Marshall Crenshaw Bottom Line New York City, NY February 18, 1986 Early Show 01 Yvonne 02 There She Goes Again 03 Worryin’ Kind 04 My Favorite Waste Of Time 05 Our Town 06 Monday Morning Rock 07 One More Reason 08 Mary Anne 09 Right Now 10 The Distance Between 11 Little Wild One (No. 5) 12 Rockin’ Around In N.Y.C. 13 Gimme Some Truth 14 Reet Petite 15 Cynical Girl 16 Someday, Someway 17 Whenever You’re On My Mind
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Audience 9.5 - Brilliant! A great small venue atmosphere and it sounds fresh and exciting like it’s actually happening…live! -
Birmingham 1976 Pro Radio 9.5 - Obviously this should be excellent quality seeing as how it was recorded for British Biscuit radio broadcast. Well, yeah, it’s really good!
Dallas 1981 Pro Radio 8.9 - Sounds maybe a gen or two down (but no tape hiss) or perhaps just the age of the tape this was recorded on as it was presumably tapes off the air. Still, it’s very good and I am sure with some EQ touches could really bring more of the highs out.
Marshall Tucker Band Disc 1 The Odeon, Birmingham, England November 29th, 1976 1 -British Biscuit Intro 2 -Long Hard Ride 3 -Searching For A Rainbow 4 -Can't You See 5 -This Old Cowboy 6 -Fire On The Mountain 7 -Take The Highway THE BAND Doug Gray lead vocals percussion Toy Caldwell lead electric and acoustic guitar steel guitar Tommy Caldwell bass guitar backing vocals George McCorkle electric and acoustic guitar banjo Jerry Eubanks flute alto baritone and tenor saxophone backing vocals Paul Riddle drums Disc 2 Wintergarden Theater Dallas, TX March 15th 1981 1 -K.B.F.H. Intro 2 -It Takes Time 3 -See You One More Time 4 -Tell The Blues To Take Off Tonight 5 -This Time I Believe 6 -Take The Highway 7 -Fire On The Mountain 8 -In My Own Way 9 -Ramblin' 10 -This Ol' Cowboy 11 -KZAM THE BAND Toy Caldwell Guitars Steel Guitar Background Vocals Doug Gray Vocals Jerry Eubanks Flute Saxophone Keyboards Background Vocals Paul Riddle Drums Background Vocals George McCorkle Guitar Franklin Wilkie Bass Background Vocals -
Studio 9.2/9.6 - Not a lot to complain about here except maybe just the little bit of tape hiss (unremarkable). I found it interesting to hear the early takes because on some of the tracks it really shows less of the Southern influence and more of the psychedelic influence (listen to their cover of Evil Ways). Marshall Tucker Band "The Lost Demos" (1968-1971) Studios-Greenville, SC 1971 01. -Can’t You See (demo) 02. -See You Later I’m Gone (demo) 03. Southern Woman (demo) Muscle Shoals Sound Studio-Sheffield, AL 1971 04. -Cookin' (demo) 05. -Ramblin' (demo) 06. -Take The Highway (demo) 07. -Hillbilly Band (demo) Southeastern Music Corporation 1968 08. -It’s A Rainy Night In Georgia 09. -In A Moment (I Can Tell If You Love Me) 10. -Evil Ways (Santana) -
New York 1968 Soundboard 8.7/8.5 - This is a strange old tape, don’t get me wrong I am very happy to get to hear it, but it is a tale of two tapes…to my ears. It’s starts off, the first few tracks, as a relatively “clean” board feed, perhaps an AM radio live broadcast even, because it has that sound to it – like if you were listening to a radio broadcast with headphones (and took the headphones off slightly). Then, the tape changes to what I have to believe is another source, and one that is considerably more raucous and menacing. I can’t even say for sure the second part is a board, might be, but my guess is an on stage reel to reel recording (possibly done by John Sinclair?). It’s ok for what it is, both “sources” are welcomed into my personal collection since there’s so little of the live five out there.
