-
Radio Broadcast 9.7 -
Audience 7.8 - This is well worth getting if you want to know what was happening before the big time. Good big hall sound, not overly echoey or boomy at all. -
Audience 7.4 - 8.3 - Don’t let the ratings dissuade you from this one – for one thing, the material is all remastered and sounding as good as possible, which in most cases you will find it sounds better than most of the mid 70’s Top audience tapes out there. The never before circulated 1969 material sounds particularly good, in fact you might be quite astonished at how good it is. -
Audience 8.8 - Well here it is folks, the BEST early vintage ZZ Top recording to ever surface. We already gave up a long time ago that the band would dig into their archives for us, but now it’s been completely left up to the fans to provide the early documents…and for better or worse they have (mostly worse). After all this time a tape has surfaced that presents a powerful early testament to the rocking blues power of ZZ Top before they “made it” to the FM bigtime. The hits were already in the repertoire, but only hinting at the massive success to come. This is the REAL DEAL – a clear, loud, balsy tape from very early in the bands career. ZZ Top Hec Edmundson Pavilion Seattle, WA December 5, 1973 01 Thunderbird 02 (Somebody Else Been) Shaking Your Tree 03 Chevrolet 04 Waitin' For The Bus 06 Jesus Just Left Chicago 06 Gonna Ride Away (?) 07 Beer Drinkers and Hell Raisers 08 I Just Got Back From Baby's 09 Rattlesnake Shake 10 La Grange 11 Let's Go Get Stoned + Mellow Down Easy -
Audience 8.6 - What this old tape delivers in terms of sonic clarity and atmosphere for such a vintage ZZ Top performance has to rank it at the top of the list of must-haves for ANY collector of this band’s music. Yes, it is nothing short of a revelation, uncovering a lot of the muck, dirt, mud and distortion that most, if not all, of the early and mid ‘70’s bootlegs seem to have present. That is not to say this tape is “excellent” or even “great” as far as how it would be measured in a laboratory, but the lab is your own ear, and your mental tape measure for previous examinations of early Top. What I am saying is, this tape allows you to hear not just Billy’s immense tone, but also the notes played on bass, and they are separate just enough to let you get a bona fide realistic feel for what this concert sounded like – you can sense position, size (of venue), PA, crowd, pretty much all of the elements of a gig in a VERY reasonably well documented way by taper. Some hiccups, nothing major or too distracting and thankfully brief, and some between song hollering near the mic but music comes through without much frustration and man, that tone! Oh, and it must have been a really good night for the guys, they are playing fluidly and in high spirits. Kudos to whoever remastered this gem, or I should say whoever remastered this tape created a real gem. ZZ Top Overton Park Shell, Memphis, Tennessee (Memphis Country Blues Festival) 1971-04-25 Disc 1 1) Every Day I Have The Blues 2) Somebody Else Been Shaking Your Tree 3) Neighbor Neighbor 4) Just Got Back From Baby's 5) Whiskey 'N' Mama 6) Rattlesnake Shake 7) Goin' Down To Mexico Disc 2 8) Instrumental Improvisation 9) Memphis Blues 10) Little Queenie 11) It's My Time 12) Drums & Bass Solo 13) Brown Sugar 14) Jailhouse Rock -
Audience 7.2 - Not a well defined sound, I think drums are fine with a nice staccato sound. The guitar has a particular bite to it though, I am probably too harsh of a judge here since 70’s ZZ Top recordings are few and far between. -
Audience tape of mediocre quality, about a 5.4 rating - maybe, but here's the thing - there are a handful of live tapes of this band from this vintage or thereabouts - until the band release what they have, this is all we will ever get. It's two discs worth of vintage ZZ Top before they made it big - I can deal with the mediocre sound. -
