• Audience 6.7 - Really do wish this sounded better but it’s the only known live recording of this wonderful and amazing prog band. Keyboards are more prominent in the mix, followed by drums, then bass. So the important elements are here. When the band is quieter you get much more out of it, that being said, WOW just to even have this is quite special, really. I find more to enjoy from this than to be grumpy about.
  • Audience 9.2 - Hard to imagine someone not absolutely loving this, but there are still a few people who think just because a microphone placed somewhere in the audience was used to capture the sound, it can’t be good. Play them this. Wowsers!
    The Tubes Orpheum Theatre Boston, MA. April 23, 1976
    Disc 1
    1. Young And Rich -Grandiose Instrumental Overture 2. What Do You Want From Life? 3. Tubes World Tour 4. Pimp 5. Mondo Bondage - Don't Touch Me There = Mondo Bondage (reprise)\ 6. Brighter Day 7. Poland Whole - Madam I'm Adam
    Disc 2
    8. Slipped My Disco 9. Gimme Dat Harp - Love Will Keep Us Together 10. The Cathy Perkins Amatuer Hour 11. Proud To Be An American 12. It's Not Unusual 13. 3rd Stone From The Sun 14. Waiting For My Man - Boy Crazy 15. Quay Lewd's Drug Deal 16. Stand Up And Shout 17. White Punks On Dope
  • Audience 8.8 - A great tape here! I heard pretty much everything happening on stage, and the mix is not bad. I was one of those who completely overlooked this band, and should have made more of an effort…but here we are now and I am digging it! The Tubes Pantages Theatre Los Angeles, CA February 22, 1978 Disc 1 01 Overture- Up from the Deep - Young and Rich - Madam I'm Adam - Mondo Bondage 02 Got Yourself A Deal 03 Show Me A Reason 04 God - Bird - Change 05 What Do You Want From Life 06 Special Ballet 07 Don't Touch Me There 08 Mondo Bondage 09 Smoke (La Vie en Fumer) 10 It's Not Unusual 11 Intermission Disc 2 12 Haloes 13 Be Mine Tonight 14 Crime Medley 15 Getoverture 16 Telecide 17 I Was A Punk Before You Were A Punk 18 I Saw Her Standing There 19 Drum Solo 20 Boy Crazy 21 Stand Up And Shout 22 White Punks On Dope
  • Pro Studio 9.2 - Minimalism never sounded so catastrophic! But it’s cool in a subversive kind of way.
  • Sale!

    THE WHO – 1980 Tour (14 CD Metal Canister)

    Original price was: $95.00.Current price is: $80.00.
    An absolute beast of a canister! Loaded down with 14 discs, it's quite the experience as you follow the Who on tour in the States in 1980. For the most part, all of the recordings reside in the mid to upper 8's on the 1-10 scale, with a couple coming in at over 9.0 (Essen, for instance). I found it to be very satisfying as all of the songs I enjoy hearing them play are represented, without the overindulgence into Tommy...finally! The Who 1980 Canister Disc 1 Los Angeles, CA Los Angeles Sports Arena June 28, 1980 1. -Substitute 2. -I Can't Explain 3. -Baba O'Riley 4. -My Wife 5. -Sister Disco 6. -Behind Blue Eyes 7. -Music Must Change 8. -Drowned 9. -Who are You 10. -5:15 Disc 2 1. -Pinball Wizard 2. -See Me, Feel Me 3. -Long Live Rock 4. -My Generation 5. -I Can See For Miles 