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Brand New - Sealed -
Radio Broadcast 9.3 - Everything on this disc (includes some bonus material) is fantastic and well worth exploring. Arc Angels Paradise Theater Boston, MA December 16, 1992 Disc 1 01. -Paradise Cafe 02. -Dimples 03. -Carry Me On 04. -The Famous Jane 05. -Good Time 06. -Spanish Moon 07. -Sent By Angels 08. -Always Believed In You 09. -Sweet Nadine 10. -Angel 11. -Shape I'm In Disc 2 12. -Living In A Dream 13. -encore break 14. -band introductions 15. -Looking Back 16. -Too Many Ways To Fall 17. -Too Many Ways To Fall (David Letterman Show - 1993-01-06) Pittsburgh, PA. December 8, 1992 18. -Paradise Cafe 19. -Dimples 20. -Always Believed In You 21. -Angel 22. -Living In A Dream 23. -Too Many Ways To Fall Doyle Bramhall II: guitar, vocals Charlie Sexton: guitar, vocals Tommy Shannon: bass Chris Layton: drums -
Soundboard 9.1 - Recorded and broadcast this is as expected a very good recording. The music is also… let’s face it these guys were top shelf and had a classy approach to heavy metal. Armored Saint 11/9/84 Harpo's Detroit, MI WLLZ - FM broadcast - A 1. March of the Saint 2. Mutiny on the World 3. Stricken by Fate 4.Seducer 5. Take a Turn 6. Envy 7. Glory Hunter 8. False Alarm 9. Can U Deliver 10. Lesson Well Learned 11.Madhouse 12.outro and interview -
Audience 8.8 - This show finally comes to light after decades and it’s surprisingly good. It’s extremely insistent and powerful sounding with guitars really up front and vocals thankfully pretty nicely mixed in as well. In fact, even drums here sound nicely integrated into the live sound mix in this small sounding venue. I rather like this one and you will too. Armored Saint Sherwood's Indianapolis, IN. January 30th, 1985 1. March Of The Saint 2. Mutiny On The World 3. False Alarm 4. Take A Turn 5. Stricken By Fate 6. Seducer 7. Madhouse 8. Can U Deliver -
Audience 9.3 - Taken from master tape, this is super clean, vibrant, and detailed – as an Italian prog recording ought to be. These guys cover a wide range of sound and style all keeping within that certain ethos of grandiose, elegant Italian rock (can get frenetic at times, complex, gentle, ethnic, it's all that and more). Arti E Mestieri 2011-11-05 Kawasaki Japan Italian Progressive Rock Festival ARTI & MESTIERI Line up : Beppe Crovella, Keyboard/Hammond Furio Chirico, drums Marco Roagna, guitars Roberto Puggioni, bass Iano Nicolo', vocals TRACKLIST : 1 - OPENING 2 - GRAVITA’ 9.81 3 - STRIPS 4 - POSITIVO-NEGATIVO 5 - SI FA LUNA 6 - VALZER PER DOMANI 7 - MIRAFIORI 8 - IL FIGLIO DEL BARBIERE 9 - ARC EN CIEL 10 - ALBA MEDITERRANEA 11 - KEYBOARDS SOLO 12 - DRUMS SOLO – JAM 13 - 2000 14 - TREMA 15 - MESSAGE FROM FURIO CHIRICO 16 - IN CAMMINO 17 - ENDING -
Brand New - Sealed -
Soundboard 8.6 - This sounds VERY 80’s, I mean, it sounds pretty dated…but good quality. I guess they were not too bad, kind of simplistic maybe in a Twisted Sister kind of way, but the guitarist pulls out some tasty solos. Autograph Live Cameo Theater, San Antonio 1/11/1985 1 Send Her To Me 2 Thrill Of Love 3 Cloud 10 4 Friday 5 Deep End 6 my Girlfriend's Boyfriend Isn't Me 7 Turn Up The Radio 8 Take No Prisoners 9 Crazy World -
Recorded live at Max's Kansas City in NYC 1979. This is an import CD. Jewel Case new never played. -
