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FM Broadcast 9.7 - Superb in every way, just a joy to listen to and a MUST have if you are even remotely interested in these guys. Doobie Brothers 1972-01-16 Pacific High Recorders SF, CA KSAN-FM CD 1 01-KSAN Intro 02-Jesus Is Just Alright 03-Disciple 04-Talk (Feelin' Down Farther intro) 05-Feelin' Down Farther 06-Nobody 07-Slippery St. Paul 08-Talk (Greenwood Creek intro) 09-Greenwood Creek 10-Road Angel 11-Talk (Going Down intro) 12-Going Down CD 2 01-Talk (Tilted Park Crud Hunchery intro) 02-Tilted Park Crud Hunchery 03-KSAN announcer + Tom Johnston intro to jam 04-Jam 05-Morning Blues * 06-unknown title * Tom Johnston Guitar Pat Simmons Guitar Tiran Porter Bass John Hartman Drums *with Gregg Rolie of Santana (keyboards) and Mike Wilhelm of the Charlatans (guitar). -
Pro Radio Broadcast 9.1 ~ Ultrasonic Studios -
Soundboard 9.5 - Obviously this was recorded and mixed for a reason because it is really marvelous. (The Cellar) -
Soundboard 9.4 - A lovely capture that was broadcast over the air but this sounds like a pre-broadcast tape and it’s excellent. I especially like how the atmosphere of the event was maintained, it’s not a sterile sounding mix. Dr. John with The Meters "Mardi Gras Mambo" St. Bernard Civic Center New Orleans, LA, USA March 5, 1973 01 Mardi Gras Day (instrumental intro) 7:28 02 Gris-Gris Gumbo Ya Ya 4:49 03 Let The Good Times Roll 3:39 04 Right Place, Wrong Time 3:14 05 Iko Iko 3:47 06 Huey "Piano" Smith Medley: High Blood Pressure Don't You Just Know It Well I'll Be John Brown Jockomo 5:47 07 I Been Hoodood 4:55 08 Loop Garoo 6:05 09 Wang Dang Doodle 5:22 * 10 Junko Partner 4:45 11 Qualified 5:25 12 I Walk On Guilded Splinters 4:51 13 Mess Around 3:42 14 Mardi Gras Day 15:30 Dr. John: guitar, keyboards, vocals The Meters Art Neville: keyboards, vocals Leo Nocentelli: guitar George Porter Jr.: bass Joseph "Zigaboo" Modeliste: drums Cyril Neville: percussion, vocals -
Audience 8.8 - I like this in your face recording, sounds like taper is right in front of the mains but he’s got the levels dialed in just right. This is ripping, gripping, and tripping power prog metal of the highest caliber. -
AUDience 9.4 - First thing you notice is that you hear every instrument CLEARLY, which is actually pretty damn unusual for a band that has so much going on and has to be a nightmare to mix clearly. Well, separation of instruments without loss of power is, to me, a great recording. -
Audience 8.5 - A very clean recording that is not as clear as it is clean. Not to say it is muddy, it is saying there is a lack of defined high end, the recording rests mainly in mid range and low end, which is nice and round. I think by adding your own treble boost, you can turn this into a 9.0 recording. Needs upper mid and highs. -
Dweezil Zappa Denver 2014 Audience 9.7 - Exceptional audio, this one has great balance of instuments, while the band is very tight. -
Audience 9.4 -
Audience 8.9 - A great recording in almost every respect, in fact it is almost too clean! Wonderful. -
Audience 8.6 - A touch on the thin side maybe, and sounds from somewhere in the middle of the venue so you do get more of the atmosphere. There is a lot of crowd excitement and participation. Guitar sound terrific actually, cutting through everything right to the ears in a good way, adding to the excitement. Dweezil sounds great and absolutely shreds this gig. -
Audience 8.9 - Extra special emphasis on the drums here, they sound slamming! -
Audience 9.6 - Brilliant! -
Audience 8.9 - Good clear recording where the highs have a pleasant chimy sound, not shrill or thin. The bass notes are very clear too. -
Audience 9.6 - This one is crystal clear, a great mix full of vibe and energy on both parts. Guitar work/Well done. -
Audience 8.7 - The levels here are low, but the sound is good all you need to do is turn it up.