6. -Naked Eye 7. -Won't Get Fooled Again 8. -Summertime Blues 9. -Twist and Shout 10. -The Real Me Disc 3 Grugahalle, Essen, GER March 27, 1980 01. -Substitute 02. -I Can't Explain 03. -Baba O'Riley 04. -My Wife 05. -Sister Disco 06. -Getting In Tune 07. -Music Must Change 08. -Drowned 09. -Who Are You Disc 4 10. -5:15 11. -Pinball Wizard 12. -See Me Feel Me 13. -Long Live Rock 14. -My Generation 15. -I Can See For Miles 16. -Won't Get Fooled Again 17. -Young Man Blues 18. -The Real Me Disc 5 The Forum Inglewood, CA June 20, 1980 01 Behind Blue Eyes 02 Dreaming From The Waist 03 Drowned 04 Who Are You 05 5:15 06 Pinball Wizard 07 My Generation Disc 6 08 I Can See For Miles 09 Sparks 10 See Me, Feel Me 11 Won't Get Fooled Again 12 Young Man Blues 13 Dancing In The Street 14 Dance It Away - Another Tricky Day 15 The Real Me Disc 7 LSU Assembly Center Baton Rouge, Louisiana July 7, 1980 1. -Substitute 2. -I Can't Explain 3. -Baba O'Riley 4. -My Wife 5. -Sister Disco 6. -Behind Blue Eyes 7. -Music Must Change 8. -Drowned 9. -Who Are You Disc 8 1. -5:15 2. -Pinball Wizard 3. -See Me Feel Me 4. -Long Live Rock 5. -My Generation 6. -I Can See For Miles 7. -Sparks 8. -Won't Get Fooled Again 9. -Summertime Blues 10. -Twist And Shout 11. -The Real Me Disc 9 Greensboro Civic Center Greensboro, NC July 13, 1980 1. -Substitute 2. -I Can't Explain 3. -Baba O'Riley 4. -My Wife 5. -Sister Disco 6. -Behind Blue Eyes 7. -Music Must Change 8. -Drowned 9. -Who Are You Disc 10 1. -5:15 2. -Pinball Wizard 3. -See Me Feel Me 4. -Long Live Rock 5. -My Generation 6. -I Can See For Miles 7. -Naked Eye 8. -Won't Get Fooled Again 9. -Relay 10. -The Real Me Disc 11 Hampton Coliseum Hampton,Va U.S.A. July 14, 1980 1. -Substitute 2. -Can't Explain 3. -Baba O' Riley 4. -My Wife 5. -Sister Disco 6. -Behind Blue Eyes 7. -Music Must Change 8. -Drowned 9. -Who Are You 10. -5:15 11. -Pinball Wizard 12. -See Me,Feel Me Disc 12 1. -Long Live Rock 2. -My Generation 3. -I Can See For Miles 4. -Naked Eye 5. -Won't Get Fooled Again 6. -Summertime Blues 7. -Twist And Shout 8. -The Real Me Disc 13 CNE Stadium Toronto, ON. Canada July 16, 1980 01. -Substitute 02. -I Can't Explain 03. -Baba O'Riley 04. -My Wife 05. -Sister Disco 06. -Behind Blue Eyes 07. -Music Must Change 08. -Drowned 09. -Who Are You 10. -5:15 Disc 14 01. -Pinball Wizard 02. -See Me Feel Me 03. -Long Live Rock 04. -My Generation 05. -Naked Eye 06. -Won't Get Fooled Again 07. -Summertime Blues 08. -Twist And Shout 09. -Dancing In The Streets 10. -Dance It Away 11. -The Real Me  
  • Soundboard 9.4 - Superb in every way possible. You HAVE to have this if you do not have it in your collection yet. This is the new Remaster, and it SMOKES like everything else from this period.
  • Audience 6.8 to 7.0 - You get mainly Roger and Keith crashing cymbals and his kick drum, then Pete shows up in the mix. Interesting atmosphere though, because the audience must be large but you can’t hear them much on this tape, possibly mic was elevated above the crowd. The sound changes a little as it goes and gets better to my ears. Hence the kick up to 7.0.
