• Roslyn 1976 FM Broadcast 9.2 - Powerful! If you are not familiar with Tommy Bolin and want to learn more, start here!  If you are already on the Tommy train – keep riding!  This is unbelievably good! Detroit 1976 Audience 8.8 - This is a very good sounding tape in many regards although it is recorded in a large, cavernous arena and therefore you won’t get some of the detail a more intimate venue would give you. The vocals are somewhat drowned out by a guitar sound that is quite huge, with the bass complementing that hugeness to the degree that this show is a guitar/bass tour de force. Thankfully Tommy is the shining star in this recording…and shine he did. Tommy Bolin Band 1976 Live Disc 1 My Father's Place Roslyn, NY May 22, 1976 01 Teaser 02 People, People 03 The Grind 04 Stein Solo 05 Wild Dogs 06 Band Introductions 07 Delightful 08 I Fell In Love 09 Marching Powder 10 Lotus Band line-up Tommy Bolin - guitar, vocals Mark Stein - keyboards Reggie McBride - bass Norma Jean Bell - saxophone, percussion Narada Michael Walden - drums Disc 2 Ford Auditorium Detroit, MI October 5, 1976 01. Teaser 02. People, People 03. You Told Me You Loved Me 04. Wild Dogs 05. Shake The Devil 06. Post Toastee 07. Homeward Strut Band line-up Tommy Bolin - guitar, lead vocals Mark Stein - keyboards Jimmy Haslip - bass Johnnie Bolin - drums Norma Jean Bell - saxophone, percussion  
  • Audience 9.4 - A fantastic, close, precise recording that really drives that funk right through the speakers. A crackling, red hot energy that taper captures admirably, I mean, it sounds like he is sitting right directly in front of the band with microphones up and the band is only too happy to oblige. Tower Of Power Circle Star Theatre San Carlos, CA September 24, 1976 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 So Very Hard To Go 04 Oakland Stroke 05 You Ought To Be Havin’ Fun 06 What Is Hip? 07 Doin’ Alright 08 Down To The Nightclub (Bump City) 09 This Time It’s Real 10 Knock Yourself Out 11 You’re Still A Young Man  
  • Audience 9.6 - Brilliant! A fantastic tape no matter how it was recorded, it’s simply great and showcases the precision, dynamics, and unstoppable energy that is Tower of Power. Tower Of Power Old Waldorf San Francisco, CA February 12, 1977 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 Down To The Nightclub (Bump City) 04 Can’t You See (You Doin’ Me Wrong) 05 Oakland Stroke 06 You Ought To Be Havin’ Fun 07 What Is Hip? 08 Too Good To Be True 09 Drop It In The Slot 10 Doin’ Alright 11 Knock Yourself Out 12 You’re Still A Young Man 13 (To Say The Least) You’re The Most  
  • Soundboard 9.5 - A wonderful set, a great board tape. If this is your introduction to Townes music, get ready to be greatly impressed with a singer-songwriter who has all the tools. Great lyrics, great delivery, great guitar playing. He was the total package. Townes Van Zandt Paisley Park Wellington, New Zealand September 13, 1990 Disc 1 01 If I Needed You 02 Mr. Mudd & Mr. Gold 03 Buckskin Stallion Blues 04 Marie 05 Lungs 06 Talking Karate Blues 07 The Shrimp Song 08 Short Haired Woman Blues 09 Ain't Leaving Your Love 10 The Hole 11 Dead Flowers 12 tuning 13 Colorado Girl 14 No Lonesome Tune Disc 2 15 No Deal 16 Banter 17 To Live Is To Fly 18 Waiting Around to Die 19 Don't You Take It Too Bad 20 Our Mother The Mountain 21 Blaze's Blues 22 Snowin' On Raton 23 Greensboro Woman 24 Kathleen 25 Riding the Range 26 Dirty Old Town  
  • 1970 - Audience 9.1 - Excellent! Very clear, pretty close, respectful audience, good acoustics, great instrument separation...it's all here for your ears to feast upon. 1972 - Pro SDBRD 9.7 - Amazing of course, it's a professional recording that was released on video but I think this is not taken from a video source as it is totally uncompressed. 1973 - Audience 9.0 - A choice recording as it has a really driving energy. This is not one of those Traffic shows that gets bogged down, it's high energy, loud, and thankfully captured very nicely.