Soundboard 9.6 - A high point of this show is the song "We're Barefootin'", the only known performance of the song. There's the "Crosses Sermon", from none other than Rev. Willie G. and one helluva La Grange Medley too! Great vibe and the crowd is insane. Ahhhh, the good 'ol days! ZZ Top April 15th, 1980 (Deguello Tour) Pine Knob, Claskston, MI 01. -I Thank You 02. -Waitin' For the Bus 03. -Jesus Just Left Chicago 04. -Precious And Grace 05. -Francine 06. -I'm Bad, I'm Nationwide 07. -Manic Mechanic 08. -Heard It On The X 09. -Fool For Your Stockings 10. -Nasty Dogs & Funky Kings 11. -We're Barefootin' 12. -Cheap Sunglasses 13. -Beer Drinkers & Hell Raisers 14. -La Grange - Sloppy Drunk - BBQ Medley 15. -She Loves My Automobile (Lone Wolf Horn Section) 16. -Hi-Fi Mama (Lone Wolf Horn Section) 17. -Tush -
Audience 7.8 - What I like about this tape is that the guitar is not only right up front, but the tone is present, you can hear that lush Les Paul phatness! Not a spectacular mix for the bass and drums but if you want Billy you got him. -
Audience 8.3 - Whenever you come across any 70’s ZZ Top, your instantly going to ask “how does it sound”? because we all know how rough most of them are – but this one reveals layers of the band previously lost in a dense fog of distortion and volume – an articulate bass. Billy’s tone is lovely as ever but only his solos soar above the rhythm section who are LOUD but not distorted. One to pick up! -
Audience 8.5 - This band, while known as a blues band, played at rock and roll volume. That is why most of their 70’s recordings are either muddy or distorted. This one is creeping up to the very edge of distortion but it does not cross over – it does max out the headroom of the tape though. Look at the rating, it’s a very, very good recording considering the scarcity…and the amazing set list! Come on, if you are a fan, dive into this one! -
Audience 8.6 - A tape that starts off pretty rough and then gets better and better until it is quite good and clear, especially nice when you consider that it has taken the better part of 40 years to start getting half decent ZZ Top live recordings. -
Audience 8.4 - Another one of those audience recordings that, while being listenable and clear, does not have a great separation of instruments or vocal clarity. That being said, this recording is certainly worth having, because it’s not a pile of muddy crap – it’s very listenable. Features a packed set list too. ZZ Top Broome County Veterans Memorial Arena, Binghamton, NY March 8, 1977 Band line-up Billy Gibbons - guitar, vocals Dusty Hill - bass, vocals Frank Beard - drums, percussion Total Time = 01:28:56 Disc One 01 Thunderbird 02 Chevrolet 03 Precious & Grace 04 Waitin' On The Bus 05 Jesus Just Left Chicago 06 Enjoy & Get It On 07 Pan Am Highway Blues 08 It's Only Love 09 Ten Dollar Man 10 Movin' On Down The Line 11 Heard It On The X 12 Balinese 13 Arrested For Driving While Blind 14 Nasty Dogs & Funky Kings Disc Two 15 She's A Heartbreaker 16 Beer Drinkers & Hell Raisers 17 Blue Jean Blues 18 Rattlesnake Shake 19 La Grange 20 Mexican Blackbird 21 Backdoor Love Affair 22 Tush 23 Goin' Down To Mexico 24 Mellow Down Easy -
Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it. -
Pro Soundboard 9.6 -
Audience 9.7 - Superb in just about every category, and literally surpasses whatever kind of “perfection” you may imagine you get with a board tape. This is how one should relive a live concert, by listening to a tape made by guys who used excellent gear, sat in the best spot, and were respectful the whole show (in fact the whole audience is). Vibrant, clear, flawless mix, great atmosphere…what else could make this better? Even the performance is amazing, with great special guests, it’s one for the collection for sure. MUST HAVE!! Zappa Plays Zappa Special Guests Steve Vai & Ray White Yokohama Blitz, Japan 2008-01-23 Dweezil Zappa(Guitar) Scheila Gonzalez(Saxophone, Flute, Keyboards & Vocals) Billy