• Audience - 9.5, 8.5, 8.8  We start with a real cracker of a tape, recorded close up with excellent gear…hard to put this down it is extremely captivating. Then we have a first – the first gig in Europe by the band, and it is a very good tape but we are going to feel the difference between this and the first disc. It’s not got the dynamics of the ’77, but it is considered a very good tape nonetheless. The final disc contains a very good recording with plenty of atmosphere and some dynamics, maybe a touch of clutter in a very specific mid band frequency but it is minor to my ears. It’s a real enjoyable tape! Kansas "The Live Collection 1977-1979" Long Beach Arena Long Beach, CA December 31, 1977 Disc 1 01 Magnum Opus Intro > Hopelessly Human 02 Point Of Know Return 03 Paradox 04 Icarus (Borne On Wings Of Steel) 05 Child Of Innocence 06 Closest Chronicles 07 Dust In The Wind > 08 Acoustic Guitar Solo 09 Piano Solo > 10 Lonely Wind 11 Cheyenne Anthem 12 Miracles Out Of Nowhere 13 Drum Solo > 14 The Spider Disc 2 Long Beach 77 cont'd 01 Portrait (He Knew) 02 Sparks Of The Tempest 03 Carry On Wayward Son 04 Down The Road 05 Violin Solo 06 Magnum Opus Congresgebouw Den Haag, Netherlands 3-7-78 07 Carry on Wayward Son 08 Down the Road 09 Point of Know Return 10 Paradox 11 Closet Chronicles 12 Mysteries & Mayhem 13 Lamplight Symphony 14 The Wall 15 Dust in the Wind 16 Cheyenne Anthem Disc 3 Convention Center Tucson, Az 12-7-79 01 On the Other Side 02 People of the South Wind 03 Point of Know Return 04 Closet Chronicles 05 The Wall 06 Dust in the Wind 07 Sparks of the Tempest 08 Child of Innocence 09 Down the Road 10 Stay Out of Trouble 11 Portrait (He Knew) 12 Band Introductions 13 A Glimpse of Home 14 How My Soul Cries Out For You 15 Carry on Wayward Son
  • Audience 8.5/8.7 - Both tapes are not well known, and are pre-Close To The Edge making them quite interesting to the fans of early period Yes. Both tapes sound pretty good, with the nod going to Tucson for just that little bit of clarity it has overall. There’s enough dynamics, atmosphere, and clarity to allow the listener to settle in to each show and appreciate the details (great ripping Hammond work by Wakeman throughout). Good to have these shows in the collection. Yes Forum Inglewood, CA, USA March 15, 1972 Disc 1 01 Firebird Suite Intro (2:09) 02 Roundabout (7:33) 03 Heart Of The Sunrise (11:15) 04 Perpetual Change (10:12) 05 I've Seen All Good People (6:43) 06 Yours Is No Disgrace (11:51) Disc 2 Community Center Tucson, AZ, USA March 16, 1972 01 Roundabout (7:54) 02 I've Seen All Good People (7:05) 03 Mood For A Day (3:31) 04 Clap (3:56) 05 Heart Of The Sunrise (11:08) 06 Rick Wakeman Solo (5:28) 07 Long Distance Runaround (4:09) 08 The Fish (11:00) 09 Perpetual Change (9:13)
  • Audience  9.3 - Super clear, super realistic, the crowd is with him, of that there is no doubt. Warm sounding, and great balance, very vivid tape, memorable concert. Peter Gabriel The Clubhouse Santa Ana, CA June 17, 1980 01 Intruder 02 The Start/I Don't Remember 03 Solsbury Hill 04 Family Snapshot 05 Milgram's 37 06 Modern Love 07 Not One Of Us 08 Lead A Normal Life 09 Moribund The Burgermeister 10 Mother Of Violence 11 Humdrum 12 Gabriel announces the show must end  