Hollywood 1971 Audience 8.6 - Despite the lowish rating, this is very listenable. The main issue for me, and hence the low quality rating, is the drop off in the vocals. It’s not out front of the mix enough, but then, guitar (and bass) is the highlight so maybe that’s not so bad! Overall, I think if you love this band, this old tape is going to make you happy. One may wonder if a modern re-mastering would help this show come to life and the short answer is “maybe”, because it sounds like this one is already teetering on the edge of the bandwidth and to attempt sonic shenanigans might push it off the cliff. I’d like to hear an expert give it a try though.
MC5 - Flyin' With The Five New York 1968 Unknown Location Disc 1 1. -Teenage Lust 2. -It's A Man's Man World 3. -Black To Comm 4. -Ramblin' Rose 5. -Kick Out The Jams 6. -Come Together 7. -Rama Lama Fa Fa Fa 8. -Born Under A Bad Sign 9. -Shakin' All Over 10. -I Want You Right Now Disc 2 Hollywood, CA. Unknown Location Sept. 9th, 1971 1. Sister Anne 2. Baby Won't Ya 3. I Want You Right Now 4. Tonight 5. Looking At You 6. Ramblin' Rose 7. Kick Out The Jams 8. Black To Comm
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Audience 8.8 - Surprisingly good and clear! I get fine separation of instruments as well, hearing back up vocals, all guitars and drums in a good position and bass is there, not super defined and not boomy but there. Well done taper! Oh, and the performance is unbelievable. Meat Loaf 1978-06-08 Paris - Theatre Mogador Disc 1 01. Great Boleros Of Fire 02. Bat Out Of Hell 03. You Took The Words Right Out Of My Mouth (Hot Summer Night) - Wasted Youth 04. All Revved Up With No Place To Go Disc 2 05. Paradise By The Dashboard Light 06. Johnny B. Goode 07. River Deep, Mountain High 08. Two Out Of Three Ain't Bad -
Audience 8.3/8.5 - Despite the low approval ratings of these audio tapes, I have to say I still think they are important to the Megadeth collector for several reasons. There’s just not a lot of recordings from these early periods for some unknown reason, and these shows, having been cleaned up and re-mastered as well as could be done, represent listenable time capsules of perhaps one of the all-time greatest metal band. Megadeth do not get the same accolades as some of the other big metal bands (do I have to mention them?) but I always loved their complexity and sarcasm. I did listen to both of these shows and once my ears adjusted I stuck with it and wrote this review without bias. Average tapes that deserve a place in any collection because of the significance of this band.
Megadeth The Windy City Gigs Disc 1 Metro, Chicago, IL (USA) June 30, 1985 01. -Last Rites - Loved To Death 02. -Killing Is My Business 03. -Skull Beneath The Skin 04. -These Boots 05. -My Last Words 06. -Looking Down The Cross 07. -Chosen Ones 08. -Mechanix 09. -Bad Omen 10. -Encore break 11. -Good Mourning - Black Friday 12. -Rattlehead Disc 2 (U.I.C) Pavilion University of Illinois Chicago, IL 1987-02-12 1. -Intro 2. -Wake Up Dead 3. -The Conjuring 4. -My Last Words 5. -Bad Omen 6. -Rattlehead - Dave's talking about Chicago 7. -Peace Sells 8. -Devil's Island 9. -The Mechanix
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Brand New - Sealed Sound quality on all releases on this label is excellent. -
Studio 9.8 - As expected, near perfect quality. The mix is a bit different to the album we all know and love, but not enough to change the total badassery of the tones, complexity, inventiveness, and composition. Just a great artifact to get a slightly altered perspective. Megadeth Peace Sells...But Who's Mixing? Alternate mixes 1. Wake Up Dead 2. The Conjuring 3. Peace Sells 4. Devil's Island 5. Good Morning - Black Friday 6. Bad Omen 7. Ain't Superstitious 8. My Last Words Dave Mustaine - Vocals, Guitar David Ellefson - Bass Chris Poland - Guitar Gar Samuelson - Drums -