Hulting(Marimba, Mallets & Percussion) Aaron Arntz(Keyboards & Trumpet) Pete Griffin(Bass) Jamie Kime(Guitar) Joe Travers(Drums & Vocals) Special Guests: Ray White(Guitar and Vocals) Steve Vai(Guitar) Disc 1 01. -Eat That Question (11:27) 02. -Cosmik Debris (08:33) 03. -The Illinois Enema Bandit (11:22) 04. -Joe's Garage (05:44) 05. -Wind Up Workin' in a Gas Station - San Ber'dino (09:20) 06. -Pygmy Twylite (10:11) Disc 2 07. -Dupree's Paradise - Uncle Remus - Willie the Pimp (38:02) 08. -Andy (06:52) 09. -Filthy Habits (08:35) 10. -Advance Romance (09:45) Disc 3 11. -What's New in Baltimore? (05:08) 12. -Peaches En Regalia (03:49) 13. -I'm The Slime - Echidna's Arf (Of You) (08:59) 14. -City of Tiny Lights (10:07) 15. -Yo' Mama (13:04) 16. -G-spot Tornado (03:24) 17. -Muffin Man (10:00) -
Audience 9.0 - Nice and clear, with a sharply defined and articulate high end of the spectrum. During full band loud jam sections I find the guitar too low in the mix, but just fine in most of the sections where the overall band intensity is not as high (like during Zoot Allures, for instance). Overall it’s quite a tour de force this show – and brilliant on point guitar pyrotechnics abound. ZAPPA plays ZAPPA Date: 2007-12-04 Venue: Enmore Theatre, Sydney, Australia CD1: Stink Foot (FZ on video screen) Cheepnis Lonely Little Girl Eat That Question Son Of Suzy Creamcheese Brown Shoes Don't Make It Zoot Allures Pygmy Twylite CD2: Audience Participation Time Dupree's Paradise (with aussie icons Irwin Thomas [aka Jack Jones] and Johnny Diesel [aka Mark Lizotte]) Uncle Remus Willie The Pimp Andy I'm The Slime Echidna's Arf Dumb All Over (FZ on video screen) What's New In Baltimore? Advance Romance Filthy Habits City of Tiny Lights CD3: Cosmic Debris (FZ on video screen) G-Spot Tornado Muffin Man The band: Dweezil Zappa: guitar Ray White: vocals, guitar Joe Travers: drums Billy Hulting: percussion Scheila Gonzalez: keyboards, saxophone, vocals Aaron Arntz: keyboards, trumpet Pete Griffin: bass Jamie Kime: rhythm guitar With special guests: Steve Vai: guitar (from Andy onwards) Irwin Thomas [aka Jack Jones]: guitar (Dupree's Paradise) Johnny Diesel [aka Mark Lizotte] : guitar (Dupree's Paradise) -
Audience 9.5 - Outstanding! Yes, it’s just another killer quality audience tape that seems to be the hallmark for the Zappa legacy. Probably because you have devoted fans keen on preserving the experience and doing it with care, and an artist who diligently worked hard to provide a high quality audio experience. ZAPPA PLAYS ZAPPA Sentrum Scene Oslo, Norway November 24, 2013 Disc 1 01. Intro 02. The gumbo variations 03. Dweezil's intro to "Roxy and elswhere" 04. Penguin in bondage 05. Pygmy twylyte 06. Dummy up 07. Village of the sun 08. Echidna's arf (of you) 09. Don't you ever wash that thing 10. Cheepnis 11. Son of orange county 12. More trouble every day Disc 2 13. Be bop tango 14. Florentine pogen 15. Teenage wind 16. Teenage prostitute 17. The black page # 1 (drum solo) 18. The black page # 2 19. Dweezil talks 20. I come from nowhere 21. Dweezil talks 22. The duke of prunes Disc 3 23. Peaches en regalia - Intro to... 24. The torture never stops - Audience ovations 25. Encore intro 26. Watermelon in easter hay 27. Dweezil talks 28. Zombie woof 29. Muffin man Dweezil Zappa: guitar, vocals Scheila Gonzalez: saxophone, flute, keyboards & vocals Ben Thomas: vocals, trumpet, trombone, percussion Chris Norton: keyboards, vocals Kurt Morgan: bass Ryan Brown: drums -
Audience 9.3 - Again, we discover that yes some people do really know how to use stealth recording gear to great effect. Lovely balance, warm, in the pocket and thankfully so because this tour was perhaps him at his peak. That is not to say he does not perform well now, it is just that this tour seems to have them so up and enthusiastic almost every show, with great special guests and great set lists. Zappa Plays Zappa The Bridgewater Hall, Manchester, UK 2009.06.17. Disc 1. 01. -Apostrophe 02. -Purple Lagoon 03. -Magic Fingers 04. -Carolina Hardcore Ecstasy 05. -lumpy Gravy 06. -Montana 07. -Village Of The Sun 08. -Echidna's Arf 09. -Don't You Ever Wash That Thing 10. -Dirty Love 11. -Gas Station 12. -Inca Roads Disc 2 13. -Outside Now 14. -Bamboozled By Love 15. -A Pound For A Brown 16. -Zomby Woof 17. -Peaches En Regalia 18. -Cosmic Debris 19. -Yellow Snow 20. -Willie The Pimp -
