• Pro Recordings 9.3 - Ripped from vinyl (the main portion) it sounds excellent! Nice to have this material and the additional bits. David Gilmour The Forgotten Jokers Tracks 1-5 Regent's Sound Studios, London, England January 1965 Tracks 6-10 Gala du Midem, Cannes, France, January 26th, 1986 Rockpalast TV Show with Pete Townsend's Deep End Track 11 Saturday Night Live TV Show, New York, USA. December 12th, 1987 Live with the Saturday Night Live Band 01. Why Do Fools Fall In Love? (1:52) 02. Walk Like A Man (2:11) 03. Don't Ask Me (2:55) 04. Big Girls Don't Cry (2:16) 05. Beautiful Delilah (1:58) 06. Give Blood (6:18) 07. After The Fire (4:44) 08. Blue Light (8:55) 09. I Put A Spell On You (4:12) 10. Nighttrain (5:52) 11. Ah Robertson It's You (4:29) Jokers Wild: John Gordon (guitar, vocal) Clive Welham (drums. vocal) David Gilmour (guitar, vocal) David Altham (piano, sax, vocal) Tony Sainty (bass, vocal) Pete Townshend's Deep End: Pete Townshend (vocals, guitar) Peter Hope-Evans (harmonica) Chucho Merchan (bass) David Gilmour (guitar) Simon Phillips (drums) John 'Rabbit' Bundrick (keyboards) Jody Linscott (percussion) The Kick Horns: Simon Clarke/Roddy Lorimer/Dave Sanders/Peter Thoms/Dave Blues Backing vocals: Billy Nicholls/Ian Ellis/Chris Stains/Gina Foster/? Gordon  
  • Cleveland 1978 Radio Broadcast 8.8 - A tape that shows signs of age and has that dated quality to it but is still good. It just sounds kinda, pimp and funky just like the music.New York 1981 Radio Broadcast 9.3 - A fresh sounding tape, and a rather fresh performance that does not showcase a drunken, sloppy ‘Dolls kinda gig but a much more focused and professional with plenty of edge to remind you who is fronting kinda gig. DAVID JOHANSEN GROUP "Clubs and Bars" Disc 1 THE AGORA CLEVELAND, OH, USA MAY 29, 1978 01. -intro - cool metro 02. -looking for a kiss 03. -not that much 04. -funky but chic 05. -build me up buttercup 06. -donna 07. -i'm a lover 08. -frenchette 09. -band intro 10. -(reach out) i'll be there 11. -lonely tenement 12. -girls 13. -personality crisis BAND: David Johansen - vocals Sylvain Sylvain - guitar, keyboards Thomas Trask - guitar Johnny Rao - guitar Buzz Verno - bass Frankie LaRocka - drums Disc 2 BOTTOM LINE NEW YORK, NY, USA JULY 15, 1981 01. -intro - cool metro 02. -here comes the night 03. -funky but chic 04. -melody 05. -she loves strangers 06. -sls (conclusion) 07. -build me up buttercup 08. -marquesa de sade 09. -stranded in the jungle 10. -bohemian love pad 11. -frenchette 12. -reach out & i'll be there 13. -girls 14. -personality crisis 15. -wreckless crazy 16. -WNEW DJ's BAND: David Jo - vocals Blondie Chaplin - guitar Jack Rigg - guitar Charlie Giordano - keyboards Brent Cartwright - bass Tony Machine - drums  
  • Audience 9.3 - You could not ask for a better break than having this marathon ass kicking show recorded so well.
  • Audience 8.4 - Simply has to be one of the best audience tapes of the time. So, it isn’t perfect but I consider this to be a must have due to how clear, and really nice fat bottom end without boominess. Lovely!
  • Soundboard 9.3 - Excellent, dynamic, solid.
  • Audience  7.7 - A great period for Deep Purple, this is probably their peak in a lot ways. The recording here is decent, vocals a little back, some overload at times, but you don’t miss anything really all the music is there and you can pick up just about everything on stage. I like it, I think you will too.
  • Audience 8.7 - A surprisingly good recording, honestly when I first came upon this title I thought to myself it must be crap sound ‘cause I’d never heard of it before. Not so! It’s pretty good.
  • Audience 7.7 - The rating does nothing to express the magnitude of intensity that this show has. It gives you a very real sense of how completely bombastic and insanely loud Deep Purple were at this time. Incredible on many levels, so use this to show your kids how we rocked back in the day. Amazing!
  • Audience 9.3 - Technically the sonic quality here is more likely an 8.9 but this tape gets a MAJOR boost because, quite simply, it’s one of the most incredible, insane, unbelievable things Deep Purple I have ever experienced. Throw away Made In Japan because this here, man, this here folks is pure fucking magic. I will leave it at that. Deep Purple Roundhouse Dagenham, UK 19 February 1972 1. Highway Star    (9:19) 2. Strange Kind Of Woman    (9:01) 3. No No No     (9:08) 4. Child In Time    (16:58) 5. The Mule     (9:10) Royal Albert Hall London, UK 4 October 1971 6. Lazy     (14:10) 7. Fireball     (9:36) Jon Lord - Keyboards Ritchie Blackmore - Guitar Ian Paice - Drums Roger Glover - Bassguitar Ian Gillan - Vocals, Congas, Harmonica  
  • CD 1 & 2 - Audience  8.9 - Very strong presence, taper had great seats and knew how to operate his levels, so, have fun because the band never sounded better! CD 3 & 4 - This show received a nice remastering which helped bring the middle up and cut out a lot of the tape hiss so what you get now is a smoother sound, and good punch in the mids while offering great solid kick drum, vocals, and guitar with keys being placed perfectly in accompaniment. Just get past the first song where taper finds his position and you are good to go.
  • Audience  7.8 - Crowded a bit in the middle, but not bad enough to lose any one instrument. In fact, the guitar and bass complement each other in the mix like a battle of giants. I will say also that the performance itself is a real jam fest, with everyone shining bright. I like this one a lot.
  • Audience 6.8 - Very thin, but a low gen tape used here so it is pretty clear and guitar is the most present along with Ian and a pretty prominent kick drum too. The show is marvelous wish it sounded better.
  • Audience 8.4  - I think the draw is, when you are dealing with these old audience tapes that don’t have very wide dynamic range, is that as long as you get a solid guitar, and reasonable vocals, it’s going to appeal to collectors because what they want is the performance mainly – and I tend to agree because this is after all the peak period for the band. You can hear guitar, vocals, and keys in pretty decent clarity and forceful too – I see the value in this recording, a little rough around the edges when band is at full flight due to limitations with the recorder, but let me tell you I hung around, listened to the whole thing, and came away satisfied. It’s not too bad! Palasport, Genova, Italy March 11, 1973
    1. Intro
    2. Highway Star
    3. Smoke On The Water
    4. Strange Kind Of Woman
    5. Mary Long
    6. Keyboard Solo - Lazy
    7. Drum Solo - The Mule
    8. Space Truckin'
    9. Black Night
  • Audience 7.7 - Hard to find many really good quality shows from this period, but as it goes this one is not terrible just boost some bass and it is much better.
  • CD 1 - Heidelberg 1970 - Audience  6.5  /  CD 2 - Amsterdam 1970 - Audience  7.3
  • Audience 7.3 - 8.0 - Gets better as the show progresses. Let me just say this – I think this show is hotter than the officially released Live album! Maybe because when a band knows they are being recorded, they are less “free” in their playing. I don’t know but this show is off the hook jamming, wish it sounded a little better but even so I am happy to get to hear it.

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