  • Audience 8.8 - A very good recording that has an excellent high end clarity, low end is not as sharply defined but is definitely “big” and can be felt in your gut. A welcome addition to the Who collection for sure, especially since this was early in the tour when the band was still playing However Much I Booze. The Who Lousiana State University Baton Rouge, Louisiana November 21, 1975 Disc 1 I Can't Explain, Substitute, Squeeze Box, Baba O'Riley, Boris The Spider, Drowned, However Much I Booze, Dreaming From The Waist, Behind Blue Eyes, Disc 2 Amazing Journey, Sparks, The Acid Queen, Fiddle About, Pinball Wizard, I'm Free, Tommy's Holiday Camp We're Not Gonna Take It, See Me Feel Me Summertime Blues, My Generation, Join Together, Roadrunner, MG Blues Won't Get Fooled Again
  • This collection has been remastered and despite that, there are still one or two tracks that show the ravages of time. One can only assume some of it was not saved, as was the BBC’s policy of not giving a shit, therefore it was up to fans to record from a radio broadcast themselves. Most of this does sound very good, a worthy effort for sure and some of this I’d never heard before. The Who - BBC Sessions 1965-1971 {Remastered & Complete} Disc 1 01. Good Lovin' 02. 'Pete interview #1' 03. Anyway, Anyhow, Anywhere 04. Leaving Here 05. Just You and Me, Darling 06. 'Pete interview #2' Recorded: Aeolian Hall studio 2, Bond Street, London UK; Monday 24 + Tuesday 25 May 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 29 May 1965 Producers: Jimmy Grant/Brian Willey Sources: transcription disc Notes: The Who's second session for the BBC actually appears to have been a double-date. On the 24th, a three-hour session produced: 'Good Lovin'', 'Anyway Anyhow Anywhere', 'I Don't Mind' and 'Daddy Rolling Stone'. The next afternoon they performed: 'Leaving Here', 'Please Please Please' and 'Just You and Me, Darling'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription discs #31 & #34. The song selection here is dominated by soul covers picked by Roger, who was still the undisputed leader of the group. Yet, it was Pete who got to do the interviews and talk about the group's beginnings and prospects. 07. The Good's Gone 08. 'Pete interview' 09. My Generation 10. La La La Lies 11. Baby Don't You Do It Recorded: Aeolian Hall studio 1, Bond Street, London UK; Monday 22 November 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 27 November 1965 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: The third session was again recorded live in studio and produced completed takes of: 'It's Not True', 'The Good's Gone', 'La La La Lies', 'My Generation' and 'Baby Don't You Do It'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #57 and an off-air recording made by a fan. By now, Pete's role as the main provider of song material has been firmly established. 12. Man With Money 13. 'Pete interview' 14. Substitute 15. Dancing In the Street 16. You Rang Recorded: Aeolian Hall studio 1, Bond Street, London UK; Tuesday 15 March 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 19 March 1966 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: For this fourth session, the band recorded: 'Barbara Ann', 'Substitute', 'You Rang', 'Man with Money' and 'Dancing In The Street'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #73 and an off-air recording made by a fan. 17. 'Intro' 18. Disguises 19. 'Pete interview' 20. I'm A Boy 21. So Sad About Us Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 13 September 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 17 September 1966 Producers: Jimmy Grant/Brian Willey Source: transcription disc Note: Fifth session, which produced: 'I'm A Boy', 'Disguises', 'Heatwave', 'So Sad About Us' and a cover of the Lovin' Spoonful's 'On The Road Again'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #99. In an attempt to control the mixing balance, John suddenly turned his bass up in the middle of 'Disguises'. The balance engineer on the session did not bother correcting this and as a result the sound turns into a muddy mess from that point on (with the mixdown compressor working on overload). 'So Sad About Us' was left off the official 'BBC Sessions' release from 2000 for unknown reasons. 22. Run Run Run 23. Boris The Spider 24. 'Pete interview' 25. Happy Jack 26. See My Way Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 17 January 1967 Broadcast: BBC Radio 'Saturday Club': Saturday 21 January 1967 Producers: Jimmy Grant/Bill Bebb Source: transcription disc Note: For this sixth session, the band recorded: 'Happy Jack', 'Run, Run, Run', 'Boris The Spider', 'See My Way', 'Don't Look Away' and 'So Sad About Us'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #117. Disc 2 01. 