Audience 9.6 - This is a special set, not just because it also contains the complete soundcheck but because it is stunning quality and off the hook performance. Like I have said before, I think this is the best Dweezil ever sounded. Zappa Plays Zappa House of Blues Cleveland, Ohio July 3, 2009 Disc 1 01 Intro / Crowd 02 I'm the Slime 03 Montana 04 Wind Up Workin' in a Gas Station 05 Village of the Sun 06 Instrumental 07 Instrumental 08 Instrumental 09 Black Page No. 1 10 Black Page (Melody) 11 Inca Roads 12 Pygmy Twilight 13 Bamboozled by Love 14 Instrumental Disc 2 15 Instrumental 16 Instr / Drum Solo 17 Lucille 18 Outside Now 19 Titties 'n Beer (Fragment) 20 Cosmik Debris 21 Peaches en Regalia 22 Trouble Every Day 23 Encore applause 24 Zombie Woof 25 Don't Eat the Yellow Snow 26 Willie the Pimp 27 Outro / Crowd Disc 3 ZPZ soundcheck (same date, venue, source) 01 guitar 02 guitar 03 guitar 04 guitar 05 instrumental 06 Wind Up Workin' in a Gas Station 07 Discussion 08 San Ber'dino 09 San Ber'dino II 10 San Ber'dino III 11 Trouble Every Day 12 Pygmy Twilight 13 Discussion 14 Penguin in Bondage 15 Inca Roads (jam) 16 St. Alphonzo's Pancake Breakfast 17 guitar 18 guitar 19 guitar 20 guitar -
Pro Recording 9.1 - The engineers for this live recording opted to not close mic so you have a live recording with lots of atmosphere and probably sounding truer to the actual event than a pure soundboard. The bass is well recorded here, normally you’d expect the sound mix to favor only guitar as that is what the fans are wanting most – but here the mix is rather democratic. Good job! Yngwie Malmsteen Live at Sun Plaza Hall Tokyo.Japan 1985-01-24 01.Intro - I'll See The Light, Tonight 02.As Above, So Below 03.Don't Let It End 04.Far Beyond The Sun 05.On The Run Again 06.Anguish And Fear 07.Icarus'Dream Suit - I Am A Viking 08.Hiroshima Mon Amour 09.Black Star 10.Jet To Jet 11.Kree Nakoorie 12.Guitar Solo 13.Disciples Of Hell Yngwie Malmsteen-Guitars Jens Johansson-Keyboards Marcel Jacob-Bass Jeff Scott Soto-Vocals Anders Johansson-Drums -
Audience 7.4 - Vocals and Guitar are audible above the denseness. Not a clear tape, but surprisingly it is very quiet meaning I believe this is VERY low generation if not from a master source. Decent for 1971, we take what we can get! -
Audience 7.7 - Thin sound but guitar and vocals very present. Not all that bad really. Can enjoy this one. -
Audience 8.0 - A good reference recording, does not deliver a palette full of dynamic sound colorization or anything like that but it is a pretty clear, one-dimensional recording. One thing I can say is that collectors will want this, as any 1972 show is well worth having in my opinion and this one is very decent even if it lacks a solid low end (not necessarily thin, just not a lot of bottom). -
Audience 9.3 - Extremely vibrant and dynamic recording. -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49) -
Audience 7.5 - Total audience immersion. Great package but not a great recording. -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-09 Tokyo, Japan- Close To The East (LIGHTHOUSE) part2 Artist: Yes Date: 1973-03-09 Venue: Shibuya Kokaido Location: Tokyo, Japan Disc 1 3.01 Firebird Suite (1.21) 3.02 Siberian Khatru (9.59) 3.03 I've Seen All Good People (7.34) 3.04 Heart Of The Sunrise (11.40) 3.05 Mood For A Day (3.21) 3.06 The Clap (3.43) 3.07 Colours Of The Rainbow (1.12) 3.08 And You And I (9.37) Disc 2 4.01 MC (1.16) 4.02 Close To The Edge (19.06) 4.03 Rick Wakeman Solo (9.27) 4.04 