  • Audience 8.7 - A very good tape for the time, and what a good time it is for the Stones. What I really enjoyed the most about this recording is how clear Mick Taylor is in the mix. It’s not a super bright sounding tape, and it is not muddy, it is better than average but it shines in atmosphere, performance, and vibe. The band is clearly enjoying the show as much as the audience is. A keeper! The Rolling Stones NICARAGUAN BENEFIT CONCERT FOR THE VICTIMS OF EARTHQUAKE The Forum, Inglewood, Los Angeles, CA on January 18th, 1973 Disc 1: 01. -Introduction 02. -Brown Sugar 03. -Bitch 04. -Rocks Off 05. -Gimme Shelter 06. -Route 66 07. -It's All Over Now 08. -Happy 09. -Tumbling Dice 10. -No expectations Disc 2: 01. -Sweet Virginia 02. -You Can't Always Get What You Want 03. -Dead Flowers 04. -Stray Cat Blues 05. -Live With Me 06. -All Down The Line 07. -Rip This Joint 08. -Jumpin' Jack Flash 09. -Street Fighting Man
  • Audience 8.2/8.6  - The recording starts out borderline, probably due to taper position…but hang in there because midway through the 4th song it improves and becomes a more interesting document because of it, First of all, it’s literally Bob Seger in the peak of his powers with a handful of chart toppers to display proudly. Normally that would not move me, but Bob Seger is old school, he delivers the goods even if his songs are considered “mainstream”, I mean, its good rock and roll no matter what. I love this document for many reasons. Bob Seger Hippodrome de Pantin Paris, France 10-3-77   01 Nutbush City Limits 02 Rock and Roll Never Forgets 03 Travelin Man > 04 Beautiful Loser 05 Turn the Page 06 Get Out of Denver 07 Main street 08 Mary Lou 09 Fire Down Below 10 Sunburst 11 Ramblin Gamblin Man > 12 Heavy Music > 13 Katmandu 14 Night Moves 15 Let it Rock
  • Audience 8.8 - This is a tape that does improve as it goes ultimately coming to a comfortable place, and one might say it is warm and well balanced. When I hear this I can better appreciate this period of the band, when they were experimenting with their music trying to find a place in the changing world of FM radio and top 40. Does that make it bad?  I used to shake my head, but now I understand it, and I find that what they were doing was NEEDED in order to prevent ALL music from that time period sucking so much. YES Civic Center Portland ME USA 02.09.1980 CD 1 (73:20): 01 Does It Really Happen? 02 Yours Is No Disgrace 03 Into The Lens 04 The Clap 05 And You And I 06 Go Through This 07 Man In A White Car Suite 08 We Can Fly From Here 09 Tempus Fugit 10 Amazing Grace - Whitefish CD 2 (77:25): 01 Machine Messiah 02 Starship Trooper 03 Roundabout 04 Can You Imagine?* 05 Telephone Secrets* 06 Mind Drive* 07 Fortune Hunter* 08 You Don't Know+ 09 Make It Easy+ 10 Open Your Box+ * tracks: XYZ session feat. Chris Squire, Alan White & Jimmy Page, april 1981 + tracks: Cinema rehearsals, 1982
  • FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo -  5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18)  
  • Audience 9.2 - A recording that does more than merely capture a live concert on tape, it captures the dynamics and palpable vibe of the event. This is lovely stuff, with the band delivering stunning readings of majestic progressive rock numbers like Sound Chaser and Close To The Edge. To be honest, sometimes the overly jazzy keyboards of Moraz do conflict with the style and sound of the band but mostly he is able to provide the correct sounds during the key parts. Yes Hollywood Bowl Los Angeles, CA June 21, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium Disc 2 06 Your Move 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams
  • Audience 9.1 - A recording that delivers everything that you want, especially the guitar tone which is simply glorious. You would be forgiven if you thought “hey am I listening to the Stones right now?” but remember, it was The Stones that sounded like Mick Taylor not the other way around! Great stuff! Mick Taylor with the Jimmy Woods Band 11th Annual Adams Avenue Street Fair, San Diego, CA September 19, 1992 Band members: Mick Taylor : guitar, vocals Jimmy Wood : vocals, harmonica, guitar Jimmy King : guitar, backing vocals Greg Boaz : bass, backing vocals David Salinas : drums Disc 1 01 introduction 02 Badmouth Momma 03 Hoodoo Thing 04 How It Feels 05 You Shook Me Disc 2 06 Shake Your Hips 07 You Don't Miss Your Water 08 You Gotta Move 09 Band Intros 10 Cairo Motel Total Time = 01:32:13
  • Audience 8.3 - Both shows recorded by same taper so sound quality consistent throughout. This is another one of those “right in the middle of the action” tapes, where literally you sense the surroundings, and settle yourself in to what will be a wild night of rock and roll music. Quality is decent, without too much in the way of dynamics, but also this is not a muddy, crappy recording, it’s just not showcasing a wide range of tones. What you do get is a total immersion, and a very real sense of the electricity in the air (and in the excitable crowd). FOGHAT Music Hall Boston MA. May 3rd 1973 THE BAND Dave Peverett rhythm guitar vocals Rod Price lead guitar slide guitar Tony Stevens bass Roger Earl drums Disc 1 1 -Intro 2 -Road Fever 3 -What A Shame 4 -Shes Gone 5 -Leaving Again (Again) 6 -I Just Want To Make Love To You 7 -Who Do You Love 8 -Lousiana Blues JOHNNY WINTER Music Hall Boston MA. May 3rd 1973 THE BAND Johnny Winter guitar vocals Randy Jo Hobbs bass Richard Hughes drums Disc 2 1 -Tune Up - Intro 2 -Rock Me Baby 3 -Can't You Feel It 4 -Rock And Roll Hoochie Coo 5 -Great Balls Of Fire 6 -Long Tall Sally 7 -Black Cat Bone Disc 3 8 -Jumpin` Jack Flash 9 -Let It Bleed 10 -Everyday I Have The Blues 11 -Back Door Friend
  • Excellent Soundboard recording of a highly regarded Texas rock group prominent in the mid '70's. They played an original, hybrid progressive, upbeat hard rock along with more Austin, Texas flavored "Tex-Mex" Southern infused rock and roll...like I said a hybrid style.  Unfortunately it did not take hold anywhere outside of Austin, so it remained undiscovered but certainly in Texas the name is extremely well respected as it should be. Well worth discovering for yourself!
  • Radio Broadcast & Audience 8.8/8.5 - The radio material sounds its age but is a fine document in good enough shape to give you a deeper appreciation for this hugely influential band. The audience material is from a small club, and therefore does not suffer stadium sound problems meaning you can hear everyone pretty solid especially the guitar which is great. I am happy to be able to hear these recordings knowing a little background on the band and how they forged their own path in the music industry. A bit of ancient historical importance on the 1974 show, Judas Priest opened and come on at the end to jam with Budgie making it the first recorded appearance of Judas Priest on tape! Budgie 1972-10-10 Paris Theater London UK Burke Shelley - bass, vocals Ray Phillips - drums Tony Bourge - guitar Disc 1 1. -Talk 2. -Rape of the Locks 3. -Talk (includes station announce) 4. -Rocking Man 5. -Talk 6. -Hot As a Docker's Armpit 1974-02-11 Marquee London line-up: Burke Shelley Tony Bourge Pete Boot 7. Intro 8. Breadfan 9. Hammer And Tongs (early version) 10. You're The Biggest Thing Since Powdered Milk 11. Parents Disc 2 1. Zoom Club 2. Running From My Soul 4. The Stumble (instrumental version) 5. Running From My Soul (reprise, jam with Judas Priest)