    Traffic The Santa Monica Tapes 1970-1973 Disc 1 Civic Center Santa Monica, California July 5, 1970 (late show) 01. Who Knows What Tomorrow May Bring 02. Every Mother's Son 03. Medicated Goo 04. John Barleycorn Must Die 05. Pearly Queen 06. Stranger To himself 07. Empty Pages 08. 40,000 Headmen 09. Glad - Freedom Rider 10. Feeling Good Steve Winwood - Guitar, Piano, Vocals Chris Wood - Flute, Saxophone Jim Capaldi - Percussion, Drums, Keyboards, Vocals Disc 2 Santa Monica Civic Center Santa Monica, CA February 21, 1972 01. Low Spark Of High Heeled Boys 02. Light Up Or Leave Me Alone 03. John Barlycorn 04. Rainmaker 05. Percussion Solo 06. Glad 07. Freedom Rider 08. Forty Thousand Headmen 09. Dear Mr. Fantasy Steve Winwood – vocals, guitar, keyboards, bass (1967–1974, 1994) Jim Capaldi – drums, percussion, vocals (1967–1974, 1994) Chris Wood – flute, saxophone, keyboards (1967–1974) Rebop Kwaku Baah – percussion (1971–1974) Roger Hawkins – drums (1972–1973) David Hood – bass (1972–1973) Disc 3 Santa Monica Civic Auditorium Santa Monica, CA. 1973 1. Low Spark of High-Heeled Boys 2. Light Up or Leave Me Alone 3. John Barleycorn 4. Rainmaker 5. Glad - Freedom Rider 6. 40,000 Headmen 7. Dear Mr. Fantasy Midsummer Rock Festival Cincinnati, OH. June 17, 1970 8. Pearly Queen 9. Stranger To Himself Stevie Winwood - keyboard, guitar, vocals; Jim Capaldi - drums, vocals; Chris Wood - sax; David Hood - bass; Roger Hawkins - keyboards; Reebop Kwaku Baah - percussion
  • Pro Studio 9.8 - A better collection there never was. Perfect, and I don’t just mean sound quality, I also mean the work itself. A MUST have! Traveling Wilburys "Family Tree Volume II" 1. -Handle With Care 2. -Every Little Thing 3. -Walk Away 4. -You Got It 5. -This Is Love 6. -California Blue 7. -The Trembler 8. -I Won't Back Down 9. -Devil's Radio 10. -Fish In The Sand 11. -Got My Mind Set On You 12. -I Drove All Night 13. -End Of The Line I 14. -Dirty World 15. -Rattled 16. -Last Night 17. -Congratulations 18. -Heading For The Light 19. -End Of The Line II  
  • FM Radio Broadcast 8.8 - A tape that has held up decently over the years but does not have the expected clarity associated with a radio broadcast. That being said, it’s still very good, has the depth and dynamics just enough for a progressive rock performance on par with the likes of ELP. Great material here…a band that should have continued on but for disco taking over and what not. Tritonus Nachtmusik WDR Radio,Germany 1977-03-24 01. -Between the Universes 02. -Escape And No Way Out 03. -Mars Detection 04. -The Day Awakes 05. -The Day Works 06. -Far in the Sky Peter Seiler (keyboardist) Rolf D. Schnapka (bass, vocals) Arthur Weiss (drums)  
  • Soundboard 9.7 - A killer one in every way, including an absolutely devastating performance delivered by the band. This is peak Triumph, and simply a must have. TRIUMPH August 19th, 1979 Chicago, Illinois Aragon Ballroom 01. American Girls 02. Street Fighter 03. Hold On 04. Lay it on the Line 05. Blinding Light Show 06. intro - speech 07. Rock and Roll Machine - Guitar Solo 08. 24 Hours A Day 09. Takes Time Rik Emmett-guitar/vocals Mike Levine-bass/vocals Gil Moore-drums/vocals