Roundabout (7.58) 4.05 Yours Is No Disgrace (13.42) 4.06 Starship Trooper (11.09) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-10 Tokyo, Japan Artist: Yes Date: 1973-03-10 Venue: Kanda Kyoritsu Kodo Location: Tokyo, Japan Disc 5 5.01 Firebird Suite (1.57) 5.02 Siberian Khatru (9.51) 5.03 I've Seen All Good People (7.19) 5.04 Sakura Sakura (1.23) 5.05 Mood For A Day (3.25) 5.06 MC (0.26) 5.07 The Clap (4.13) 5.08 Heart Of The Sunrise (12.30) 5.09 And You And I (9.51) Disc 6 6.01 Close To The Edge (20.12) 6.02 Rick Wakeman Solo (8.59) 6.03 Roundabout (11.23) 6.04 Yours Is No Disgrace (17.21) 6.05 Starship Trooper (8.58) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-08 Tokyo, Japan Artist: Yes Date: 1973-03-08 Venue: Koseinenkin Kaikan Location: Tokyo, Japan Disc 1 1.01 Firebird Suite (2.23) 1.02 Siberian Khatru (9.20) 1.03 I've Seen All Good People (7.39) 1.04 Heart Of The Sunrise (11.03) 1.05 Mood For A Day (3.23) 1.06 The Clap (5.00) 1.07 And You And I (10.41) 1.08 Close To The Edge (18.23) Disc 2 2.01 Rick Wakeman Solo (8.33) 2.02 Roundabout (10.52) 2.03 Yours Is No Disgrace (13.05) 2.04 Starship Trooper (10.55) -
Audience 8.7 - If you took any audience tape from 1983 with an 8.7 rating, this show would still sound better because for some reason, I guess maybe it’s the microphones or something, but recordings made in the 70’s have more of a warmth, a more natural texture and quality to the sound. -
Audience 8.8 - Decent sound quality with good low end which helps immensely. The louder you crank this the more realistic it gets. Mix-wise, I hear guitar maybe a little low, but bass, drums, vocals especially present. -
CD 1 - London Roundhouse 1971 – Aud 7.6 - Can hear it all, but there is some hiss present. CD 2 - Amougies 1969 – Audience 7.8 - Some tape hiss, but can hear every instrument. Not a full rich sound by any means, it’s an audience tape from 1969, but that being said I still enjoyed it and it’s a pretty frenetic show, a little unhinged even. -
Soundboard 9.5 - Right here, this is the one to get from this tour. Sparkling! Note: Of all the Yes shows I have heard, and I have heard many, although there are many close seconds, for some reason this is my all time favorite. The Audio is superb and the vibe is present with both the audience and the band. Stunning! -
Audience 8.8 - A warm and inviting recording that spreads the audio spectrum out very evenly. May be from midway back in the hall, as it is not super sharp, but likewise it is also not too echoey or bassy either. It is a pretty atmospheric sound, with guitar leads swirling above and around adding to the liveness of the recording. -
Audience 8.6 -
Audience 8.8 - This is a tape that does improve as it goes ultimately coming to a comfortable place, and one might say it is warm and well balanced. When I hear this I can better appreciate this period of the band, when they were experimenting with their music trying to find a place in the changing world of FM radio and top 40. Does that make it bad? I used to shake my head, but now I understand it, and I find that what they were doing was NEEDED in order to prevent ALL music from that time period sucking so much. YES Civic Center Portland ME USA 02.09.1980 CD 1 (73:20): 01 Does It Really Happen? 02 Yours Is No Disgrace 03 Into The Lens 04 The Clap 05 And You And I 06 Go Through This 07 Man In A White Car Suite 08 We Can Fly From Here 09 Tempus Fugit 10 Amazing Grace - Whitefish CD 2 (77:25): 01 Machine Messiah 02 Starship Trooper 03 Roundabout 04 Can You Imagine?* 05 Telephone Secrets* 06 Mind Drive* 07 Fortune Hunter* 08 You Don't Know+ 09 Make It Easy+ 10 Open Your Box+ * tracks: XYZ session feat. Chris Squire, Alan White & Jimmy Page, april 1981 + tracks: Cinema rehearsals, 1982 -
Audience 7.8 - The better between the two Paris 1977 shows in my opinion. -
Audience 7.4 (7.8 in quieter parts). -