Stoke 1974 Audience 8.4 - A loud tape with a touch of stadium boom, but not anything that approaches irritation. It sounds like it’s in stereo, I hear guitar in one channel and bass in the other which is kinda cool. The instruments are all clearly discernible here making for a tape that sits on the upper side of very good. Tulsa 1975 Audience 8.7 - A tape that has a good, snappy live sound and a pretty good mix for the ears. The music is delivered to you through a tight mid-range and a snare drum that hovers over everything making it instantly delightful. I rather do like this one! Orange, France 1975 Audience 8.8 - A fine tape, one that really has good separation of instruments, and very decent dynamics. When the guitar solos, the sound seems to glide above you, so that kind of effect and atmosphere puts this show into a category I call “Repeat Listening” because you will go to it again. Amsterdam 1976 Audience 8.8 - Brassy, but enough mid and bottom to smooth that out nicely. A touch of cymbal sizzle but again there’s enough of all other frequencies here that not any one stands out in an annoying fashion. This is a well-balanced tape with some real life in it. Bad Company "Tour Diary 1974-1976" Band line-up Paul Rodgers - vocals Simon Kirke - drums Mick Ralphs - guitar Boz Burrell - bass Disc 1 Victoria Hall Hanley, England Dec. 17, 1974 01 Deal With The Preacher 02 Rock Steady 03 Little Miss Fortune 04 Ready For Love 05 Feel Like Makin' Love 06 Shooting Star 07 Seagull 08 Bad Company 09 Easy On My Soul 10 Good Lovin' Gone Bad 11 Movin On 12 Can't Get Enough 13 Can I Get A Witness Disc 2 Assembly Center, Tulsa, OK June 8, 1975 01 Deal With the Preacher 02 Rock Steady 03 Little Miss Fortune 04 Ready for Love 05 Wild Fire Woman 06 Feel Like Makin' Love 07 Shooting Star 08 Easy On My Soul 09 Movin' On 10 Good Lovin' Gone Bad 11 Bad Company Disc 3 Theatre Antique, Orange, France August 15, 1975 01 -Intro - Deal With the Preacher 02 -Rock Steady 03 -Little Miss Fortune 04 -Ready For Love 05 -Wild Fire Woman 06 -Feel Like Makin' Love 07 -Shooting Star 08 -Easy On My Soul 09 -Movin' On 10 -Good Lovin' Gone Bad 11 -Bad Company Disc 4 Jaap Edenhal, Amsterdam, Netherlands February 11, 1976 01 Live For The Music 02 Deal With The Preacher 03 Ready For Love 04 Wild Fire Woman 05 Sweet Little Sister 06 Youngblood 07 Simple Man 08 Good Lovin' Gone Bad 09 Rock Steady 10 Feel Like Makin' Love 11 Honey Child 12 Can't Get Enough -
Studio Quality 9.5 - This 2CD set compiles some of the best uncirculating or hard to find Badfinger demos and studio outtakes. Many other worthy tracks were excluded since they already appear in excellent quality on other collections. (ie. Apple Demos 1970-1972 and Complete Ass). Highlights include a 'new' version of Coppertoone Blues, the speed corrected demo of Without You (I Can't Live), the first appearence on CD of an alternate 'piano version' of Do You Mind and the rough mixes of several tracks from their classic Apple-era. In addition the original mix of the 1974 'Head First' album taken from cassette obtained directly from Mike Gibbins in the late 90's. These 1974 mixes are different from the 2000 Snapper CD mixes and are a major upgrade from other circulating copies.Badfinger Without You 1968 - 1975 Demos, Outtakes and Rarities Disc 1 01 Carry On Til Tomorrow – 1969 Demo 02 Knocking Down Our Home – 1968 Demo Given To Paul McCartney 03 Maybe Tomorrow – 1969 Recording For B66bc Radio 04 John Forgot To Sing – 1970 Pete Ham Demo 05 No Matter What – 1970 Early Mix W / Alternate Lead Vocal 06 I Can Not Take It – 1970- Alternate / Extended Mix – No Horns 07 No Matter What – 1970 ‘Top Of The Pops’ Live Vacal Version With Fixed Intro 08 Without You – 1969 Pete Ham Demo 09 Without You – 1969 Tom Evans Demo- Speed Corrected 10 We’re For The Dark – 1970 Alternate Mix- Different Guitar Overdubs, No Horns Or Strings 11 I’ll Be The One – 1970 Rehearsal 12 Take It All – 1971 Pete Ham Demo 13 Day After Day – 1971 Rough Mix Alternatelead Vocal And Lacking Overdubs 14 Name Of The Game – 1971 Unreleased Al Kooper Single Mix 15 Do You Mind – 1972 “Ass” Outtake – 1st Unreleased Version From Upgraded Source 16 Do You Mind – “Ass” Outtake – Piano Based Version – Unreleased To Date 17 Coppertone Blues – New Composite Version From Original Pete Ham Demo And 1972 “Ass” Outtake Backing Track 18 Shine On – 1973 Rehearsal 19 Oh Wow – 1973 Unfinished Track From Self-titled Warner