  • Soundboard 9.3 - Mixed well for a live broadcast, so you get a really good sense of what this band was about on the live stage. Now, I always kind of wondered really what these guys were about, and history can now reveal all of that, but my take is that they certainly owed a lot to Rush – that said they took that general presentation to a more FM friendly place. It worked for a while… Triumph Sports Arena Los Angeles, CA March 8, 1985   FM-sourced; lineage unknown  
    1. Intro
    2. Interview
    3. Show Start
    4. When The Lights Go Down
    5. Magic Power
    6. Never Surrender
    7. Allied Forces
    8. Lay It On The Line
    9. Midsummer’s Daydream
    10. Time Goes By
    11. World Of Fantasy
    12. Drum Solo
    13. Rock & Roll Machine
    14. Guitar Solo
    15. Spellbound
    16. Encore Intro
    17. Fight The Good Fight
  • Illinois 2002 - Audience 9.5 - Superb recording considering how hard it is to properly capture live heavy metal. Normally what you get, even if on good gear, is a well captured loud sound without much separation of instruments...but here you can really wrap your ears around it all pretty distinctly. Columbus 1990 - Audience 9.0 - This is a good recording with a little less fullness and bottom end definition compared to the Illinois set. Still, it's really well done and can benefit from your own "seasoning" so to speak. TROUBLE Penny Road Pub South Barrington, Illinois 2002-05-18 DISC 1 1. Introduction - R.I.P. 2. COME TOUCH THE SKY 3. THE SLEEPER 4. AT THE END OF MY DAZE 5. PLASTIC GREEN HEAD 6. GOIN' HOME 7. DOOM BOX 8. THE MISERY SHOWS (ACT II) 9. FEAR 10. MEMORY'S GARDEN 11. PSYCHOTIC REACTION DISC 2 12. THE FALL OF LUCIFER (Aborted) 13. PRAY FOR THE DEAD 14. THE TEMPTER 15. BASTARDS WILL PAY Newport Music Hall Columbus, OH. October 18, 1990 16. R.I.P. 17. Black Shapes Of Doom 18. Bastards Will Pay 19. Pray For The Dead 20. At The End Of My Daze 21. Heaven On My Mind 22. Psychotic Reaction 23. The Tempter ERIC WAGNER- Vocals RICK WARTELL- Guitar BRUCE FRANKLIN- Guitar RON HOLZNER- Bass JEFF OLSON- Drums
  • Audience 9.4 - Excellent sound and atmosphere, enough audience participation near the taper to remind you that you're part of a live concert but not enough to interfere which in my estimation is what lends a missing element to most sdbrd tapes. I'd officially release this if I was the band.
    Tygers Of Pan Tang
    Nakano Sunplaza
    Tokyo, Japan
    Sept. 30, 1982
    Disc 1
    01. Intro 02. You Always See What You Want To See 03. Lonely At The Top 04. Letter From L.A. 05. Blackjack 06. Never Satisfied 07. Paris By Air 08. Tides 09. Wild Catz 10. Don't Stop By 11. Suzie Smiled 12. Love Don't Stay 13. The Actor 14. Slave To Freedom
    Disc 2
    01. Love Potion #9 02. Life Of Crime 03. Hellbound 04. Raised On Rock 05. Gangland 06. Outro
  • Los Angeles 1975 - Soundboard 9.5 Offenburg 1977 Audience 8.9 - A very strong tape for sure. Clear, and pretty dynamic with great bass, and deep drums with guitars very tuneful and nicely placed in the overall mix. Lovely. Buffalo 1977 Audience 8.6 - The recording here is pretty clear, it definitely does lean towards the upper mid and highs but there thankfully is enough bottom to keep it from being irritating. Your ears do adjust quickly, and at some point you begin to notice it is actually very decent…think of it as maybe a superb AM radio broadcast (it isn’t, but it sounds like it could have been). Boston 1978 Audience 8.8 - It is apparent that very good gear recorded this show, the sound is warm and rounded, not a jagged, raucous tape like a lot of the amateur recordings