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Audience 8.8 - This is the sound of the 80’s, it wasn’t exactly what you remembered! I completely missed these guys. I instantly assumed any 80’s band was shite…I was so stuck in my own world of Pink Floyd, Steppenwolf, Hendrix, Van Halen, Sabbath, Zeppelin….but I should have been more open minded. These guys were cool AF! Good quality, very realistic capture. Bauhaus Architectual Association Carnival Bedford Square, London, UK 22 May 1981 01. Bela Lugosi's Dead (9:06) 02. In The Flat Field (4:11) 03. Boys (2:30) 04. Muscle In Plastic (3:22) 05. Dancing (3:14) 06. Of Lilies And Remains (2:55) 07. Rosegarden Funeral Of Sores (6:00) 08. Hair Of The Dog (3:26) 09. Hollow Hills (5:10) 10. Kick In The Eye (3:35) 11. The Passion Of Lovers (4:00) 12. Stigmata Martyr (3:45) 13. Dark Entries (3:52) -
Audience 8.8 - This is an interesting recording because while the guitar is very close and defined, the rest of the band is kind of floating above you. It’s as if the taper’s mic was placed in front of Jeff’s guitar cab and at the same time he was able to capture the rest of the sound through the main P.A. so it’s kind of strange. It’s decent though, it’s a good capture just a strange placement of instruments but I really love being able to soak JB in when he’s having a great night as he is here Beck, Bogert, & Appice Shi-Kokaido Nagoya, Japan May 16, 1973 Disc One 01 - Superstition 02 - Livin' Alone - I'm So Proud 03 - Lady 04 - Morning Dew - Drum Solo 05 - Sweet Sweet Surrender 06 - Lose Myself With You - Bass Solo Disc Two 07 - Black Cat Moan 08 - Why Should I Care 01 - Goin' Down - Jeff's Boogie 02 - Oleo - Boogie 03 - Plynth - Shotgun Jeff Beck - guitar, vocals Tim Bogert - bass, vocals Carmine Appice - drums, vocals -
Audience 8.7 - This tape was made in an old Victorian styled theatre with what I imagine had to be decent acoustics but it all depends on where you sit and what kind of gear you use. This taper probably did not have the best at his disposal but he/she did an admiral job nonetheless. I can hear almost everything, sans the detail, and so I am able to get a good idea of what the Bee Gee’s were about before their superstardom. For one thing, you will notice right away the lack of ARP synthesizers! Yep, these are real strings folks…wowsers! The Bee Gees Paramount Northwest Portland, Oregon April 1, 1973 Disc 1 Early Show 01 New York Mining Disaster 1941 02 To Love Somebody 03 Really and Sincerely 04 banter 05 Lay It On Me 06 Saw A New Morning 07 I Can't See Nobody 08 Words 09 In the Morning (Morning of My Life) 10 Living In Chicago 12 Wouldn't I Be Someone 13 I Started A Joke 14 My World 15 Run To Me 16 How Can You Mend A Broken Heart? 17 I've Gotta Get A Message To You 18 Massachusetts Disc 2 Late Show 19 New York Mining Disaster 1941 (inst'l) 20 To Love Somebody 21 Really and Sincerely 22 Lay It On Me 23 Saw A New Morning 24 I Can't See Nobody 25 Words 26 In the Morning (Morning of My Life) 27 Living In Chicago 28 Wouldn't I Be Someone 29 I Started A Joke 30 My World Band line-up: Barry Gibb : vocals, guitar Maurice Gibb : vocals, guitar, bass, piano, mellotron, keyboards (died January 12, 2003 age 53) Robin Gibb : vocals (died May 20 2012 age 62) Alan Kendall : guitar Dennis Bryon : drums -
Excellent condition. Typically sells in the $120-$155 range for used (depending on condition). -
Houston based melodic metal with very tasty guitar work and excellent song writing. Features the rhythm and lead guitar of former Hooker guitarist Robert Hampton. This unreleased album dates back to 1990, all music has been re-mastered from all surviving master tapes. -
CD reissue on Winter Solstice Records. Jewel Case Sealed. -
Import CD of an album recorded by Jeff Fenholt (Black Sabbath vocalist...briefly) with some other luminaries including Andrew "Duck" McDonald (Blue Cheer) and Joey Belladonna (Anthrax). LTD to 300 copies. UK import. NEW SEALED -