Bros. Sessions – Aka ‘Love My Lady’ 20 Song For A Lost Friend – 1973 Rough Mix Of Finished Take With Extened Ending 21 Where Do We Go From Here – 1973 Rough Mix Of Finished Take With Piano vs. Steel Drums 22 It Does Not Really Matter – 1974 Undubbed Pete Ham Demo 23 Just How Lucky We Are – 1974 Longer Pete Ham Demo 24 Ringside – 1975 1st Pete Ham Demo 25 Ringside – 1975 Longer Pete Ham Demo – One Of His Final Recordings 26 Dennis – 2006 Edit Version From ‘Perfection; The Songs Of Badfinger’s Pete Ham & Tom Evans Promo Disc 2 01 Lay Me Down – Alternate Take Warner Bros. Mix 02 Turn Around – Alternate Take Warner Bros. Mix 03 Keep Believing – Alternate Take Warner Bros. Mix 04 Rockin ‘Machine – Alternate Take Warner Bros. Mix 05 Passed Fast – Alternate Take Warner Bros. Mix 06 Saville Row – Alternate Take Warner Bros. Mix 07 Moonshine – Alternate Take Warner Bros. Mix 08 Rock ‘N’ Roll Contract – Alternate Take Warner Bros. Mix 09 Back Again – Alternate Take Warner Bros. Mix 10 Hey, Mr Manager -. This Is The Rough Mix Done By Engineer Phil Mcdonald, At Apple Studios On December 15th, 1974. SECRET BONUS TRACKS 11 Piano Red - unreleased 12 Sweet Tuesday Morning - alternate take 13 No Good At All - unreleased 14 Loving You - alternate version 15 Dreaming - unreleased 16 Rock 'N' Roller - unreleased 17 Regular - alternate version 18 Regular - alternate mix 19 When I Say - early mix 20 Blind Owl - early rehearsal 21 Timeless - early take 22 Timeless - alternate take 23 I Can Love You - take 7 -
FM Broadcast 9.2 - A great recording that captures the atmosphere and the thrilling musicianship brightly, if maybe a touch too boldly on the meters…no worries, there’s nothing to interfere with your listening pleasure. The band…did not know much about them but they sure have the chops. I get a little bit of a sort of Whitesnake influence, but not any of the trademark cheesiness. Jake E. Lee is very acrobatic without unnecessary shredding, I would not call his playing shred at all in fact. It’s actually quite tasteful and great use of effects…thrilling at times, and very few dive bombs and when he does it’s in and out, they don’t overstay their welcome. I could say that for the songs too, they all have good balance and set up all the solos nicely. They even cover Purple Haze…umm…maybe they should have left that one alone. But everything else is tops. Badlands The Channel radio broadcast Boston,MA 1989-10-18 Hard Driver Ball And Chain Devil's Stomp Dancing On The Edge Rumblin' Train Dreams In The Dark Winter's Call Purple Haze High Wire -
All Soundboard 9.3 - This entirely depends on how much you want to hear blazing, inventive lead guitar and don’t mind if the bass sounds more like a rhythm guitar, That is what the bass sounds like to my ears, it’s there, but it’s not “low end” it’s more like a heavy rhythm guitar. It works for this style of rock though – and it’s all good stuff, if maybe a tad generic with the singing. BADLANDS Lost In The Shadows Disc 1 Richfield Coliseum Cleveland, Ohio 1989-09-23 1. -HARD DRIVER 2. -BALL & CHAIN 3. -DEVIL'S STOMP 4. -DREAMS IN THE DARK 5. -WINTER'S CALL 6. -Guitar Solo 7. -HIGHWIRE Palace Of Auburn Hills Detroit, Michigan 1989-09-22 8. -HARD DRIVER 9. -BALL & CHAIN 10. -DEVIL'S STOMP 11. -DREAMS IN THE DARK 12. -WINTER'S CALL 13. -Guitar Solo 14. -HIGHWIRE Disc 2 Hara Arena Dayton, Ohio 1989-08-30 1. -HARD DRIVER 2. -BALL & CHAIN 3. -WINTER'S CALL 4. -DANCING ON THE EDGE 5. -STREETS CRY FREEDOM 6. -JADE'S SONG - DREAMS IN THE DARK 7. -DEVIL'S STOMP 8. -Guitar Solo State Fairgrounds Du Quion, Illinois 1989-09-01 9. -HARD DRIVER 10. -BALL & CHAIN 11. -WINTER'S CALL 12. -DREAMS IN THE DARK 13. -DEVIL'S STOMP 14. -Guitar Solo 15. -HIGHWIRE -