Audience 8.7 - I can imagine the difficulty in trying to capture something like this with all of the challenges not least of which is sheer volume and venues not ideal for the kind of acoustics metal presents. Does that mean this recording is bad? No, it's obviously done on gear that can handle the job, but to my ears it's something that you will need at least two songs to adjust, but once you do, it becomes the kind of tape that finds you sort of hanging on to see what happens next. It just feels like it will keep improving and maybe it does, or maybe you just find that you kind of dig it. MEGADETH TOKYO 1988 1ST NIGHT Live at Nakano Sunplaza Tokyo, Japan 12th July 1988 01. Intro (Orange Light from "Apocalypse Now" OST) 02. Wake Up Dead 03. The Conjuring 04. Hook In Mouth 05. Set The World On Fire 06. Mary Jane 07. In My Darkest Hour 08. Devil's Island 09. These Boots 10. Peace Sells... But Who's Buying? 11. MC 12. Liar 13. Mechanix 14. Anarchy In The UK 15. MC Dave Mustaine - Guitar, Vocals David Ellefson - Bass, Vocals Jeff Young - Guitar Chuck Behler - Drums -
Studio Quality 8.7/9.0 - Here you have the ultimate rare collection if you are into that early, classic mid 80's Megadeth (which most are). I know this has had repeated plays in my house! Live in London - Soundboard 9.3 Megadeth Ultimate Rare Tracks and Live (last 7 tracks Live in London 1987) 1. Wake Up Dead 2. Chosen Ones 3. These Boots 4. Killing is My Business...And Business Is Good 5. My Last Words 6. Looking Down The Cross 7. Mechanix 8. Last Rites-Loved To Death 9. Skull Beneath The Skin 10. Bad Omen 11. Rattlehead 12. Killing Is My Business...And Business Is Good 13. Peace Sells...But Who's Buying 14. These Boots 15. Mechanix 16. Last Rites-Loved To Death -
Soundboard 9.4 - Even though I am less of a hardcore metalhead these days compared to, say, when I was in my 20's, I can honestly say I still enjoy listening to Megadeth music. The fact is, when you get a recording this good, when you can hear everything clearly, you better understand the genius that is Dave Mustaine. Let's face it - the guy is just gifted. How you can sing and play those insane, complex chord patterns, I will never know. Megadeth Live at Aardshok Festival Ijsselhal, Zwolle, Holland May 29, 1988 01 The Conjuring 02 Mary Jane 03 In My Darkest Hour 04 Devil's Island 05 Liar 06 Mechanix 07 Anarchy in the U.K. 08 Peace Sells... But Who's Buying? 09 These Boots 10 Devil's Island 11 Mechanix 12 Last Rites - Loved to Deth 13 Black Friday -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Denmark 1981. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Holland 1984. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Audience 8.8 - A rather good tape, it's kind of rare to find something like this just because of the extreme volume and what not that metal presents to taping gear - but this one shines. Sometimes the rhythm guitar seems to drop out a little in the mix, every now and then but that might be a PA or mix thing. Metallica - The Ecstasy of Aragon Aragon Ballroom Chicago, Il, USA February 9, 1985 1. The Ecstacy of Gold 2. Fight Fire With Fire 3. Ride The Lightning 4. Phantom Lord 5. The Four Horsemen 6. Anesthesia - Pulling Teeth 7. For Whom The Bell Tolls 8. No Remorse 9. Fade To Black 10. Seek And Destroy 11. Whiplash 12. Creeping Death 13. Am I Evil? 14. Motorbreath -
Audience 8.9 - Easily one of the best auds of the early Metallica era. This is one that I am sure every Metallica collector already has but if you are just curious, or maybe only recently getting turned on to this stuff, well you gotta get this one.Metallica Stadthalle Mulheim Köln, West-Germany 1984-12-05 Disc 1 01. The Ecstasy of Gold (Intro) 02. Fight Fire With Fire 03. Ride the Lightning 04. Phantom Lord 05. The Four Horsemen 06. (Anesthesia) Pulling Teeth 07. For Whom the Bell Tolls 08. No Remorse 09. The Call of Ktulu Disc 2 10. Seek & Destroy 11. Whiplash 12. Creeping Death 13. Guitar Solo 14. Metal Militia 15. Motorbreath