'Intro' 02. I Can See For Miles 03. Pictures Of Lily 04. Summertime Blues 05. I Can't Reach You 06. Our Love Was 07. A Quick One (While He's Away) 08. Relax 09. My Generation - Boris The Spider - Happy Jack - My Generation 10. Pictures of Lily [Alternate Mono Mix] Recording & Broadcast Production: De Lane Lea Studio, Kingsway, London UK; Tuesday 10 October 1967 Broadcast: BBC Radio 'Top Gear'; Sunday 15 October 1967 Producers: Bernie Andrews/Bev Philips Sources: 01-02,07,09-10: tape 03-06: transcription disc w/ patches from tape sources 08: off-air recording Note: This seventh session marked the first time the BBC allowed any musical act to record for them outside their own studios. Recorded on this day were five jingles, 'My Way' (not broadcast) and alternate versions of 'Pictures Of Lily' & 'A Quick One While He's Away'. Also readied for the broadcast were early mixes of 'I Can See For Miles'*, 'Relax', 'Our Love Was', 'I Can't Reach You', 'Summertime Blues' & 'Someone's Coming'. These songs were already recorded on an earlier date and would eventually appear on official Who product with a slightly different mix (although it took more than 30 years for 'Summertime Blues'). This is the first Who BBC session that has at least partially survived on tape on the BBC archives, as the jingles and 'A Quick One' do not appear on copies of "Top of the Tops" transcription disc #157 & #160, yet appear in crystal clear quality on the official release. Strangely enough, the two TOTP discs seem to have been the source for the other tracks on the official CD, all of which are marred by a voiceover. The versions here are uninterrupted from start to finish (with the exception of the ending of 'Our Love Was'), for the first time ever. As a bonus, I have added a clean mono mix of 'Lily' with better fidelity than the BBC source which has not circulated before. * The 45RPM & BBC versions both contain a heavy bass dub that was imposed on the mono album master. The dubs differ, to ensure the BBC got a unique master recording. 11. 'Pete interview' 12. Pinball Wizard Broadcast: BBC TV 'Top of the Pops'; Tuesday 27 March 1969 Source: transcription disc Note: Roger/Pete(?) sing along with studio version. Part of the interview has appeared on a bonus disc that came with a limited edition of the official 2000 release. Tracks are sourced from "Top of the Tops" transcription discs #232 & #233. 13. 'David Wigg interviews Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #289 (released 20-5-1970). 14. The Seeker Recorded: IBC Studios, London UK; 19 February 1970 & BBC Television Centre, London UK, Thursday 19 March 1970 Broadcast: BBC TV 'Top of the Pops'; Thursday 19 March 1970 Source: transcription disc Note: Roger sings live over the studio version of 'The Seeker' for "Top Of The Pops", with the rest of the band miming along. John forced a re-shoot after the director did not include a shot of him in the first take. Sourced from "Top of the Tops" transcription disc #283. 15. I'm Free 16. The Seeker 17. Heaven And Hell 18. Shakin' All Over - Spoonful (Medley) 19. Substitute 20. Pinball Wizard Recorded: IBC Studios, London UK; Monday 13 April 1970 Broadcast: BBC Radio 'Dave Lee Travis'; Sunday 19 April 1970 Producer: Paul Williams Source: 01-04: transcription disc w/ patches from tape sources 05-06: tape Note: The last formal band session for the Beeb and again recorded outside an official BBC studio. 'Heaven and Hell' was later released in a slightly reworked version as a B-side to 'Summertime Blues'. Like the October 1967 session, this one is believed to have survived on tape on the BBC archives. But even so, the official album used the "Top of the Tops" transcription disc #286 as its source for Tr. 01-04, with voiceover over the intro's and outro's. The versions presented here are uninterrupted from start to finish (with the exception of 'Seeker') for the first time. 21. 'Keith Altham talks to Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #304 (released 2-9-1970). 22. I Don't Even Know Myself Recorded: Olympic Studio, Barnes, London UK; 1971 Source: tape Note: This one is a bit of a mystery. No details about it are given on the official BBC session CD. It is the same take that was released in 1971 as the B-side to 'Won't Get Fooled Again' but here we get a clean mono mix that differs in a few places from the released version. Believed to have been recorded in 1971 during the Who's Next sessions.  
  • Audience 7.5 - Kind of a raucous tape, I mean it is The Who after all, but the music is all present if not in the same mid band range (highs aren’t bad). I have to recommend it, being a 1971 recording of which I am fond, it holds up.
  • Audience 8.8 - This is one for the history books! Includes the first two songs from the infamous halted show where Keith is carried out of the venue. The make up show, as you can imagine, is full of vim and vigor. Good sound, great show…get it!
  • Audience 7.2 - I love this, for many reasons beyond sound rating. This is one of those shows to me that rises above all other shows of better quality. It is not bad, it is actually a good, fun listen with nothing that annoys or distracts. It is not overly dynamic with crystal highs and deep lows, but the space it occupies does not offend. A good one, while he’s away!
  • Soundboard 8.8 - A little wobbly at the start but clears up quickly.
  • Audience 7.1 - Another upper mid band to high range tape in a one dimensional spectrum, guitars kind of low, Roger is up front followed by The Ox, and Keith brings up the back. Not horrible, not great. If you turn up the volume and add some mid boost it would help a lot, because the instruments are all there, as is Roger. It is not a goopy mess.
  • Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement.
  • Audience 8.8 - This is a significant recording mainly from a historical sense, but for all the wrong reasons too. Yes it is the infamous gig where 11 people died outside the venue waiting to get in. The band were not informed until after the show, so they play their set oblivious, and it is a fine set. It’s eerie now to hear this knowing what transpired earlier, thankfully it is actually a very fine recording. This is one of those things I have to encourage everyone to check out for all the RIGHT reasons though…but yeah there’s that.

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