Audience 9.4 - Beautiful and well balanced, this taper was well known to have produced consistently high quality work in the area taping a variety of concerts big and small. Band was opening for Badfinger, and this is the earlier of the two performances that day. This is one of the only extant live recordings of Big Star playing in the ‘70s that has not been officially released. Big Star Performance Center Cambridge, MA March 31, 1974 (early show) 01 In The Street 02 Baby Strange (T. Rex cover) 03 Mod Lang 04 Candy Says (Velvet Underground cover) 05 Till The End Of The Day (Kinks cover) 06 O My Soul 07 Motel Blues (Loudon Wainwright III cover) 08 Thirteen 09 Way Out West 10 September Gurls 11 Come On Now (Kinks Cover) -
Boston 1981 FM Broadcast 9.0 This is not bad, I detected maybe a little trace of signal interference but not enough to destroy this audio. It may be kind of like a background “fuzziness” or something but I find this to be a very good representation especially being a crowd that knows the music and the band very well. I think the band responds and delivers an exceptional performance. San Francisco 1981 FM Broadcast 9.4 Very strong in every category, a recording with depth and a band that delivers the goods. London 1981 Audience 8.8 A decent tape with maybe a little “crunchiness” to it but overall it rates well and can be thoroughly enjoyed. Billy Squier Stroke Me in 1981 Disc 1 Carling Academy Boston, Massachusetts USA 1981 1. -In the Dark 2. -Rich Kid 3. -My Kinda Lover 4. -Whadda Do You Want From Me 5. -Lonely is the Night 6. -Young Girls 7. -I Need You 8. -The Stroke 9. -Too Daze Gone 10. -The Big Beat Disc 2 San Francisco, California USA 1981 1. -Introduction 2. -In the Dark 3. -Rich Kid 4. -My Kinda Lover 5. -Whadda You Want From Me 6. -Guitar Solo 7. -Lonely is the Night 8. -Young Girls 9. -I Need You 10. -The Stroke 11. -You Should Be High Love 12. -The Big Beat 13. -Band Intros 14. -You Know What I Like Disc 3 Hammersmith Odeon London, UK. 05-29-1981 1. -Intro - In The Dark 2. -Rich Kid 3. -My Kinda Lover 4. -Whadda You Want From Me 5. -Lonely Is The Night 6. -The Stroke 7. -You Should Be High Love 8. -Too Daze Gone Billy Squier - Vocals & Guitars Mark Clarke - Bass Alan St. Jon - Keyboards Bobby Chouinard - Drums -
Studio 9.0 - The quality does vary but it stays within a general high quality 8.9 to 9.3 range because the material is from a wide variety of sources such as the studio, TV, radio, and live. An interesting introspection of the artist beginning with very early tracks pre-Sugarcubes. Björk Early and Rare Assorted Unreleased Studio and Live Tracks 01 -Icelandic Folksong (Björk as a Child) 02 -Langt Ude i Skoven (Björk as a Child) 03 -I Love To Love (Björk as a Child) 04 -Jolakötturinn 05 -Dancing Queen (Sugarcubes Studio) 06 -Whole Lotta Loving To Do (El Vez & Sugarcubes) 07 -Nu Flyver Anton (Danish Soundtrack) 08 -Short Time Affair (Comic Relief BBC 14.3.1997) 09 -Min Farfar Drikker Södmelk (Danish Grammy 7.2.1998) 10 -Jolasveinar ganga um golf (Merry Christmas from Björk) 11 -Satisfaction (w/ P.J. Harvey) 12 -Pin var ekki ad bioa (w/ Icelandic Band Draumsyn, Studio 1980) 13 -Su - Patrei (Elgar Systers, Studio 1986 from Unreleased Album) 14 -Geri pao sem mer synist (Sugarcubes Skytturnar Demos) 15 -Sweet Jane (Sugarcubes Skytturnar Demos) 16 -Misty (Live @ Hotel Borg, Reykjavik 30.8.1990 w/ Gling Gl¢ Band) -
Soundboard 9.6 - A great sounding board because it incorporates the crowd, meaning that the engineer set up an ambient mic and those kinds of recordings are overall better than straight into the board line recordings.Björk The Warehouse Toronto, Canada 7/8/95 1. -Army Of Me 2. -The Modern Things 3. -Human Behaviour 4. -Isobel 5. -Venus As A Boy 6. -Possibly Maybe 7. -I Go Humble 8. -Hyperballad 9. -Enjoy 10. -I Miss You 11. -Crying 12. -It's Oh So Quiet 13. -Big Time Sensuality 14. -Aeroplane * 15. -I Miss You ** * "Later Show", London, 1995 ** "The White Room", London, 1995