Audience 8.3 - Limitations with the microphone is probably what prevents this recording from blossoming as it sometimes seems like it wants to do. You can hear it, for instance, during some of the passages, but I think the overloading of the bass crowds out the guitar a bit too much (although you can hear guitar, just not in a clear and detailed manner). Drums and keyboards dominate with a very insistent, pulsing bass undercurrent throughout. Does that count this out? Not at all, due to the disparity of live BJH recordings, I think this one is worth exploring. The compositions and playing make up for the limitations on the tape. Barclay James Harvest Greens Playhouse Glasgow, Scotland 1972-11-19 01. -Medicine Man 02. -Mockingbird 03. -Summer Soldier 04. -Galadriel 05. -After the Day 06. -Dark Now My Sky -
Audience 8.8 - This is the sound of the 80’s, it wasn’t exactly what you remembered! I completely missed these guys. I instantly assumed any 80’s band was shite…I was so stuck in my own world of Pink Floyd, Steppenwolf, Hendrix, Van Halen, Sabbath, Zeppelin….but I should have been more open minded. These guys were cool AF! Good quality, very realistic capture. Bauhaus Architectual Association Carnival Bedford Square, London, UK 22 May 1981 01. Bela Lugosi's Dead (9:06) 02. In The Flat Field (4:11) 03. Boys (2:30) 04. Muscle In Plastic (3:22) 05. Dancing (3:14) 06. Of Lilies And Remains (2:55) 07. Rosegarden Funeral Of Sores (6:00) 08. Hair Of The Dog (3:26) 09. Hollow Hills (5:10) 10. Kick In The Eye (3:35) 11. The Passion Of Lovers (4:00) 12. Stigmata Martyr (3:45) 13. Dark Entries (3:52) -
Audience 8.8 - This is an interesting recording because while the guitar is very close and defined, the rest of the band is kind of floating above you. It’s as if the taper’s mic was placed in front of Jeff’s guitar cab and at the same time he was able to capture the rest of the sound through the main P.A. so it’s kind of strange. It’s decent though, it’s a good capture just a strange placement of instruments but I really love being able to soak JB in when he’s having a great night as he is here Beck, Bogert, & Appice Shi-Kokaido Nagoya, Japan May 16, 1973 Disc One 01 - Superstition 02 - Livin' Alone - I'm So Proud 03 - Lady 04 - Morning Dew - Drum Solo 05 - Sweet Sweet Surrender 06 - Lose Myself With You - Bass Solo Disc Two 07 - Black Cat Moan 08 - Why Should I Care 01 - Goin' Down - Jeff's Boogie 02 - Oleo - Boogie 03 - Plynth - Shotgun Jeff Beck - guitar, vocals Tim Bogert - bass, vocals Carmine Appice - drums, vocals -
Audience 8.7 - This tape was made in an old Victorian styled theatre with what I imagine had to be decent acoustics but it all depends on where you sit and what kind of gear you use. This taper probably did not have the best at his disposal but he/she did an admiral job nonetheless. I can hear almost everything, sans the detail, and so I am able to get a good idea of what the Bee Gee’s were about before their superstardom. For one thing, you will notice right away the lack of ARP synthesizers! Yep, these are real strings folks…wowsers! The Bee Gees Paramount Northwest Portland, Oregon April 1, 1973 Disc 1 Early Show 01 New York Mining Disaster 1941 02 To Love Somebody 03 Really and Sincerely 04 banter 05 Lay It On Me 06 Saw A New Morning 07 I Can't See Nobody 08 Words 09 In the Morning (Morning of My Life) 10 Living In Chicago 12 Wouldn't I Be Someone 13 I Started A Joke 14 My World 15 Run To Me 16 How Can You Mend A Broken Heart? 17 I've Gotta Get A Message To You 18 Massachusetts Disc 2 Late Show 19 New York Mining Disaster 1941 (inst'l) 20 To Love Somebody 21 Really and Sincerely 22 Lay It On Me 23 Saw A New Morning 24 I Can't See Nobody 25 Words 26 In the Morning (Morning of My Life) 27 Living In Chicago 28 Wouldn't I Be Someone 29 I Started A Joke 30 My World Band line-up: Barry Gibb : vocals, guitar Maurice Gibb : vocals, guitar, bass, piano, mellotron, keyboards (died January 12, 2003 age 53) Robin Gibb : vocals (died May 20 2012 age 62) Alan Kendall : guitar Dennis Bryon : drums