can turn out to be. The live mix sound is good too, and the live mix is spot on. I think this tape offers a lot and you’ll probably give it multiple spins…especially after you hear Schenker just RIPPING on guitar. What a badass! The Secret UFO Files Disc 1 Record Plant Studios Los Angeles, CA September 23, 1975 01 - Intro - Let It Roll 02 - Doctor Doctor 03 - Oh My 04 - Built For Comfort 05 - Out In The Street 06 - Mother Mary 07 - All Or Nothing 08 - This Kid's 09 - Shoot Shoot 10 - Rock Bottom 11 - C'Mon Everybody Lineup: Phil Mogg: Vocals Pete Way: bass Andy Parker: drums Michael Schenker: guitar Danny Peyronnel: keyboards Disc 2 Offenburg, Germany March 03, 1977 1 -Intro - Lights Out 2 -Gettin' Ready 3 -On With The Action 4 -Doctor Doctor 5 -Love To Love 6 -Too Hot To Handle 7 -Out In The Street 8 -This Kids 9 -Shoot Shoot 10 -Rock Bottom 11 -Come On Everybody 12 -Boogie For George Disc 3 New Century Theatre Buffalo, NY November 1977 1. -Lights Out 2. -Love To Love 3. -On With The Action 4. -Doctor Doctor 5. -Out In the Streets 6. -Shoot Shoot 7. -Rock Bottom 8. -Too Hot To Handle Disc 4 Orpheum Theater Boston, Mass. December 15, 1978 1. -Hot N Ready 2. -Only You Can Rock Me 3. -Cherry 4. -Love To Love 5. -Mother Mary 6. -Doctor Doctor 7. -Too Hot To Handle 8. -Rock Bottom Phil Mogg: vocals Paul Chapman: guitars Paul Raymond: keyboards and guitars Pete Way: bass Andy Parker: drums
  • Audience 9.8 - This is so good, so smooth, so spacious, so warm, so amazing that not only could it be officially release…it SHOULD be officially released. HIGHLY recommended for any fan of music, period. U.K. Civic Auditorium Santa Monica, CA July 28, 1978 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder 01 Alaska 02 Time To Kill 03 The Only Thing She Needs 04 Forever Until Sunday 05 Thirty Years 06 By The Light Of Day Part 2 07 Presto Vivace/In The Dead Of Night Part 1 08 Caesar's Palace Blues
  • Audience 8.7 - A little subdued maybe, but all the instrumentation is clearly heard, and dynamically it resides in the middle band frequencies and has a decent bass response but at the expense of maybe guitars which seem to sit just behind the bass. Considering the gig (inside a prison) I have to say it's a very good job, and worthy of a spin. ULI JON ROTH Klingelpuetz Prison Cologne, Germany 1979-10-03 2nd Show 01. Sundown 02. Earthquake 03. Japanese Dream 04. Children Of The Sea 05. I've Got To Be Free 06. Polar Nights 07. On That Night 08. Beethoven's Ninth 09. Hell-Cat The ELECTRIC SUN Band Uli John Roth (Guitars, Vocals) Ule Ritgen (Bass) Sidhatta Gautama (Drums, Percussion)
  • Audience 8.9 - A super clear recording with a marvelous drum sound. Recording levels are a touch low so crank it up, don’t worry it sounds MUCH better loud! ELECTRIC SUN Hammersmith Odeon London, England May 23, 1983 THE BAND Uli Jon Roth Guitar vocals Ule Ritgen Bass Backing Vocals Clive Bunker Drums Simon Fox Drums percussion David Lennox keyboards Jenni Evans Vocals Dorothy Patterson Vocals Disc 1 1 -Intro 2 -Icebreaker 3 -Firewind 4 -What Is Love 5 -Why? 6 -Enola Gay - Hiroshima Today 7 -Angel of Peace 8 -Return (Chant Of Angel) 9 -Cast Away Your Chains Disc 2 10 -Virgin Killer 11 -Drum & Percussion Solo 12 -Electric Sun 13 -The Night The Master Comes 14 -Polar Nights 15 -Beethoven 16 -Hell Cat 17 -Dark Lady 18 -Midnight Sun  

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