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FM Broadcast 9.7- Brilliant sound, and so nice to have this because you get the full on experience with a great band and the great back up vocals of Ruby Starr (I honestly would not have minded at all for her to be the singer and Jim the washboard player and back up singer!). This is great stuff, really is. Black Oak Arkansas Reading Festival England Aug 29, 1976 1 -Intro 2 -Hot Rod 3 -Rock 'N' Roll 4 -Great Balls Of Fire 5 -Hot N' Nasty 6 -Fist Full 7 -Maybe I'm Amazed 8 -Love On Ice 9 -When The Band Was Singing "Shakin' All Over" 10 -Lord Have Mercy On My Soul 11 -Rambling Gambling Man 12 -Keep The Faith THE BAND Jim "Dandy" Mangrum lead vocals washboard Tommy Aldridge drums Ricky "Ricochet" Reynolds guitar Pat Daugherty bass vocals "Little" Jimmy Henderson guitar vocals Stanley "Goober" Knight guitar vocals keyboards Ruby Starr vocals -
Soundboard 9.4 - A great PRE-FM source here that manages to deliver just about all of the necessary ingredients to ensure a positive listening experience. Atmosphere: check. Sound Quality: check. Performance by band: check. It's all here. Black Sabbath Orpheum Theatre Boston, MA. 1992-08-09 Disc 1 01 E5150 02 The Mob Rules 03 Computer God 04 Children Of The Sea 05 Time Machine 06 War Pigs 07 I 08 Die Young 09 Guitar Solo 10 Black Sabbath Disc 2 01 Master Of Insanity 02 After All (The Dead) 03 Drums Solo 04 Iron Man 05 Heaven And Hell 06 Neon Knights 07 Paranoid - Heaven And Hell (Reprise) 08 Laguna Sunrise (Outro) -
Audience 9.3 - This is what I would call a definitive release in that I think if you wanted to know what Sabbath was in ’87 you can use this as a reference. For one thing, it sounds great – and another reason is because it sounds like the band is doing what it had in mind with the line-up and sound. A new direction maybe, but in the same way that maybe Technical Ecstasy was also a new direction. It’s still Sabbath, the bone structure is all there, but the smile has changed…and it has a place in the discography. Black Sabbath Stadthalle Bremen, Germany 1987-11-25 Disc 1 101 Supertzar 102 Neon Knights 103 Children Of The Sea 104 War Pigs 105 Die Young 106 Drums Solo 107 Iron Man 108 Born To Lose Disc 2 201 Black Sabbath 202 Glory Ride 203 Heaven And Hell 204 Guitar Solo 205 Sabbath Bloody Sabbath - Heaven And Hell (Return) 206 Children Of The Grave 207 The Shining 208 Paranoid -
Audience 8.8 - Easily one of the best audience recordings of the tour. Very close to the main P.A. system on Tony’s side of the stage, this puts Ozzy a little in the background but not so much he cannot be heard reasonably well. It’s just, well, it’s the sheer POWER on display by the band that makes this one so special and that the recording manages to deliver that without glaring problems (and in 1973, wow!) is a miracle. Black Sabbath 1973.02.21, Palazzo delle Esposizioni E.I.B., Brescia, Italy 01. Tomorrow's Dream 02. Sweet Leaf 03. War Pigs 04. Snowblind 05. Killing Yourself to Live 06. Wicked World 07. Orchid>Guitar solo 08. Orchid 09. Guitar solo 10. Rock Jam 11. Blues Jam 12. Wicked World reprise 13. Embryo 14. Children Of The Grave 15. Paranoid -
Audience 9.1 - I waited a long time to get to hear a very strong and clear audience tape of this line up. The wait is over! This rocks! Reading 1983 FM Broadcast 9.3 - I can’t say for sure if this was broadcast or not but it does sound like one of those recordings that ended up over the air. Why? I don’t know it just has that kind of feel to it, and for that reason this should get repeated plays because it’s simply excellent. Black Sabbath U.I.C. Pavilion Chicago, IL 1983-11-18 Disc 1 101 Supertzar - Devil Baby Crying 102 Children Of The Grave 103 Hot Line 104 War Pigs 105 Disturbing The Priest 106 Supernaut 107 Drum Solo 108 Rock 'n' Roll Doctor 109 Stonehenge 110 Iron Man Disc 2 201 The Dark 202 Zero The Hero 203 Heaven And Hell 204 Guitar Solo 205 Black Sabbath 206 Smoke On The Water 207 Paranoid - Heaven And Hell (Reprise) Bonus DIsc Reading Rock Festival 27-August-83 1. -Hot Line 2. -War Pigs 3. -Black Sabbath 4. -Zero The Hero 5. -Digital Bitch 6. -Iron Man 7. -Smoke on the Water 8. -Paranoid