Radio and TV Broadcast 8.7-9.7 - Thankfully most of this material falls into the high 9’s in terms of audio quality but the compilation wins high points for presenting a chronological look into the bands broadcasts on TV in 1969. So, it’s nice to hear progressive rock’s development during the year. YES 1969 "Something's Coming To TV" Disc 1 01. Something's Coming BBC Top Gear Radio Session #1 (Jan69) 02. Something's Coming BBC Top Gear Radio Session #2 (Feb69) 03. Something's Coming Down Broadway, Sheffield, UK (690224) 04. Something's Coming Studio Outttake #1 (Spring69) 05. Something's Coming Studio Outttake #2 (Spring69) 06. Looking Around - BBC Johnnie Walker Show (690604) 07. Every Little Thing - BBC Johnnie Walker Show (690604) 08. Sweetness - BBC Symonds On Sunday (690804) 09. Everydays - BBC Symonds On Sunday (690804) 10. Every Little Thing - BBC Symonds On Sunday (690804) 11. Something's Coming BBC Studios, Symonds On Sunday (690804) 12. Something's Coming Big Apple Club, Wiesbaden, GE (690826) Disc 2 01. Something's Coming Grugenhalle, Essen, Germany (691009) 02. Beyond & Before - Pop-Eye TV, Brussels BE (691015) 03. Survival - Pop-Eye TV, Brussels BE (691015) 04. Beyond & Before - French TV (691123) 05. Dear Father - Chikito Club, Bern SWI TV (691127) 06. Everydays - Chikito Club, Bern SWI TV (691127) 07. Sweetness - Chikito Club, Bern SWI TV (691127) 08. Something's Coming Chikito Club, Bern, Switzerland (691127) 09. No Opportunity Necessary - Radio Bremen GE (691129) 10. Looking Around - Radio Bremen GE (691129) 11. Survival - Radio Bremen GE (691129) 12. Looking Around - TV Studios, Zürich SWI (691201) 13. Beyond & Before - TV Studios, Zürich SWI (691201) Bass, Vocals – Chris Squire Drums, Vibraphone – Bill Bruford Guitar, Vocals – Peter Banks Lead Vocals, Percussion – Jon Anderson Organ, Piano – Tony Kaye -
Audience 8.6 - The key to enjoying this show is you have to turn it up very loud as the levels are low. -
Audience 8.4 - A very good 8.4! So what I mean is, as any die hard Yes collector will probably agree with me on, is that the 1978 and 1979 period of Yes is perhaps their absolute zenith. This performance here is right up there with the best of the best, and the rating might be misleading because while it is maybe on the “average” side, it is still a good representation, giving you pretty good stage sound balance but maybe missing a little separation of instruments (drums get a little buried)- but overall this one should be thoroughly enjoyed by the Yes fan as it’s all here, and reasonably good too! -
Audience 7.2 - Crowded in the middle, with more definition contained in the upper frequencies, but too much clutter for me on this one. Good for the serious collector, as most people know the band really hit their stride on the European leg of this tour. -
Audience 8.8 - Clear solid and a good live mix where everything is clearly heard. -
FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo - 5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18) -
Audience 7.4 - Thin sounding and narrow but can probably benefit from some EQ. Start with the bottom end. -
Audience 9.2 - A tremendous, lively recording with LOADS of nice atmosphere provided by the receptive audience. The legendary Quebec ’79 tape now has some company! Yes Mecca Arena Milwaukee, WI April 26, 1979 Disc 1 01. -Radio Promo 02. -Close Encounters of the Third Kind 03. -Siberian Khatru 04. -Heart Of The Sunrise 05. -Future Times - Rejoice 06. -Circus Of Heaven 07. -Introduction of the Anniversary Medley 08. -Time And A Word - Long Distance Runaround - Survival - The Fish (Schindleria Praematurus) -Perpetual Change - Soon Disc 2 01. -The Clap 02. -Starship Trooper 03. -And You And I 04. -Rick Wakeman Solo 05. -Awaken 06. -Tour Song 07. -I've Seen All Good People 08. -Roundabout -
Audience 7.4 - Decent for the time and you can hear ever instrument and clearly enough so I think this was remastered. It is a very good 1971 audience recording. It does lack a little depth in my opinion.