  • Audience 8.8 - Easily one of the best audience recordings of the tour. Very close to the main P.A. system on Tony’s side of the stage, this puts Ozzy a little in the background but not so much he cannot be heard reasonably well. It’s just, well, it’s the sheer POWER on display by the band that makes this one so special and that the recording manages to deliver that without glaring problems (and in 1973, wow!) is a miracle. Black Sabbath 1973.02.21, Palazzo delle Esposizioni E.I.B., Brescia, Italy 01. Tomorrow's Dream 02. Sweet Leaf 03. War Pigs 04. Snowblind 05. Killing Yourself to Live 06. Wicked World 07. Orchid>Guitar solo 08. Orchid 09. Guitar solo 10. Rock Jam 11. Blues Jam 12. Wicked World reprise 13. Embryo 14. Children Of The Grave 15. Paranoid
  • Audience 8.8 - This is the good stuff, seriously good I mean. What you are getting in this one is a band really unstoppable, with a monstrous hit in Frankenstein that the audience is going nuts for and for good reason – a penultimate version that will leave you completely floored. Very strong recording puts you in the action with a front row seat. I love it! EDGAR WINTER WITH RICK DERRINGER BOSTON MUSIC HALL BOSTON, MA SEPTEMBER 10, 1974 THE BAND Rick Derringer guitar vocals Dan Hartman bass vocals Chuck Ruff drums Edgar Winter Clavinet Mellotron organ piano synthesizer vibraphone saxophone vocals SET LIST CD 1 1 -JUST PLAYING THAT ROCK AND ROLL 2 -JUST AROUND THE BAND 3 -HANGING AROUND 4 -MAKE IT FUNKY 5 -WE'RE GONNA GET TOGETHER 6 -UNCOMPLICATED 7 -EAST STREET 8 -FREE RIDE CD 2 1 -ROCK AND ROLL HOOCHIE COO 2 -TEENAGE LOVE AFFAIR 3 -FRANKENSTEIN 4 -UNDERCOVER MAN 5 -DO LIKE ME
  • Audience 8.4 - This tape was made by a very sincere taper, you can clearly tell the person tried very hard to make it work. I think, if I had to guess, the problem was not him, it was more than likely improper microphone type and simple passage of time, because this is a clear and strong tape that falls a little short in some aspects making it a little above average where it could have been amazing. The tape struggles through The Lamia, where you get the effects of age and degradation. The audio quality suffers a little bit because of distance, and that robs some dynamics and clarity, but here’s the thing: The equipment was good quality and that comes through as you do get a certain realism, a sense of the venue and atmosphere that the open mic captures. The stereo field on this tape is pretty wide, so my guess is that microphones were hoisted above the audience somewhere middle of the arena. I think I like this tape in some regards, and I definitely do not consider it rubbish and neither will you. One last thought – I found this recording did slowly improve as the show progressed, perhaps dipping a bit at the end of disc one but not catastrophically. Genesis Palace Theater Providence, RI December 8th, 1974 Disc 1 01 Introduction 1:15 02 The Lamb Lies Down On Broadway 4:59 03 Fly On A Windshield 2:31 04 Broadway Melody Of 1974 2:10 05 Cuckoo Cuckoon 2:14 06 In The Cage 8:01 07 The Grand Parade Of Lifeless Packaging 3:05 08 The Story Of Rael -Part I 2:45 09 Back In N.Y.C. 5:53 10 Hairless Heart 2:24 11 Counting Out Time 3:46 12 Carpet Crawlers 5:38 13 Chamber Of 32 Doors 5:49 Total Time 50:30 Disc 2 01 The Story Of Rael -Part II 3:08 02 Lilywhite Lilith 2:53 03 The Waiting Room 5:48 04 Anyway 3:24 05 Here Comes The Supernatural Anaesthetist 2:27 06 Interlude 1:16 07 The Lamia 7:04 08 Silent Sorrow In Empty Boats 3:28 09 The Colony Of Slippermen 8:34 10 Ravine 1:42 11 The Light Dies Down On Broadway 3:31 12 Riding The Scree 4:26 13 In The Rapids 2:06 14 It 4:53 15 The Story Of Henry And Cynthia 2:33 16 The Musical Box 13:12 17 Watcher Of The Skies 8:17 Total Time 78:52

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