance 4 -Mick Mars Guitar Solo 5 -Piece of Your Action 6 -Merry Go-Round 7 -Too Fast For Love 8 -Toast of the Town 9 -Stick To Your Guns 10 -Starry Eyes 11 -Live Wire Encore: 12 -Helter Skelter 13 -Jailhouse Rock Country Club, Reseda, CA. 8-30-82 14 -Take Me To The Top 15 -Looks That Kill 16 -Public Enemy #1 17 -Red Hot 18 -Starry Eyes 19 -Piece Of Your Action 20 -Shout At The Devil
  • Audience 7.3 - Kick drum and vocals sound great though.
  • CD 1 - Reading 1979 – Audience 5.7 - Loud and thundering but lead guitar is heard through the din, and you can kind of hear Lemmy singing, and there’s some drum like noises too. CD 2 Paris 1980 – Aud 6.9 - You can hear the music on this show. There are practically no decent recordings of the early Motorhead, but this one, even though it is bad, is one of the better ones because you can hear the songs, and it is not distorted. The guitar is really pretty clear – and so is Lemmy thank goodness. Oh, they kick ass on this show - Really.

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